Óleo sobre tela pintado à mão no tamanho e moldura de sua escolha, feito sob encomenda pelos nossos artistas. ( Alternar para Impressão
Alternar para Imagem Digital)
Escolha entre os nossos tamanhos pré-definidos que respeitam as proporções originais da obra de arte.
Insira a largura e a altura desejadas para se ajustarem à sua moldura ou parede. Como esta obra é pintada à mão, para um tamanho com proporções diferentes, o artista poderá pintar um pouco mais ao redor da imagem ou reduzir ligeiramente a composição — você escolhe. Enviamos uma maquete digital para sua aprovação antes de iniciar a pintura. A imagem exibida nesta página não representa o resultado real — apenas a maquete mostra o resultado final.
Shipped in a protective tube, ready for your own framer.
Above 105 cm the frame is shipped as a kit for a professional framer — read the details.
Entrega mundial () em 3 a 4 semanas, em vez das 5 semanas padrão. (29 Outubro). Sem comprometer a qualidade.
This elegant plaque features the artist's name and the title of the artwork, finely engraved for a timeless presentation.
It is made from bronze with a refined, elegant finish. The text is precisely laser-engraved for a sharp and permanent result. Measuring 9x2 cm, the plaque is compact yet easy to read. It's built to be durable and scratch-resistant, offering a professional, museum-quality look. Mounting is simple thanks to the included adhesive backing.
The plaque includes essential engraved details such as the artist's name, the title of the artwork, the date it was created, the type of media used-like oil on canvas or watercolor-a brief description of the piece, and a QR code that links to the complete artwork information.
It is crafted from clear acrylic, offering a sleek, modern appearance. The text is UV-engraved in black to ensure strong visual contrast. With a size of 10x15 cm, it ensures optimal readability. It comes equipped with two metal hooks for secure wall mounting. The plaque is designed to be weather-resistant, making it suitable for various environments, and it includes interactive features that work seamlessly with smartphone scanning.
This elegant plaque includes engraved information such as the artist's name, the title of the artwork, the date it was created, the type of media used (like oil on canvas or watercolor), a short description of the artwork, and a QR code for quick access to more information.
The plaque itself is made from refined black acrylic with a premium finish. The text is laser-engraved in white for high contrast and readability. Its size is 10x15 cm, designed to be easy to read. It comes with two metal hooks for professional mounting. The design is sleek and fits any interior style. It is also weather-resistant and durable, with built-in digital integration for mobile compatibility.
Descubra 'Número 1, 1949' de Jackson Pollock: uma obra-prima do Expressionismo Abstrato com sua técnica inovadora de gotejamento. Energia pura e emoção em tela!
Jackson Pollock (1912-1956) foi um pintor americano revolucionário, pioneiro do Expressionismo Abstrato e conhecido por sua técnica de gotejamento. Suas obras icônicas capturam a energia e emoção da ação artística, influenciando profundamente a arte moderna.
Criada em 1950, esta obra cativante personifica o espírito revolucionário do Expressionismo Abstrato e se destaca como um exemplo primordial da icônica técnica de “gotejamento” de Jackson Pollock. Com dimensões impressionantes – 240 x 120 cm – a tela não atrai apenas pela sua escala, mas também pela pura energia que emana de sua complexa superfície. A obra transcende a mera representação visual; é um portal para o universo interior do artista, uma manifestação visceral de seus sentimentos mais profundos.
Rejeitando a pintura tradicional sobre cavalete, Pollock posicionava suas telas diretamente no chão, permitindo-lhe abordar o trabalho de todos os ângulos. Essa mudança radical na perspectiva é fundamental para compreender a peça – não se trata de uma janela para outro mundo, mas de uma arena onde o ato da criação *é* o próprio assunto. A rede intrincada de linhas e respingos não busca retratar algo específico; ela expressa emoção crua e gesto físico diretamente sobre a tela. Essa técnica, apelidada de “pintura de ação”, priorizava a espontaneidade e os impulsos subconscientes do artista. Pollock abandonou o controle deliberado, permitindo que o movimento e a energia fluíssem livremente através da tela, criando um registro autêntico de seu estado interior.
Embora desprovida de formas reconhecíveis, esta obra evoca uma sensação de vastidão e profundidade. Camadas entrelaçadas de linhas – variando em espessura, densidade e direção – criam uma composição abrangente que atrai o olhar por toda a superfície. Sutis nuances de tons avermelhados oferecem um contraste delicado dentro da paleta predominantemente sóbria de pretos, marrons, ocres e brancos. A ausência de um ponto focal incentiva a contemplação prolongada, convidando os espectadores a se perderem nos detalhes intrincados e descobrirem suas próprias interpretações. É uma jornada visual que desafia as convenções tradicionais da arte, incentivando uma conexão pessoal e intuitiva com a obra.
Emergindo na América do pós-Segunda Guerra Mundial, o Expressionismo Abstrato refletiu uma mudança cultural em direção ao individualismo e questionamento existencial. O trabalho de Pollock, em particular, rompeu com as tradições artísticas europeias, estabelecendo Nova York como um novo centro para a arte vanguardista. Ele desafiou noções convencionais de beleza e habilidade, priorizando a expressão autêntica sobre a precisão técnica. Esta pintura exemplifica os princípios fundamentais do movimento: liberdade, espontaneidade e o poder do subconsciente. Pollock não apenas pintava; ele performava, transformando o ato da criação em um evento visceral e emocionalmente carregado.
O impacto emocional desta obra é profundo. Pode ser interpretada como uma representação visual de turbulência interior, energia ilimitada ou até mesmo a beleza caótica do universo. A interação dinâmica das linhas sugere movimento, tensão e liberação. Embora não representacional, ela se conecta com experiências humanas universais – ansiedade, alegria e a busca por significado em um mundo abstrato. É um lembrete poderoso de que a arte pode comunicar além da linguagem e da lógica, tocando as profundezas da alma humana. A obra convida à reflexão sobre a natureza da existência, a fragilidade da condição humana e o poder transformador da expressão artística.
"Número 1, 1949" pertence ao movimento Abstract Expressionism, e seu criador atuou na era Modernismo.
As cores de "Número 1, 1949", de Jackson Pollock possuem uma saturação Saturação suave. A saturação descreve o quão vívidas ou suaves são as cores.
Por trás de "Número 1, 1949" estão Jackson Pollock e o movimento Abstract Expressionism.
1912 - 1956, Estados Unidos da América
Paul Jackson Pollock, born in Cody, Wyoming, in 1912, was a restless spirit from the outset. His early life was marked by frequent relocation as his father pursued work as a land surveyor across the vast landscapes of the American West. This itinerant existence instilled in young Pollock a deep connection to the natural world and an exposure to diverse cultures, particularly through encounters with Native American art during those surveying trips – impressions that would subtly permeate his artistic vision later in life. Though he never explicitly imitated Indigenous styles, the raw energy and spiritual resonance of these early experiences undoubtedly left their mark.
Pollock’s formal artistic training began at the Manual Arts High School in Los Angeles, followed by studies at the Art Students League of New York under the tutelage of Thomas Hart Benton. Benton, a prominent figure in the Regionalist movement, emphasized rhythmic composition and narrative themes rooted in American life. While Pollock initially absorbed these lessons, his inherent inclination leaned toward more abstract explorations. He was also profoundly impacted by Mexican muralists like José Clemente Orozco, whose powerful depictions of social struggle resonated deeply with him. These early influences laid a foundation, but it was the burgeoning world of Surrealism that truly unlocked Pollock’s artistic potential.
The 1930s saw Pollock experimenting with various techniques, seeking alternatives to traditional brushwork. He began pouring paint, exploring its fluidity and unpredictable nature. However, it was around 1947 that his artistic trajectory underwent a radical transformation. Abandoning the easel altogether, Pollock laid canvases directly on the floor, initiating what would become known as his “drip technique.” He then proceeded to drip, splash, and fling paint onto the canvas from above, orchestrating a dynamic dance between artist, medium, and surface.
This wasn’t merely about applying paint; it was about embodying the act of creation itself. Pollock's canvases became arenas for physical expression, capturing the immediacy of his gestures and emotions. The resulting paintings are characterized by their “all-over” composition – a lack of central focus that invites the viewer to explore the entire surface as a unified field of energy. Intricate networks of lines and colors intertwine, creating a visual complexity that is both captivating and challenging. He employed unconventional tools—sticks, knives, even syringes—to manipulate the paint in unpredictable ways, further emphasizing the spontaneous nature of his process.
This innovative approach positioned Pollock as a central figure in the burgeoning Abstract Expressionist movement, which emerged in post-World War II New York City. Abstract Expressionism prioritized spontaneous gesture, large scale, and non-representational imagery, reflecting a broader cultural shift away from traditional artistic conventions. His marriage to fellow artist Lee Krasner was also pivotal; she provided unwavering emotional support and actively encouraged his artistic development, recognizing the groundbreaking nature of his work.
Pollock’s most celebrated works—such as Number 1, 1950 (Lavender Mist), One: Number 31, 1950, Blue Poles: Number 11, 1952, and Convergence—are testaments to his revolutionary technique. These paintings are not simply images; they are records of a performance, imbued with the artist’s physical presence and emotional intensity. The dynamic energy that emanates from these canvases is palpable, drawing viewers into a world of pure abstraction.
His style transcends mere aesthetics; it's an exploration of process over product. Pollock sought to capture the immediacy of his actions and emotions on canvas, rejecting traditional notions of composition and representation. He delved into Jungian psychology, exploring archetypes and the subconscious in his art, seeking to tap into universal symbols and primal energies.
Pollock’s impact on the history of art is immeasurable. He fundamentally altered the way artists approached painting, breaking free from easel-based methods and embracing a more performative approach. His work helped solidify New York City's position as a global center for modern art, shifting the focus away from European dominance. His influence can be seen in the work of countless artists who followed, including those associated with Color Field painting and later forms of abstract expressionism.
Jackson Pollock’s life was marked by both artistic brilliance and personal struggles. He battled chronic alcoholism throughout much of his career, a condition that profoundly impacted his health and relationships. Despite these challenges, he remained fiercely dedicated to his art, constantly pushing the boundaries of creative expression. His reclusive nature and volatile personality often made him difficult to know personally, yet his work continues to resonate deeply with audiences around the world.
His legacy extends beyond the canvases themselves—it encompasses a revolutionary approach to painting that redefined artistic practice and forever altered the course of modern art. Pollock’s willingness to embrace spontaneity, challenge conventions, and explore the depths of human emotion cemented his place as one of the most important and influential artists of the 20th century.
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