período

movimento

1. Girls with purple surrounds — Raphael Kirchner, 1900
2. Expiation — Raphael Kirchner
3. Girls with flowers at feet — Raphael Kirchner, 1902
4. Fanny Brice — Raphael Kirchner, 1916
5. Temptation — Raphael Kirchner
6. Merci II — Raphael Kirchner, 1916
7. Little Sister — Raphael Kirchner, 1916
8. Pierrot's Dream — Raphael Kirchner
9. Envy — Raphael Kirchner

energia

temas

1. Expiation — Raphael Kirchner
2. Fanny Brice — Raphael Kirchner, 1916
3. Temptation — Raphael Kirchner
4. Merci II — Raphael Kirchner, 1916
5. Little Sister — Raphael Kirchner, 1916
6. Envy — Raphael Kirchner
7. madame charles max — Giovanni Boldini
8. Pierrot's Dream — Raphael Kirchner
9. Girls with flowers at feet — Raphael Kirchner, 1902
10. Portrait of a Lady in Blue Dress — Frederick Childe Hassam
11. Três mulheres à fonte — Pablo Picasso, 1921
12. Women Leaning on a Railing — hilaire-germain-edgar degas
13. Três mulheres na fonte (estudo) — Pablo Picasso, 1921
14. Três Mulheres às Corrida — hilaire-germain-edgar degas, 1885

palavras-chave

tom

cor principal

1. Fanny Brice — Raphael Kirchner, 1916
2. Temptation — Raphael Kirchner
3. Pierrot's Dream — Raphael Kirchner
4. Três mulheres à fonte — Pablo Picasso, 1921
5. Quatro Mulheres Bretãs (também conhecidas como Mulheres Bretãs Conversando) — Paul Gauguin, 1886
6. Old Women at Arles (also known as Women from Arles in the Public Gardens, The Mistral) — Paul Gauguin, 1888
7. Girls with flowers at feet — Raphael Kirchner, 1902
8. Allegorical Figure with Lyre — John La Farge
9. Expiation — Raphael Kirchner
10. Anger — Raphael Kirchner
11. Little Sister — Raphael Kirchner, 1916
12. Merci II — Raphael Kirchner, 1916
13. Duas mulheres nuas — Pablo Picasso, 1920
14. Study Of Russian Village Women — philip william may
15. Girls with purple surrounds — Raphael Kirchner, 1900
16. madame charles max — Giovanni Boldini

outros

1. Young Women Resting in a Field — hilaire-germain-edgar degas, 1882
2. Singer green — hilaire-germain-edgar degas
3. Lucent View (Original Pastel for Print) — arthur werger, 1986