Papel

Guia de Obras de Estudantes

Untitled

Nome Turma Data

Alma Thomas, Untitled (1970), The Kinsey African American Art - History Collection. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Alma Thomas topimpressionists.com/pt/artists/alma-thomas/
Datas do artista
1891 – 1978
Pintura
1970
Realizado em
The Kinsey African American Art - History Collection topimpressionists.com/pt/museums/the-kinsey-african-american-art-history-collection-los-angeles/

No contexto

Untitled — Alma Thomas

Ano de criação

  1. 1890
  2. 1900
  3. 1910
  4. 1920
  5. 1930
  6. 1940
  7. 1950
  8. 1960
  9. 1970

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 87 ao falecer.

Pintado quando o artista tinha 79. O artista viveu até aos 87. 11 das 44 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Alma Thomas (1891–1978) ▲ esta obra, 1970 cada pintura datada, década por década

Primeiras obras: até 1968 Principais anos de atividade: 1968–1973 Obras tardias: a partir de 1973

Essas três faixas dividem as obras que este catálogo data em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a vida do artista traçada neles

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/alma-thomas-untitled-D4NA32-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Khaki #ecd96a

    Paleta catalogada

    • #ECD96A
    • #C13B42
    • #FBFCFC
    • #446AAC

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Khaki
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Discordant Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Alma Thomas nos últimos doze meses — 4 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 Estados Unidos da América 59,1%
    2. 2 Alemanha 31,8%
    3. 3 China 4,5%
    4. 4 Reino Unido 4,5%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 10 obras mais visualizadas de Alma Thomas

    1. 1 Sky Light, 1973 30,4%
    2. 2 Snoopy Early Sun Display on Earth, 1970 21,7%
    3. 3 Earth Sermon Beauty, Love And Peace, 1971 17,4%
    4. 4 Deep Blue, 1974 8,7%
    5. 5 Light Blue Nursery, 1968 4,3%
    6. 6 Autumn Leaves Fluttering in the Breeze, 1973 4,3%
    7. 7 Red Abstraction, 1959 4,3%
    8. 8 The Eclipse, 1970 4,3%
    9. 9 Cherry Blossom Symphony, 1968 4,3%
    10. Untitled, 1970 esta pintura 0,0%

    Juntas, estas obras representam 99,7% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 45 obras deste artista, das quais 9 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada nesse período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Untitled — Alma Thomas

    Thomas was the first graduate of the Howard University art department and the first black woman to earn an MFA from Columbia University. After teaching in the Washington, D.C. public schools for 35 years, she began her professional career. She was among the color-field painters active in D.C., and in 1943, she was asked by James Vernon Herring and Alonzo Aden to join them in establishing the Barnett-Aden Gallery, the first African American gallery in that city. In 1971, when she was 80 years old, she became the first female African American artist to be recognized in a solo exhibition at the Whitney Museum of American Art.

    Artista e museu

    Artista

    Alma Thomas

    Alma Thomas: A Life in Color

    Early Life and Education

    Born: 1891 in Columbus, Georgia, Alma Woodsey Thomas was the eldest of four children. Her parents were John Harris Thomas, a businessman, and Amelia Cantey Thomas, a dress designer.

    The family relocated to the Logan Circle neighborhood of Washington, D.C., in 1907 due to racial violence and seeking better educational opportunities.

    Early Artistic Inclinations: From a young age, Thomas displayed artistic talent, creating puppets and sculptures at home.

    She attended Armstrong Technical High School, taking her first formal art classes.

    Thomas pursued education at Miner Normal School (later University of the District of Columbia) from 1911 to 1913, focusing on kindergarten education.

    Career as an Educator

    Thomas began her career as a substitute teacher in Maryland before securing a permanent position in 1914.

    From 1916 to 1923, she taught kindergarten at the Thomas Garrett Settlement House in Wilmington, Delaware.

    In 1921, she enrolled at Howard University as a home economics student but soon switched her focus to fine art under James V. Herring.

    Groundbreaking Graduate: She earned her B.S. in Fine Arts from Howard University in 1924, becoming the first graduate of the university’s fine arts program.

    Thomas dedicated over three decades to teaching at Shaw Junior High School (1924-1960), fostering a community arts program that included marionette performances and student-designed holiday cards for veterans.

    She earned her M.A. in Art Education from Columbia University in 1934, and continued studies at American University under Jacob Kainen (1950-1960).

    Artistic Development & Influences

    Early Style: Thomas’s early work was representational, but her style evolved towards abstraction through studies with Herring and Lois Mailou Jones.

    Key Influences: She drew inspiration from West African paintings, Byzantine mosaics, and the color field movement.

    Her exposure to the work of the New York School and Abstract Expressionism at American University significantly impacted her artistic direction.

    She was inspired by Matisse’s cutouts, notably reinterpreting “The Snail” in her painting “Watusi (Hard Edge).”

    Mature Work & Artistic Style

    Color Field Paintings: Thomas became known for her vibrant, abstract color field paintings characterized by pattern, rhythm, and bold use of color.

    Her work often reflected themes inspired by nature, space, and music.

    Notable Works: Include “Watusi (Hard Edge),” “Celestial Fantasy,” “Wind and Crepe Myrtle Concerto,” and “Sky Light.”

    She frequently sought inspiration from the effects of light and atmosphere on rural environments, often driving into the countryside with friend Delilah Pierce.

    Recognition & Legacy

    Late Recognition: Thomas gained significant recognition after her retirement from teaching in 1960.

    Her first retrospective exhibit was held at the Gallery of Art at Howard University in 1966, curated by James A. Porter.

    Groundbreaking Exhibition: In 1972, she became the first African American woman to have a solo exhibition at the Whitney Museum of American Art and the Corcoran Gallery of Art in the same year.

    Thomas passed away in 1978, leaving behind a legacy as a pioneering artist who defied labels and embraced her creative vision.

    Historical Significance: Alma Thomas’s work challenged racial barriers within the art world and contributed significantly to the development of abstract expressionism and color field painting.

    Museu

    The Kinsey African American Art - History Collection

    Em exibição em Los Angeles, United States of America

    A Sanctuary of Resilience: Unveiling The Kinsey African American Art – History Collection

    Nestled in the vibrant heart of Los Angeles, The Kinsey African American Art – History Collection stands as a profoundly moving testament to the enduring spirit and extraordinary creativity of Black Americans. More than simply a museum space, it’s a meticulously curated chronicle—a living narrative woven from artistry, historical artifacts, and deeply personal stories. Founded on the lifelong dedication of Bernard and Shirley Kinsey, this remarkable collection isn't merely displayed; it’s unveiled as a journey of discovery, transforming visitors into active participants in a conversation spanning centuries.

    The story begins with a simple curiosity, blossoming into an unparalleled passion for understanding and celebrating African American heritage. What started as a personal collecting endeavor quickly evolved into one of the most significant private collections globally, encompassing over 10,000 objects and fine arts dating back to the 16th century. The Kinseys weren’t passive collectors; they were seekers—actively searching for the tangible echoes of resilience, innovation, and cultural brilliance that define the African American experience. Their quest unearthed a breathtaking diversity: from rare historical documents – poignant letters penned by enslaved individuals detailing their hopes and fears, early abolitionist publications igniting calls for justice, and powerful photographs capturing moments of both struggle and triumphant victory – to vibrant paintings bursting with color and emotion, intricate sculptures commanding attention with their form and texture, and thought-provoking mixed media pieces that challenge conventional perspectives. The collection’s breadth reflects the multifaceted nature of Black artistic expression, showcasing not only renowned figures but also the voices of lesser-known artists who nonetheless contributed significantly to the movement.

    Echoes of the Past, Visions of the Future

    Stepping into The Kinsey Collection is akin to entering a carefully orchestrated dialogue between eras. The museum’s layout deliberately encourages contemplation and connection. Spacious galleries, bathed in natural light, provide an ideal environment for immersing oneself in these powerful works. The design isn't merely functional; it’s thoughtfully constructed to facilitate a personal journey through African American history and culture. Visitors are invited to trace the evolution of artistic expression over time, connecting with each piece on a deeply emotional level. The collection’s diverse holdings include significant pieces by James Amos Porter, a pivotal figure in establishing Black art history, Allan Randall Freelon, an influential Harlem Renaissance painter, and Mary Frances Pratt, whose photo-realist depictions offer intimate glimpses into domestic life. The Kinsey Collection also features works by Faith Willi Jones, as seen in her quilt-style painting “American Collection #4,” a vibrant celebration of jazz musicians and dancers.

    A Legacy of Education and Empowerment

    At its core, The Kinsey Collection is deeply committed to fostering understanding and appreciation through education. The museum actively partners with educational institutions at all levels – from elementary schools to universities – providing resources and opportunities for students and scholars alike. This commitment extends far beyond the walls of the museum itself; the collection frequently travels to other venues, bringing its message of empowerment and cultural pride to a wider audience. The Kinsey Foundation’s work is exemplified by their ongoing exhibitions, such as “Black History Month | The Kinsey African American Art & History Collection at So-Fi Stadium,” which brought this extraordinary collection to a massive public audience in 2023.

    More Than a Collection: A Cultural Beacon

    The impact of The Kinsey African American Art – History Collection extends far beyond its artistic merit. It serves as a vital cultural beacon, illuminating untold stories and challenging conventional narratives surrounding the American experience. It’s a space where art becomes a catalyst for dialogue, fostering empathy and understanding across communities. The collection's comprehensive approach—a holistic exploration of identity, struggle, and triumph—offers a unique perspective on history, acknowledging the significant contributions and persistent challenges faced by African Americans throughout their journey. The Kinseys’ vision has created a space where visitors can connect with their own heritage, learn from the past, and envision a more equitable future.

    A Treasure for Collectors and Designers

    For collectors seeking pieces imbued with profound historical significance, The Kinsey Collection offers an unparalleled opportunity. Its diverse holdings provide a window into pivotal moments in African American history, offering tangible connections to the lives and experiences of those who shaped our nation. Similarly, interior designers can draw inspiration from the collection’s rich aesthetic and powerful narratives, incorporating its spirit into spaces to create environments that are both beautiful and meaningful. The Kinsey Collection is more than just a museum; it's a testament to the enduring power of art to inspire, educate, and connect us all.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Untitled

    topimpressionists.com/pt/art/download/alma-thomas-untitled-D4NA32-en/

    Como citar esta obra

    MLA
    Thomas, Alma. Untitled. 1970, The Kinsey African American Art - History Collection. https://topimpressionists.com/pt/art/alma-thomas-untitled-D4NA32-en/
    APA
    Thomas, Alma (1970). Untitled [Painting]. The Kinsey African American Art - History Collection. https://topimpressionists.com/pt/art/alma-thomas-untitled-D4NA32-en/
    Chicago
    Alma Thomas. Untitled. 1970. The Kinsey African American Art - History Collection. https://topimpressionists.com/pt/art/alma-thomas-untitled-D4NA32-en/
    Harvard
    Thomas, Alma (1970) Untitled. The Kinsey African American Art - History Collection. Available at: https://topimpressionists.com/pt/art/alma-thomas-untitled-D4NA32-en/

    Observe de perto

    Untitled — Alma Thomas

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Light Blue Nursery (1968), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Alma Thomas tinha cerca de 79 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Quem criou "Untitled" e em que ano?

    O autor de "Untitled" é Alma Thomas, e a obra data de 1970.

    Qual é a cor predominante de "Untitled" de Alma Thomas?

    A cor que mais se destaca em "Untitled" é Khaki (#ecd96a). A cor dominante é útil ao combinar uma obra de arte com um ambiente interno.

    Como posso descobrir obras de arte semelhantes a "Untitled" de Alma Thomas?

    A página Semelhantes de "Untitled" de Alma Thomas apresenta obras relacionadas.