Papel

Guia de Obras de Estudantes

In Mourning

Nome Turma Data

Anders Zorn, In Mourning (1880). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Anders Zorn topimpressionists.com/pt/artists/anders-zorn_pt/
Datas do artista
1860 – 1920
Pintura
1880
Dimensões originais
42 x 31 cm
Movimento
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.

No contexto

In Mourning — Anders Zorn

Dimensões

As dimensões originais são 42 × 31 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 60 ao falecer.

Pintado quando o artista tinha 20. O artista viveu até aos 60. 3 das 163 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Anders Zorn (1860–1920) ▲ esta obra, 1880 cada pintura datada, década por década

Primeiras obras: até 1889 Principais anos de atividade: 1889–1901 Obras tardias: a partir de 1901

Essas três faixas dividem as obras que este catálogo data em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a vida do artista traçada neles

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/anders-leonard-zorn-in-mourning-AQQLME-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Phthalo Green #261e1d

    Paleta catalogada

    • #261E1D
    • #FEFEFE
    • #CBB8A3
    • #8C7159

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Phthalo Green
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Anders Zorn nos últimos doze meses — 20 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 68,1%
    2. 2 Estados Unidos da América 8,3%
    3. 3 Singapura 4,9%
    4. 4 Hong Kong 3,5%
    5. 5 Suécia 2,8%
    6. 6 Bulgária 2,1%
    7. 7 Brasil 1,4%
    8. 8 Argentina 0,7%
    9. 9 Austrália 0,7%
    10. 10 Chile 0,7%
    11. · 10 outros países 6,8%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Anders Zorn

    1. 1 Ida by the Window, 1908 4,6%
    2. 2 Isabella Stewart Gardner in Venice, 1894 3,4%
    3. 3 Self Portrait with Faun and Nymph 3,4%
    4. 4 Brodbaket 2,9%
    5. 5 Mulher Nu Arranjando o Cabelo, 1907 2,3%
    6. 6 Morning, 1891 2,3%
    7. 7 Junikväll (Evening in June) 2,3%
    8. 8 In Mourning, 1880 esta pintura 1,7%
    9. 9 Portrait Mrs. Potter Palmer, 1893 1,7%
    10. 10 Isabella Gardner (study), 1894 1,7%
    11. 11 Flickan på loftet (Girl in the Loft) 1,7%
    12. 12 Portrait of a Lady in a Drawing Room, 1887 1,7%
    13. 13 Untitled (AQQLQL), 1908 1,7%
    14. 14 Mrs. Walter Rathbone Bacon (Virginia Purdy Barker, 1862 1919), 1897 1,1%
    15. 15 The Schwartz Girls, 1889 1,1%
    16. 16 Isabella Stewart Gardner in Venice, 1894 1,1%
    17. 17 Untitled (AQQLRG), 1884 1,1%
    18. 18 Gondola in Front of the Palazzo Barbaro, 1894 1,1%
    19. 19 Untitled (AQQLQ8), 1902 1,1%
    20. 20 Untitled (AQQLQW), 1900 1,1%

    Juntas, estas obras representam 39,1% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 263 obras deste artista, das quais 108 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 8 posição entre elas, com 1,7% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    In Mourning — Anders Zorn

    The painting In Mourning by Anders Leonard Zorn is a masterpiece of watercolor technique, created in 1880. This poignant piece resides in the prestigious Nationalmuseum in Stockholm, Sweden. The artist masterfully uses a muted palette of dark grays, blacks, and browns, punctuated by a light, almost beige backdrop, to enhance the painting's melancholic mood.

    The Artist's Technique

    Anders Leonard Zorn was a prominent Swedish artist who obtained international success as a painter, sculptor, and etcher. His exceptional skill in watercolor technique is evident in In Mourning, where the subtle texturing of the subject's dark clothing and the soft folds of her veil are rendered with exquisite detail. This painting is considered one of his earliest masterpieces and showcases his ability to capture the individual character of his model. Key Features of the Painting:

    The use of a limited color range to enhance the melancholic mood

    The subtle texturing of the subject's clothing and veil

    The masterful depiction of the subject's somber expression

    The painting's impact was immediate, garnering significant attention at the Academy of Fine Arts' student exhibition and earning praise from critics and even King Oscar II. This early success propelled Zorn's career, leading to numerous portrait commissions and international recognition. More Information on Anders Leonard Zorn: For more information on Anders Leonard Zorn and his works, visit https://AllPaintingsStore.com. You can also find more about the Nationalmuseum and its collection at /en/art/show/art-aqqlme-en/

    The painting In Mourning is a testament to Zorn's artistic genius and the enduring power of emotional expression in art. Its intimate scale invites close examination, allowing viewers to fully appreciate the delicate brushstrokes and subtle nuances of emotion captured within.

    To learn more about Anders Leonard Zorn and his contributions to the art world, visit https://AllPaintingsStore.com and explore the extensive collection of handmade oil painting reproductions.

    Artista e museu

    Artista

    Anders Zorn

    Nascido em Mora, Suécia

    A Swedish Master of Light and Life: The World of Anders Zorn

    Anders Leonard Zorn, a name synonymous with vibrant Impressionism and masterful portraiture, stands as Sweden’s most celebrated artist. Born in 1860 amidst the rustic beauty of Dalarna, his journey from humble beginnings to international acclaim is a testament to raw talent nurtured by relentless dedication. Unlike many artists who sought formal training within established circles, Zorn's early education was rooted in the practicalities of rural life and an innate artistic sensibility that blossomed even before entering the Royal Swedish Academy of Arts at the remarkably young age of twelve. His childhood on his grandparents’ farm instilled a deep connection to the land and its people—a theme that would resonate throughout his oeuvre, particularly in his evocative depictions of Swedish peasant life. This early exposure wasn't merely about subject matter; it was about capturing a way of being, an authenticity that infused his work with a unique emotional depth.

    From Watercolors to International Recognition

    Zorn’s initial artistic explorations centered on watercolors, a medium he mastered with astonishing speed and skill. He quickly gained recognition for his ability to capture fleeting moments of light and atmosphere, particularly in scenes depicting everyday life. A pivotal moment arrived with “In Mourning” (1880), a watercolor portrait that showcased his remarkable sensitivity and technical prowess. This work propelled him onto the art scene, attracting commissions from Stockholm’s elite and setting the stage for an international career. He embarked on extensive travels throughout Europe—London, Paris, Spain—and eventually to the United States, where he found immense success as a portraitist. His ability to distill the essence of his sitters, whether royalty like King Oscar II or American presidents Grover Cleveland, William H. Taft, and Theodore Roosevelt, earned him widespread admiration. Zorn didn’t simply paint likenesses; he captured character, intellect, and even a hint of the soul. This talent wasn't accidental—it stemmed from an acute observational skill honed through years of studying human form and expression.

    A Synthesis of Influences and Artistic Development

    While Zorn’s style is often categorized as Impressionistic, it was far from a simple imitation of French trends. He absorbed influences from various sources, blending them into a uniquely personal vision. The luminosity of Spanish masters like Velázquez resonated in his handling of light and shadow, while the directness and realism of Scandinavian naturalism informed his approach to subject matter. His time spent with artists like Albert Edelfelt in Paris exposed him to new ideas and techniques, but he always remained true to his own artistic instincts. A crucial turning point came when Zorn began experimenting with oil painting in the late 1880s. This allowed him to achieve a greater richness of color and texture, further enhancing the vibrancy and immediacy of his work. He embraced a limited palette, focusing on achieving maximum impact through subtle variations in tone and hue—a technique that became a hallmark of his style. His paintings from this period, such as “A Fisherman in St Ives,” demonstrate a newfound confidence and mastery of the medium.

    The Palette and Technique: A Master’s Touch

    Zorn's artistic approach was characterized by a remarkable control over color and light. He developed a distinctive palette consisting primarily of white lead (alabaster), yellow ochre, vermilion, and black ivory. This restricted range, surprisingly, allowed him to create an astonishing variety of tones and effects through careful mixing. His use of tonal gradations—the subtle shifts in value that define form and depth—was particularly masterful. He meticulously observed the way light interacted with surfaces, capturing the shimmering reflections on water or the play of shadows on skin. This dedication to realism was balanced by a sensitivity to atmosphere and emotion, creating paintings that were both visually stunning and deeply moving. The artist's meticulous attention to detail, combined with his intuitive understanding of color and composition, resulted in works of enduring beauty and emotional resonance.

    Legacy and Enduring Impact

    Anders Zorn’s influence extends far beyond his stunning body of work. He was not only a gifted artist but also a dedicated patron of the arts, establishing the Bellman Prize in 1920—a prestigious literary award for Swedish poets that continues to be awarded today. This act underscores his commitment to fostering creativity and supporting cultural expression within his homeland. His paintings are now held in prominent museums worldwide, including the Nationalmuseum in Stockholm, the Musée d'Orsay in Paris, and the Metropolitan Museum of Art in New York. The Zorn Collections in Mora, Sweden—comprising Zorngården, Zorn Museum, Gammelgård, and Gopsmor—serve as a lasting tribute to his life and legacy, offering visitors an intimate glimpse into his world. Zorn’s ability to capture the beauty of everyday life, combined with his technical brilliance and unwavering artistic vision, cemented his place as one of the most important artists of his generation. He remains a source of inspiration for artists today, a testament to the enduring power of light, color, and human connection in art. His work continues to resonate with audiences worldwide, reminding us of the beauty that can be found in both the grand and the mundane.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de In Mourning

    topimpressionists.com/pt/art/download/anders-leonard-zorn-in-mourning-AQQLME-en/

    Como citar esta obra

    MLA
    Zorn, Anders. In Mourning. 1880, https://topimpressionists.com/pt/art/anders-leonard-zorn-in-mourning-AQQLME-en/
    APA
    Zorn, Anders (1880). In Mourning [Painting]. https://topimpressionists.com/pt/art/anders-leonard-zorn-in-mourning-AQQLME-en/
    Chicago
    Anders Zorn. In Mourning. 1880. https://topimpressionists.com/pt/art/anders-leonard-zorn-in-mourning-AQQLME-en/
    Harvard
    Zorn, Anders (1880) In Mourning. Available at: https://topimpressionists.com/pt/art/anders-leonard-zorn-in-mourning-AQQLME-en/

    Observe de perto

    In Mourning — Anders Zorn

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 1 — você concorda?)
    4. O nosso catálogo classifica esta obra sob: portrait, mourning, watercolor. Concorda? O que acrescentaria ou removeria?
    5. Relembre Mrs. John Crosby Brown (Mary Elizabeth Adams, 1842–1918) (1900), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual artista e qual estilo estão por trás de "In Mourning"?

    "In Mourning" foi criada por Anders Zorn no estilo Impressionism. O artista e o movimento identificam a tradição da obra.

    Qual é a luminosidade de "In Mourning" de Anders Zorn?

    As cores de "In Mourning" apresentam uma luminância Bright Balance.

    Qual é a tonalidade predominante que percorre "In Mourning" de Anders Zorn?

    "In Mourning" inclina-se para um tom Golden Yellow Range.