Papel

Guia de Obras de Estudantes

Pedestal clock

Nome Turma Data

André-Charles Boulle, Pedestal clock (1720), Coleção Wallace. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
André-Charles Boulle topimpressionists.com/pt/artists/andre-charles-boulle/
Datas do artista
1642 – 1732
Pintura
1720
Realizado em
Coleção Wallace topimpressionists.com/pt/museums/colecao-wallace-londres_pt/

No contexto

Pedestal clock — André-Charles Boulle

Ano de criação

  1. 1640
  2. 1650
  3. 1660
  4. 1670
  5. 1680
  6. 1690
  7. 1700
  8. 1710
  9. 1720
  10. 1730

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 90 ao falecer.

Pintado quando o artista tinha 78. O artista viveu até aos 90. 8 das 9 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de André-Charles Boulle (1642–1732) ▲ esta obra, 1720 cada pintura datada, década por década

Primeiras obras: até 1695 Principais anos de atividade: 1695–1715 Obras tardias: a partir de 1715

Essas três faixas dividem as obras que este catálogo data em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a vida do artista traçada neles

Obras comparáveis

  • Wardrobe and clock, 1715 topimpressionists.com/pt/art/andre-charles-boulle-wardrobe-and-clock-8XZAYQ-en/
  • Cabinet, 1675 topimpressionists.com/pt/art/andre-charles-boulle-cabinet-8XZAYL-en/
  • Clock face, 1715 topimpressionists.com/pt/art/andre-charles-boulle-clock-face-8Y3UDR-en/

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/andre-charles-boulle-pedestal-clock-8Y3UDT-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Espresso #492a17

    Paleta catalogada

    • #492A17
    • #B59977
    • #C4B4AC
    • #926334

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Espresso
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Bright O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de André-Charles Boulle nos últimos doze meses — 3 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 66,7%
    2. 2 Alemanha 16,7%
    3. 3 Ucrânia 16,7%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 5 obras mais visualizadas de André-Charles Boulle

    1. 1 Cabinet, 1675 42,9%
    2. 2 Desks (2), 1690 14,3%
    3. 3 Wardrobe and clock, 1715 14,3%
    4. 4 Pedestal clock, 1720 esta pintura 14,3%
    5. 5 Barômetro em ébène e bronze dourado 14,3%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 11 obras deste artista, das quais 5 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 4 posição entre elas, com 14,3% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    André-Charles Boulle

    Nascido em Paris, France

    The Architect of Louis XIV Style

    André-Charles Boulle (1642 – 1732) stands as a titan amongst French cabinetmakers, his name synonymous with opulent craftsmanship and the very embodiment of Louis XIV’s grandeur. More than just a furniture maker, Boulle was an innovator who fundamentally reshaped European taste, establishing a distinctive style—the ‘Boulle’ marquetry—that captivated royalty and aristocrats alike for decades to come. His legacy continues to inspire artisans today, cementing his place as one of the most influential figures in 17th-century decorative arts.

    Born in Paris around 1642, he descended from a family steeped in artisanal tradition; his father, Jean Boulle, was himself a respected cabinetmaker. This familial connection provided him with an invaluable grounding in the craft, instilling within him not merely skill but also a deep appreciation for meticulous detail and artistic vision. While biographical details of his early years remain shrouded in the mists of time, his training undoubtedly prepared him for the extraordinary achievements that would follow, allowing him to rise to the prestigious position of ébéniste du roi.

    The Revolution of Marquetry

    Boulle’s genius resided primarily in his mastery of marquetry—a technique involving inlaying decorative materials like tortoiseshell, brass, pewter, and ivory into ebony or walnut veneers. Unlike previous methods which relied on simpler carving techniques, Boulle perfected a revolutionary process that achieved unparalleled levels of intricacy and realism. He meticulously hammered thin sheets of metal – primarily brass – onto the surface of the wood veneer, creating a raised relief effect that mimicked natural textures like foliage and stone.

    This painstaking labor demanded exceptional precision and patience, resulting in furniture pieces that possessed breathtaking beauty and technical complexity. His work often featured:

    Intricate Brass Inlay: The use of fine metalwork to create shimmering, light-catching patterns.

    Tortoiseshell Elegance: The incorporation of organic, translucent materials to add depth and warmth.

    Royal Symbolism: Designs that reflected the power, prestige, and absolute authority of the French monarchy.

    A Legacy of Opulence and Innovation

    The impact of Boulle's work extended far beyond the borders of France, influencing the decorative arts of entire continents. His ability to blend neoclassical design with the emerging flourishes of the Rococo period allowed his pieces to remain relevant through shifting aesthetic tides. Whether it was a Barômetre en ébène et bronze doré reflecting the scientific curiosity of the age, or an opulent Cabinet from 1675 showcasing royal grandeur, each piece served as a testament to his unparalleled skill.

    Even in smaller, more delicate works like his 1715 clock faces, one can observe the breathtaking detail of gilded gold and cherubs that defined his era. His mastery of gilded bronze and complex patterns created a visual language of luxury that remains the benchmark for fine cabinetry. Today, when we look upon the intricate layers of brass and ebony, we are not merely looking at furniture, but witnessing the enduring spirit of an artist who turned wood and metal into eternal poetry.

    Museu

    Coleção Wallace

    Em exibição em Londres, Reino Unido

    A Glimpse into Refined Worlds: Unveiling The Wallace Collection

    Immerse yourself in a world of aristocratic elegance within the walls of Hertford House, London’s Wallace Collection – a museum that transcends the typical display case to become a living tableau of 18th and 19th-century European life. More than just a repository of art, it's a meticulously preserved portal into the refined sensibilities of Sir Richard Wallace and his family, a lineage dedicated to assembling a collection that embodied the very pinnacle of their era’s taste. Stepping through its unassuming entrance is akin to entering a hidden salon, where the whispers of powdered wigs and hushed conversations still seem to linger in the air – an invitation to inhabit the passions and daily rhythms of those who once called this extraordinary space home.

    The heart of the Collection undoubtedly lies within its astonishing assemblage of French 18th-century art, a dazzling showcase primarily centered around the Rococo and Neoclassical periods. Here, one is immediately transported to a world of delicate fantasies – François Boucher’s canvases burst with cherubic figures dancing amidst pastel hues and mythological scenes unfolding with playful abandon. The spirit of Fragonard and Watteau permeates the galleries, capturing the subtle nuances of aristocratic courtship with masterful skill; imagine a leisurely stroll through the gardens of Versailles, or a clandestine meeting in a grand salon – these are the atmospheres evoked by their works, rendered tangible through the exquisite detail and vibrant color that define this remarkable collection. Beyond the immediate charm of Rococo, however, lies remarkable depth. The influence of the Enlightenment is palpable, evident in the poignant sentimental scenes of Jean-Baptiste Greuze and the burgeoning Neoclassical style demonstrated by Jacques-Louis David’s early portraits – a testament to the evolving sensibilities of a nation grappling with new ideas and artistic movements.

    A Legacy of Georgian Grandeur: The House Itself

    What truly distinguishes The Wallace Collection is not just its art but also its architecture – Hertford House itself. Originally constructed in 1776 for the Earl of Hertford, it later became home to Sir Richard Wallace and his family, meticulously preserving the atmosphere of a lived-in private townhouse. The building’s design reflects the evolving tastes and sensibilities of its occupants, transitioning from the flamboyant grandeur of the late 18th century to the more restrained elegance of the early 19th. The interior has been painstakingly restored, creating an immersive experience that transcends the typical museum visit. Paintings hang as they would have in their original settings, furniture is arranged as if awaiting guests, and porcelain adorns cabinets and shelves – a deliberate effort to recreate the sensory richness of a grand salon. The house isn’t merely a container for art; it's an integral part of the experience, offering visitors a rare opportunity to witness art integrated seamlessly into daily life, revealing how these masterpieces were not simply objects of contemplation but vital components of social interaction and domestic harmony.

    Beyond the Brushstrokes: Arms, Armour & Hidden Stories

    While the French 18th-century paintings are undoubtedly the stars of the show, The Wallace Collection’s collection extends far beyond this realm. Don't overlook its exceptional array of arms and armour – gleaming suits reflecting soft light stand as silent sentinels of bygone eras, alongside intricately decorated swords hinting at tales of chivalry and conflict. This juxtaposition of utility and aesthetic splendor reveals a deeper layer to the collection, showcasing the craftsmanship and artistry involved in creating these objects for both practical and decorative purposes. The arms and armour are not simply historical artifacts; they’re tangible reminders of power, status, and the dramatic narratives of warfare and courtly life – offering glimpses into the lives of those who wielded them with skill and pride.

    A Welcoming Space: Engagement & Evolution

    The Wallace Collection continues to evolve, embracing a philosophy of accessibility and engagement. Recent exhibitions have explored themes such as “Fashion & Function” and “The Art of the Portrait,” demonstrating a commitment to showcasing diverse aspects of its holdings. The museum actively fosters connections through guided tours, lectures delving into specific artworks and historical contexts, workshops exploring decorative arts techniques, and family activities designed to ignite young imaginations. Admission remains free, ensuring that this extraordinary treasure trove of art and history is open to everyone – a deliberate reflection of the spirit of Sir Richard Wallace and Lady Wallace, who envisioned their collection as a source of inspiration and enjoyment for generations to come. Ongoing research and conservation efforts guarantee that these remarkable works of art will be enjoyed by future visitors, with new lighting and interactive displays planned to further enhance the visitor experience, promising an ever-evolving journey through the elegance and artistry of a bygone era.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Pedestal clock

    topimpressionists.com/pt/art/download/andre-charles-boulle-pedestal-clock-8Y3UDT-en/

    Como citar esta obra

    MLA
    Boulle, André-Charles. Pedestal clock. 1720, Coleção Wallace. https://topimpressionists.com/pt/art/andre-charles-boulle-pedestal-clock-8Y3UDT-en/
    APA
    Boulle, André-Charles (1720). Pedestal clock [Painting]. Coleção Wallace. https://topimpressionists.com/pt/art/andre-charles-boulle-pedestal-clock-8Y3UDT-en/
    Chicago
    André-Charles Boulle. Pedestal clock. 1720. Coleção Wallace. https://topimpressionists.com/pt/art/andre-charles-boulle-pedestal-clock-8Y3UDT-en/
    Harvard
    Boulle, André-Charles (1720) Pedestal clock. Coleção Wallace. Available at: https://topimpressionists.com/pt/art/andre-charles-boulle-pedestal-clock-8Y3UDT-en/

    Observe de perto

    Pedestal clock — André-Charles Boulle

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Wardrobe and clock (1715), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. André-Charles Boulle tinha cerca de 78 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Posso ver uma visão de raio-X de "Pedestal clock" de André-Charles Boulle?

    "Pedestal clock" pode ser examinado camada por camada na página Raio X da obra, um visualizador inspirado em uma mesa de luz de conservação com onze leituras ópticas da imagem.

    Qual é a cor predominante de "Pedestal clock" de André-Charles Boulle?

    Espresso (#492a17) é a cor predominante de "Pedestal clock" de André-Charles Boulle.

    Quão clara é a obra "Pedestal clock" no geral?

    No geral, "Pedestal clock" é registrado como bright. A luminosidade percebida descreve o quão clara ou escura a obra parece ser.