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Guia de Obras de Estudantes

Two Forms (Divided Circle)

Nome Turma Data

Barbara Hepworth, Two Forms (Divided Circle) (1969). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
Barbara Hepworth topimpressionists.com/pt/artists/barbara-hepworth_pt/
Datas do artista
1903 – 1975
Pintura
1969

No contexto

Two Forms (Divided Circle) — Barbara Hepworth

Ano de criação

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940
  6. 1950
  7. 1960
  8. 1970

Sombreado: a trajetória de Barbara Hepworth (1903–1975) ▲ esta obra, 1969

Obras comparáveis

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Sea Green #4a5a61

    Paleta catalogada

    • #4A5A61
    • #ADB2A9
    • #2C383E
    • #7B8580
    Nome da cor principal
    Sea Green
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Balanced O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Softly Mixed Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    Barbara Hepworth

    Nascido em Wakefield, Reino Unido

    Barbara Hepworth: A Pioneer of Modern Sculpture

    Barbara Hepworth (Wakefield, Yorkshire, 10 January 1903 — Saint Ives, Cornwall, 20 May 1975), was an English artist and sculptor whose groundbreaking approach to abstraction revolutionized the art world in the mid-20th century. Born into a family of engineers—her father, Herbert Hepworth, worked for West Riding County Council—Jocelyn Barbara Hepworth’s early life instilled in her a fascination with precision and form, influences that would permeate her artistic vision throughout her career.

    Early Influences & Education: Hepworth's formative years were marked by exposure to the landscapes of Yorkshire and the encouragement of Miss McCroben, headteacher at Wakefield Girls’ High School, who recognized Hepworth’s talent for drawing and encouraged her ambition to pursue higher education. She excelled academically, securing a scholarship to Leeds School of Art in 1920 where she encountered Henry Moore—a friendship that would endure for decades and profoundly shape their artistic trajectories.

    Royal College of Art & The Birth of Modern Sculpture: Hepworth’s studies at the Royal College of Art from 1921 to 1924 proved pivotal. Alongside Moore, she embraced a radical new aesthetic—direct carving—rejecting traditional modeling techniques in favor of working directly with stone and wood. This method allowed for an unprecedented level of spontaneity and responsiveness to material qualities, establishing Hepworth as one of the foremost figures in the burgeoning movement of abstraction-création.

    The Surrealist Years & Collaboration with Ben Nicholson

    Hepworth’s artistic journey gained momentum during her involvement with the Hampstead Circle group—a collective of avant-garde artists united by a shared commitment to exploring subconscious imagery and geometric abstraction. Her relationship with Ben Nicholson blossomed in 1931, culminating in marriage shortly thereafter. Together they established a studio in St Ann's Terrace, Hampstead, where Hepworth honed her craft and experimented with new materials—particularly stringed sculptures that captured the essence of natural forms through rhythmic repetition and textural interplay.

    Monumental Sculpture & Recognition

    The Second World War brought Hepworth and Nicholson to St Ives, Cornwall, where they found inspiration in the rugged Cornish coastline. During this period, Hepworth undertook ambitious commissions—most notably Winged Figure (1961–3), a monumental sculpture commissioned by John Lewis for their Oxford Street flagship store—demonstrating her mastery of scale and materiality. Her work gained international acclaim, securing prestigious awards and cementing her place as one of the most influential sculptors of her time.

    Legacy & Artistic Significance

    Barbara Hepworth’s enduring legacy resides in her unwavering dedication to exploring the fundamental principles of form and space—a pursuit that transcended stylistic conventions and established her as a visionary pioneer of modern sculpture. Her sculptures continue to inspire artists worldwide, serving as testament to her artistic genius and her profound contribution to the history of art.

    Saiba mais

    • O artista Barbara Hepworth topimpressionists.com/pt/artists/barbara-hepworth_pt/
    • Obras semelhantes Mais obras para comparar topimpressionists.com/pt/art/similar/barbara-hepworth-two-forms-divided-circle-AQS2GC-en/

    Disponível online

    QR code que direciona para a página de download de Two Forms (Divided Circle)

    topimpressionists.com/pt/art/download/barbara-hepworth-two-forms-divided-circle-AQS2GC-en/

    Como citar esta obra

    MLA
    Hepworth, Barbara. Two Forms (Divided Circle). 1969, https://topimpressionists.com/pt/art/barbara-hepworth-two-forms-divided-circle-AQS2GC-en/
    APA
    Hepworth, Barbara (1969). Two Forms (Divided Circle) [Painting]. https://topimpressionists.com/pt/art/barbara-hepworth-two-forms-divided-circle-AQS2GC-en/
    Chicago
    Barbara Hepworth. Two Forms (Divided Circle). 1969. https://topimpressionists.com/pt/art/barbara-hepworth-two-forms-divided-circle-AQS2GC-en/
    Harvard
    Hepworth, Barbara (1969) Two Forms (Divided Circle). Available at: https://topimpressionists.com/pt/art/barbara-hepworth-two-forms-divided-circle-AQS2GC-en/

    Observe de perto

    Two Forms (Divided Circle) — Barbara Hepworth

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Three Forms, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    4. Barbara Hepworth tinha cerca de 66 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize os factos das partes anteriores deste guia e as suas respostas acima.