Guia de Obras de Estudantes
Direitos de autor Esta obra está em domínio público. Daniel Turner faleceu em 1817; os direitos autorais duram 70 anos após a morte do artista, portanto, expiraram em 1887.
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York Water-gate And The Adelphi — Daniel Turner
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Sombreado: a trajetória de Daniel Turner (1782–1817) cada pintura datada, década por década
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Medido a partir da imagem
Cor principal
Rosy Brown #9a9a8f
Paleta catalogada
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Os dez principais países
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Juntas, estas obras representam 99,5% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 48 obras deste artista, das quais 12 foram visualizadas pelo menos uma vez. This painting ranks 8 of them, with 7,1% of that attention (100 visits). Os mesmos números, mês a mês
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Artista e museu
Nascido em United Kingdom
Daniel Turner was born July 22, 1983 in New York City, United States. He pursued painting and printmaking at Norfolk State University earning a B.F.A., establishing himself as an American visual artist deeply rooted in the traditions of British landscape art. His artistic journey began with a fascination for capturing the essence of place—a preoccupation that would define his distinctive style and approach to creation.
Early Career & Initial Exploration: Turner’s formative years were marked by experimentation with various mediums, including sculpture, photography, and video. He honed his skills through practical experience in construction and demolition before securing a position as a security guard at The New Museum in New York City—a role that exposed him to diverse artistic perspectives.
The Turning Point: A pivotal moment arrived in 2006 when Turner undertook a radical act of artistic destruction – burning all previous paintings he had produced. This deliberate dismantling served as a catalyst for introspection and prompted him to reconsider the very nature of painting and the artist’s role within it.
Sculptural Practice & Material Transformation: Turner's sculptural work distinguishes itself by its engagement with material—often repurposing discarded objects and transforming them into architectural or ephemeral forms. His sculptures are characterized by a careful consideration of site, process, and materiality, reflecting his belief that form emerges from transposition and retains a sensory connection to geographical locations and human interaction.
Turner’s artistic style is defined by an unwavering commitment to realism combined with an evocative use of atmospheric perspective—techniques honed through years of observation and experimentation. He meticulously renders landscapes and architectural vistas, capturing subtle nuances of light and color that convey a profound sense of place. His paintings resonate with Romantic ideals, prioritizing emotion and imagination alongside accurate representation.
London Views: Turner gained recognition for his series of London views produced between 1796 and 1801—a period during which he exhibited prominently at the Royal Academy. These canvases exemplify his mastery of topographical painting and capture the dynamism of urban life in the early nineteenth century.
The Daniells’ Collaboration: Turner collaborated closely with Thomas Daniell, a fellow artist who shared his passion for documenting India's beauty. Together they produced groundbreaking aquatint prints—the “Oriental Scenery”—that revolutionized artistic representation and established a new visual language for conveying imperial grandeur.
Turner’s artistic vision was shaped by the intellectual currents of Romanticism, which championed emotion, imagination, and individualism as antidotes to Enlightenment rationalism. He drew inspiration from artists such as John Constable and William Turner—his father—whose landscapes conveyed a deep appreciation for the sublime beauty of nature. His work continues to inspire contemporary artists and scholars alike, cementing his place as a pivotal figure in British art history.
Material Exploration: Turner’s sculptural practice reflects a fascination with repurposing discarded materials—industrial components, architectural fragments, and repurposed objects—transforming them into monumental forms that engage with themes of decay, regeneration, and materiality.
Conceptual Depth & Site Specificity: His sculptures are driven by conceptual considerations—examining the relationship between art and place, exploring the history of material, and investigating the role of process in shaping artistic expression.
Turner’s work has been showcased in prestigious galleries worldwide, including The New Museum in New York City, Kunsthalle Basel, and Mori Art Museum in Tokyo. His exhibitions have garnered critical acclaim and cemented his reputation as a visionary artist who pushes the boundaries of sculptural practice. He was awarded an Honorary Doctorate from Yale College in 1723—a landmark achievement for American art education.
Recent Solo Shows: Notable solo exhibitions include “Impressions From The Great Indoors” at That Art Gallery, Bristol; “Daniel Turner” at Hauser & Wirth, Los Angeles; and “Three Sites” at Kunsthalle Basel—demonstrating his enduring commitment to artistic innovation.
For more information about Daniel Turner’s life and work, consult Wikipedia: Wikipedia Article. Explore his oeuvre through Art UK: Art UK Profile. Discover his artistic legacy at ArtsDot: ArtsDot Profile.
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York Water-gate And The Adelphi — Daniel Turner
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Informação de direitos autorais para "York Water-gate And The Adelphi", de Daniel Turner: a obra está em em domínio público — seus direitos autorais expiraram. Isso determina se reproduções da imagem podem ser feitas livremente.
"York Water-gate And The Adelphi", de Daniel Turner apresenta uma harmonia de cores Strong Color Unity.
"York Water-gate And The Adelphi", de Daniel Turner possui uma luminância Soft Shadow. A luminância descreve quanta luz as cores parecem refletir.