Papel

Guia de Obras de Estudantes

Old Lady on a Beach

Nome Turma Data

David Levine, Old Lady on a Beach (1963). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
David Levine topimpressionists.com/pt/artists/david-levine_pt/
Datas do artista
1926 – 2009
Pintura a óleo
1963
Dimensões originais
52 x 34 cm

No contexto

Old Lady on a Beach — David Levine

Qual é o tamanho?

As dimensões originais são 52 × 34 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 83 ao falecer.

Pintado quando o artista tinha 37. O artista viveu até aos 83. 2 das 9 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de David Levine (1926–2009) ▲ esta obra, 1963 cada pintura datada, década por década

Primeiras obras: até 1963 Principais anos de atividade: 1963–1967 Obras tardias: a partir de 1967

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

  • Anxiety, 1963 topimpressionists.com/pt/art/david-levine-anxiety-AS7TBD-en/
  • Pier Fire, 1967 topimpressionists.com/pt/art/david-levine-pier-fire-AS7TBF-en/
  • Woman's Head, 1957 topimpressionists.com/pt/art/david-levine-woman-s-head-AS7TB9-en/

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/david-levine-old-lady-on-a-beach-ARD3U3-en/

Cores

Medido a partir da imagem

    Cor principal

    White #f1efeb

    Paleta catalogada

    • #F1EFEB
    • #45322D
    • #C5B3AA
    • #8A6B5A

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    White
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de David Levine nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 Ucrânia 100,0%300 visits

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 3 obras mais visualizadas de David Levine

    1. 1 Anxiety, 1963 66,7%200 visits
    2. 2 Like an Open Book, 1978 33,3%100 visits
    3. — Old Lady on a Beach, 1963 esta obra 0,0%0 visits

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 11 obras deste artista, das quais 2 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Old Lady on a Beach — David Levine

    The Smithsonian American Art Museum is home to a diverse collection of artworks, including the captivating piece Old Lady on a Beach by David Levine. Created in 1963, this color lithograph on paper measures 20 1/2 x 13 1/4 in. and is a testament to the artist's unique style.

    Artist Background

    David Levine was an American artist known for his bold and expressive works. Born in 1926, he was active in the art world until his passing in 2009. His artwork can be found in various museums, including the Smithsonian American Art Museum and the Brooklyn Museum.

    Painting Description

    The Old Lady on a Beach painting features a solitary figure sitting on a chair with a red blanket draped over it. The scene is set against a curtain, adding an air of intimacy to the composition. The use of bold lines and vibrant colors creates a sense of energy and movement, drawing the viewer's eye to the subject. Key Features:

    Color lithograph on paper

    Measures 20 1/2 x 13 1/4 in.

    Created in 1963

    Part of the Smithsonian American Art Museum collection

    Artistic Significance

    Old Lady on a Beach is a significant work in David Levine's oeuvre, showcasing his ability to capture the human form with sensitivity and nuance. The painting's use of color and composition creates a sense of depth and emotion, inviting the viewer to reflect on the subject's story. For more information on David Levine and his artwork, visit /art/list/?Filter=ARD3U3-David-Levine-Old-Lady-on-a-Beach or explore the Smithsonian American Art Museum collection on Wikipedia: https://en.wikipedia.org/wiki/Smithsonian_American_Art_Museum

    Experience the beauty of handmade oil painting reproductions at https://AllPaintingsStore.com, where you can discover a wide range of artworks, including pieces by David Levine.

    Artista e museu

    Artista

    David Levine

    Nascido em Brooklyn, Estados Unidos

    David Levine (1926 - 2009): The Soul of Line

    David Levine, born in Brooklyn, New York on December 20, 1926, and passing away peacefully in Manhattan on December 29, 2009, wasn’t merely a caricaturist; he was a visual storyteller who profoundly captured the spirit of his time—a chronicler of American culture and politics whose distinctive style endured for over half a century. His legacy isn't simply about exaggerated features or satirical wit—though those were undeniably present in his oeuvre—but rather an astonishing ability to distill complex ideas into meticulously crafted lines, conveying both humor and empathy with unparalleled precision. From humble beginnings marked by early artistic talent nurtured by supportive parents—his father ran a clothing factory while his mother championed social justice—Levine embarked on a journey that would forge him into one of the most celebrated illustrators and artists of the 20th century.

    Early Life & Education: Levine’s formative years instilled in him a lifelong fascination with observation and questioning authority, mirroring his mother's commitment to activism. At just nine years old, he captivated Disney animators during an audition for a role in Snow White, demonstrating a prodigious aptitude for visual storytelling that would foreshadow his artistic trajectory.

    Formal Training & Influences: He honed his skills at Pratt Institute and Temple University’s Tyler School of Art, absorbing techniques from masters like Vuillard, Prendergast, Bonnard, Degas, and Eakins—artists who championed realism and psychological depth. Hans Hofmann's guidance further solidified his understanding of artistic principles, shaping his distinctive approach to composition and color.

    The Watercolor Revolution: From Oil Painter to Line Master

    Initially aspiring to pursue painting as a full-time vocation, Levine’s financial realities steered him toward illustration work—assignments for publications such as Gasoline Retailer—where he gained invaluable experience. However, a devastating fire in 1968 tragically destroyed many of his early oil paintings, an event that serendipitously propelled him towards the medium he would become universally recognized for: watercolor. This transformative decision allowed Levine to explore his artistic vision with greater freedom and nuance, resulting in watercolors imbued with remarkable atmospheric effects and expressive lines—a stylistic hallmark that distinguished him from other illustrators. His work frequently depicted scenes of everyday life—garment workers and the vibrant energy of Coney Island—revealing a deep compassion for ordinary people and an extraordinary talent for capturing fleeting moments.

    Watercolor Technique: Levine’s watercolor technique was characterized by meticulous cross-hatching, creating subtle gradations of light and shadow that conveyed depth and emotion.

    Notable Watercolor Series: Among his most celebrated watercolors were depictions of garment workers—a poignant tribute to his father's employees—and the bustling atmosphere of Coney Island.

    Political Illustration & The New York Review of Books

    Levine’s artistic breakthrough arrived in 1963 with his association with The New York Review of Books, where he embarked on a prolific collaboration that spanned four decades—a partnership that cemented his reputation as a master caricaturist and solidified his place within the canon of American art. Unlike political cartoonists who often rely on immediate reactions or broad generalizations, Levine undertook extensive research before committing pen to paper, meticulously studying his subjects and delving into their psychological complexities. This dedication enabled him to transcend mere physical resemblance and capture something far more profound—a truth that resonated deeply with viewers. His distinctive style—characterized by expressive lines and masterful use of texture—became instantly recognizable and profoundly influential.

    The NYRB Partnership: Levine’s four decades of collaboration with The New York Review of Books resulted in over 3,800 drawings that tackled complex political issues with wit and intelligence.

    Stylistic Characteristics: His technique—precise lines combined with subtle shading—captured the essence of his subjects while conveying nuanced emotional responses.

    Recognition & Legacy

    Throughout his illustrious career, Levine received numerous accolades for his contributions to art and illustration, including the Louis Comfort Tiffany Foundation Award, a Guggenheim Fellowship, and the Gold Medal of the American Academy and Institute of Arts and Letters—testaments to his artistic excellence and enduring influence. He was elected into the National Academy of Design as an Associate member in 1967 and subsequently ascended to Full Academician status in 1971. His artwork is housed in major museum collections across the United States, including The Metropolitan Museum of Art, Brooklyn Museum, Cleveland Museum of Art, Hirshhorn Museum and Sculpture Garden, and National Portrait Gallery—a lasting legacy that ensures David Levine’s artistic vision continues to inspire generations to come. Jules Feiffer aptly summarized Levine's impact: “He was the greatest caricaturist of the last half of the century.”

    Onde ler mais

    • O artista David Levine topimpressionists.com/pt/artists/david-levine_pt/
    • Obras semelhantes Mais obras para comparar topimpressionists.com/pt/art/similar/david-levine-old-lady-on-a-beach-ARD3U3-en/

    Encontre online

    QR code que direciona para a página de download de Old Lady on a Beach

    topimpressionists.com/pt/art/download/david-levine-old-lady-on-a-beach-ARD3U3-en/

    Como citar esta obra

    MLA
    Levine, David. Old Lady on a Beach. 1963, https://topimpressionists.com/pt/art/david-levine-old-lady-on-a-beach-ARD3U3-en/
    APA
    Levine, David (1963). Old Lady on a Beach [Painting]. https://topimpressionists.com/pt/art/david-levine-old-lady-on-a-beach-ARD3U3-en/
    Chicago
    David Levine. Old Lady on a Beach. 1963. https://topimpressionists.com/pt/art/david-levine-old-lady-on-a-beach-ARD3U3-en/
    Harvard
    Levine, David (1963) Old Lady on a Beach. Available at: https://topimpressionists.com/pt/art/david-levine-old-lady-on-a-beach-ARD3U3-en/

    Observe de perto

    Old Lady on a Beach — David Levine

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Anxiety (1963), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. David Levine tinha cerca de 37 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual é o formato de "Old Lady on a Beach"?

    "Old Lady on a Beach", de David Levine possui um formato Portrait. O formato descreve as proporções da composição.

    Onde posso ver uma prévia de "Old Lady on a Beach"?

    A página de Pré-visualização de "Old Lady on a Beach" permite visualizar a obra de arte antes de fazer o pedido.

    Qual é o formato e as dimensões de "Old Lady on a Beach"?

    "Old Lady on a Beach", de David Levine é uma composição em Portrait com dimensões de 52 x 34 cm no original.