Papel

Guia de Obras de Estudantes

Drifting

Nome Turma Data

Edmund William Greacen, Drifting. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Edmund William Greacen topimpressionists.com/pt/artists/edmund-william-greacen/
Datas do artista
1876 – 1949
Dimensões originais
40 x 51 cm

No contexto

Drifting — Edmund William Greacen

Dimensões

As dimensões originais são 40 × 51 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando poderá ter sido pintada esta obra?

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 73 ao falecer.

Sombreado: a trajetória de Edmund William Greacen (1876–1949) cada pintura datada, década por década

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/edmund-william-greacen-drifting-AQRTPM-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Putty #c7c0b5

    Paleta catalogada

    • #C7C0B5
    • #A79D8F
    • #B0B1A6
    • #C5B39D

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Monochrome A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Serene O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Edmund William Greacen nos últimos doze meses — 1 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 Estados Unidos da América 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 2 obras mais visualizadas de Edmund William Greacen

    1. 1 Drifting esta pintura 66,7%
    2. 2 42nd Street Park Avenue 33,3%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 2 obras deste artista, das quais 2 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 1 posição entre elas, com 66,7% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Edmund William Greacen

    Edmund William Greacen: A New York Impressionist’s Journey Through Europe and Beyond

    Edmund William Greacen (1876-1949) stands as a significant, yet often overlooked, figure in the American Impressionist movement. Born into a privileged background in New York City—his father an immigrant shoe merchant who amassed considerable wealth—Greacen’s early life was marked by both comfort and a yearning for artistic expression. This unique confluence of circumstance shaped his trajectory, leading him from a childhood spent amidst the burgeoning skyscrapers of Manhattan to a lifelong pursuit of capturing light and atmosphere across Europe and beyond. His career spanned nearly four decades, during which he established himself as a respected painter, educator, and influential figure in the New York art scene.

    Early Life and Artistic Beginnings

    Edmund Greacen’s story begins in 1876, amidst the rapid industrialization of New York City. His father, Thomas Edmund Greacen, a shrewd businessman who arrived from Scotland in 1868, provided his family with a comfortable existence—a sprawling brownstone at 6 West 50th Street (now occupied by Rockefeller Center) and a summer estate in Sullivan County. This privileged upbringing initially steered young Edmund toward more conventional pursuits – a degree from New York University, followed by a “shoe-selling world cruise” orchestrated by his father as a distraction from his burgeoning interest in the Spanish–American War. However, this seemingly frivolous journey ignited a genuine passion for art, leading him to enroll at the prestigious Art Students League of New York and later study under William Merritt Chase at the New York School of Art.

    Crucially, Greacen’s artistic development was profoundly influenced by his mentor, Chase. Chase's emphasis on plein air painting—working directly from nature—became a cornerstone of Greacen’s technique. He also benefited immensely from the tutelage of Robert Henri, Louis Mora, and Everett Shinn, all prominent figures in the American modernist movement. These formative years laid the groundwork for his distinctive style, characterized by luminous color palettes, loose brushwork, and an acute sensitivity to light and atmosphere.

    European Exploration and Artistic Maturation

    In 1905, Greacen embarked on a transformative journey with Chase’s class to Spain, followed by extended studies in the Netherlands, Belgium, and England. This immersion in European art—particularly the Impressionist traditions of Monet, Renoir, and Pissarro—proved pivotal to his artistic evolution. Notably, he spent a summer near Claude Monet at Giverny, France, an experience that deeply resonated with him. While he never formally met Monet, the proximity to the master’s home and studio profoundly influenced his approach to painting, particularly his fascination with water lilies and the play of light on foliage.

    His marriage to Ethol Booth in 1904 further fueled this artistic exploration. Ethol, an art student herself, became a constant companion and model for Greacen’s plein air paintings. The family relocated to Giverny in 1907, creating a vibrant artistic community centered around the American expatriates who flocked to the region. This period marked a significant shift in his style—a move toward capturing fleeting moments of light and color with an increasingly expressive brushstroke.

    New York Contributions: Education and Artistic Legacy

    Returning to New York City in 1910, Greacen established a studio that would remain his base for the remainder of his career. He also played a vital role in shaping the next generation of American artists by founding and directing the Grand Central School of Art in 1917—a pioneering institution that offered comprehensive instruction in various artistic disciplines. The school’s success reflected Greacen's commitment to fostering artistic talent and promoting contemporary art.

    Beyond his teaching, Greacen was a prolific painter, producing a vast body of work encompassing landscapes, portraits, and still lifes. His paintings are characterized by their vibrant colors, atmospheric perspective, and a subtle sense of melancholy—a reflection of the changing world around him. He achieved recognition for his work through exhibitions at prestigious galleries such as Macbeth Gallery and the Salmagundi Club, culminating in the coveted Samuel T. Shaw Prize in 1922. His influence extended beyond individual works; he was instrumental in establishing the Grand Central Art Galleries, a cooperative that provided artists with a platform to showcase their art and build professional networks.

    A Lasting Impression

    Edmund William Greacen’s career spanned over seven decades, during which he left an indelible mark on the American art landscape. His paintings, now held in collections such as the Smithsonian Institution, continue to captivate viewers with their luminous beauty and evocative atmosphere. More than just a painter, Greacen was a teacher, mentor, and advocate for the arts—a true pioneer who helped shape the course of Impressionism in America. His legacy endures not only through his artistic output but also through his contributions to art education and the vibrant cultural community he fostered in New York City.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Drifting

    topimpressionists.com/pt/art/download/edmund-william-greacen-drifting-AQRTPM-en/

    Como citar esta obra

    MLA
    Greacen, Edmund William. Drifting. n.d., https://topimpressionists.com/pt/art/edmund-william-greacen-drifting-AQRTPM-en/
    APA
    Greacen, Edmund William (n.d.). Drifting [Painting]. https://topimpressionists.com/pt/art/edmund-william-greacen-drifting-AQRTPM-en/
    Chicago
    Edmund William Greacen. Drifting. n.d. https://topimpressionists.com/pt/art/edmund-william-greacen-drifting-AQRTPM-en/
    Harvard
    Greacen, Edmund William (n.d.) Drifting. Available at: https://topimpressionists.com/pt/art/edmund-william-greacen-drifting-AQRTPM-en/

    Observe de perto

    Drifting — Edmund William Greacen

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 1 — você concorda?)
    4. Relembre 42nd Street Park Avenue, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual é o formato de "Drifting"?

    "Drifting" de Edmund William Greacen é uma composição em Landscape. As proporções valem a pena ser conferidas antes de escolher o tamanho da impressão.

    Posso ver "Drifting" como um slideshow em tela cheia?

    "Drifting" de Edmund William Greacen pode ser visualizada como um slideshow na página de Apresentação de slides da obra.

    Quão saturada é a paleta de "Drifting"?

    "Drifting" de Edmund William Greacen é registrado com uma saturação de Muted.