Papel

Guia de Obras de Estudantes

Lovers

Nome Turma Data

Felix Nussbaum, Lovers (1928). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Felix Nussbaum topimpressionists.com/pt/artists/felix-nussbaum_pt/
Datas do artista
1904 – 1945
Pintura
1928
Movimento
Surrealism Dream logic painted with waking precision: impossible things shown as if they were ordinary.

No contexto

Lovers — Felix Nussbaum

Ano de criação

  1. 1900
  2. 1910
  3. 1920
  4. 1930
  5. 1940

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 41 ao falecer.

Pintado quando o artista tinha 24. O artista viveu até aos 41. 6 das 40 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Felix Nussbaum (1904–1945) ▲ esta obra, 1928 cada pintura datada, década por década

Primeiras obras: até 1929 Principais anos de atividade: 1929–1940 Obras tardias: a partir de 1940

Essas três faixas dividem as obras que este catálogo data em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a vida do artista traçada neles

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/felix-nussbaum-lovers-AQQHXY-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Phthalo Green #2f2010

    Paleta catalogada

    • #2F2010
    • #51422D
    • #E3CD97
    • #968159

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Phthalo Green
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Felix Nussbaum nos últimos doze meses — 11 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 46,7%
    2. 2 Itália 16,7%
    3. 3 Estados Unidos da América 10,0%
    4. 4 Bélgica 3,3%
    5. 5 Suíça 3,3%
    6. 6 Alemanha 3,3%
    7. 7 França 3,3%
    8. 8 Geórgia 3,3%
    9. 9 Letónia 3,3%
    10. 10 El Salvador 3,3%
    11. · 1 outros países 3,5%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Felix Nussbaum

    1. 1 Fish Market, 1936 11,9%
    2. 2 Fear (also known as Self Portrait with His Niece Marianna), 1941 7,1%
    3. 3 Gallows (also known as Funeral), 1930 7,1%
    4. 4 Loneliness, 1942 7,1%
    5. 5 In the camp, 1940 4,8%
    6. 6 Evening (unfinished) (also known as Self Portrait with Felka Platek), 1942 4,8%
    7. 7 Jew by the Window, 1943 4,8%
    8. 8 Man behind the Window (also known as Self Portrait after Adriaen van Ostade), 1937 4,8%
    9. 9 Fisherman's House, 1933 4,8%
    10. 10 Felka Platek Painting, 1935 4,8%
    11. 11 Masquerade, 1927 4,8%
    12. 12 Group Portrait, 1930 4,8%
    13. 13 The Kitchen in Hiding, 1943 4,8%
    14. 14 Memory of Norderney, 1929 2,4%
    15. 15 Masks and Cat, 1935 2,4%
    16. 16 Lovers, 1928 esta pintura 2,4%
    17. 17 Dover Ferry, 1935 2,4%
    18. 18 Jaqui in the Street, 1944 2,4%
    19. 19 Locomotive, 1936 2,4%
    20. 20 Stillleben mit Schachteln (Still life with boxes), 1941 2,4%

    Juntas, estas obras representam 93,2% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 41 obras deste artista, das quais 23 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 16 posição entre elas, com 2,4% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Felix Nussbaum

    Nascido em Osnabrück, Alemanha

    A Life Etched in Exile: The Haunting Vision of Felix Nussbaum

    Felix Nussbaum’s story is a stark and profoundly moving testament to the power of art born from unimaginable suffering. Born in Osnabrück, Germany, in 1904, his life unfolded against the backdrop of rising nationalism and escalating persecution, culminating in the horrors of the Holocaust. He wasn't simply a victim of history; he was an artist who meticulously documented its impact on his soul, creating a body of work that stands as both a personal lament and a universal warning. Nussbaum’s paintings offer a rare, unflinching glimpse into the psychological landscape of displacement, fear, and ultimately, annihilation – a perspective often absent from broader historical narratives. His father, Philipp Nussbaum, a World War I veteran with an early passion for painting himself, recognized and nurtured his son's talent, providing encouragement that would prove vital in the darkening years to come. This initial support fostered a lifelong dedication to art, even as political realities increasingly constricted his path.

    Formative Years and Artistic Influences

    Nussbaum’s artistic journey began with formal studies in Hamburg and Berlin in 1920, continuing for as long as circumstances allowed. His early work reveals a clear debt to the Post-Impressionist masters, particularly Vincent van Gogh and Henri Rousseau. The vibrant colors and expressive brushwork of these artists provided a foundation upon which Nussbaum would later build his unique style. However, he wasn’t content with mere imitation. He actively sought out new influences, drawn to the unsettling dreamscapes of Giorgio de Chirico and Carlo Carrà, pioneers of the pittura metafisica movement. The careful attention to color demonstrated by Carl Hofer's expressionist paintings also left a lasting impression on Nussbaum’s approach. These diverse inspirations coalesced into what would become known as his “New Objectivity” style – a blend of realism and surrealism, characterized by precise detail, unsettling compositions, and a pervasive sense of alienation. This period was marked by experimentation and growth, but the looming shadow of Nazi ideology soon threatened to extinguish his artistic promise.

    The Surrealist Vision

    Nussbaum’s embrace of Surrealism wasn't merely an aesthetic choice; it represented a profound psychological response to the anxieties of his time. Influenced by Sigmund Freud’s theories on the unconscious, he sought to depict inner turmoil and emotional truth—often confronting themes of loss, trauma, and vulnerability with unflinching honesty. His canvases pulsate with unsettling juxtapositions and symbolic imagery, reflecting the disorientation and terror experienced during periods of exile and persecution. Recurring motifs—such as fragmented figures, distorted landscapes, and recurring musical instruments—speak to his preoccupation with memory, identity, and the disintegration of familiar realities. The artist’s meticulous technique – characterized by layering textures and employing a palette of muted hues—served not only to capture visual beauty but also to convey an emotional depth that transcends mere representation.

    The Nazi Shadow and Forced Exile

    The rise of Adolf Hitler in 1933 irrevocably altered Nussbaum's trajectory, shattering his artistic aspirations and plunging him into the abyss of antisemitism. Studying on a scholarship at the Berlin Academy of the Arts—a beacon of German intellectual life—he witnessed firsthand the chilling pronouncements of Nazi propaganda minister Joseph Goebbels, outlining the tenets of Nazi art – glorification of heroism and the Aryan race. It became painfully clear that as a Jew, his place within the German artistic establishment was untenable. This realization spurred him into exile, initially to Paris in 1937, followed by Belgium shortly thereafter. The ensuing decade was defined by fear and isolation—a constant struggle against surveillance and repression. Despite finding some measure of refuge, Nussbaum endured profound psychological distress, haunted by memories of his parents’ perilous situation back in Germany and the looming threat of Nazi violence.

    A Legacy of Suffering and Artistic Integrity

    The German invasion of Belgium in 1940 marked a devastating turning point. Nussbaum was arrested as a “hostile alien” and interned at Saint-Cyprien camp, an experience that irrevocably scarred his psyche. He managed to escape amidst the chaos of wartime France, seeking refuge with Felka Platek—whom he married in 1937—and relying on the generosity of sympathetic friends for sustenance and protection. The final years of Nussbaum’s life were consumed by a desperate quest for survival, producing some of his most poignant and emotionally resonant works—a testament to his unwavering artistic integrity amidst unimaginable hardship. Among these masterpieces are Self-Portrait with Jewish Identity Card, a haunting depiction of dehumanization that captures the essence of Nazi persecution; Triumph of Death, a complex allegorical tableau reflecting on mortality and despair; and Felka Platek Painting, an evocative portrayal of his beloved wife—a symbol of resilience and enduring love. Tragically, Nussbaum’s parents were murdered at Auschwitz in July 1944—a devastating blow that shattered his world. Shortly thereafter, he and Felka were deported to Mechelen transit camp, and ultimately sent to Auschwitz themselves, where Felix Nussbaum perished in August 1944—completing the tragic annihilation of his family within a single year. Despite this unbearable loss, Nussbaum’s art endures as an indelible record of human suffering and a profound indictment of ideological barbarism—a legacy that continues to inspire contemplation and remembrance. His inclusion in documentaries like Eyewitness ensures that his voice—and the haunting beauty of his vision—will resonate for generations to come.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Lovers

    topimpressionists.com/pt/art/download/felix-nussbaum-lovers-AQQHXY-en/

    Como citar esta obra

    MLA
    Nussbaum, Felix. Lovers. 1928, https://topimpressionists.com/pt/art/felix-nussbaum-lovers-AQQHXY-en/
    APA
    Nussbaum, Felix (1928). Lovers [Painting]. https://topimpressionists.com/pt/art/felix-nussbaum-lovers-AQQHXY-en/
    Chicago
    Felix Nussbaum. Lovers. 1928. https://topimpressionists.com/pt/art/felix-nussbaum-lovers-AQQHXY-en/
    Harvard
    Nussbaum, Felix (1928) Lovers. Available at: https://topimpressionists.com/pt/art/felix-nussbaum-lovers-AQQHXY-en/

    Observe de perto

    Lovers — Felix Nussbaum

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 2 — você concorda?)
    4. O nosso catálogo classifica esta obra sob: romanticism, nighttime, intimacy. Concorda? O que acrescentaria ou removeria?
    5. Relembre In the camp (1940), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Como o movimento e a época se encontram em "Lovers" de Felix Nussbaum?

    "Lovers" pertence ao movimento Surrealism, e seu criador trabalhou na era Era Moderna.

    Qual é a identidade cromática de "Lovers" de Felix Nussbaum?

    "Lovers" é definido por uma paleta Earthy liderada por Phthalo Green (#2f2010).

    Quem é o autor e qual é a data de "Lovers"?

    "Lovers" foi criado por Felix Nussbaum em 1928.