Papel

Guia de Obras de Estudantes

Lilies

Nome Turma Data

Frederick Childe Hassam, Lilies (1910). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Frederick Childe Hassam topimpressionists.com/pt/artists/frederick-childe-hassam_pt/
Datas do artista
1859 – 1935
Pintura a óleo
1910
Técnica
Oil On Canvas
Movimento
American Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Período
19th Century
Artistic style
Landscape Impressionism
Influences
American Impressionist movement
Notable elements or techniques
Soft colors & delicate brushstrokes
Subject or theme
Garden tranquility

No contexto

Lilies — Frederick Childe Hassam

Quando foi pintado?

  1. 1850
  2. 1860
  3. 1870
  4. 1880
  5. 1890
  6. 1900
  7. 1910
  8. 1920
  9. 1930

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 76 ao falecer.

Pintado quando o artista tinha 51. O artista viveu até aos 76. 375 das 516 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Frederick Childe Hassam (1859–1935) ▲ esta obra, 1910 cada pintura datada, década por década

Primeiras obras: até 1892 Principais anos de atividade: 1892–1910 Obras tardias: a partir de 1910

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/frederick-childe-hassam-lilies-8DP6QW-en/

Cores

Medido a partir da imagem

    Cor principal

    Espresso #504b29

    Paleta catalogada

    • #504B29
    • #2A2817
    • #BDB898
    • #7F7548

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Nome da cor principal
    Espresso
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Frederick Childe Hassam nos últimos doze meses — 26 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 64,6%39.500 visits
    2. 2 Estados Unidos da América 7,5%4.600 visits
    3. 3 Singapura 6,7%4.100 visits
    4. 4 Argentina 4,3%2.600 visits
    5. 5 Hong Kong 3,8%2.300 visits
    6. 6 Roménia 3,8%2.300 visits
    7. 7 Austrália 3,1%1.900 visits
    8. 8 França 2,0%1.200 visits
    9. 9 México 0,5%300 visits
    10. 10 Canadá 0,3%200 visits
    11. · 16 outros países 3,4%2.100 visits

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Frederick Childe Hassam

    1. 1 Couch on the Porch, Cos Cob, 1914 3,1%2.200 visits
    2. 2 Pôr do Sol no Mar, 1911 2,1%1.500 visits
    3. 3 Celia thaxter's Garden, Isles of Shoals, Maine, 1890 2,1%1.500 visits
    4. 4 Mount Vernon Street, Boston, 1890 2,1%1.500 visits
    5. 5 Mrs. Hassam in the Garden, 1896 2,1%1.500 visits
    6. 6 O Jardim Aquático, 1909 1,5%1.100 visits
    7. 7 Reflections (Kitty Hughes), 1917 0,8%600 visits
    8. 8 Lady in the Park (also known as In the Garden), 1897 0,8%600 visits
    9. 9 Street in Pont Aven - Evening, 1897 0,8%600 visits
    10. 10 Tuileries Gardens, 1897 0,7%500 visits
    11. 11 July Fourteenth, Rue Daunou, 1910 0,7%500 visits
    12. 12 Sunset on the Sea, 1908 0,7%500 visits
    13. 13 Bowl of Goldfish 0,6%400 visits
    14. 14 Poppies on the Isles of Shoals, 1890 0,6%400 visits
    15. 15 Surf, Isles of Shoals, 1913 0,6%400 visits
    16. 16 The Fourth of July, 1916 (also known as The Greatest Display of the American Flag Ever Seen in New York, Climax of the Preparedness Parade in May), 1916 0,6%400 visits
    17. 17 Gloucester, 1899 0,6%400 visits
    18. 18 The Hovel and the Skyscraper, 1904 0,6%400 visits
    19. 19 Rooftops: Pont-Aven, 1897 0,6%400 visits
    20. 96 Lilies, 1910 esta obra 0,3%200 visits

    Juntas, estas obras representam 22,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 757 obras deste artista, das quais 375 foram visualizadas pelo menos uma vez. This painting ranks 96 of them, with 0,3% of that attention (200 visits). Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Lilies — Frederick Childe Hassam

    A Serene Encounter with Nature

    In his 1910 masterpiece, Lilies, Frederick Childe Hassam invites the viewer into a sanctuary of profound stillness and light. The painting captures a fleeting, intimate moment within a lush garden, where a woman sits quietly upon a bench, lost in contemplation. As she gazes toward her own reflection in the gentle ripples of a nearby pond, the world around her seems to slow to a rhythmic, peaceful pulse. This is not merely a depiction of a landscape, but an invitation to experience the quietude that exists when humanity and nature exist in perfect, undisturbed harmony.

    The garden itself is a vibrant tapestry of life, teeming with the delicate beauty of lilies and daisies. These blossoms, rendered with the artist's signature touch, emerge from grassy verges and soft bushes, creating a sense of depth and organic abundance. The presence of the water serves as a focal point for both the subject and the viewer, acting as a mirror that reflects not only the sky and the flora but also the internal state of the woman seated beside it. Through this composition, Hassam masterfully weaves together the elements of earth, water, and spirit.

    The Impressionist Touch: Light and Color

    As a prominent figure in the American Impressionist movement, Hassam utilizes a technique that prioritizes the sensation of light over rigid form. In Lilies, this is achieved through the use of soft colors and delicate, broken brushstrokes that allow the eye to blend the hues naturally. The palette is luminous, capturing the way sunlight filters through garden foliage to dance upon the surface of the pond and the petals of the flowers. This approach creates an atmospheric effect where the boundaries between the subject and her environment become beautifully blurred.

    For the collector or interior designer, this painting offers a sophisticated interplay of texture and tone. The way the light is manipulated within the oil on canvas provides a sense of movement and vitality that remains remarkably tranquil. It is an artwork that breathes; the soft transitions between the greens of the grass, the whites of the lilies, and the reflective surface of the water create a multidimensional experience. Such a piece serves as a breathtaking centerpiece, capable of infusing any space with an aura of elegance and restorative calm.

    An Enduring Legacy of Tranquility

    Beyond its technical brilliance, Lilies carries a deep emotional resonance. It embodies the essence of serenity, offering a visual respite from the complexities of modern life. The historical context of Hassam’s work—rooted in his ability to capture both the energy of urban life and the quietude of nature—is perfectly distilled here. This painting stands as a testament to his ability to find the extraordinary within the ordinary, turning a simple moment in a garden into an eternal symbol of peace.

    Owning a high-quality reproduction of this work allows one to bring this sense of sanctuary into the home. Whether placed in a sunlit reading nook or as a focal point in a grand living area, Lilies acts as a window into a more contemplative world. It remains an essential piece for those who appreciate the delicate balance of American Impressionism and seek to surround themselves with art that inspires both wonder and profound relaxation.

    Artista e museu

    Artista

    Frederick Childe Hassam

    Nascido em Boston, Estados Unidos da América

    A Pioneer of American Impressionism: The Life and Art of Frederick Childe Hassam

    Frederick Childe Hassam, born in Boston on October 17, 1859, stands as a pivotal figure in the development of American Impressionism. His artistic journey, beginning with an early inclination towards drawing and culminating in recognition as one of the nation’s most celebrated painters, is a testament to his dedication, innovative spirit, and unique ability to capture the essence of his time. Unlike many of his contemporaries who sought formal training exclusively abroad, Hassam largely honed his skills through diligent self-study and practical experience, initially finding employment as an illustrator for prominent magazines such as Harper’s Weekly and Scribner’s Monthly. This formative period instilled within him a keen observational eye and a talent for narrative composition—qualities that would consistently define his artistic style. While he did undertake a brief study abroad in Paris in 1886, it was the American landscape and burgeoning urban life that truly ignited his creative imagination. He wasn’t merely replicating European techniques; rather, he skillfully adapted them to depict distinctly American scenes and experiences.

    Capturing Light and Modern Life

    Hassam's art is immediately recognizable for its luminous quality, achieved through a masterful manipulation of light and color. Heavily influenced by the revolutionary work of Claude Monet and Edgar Degas, he wholeheartedly embraced the core principles of Impressionism—the fleeting nature of moments and the evocative power of atmospheric effects. However, Hassam’s artistic vision transcended mere imitation; he infused his paintings with a uniquely American sensibility. He found beauty not only in idyllic landscapes but also in the vibrant energy of modern cities like New York and Boston. His canvases frequently depicted scenes of urban life—fashionable ladies strolling along Fifth Avenue, horse-drawn carriages navigating crowded streets, or quiet moments within domestic interiors. These weren’t simply representations of places; they were poignant portraits of a rapidly evolving society, capturing the dynamism and spirit of late 19th and early 20th century America. Works such as The Sonata (1893) exemplify his ability to evoke mood and atmosphere through subtle color harmonies and delicate brushwork, creating an intimate and contemplative experience for the viewer. Similarly, his coastal scenes, like Gloucester (1899), demonstrate a remarkable sensitivity to light and atmosphere, transforming ordinary harbors into shimmering visions of tranquility.

    The Ten American Painters and Artistic Independence

    A defining moment in Hassam’s career was his involvement with “The Ten American Painters,” a collective formed in 1897 as a bold assertion against the conservative policies of the Society of American Artists. This influential group, comprised of artists like John Henry Twachtman, Willard Leroy Metcalf, and Edmund Tarbell, sought to establish an independent exhibition platform and champion a more progressive approach to art. Hassam assumed the role of the first president of The Ten, solidifying his position as a leading figure within the American art world. This period marked a significant commitment to artistic independence—a deliberate rejection of academic constraints and a celebration of individual expression. His participation in these independent exhibitions played a crucial role in establishing Impressionism as a legitimate and respected movement within the United States.

    Patriotism and Later Years: The Flag Paintings

    With the outbreak of World War I, Hassam’s artistic focus underwent a dramatic shift. Inspired by a surge of patriotic fervor, he embarked on a series of paintings depicting American flags waving proudly along Fifth Avenue in New York City. These “Flag” paintings, created between 1916 and 1919, are arguably his most iconic works. They transcend simple representations of national symbols; they are powerful expressions of civic pride and wartime solidarity. The vibrant colors and dynamic compositions convey a sense of energy and optimism amidst the anxieties of global conflict. Victory Day, May 1919 stands as a prime example, capturing the jubilant atmosphere of New York City following the armistice. In his later years, Hassam continued to paint, experimenting with etching and lithography alongside his oil paintings, demonstrating an ongoing commitment to artistic exploration and innovation.

    Legacy and Enduring Influence

    Frederick Childe Hassam passed away in East Hampton, New York, on August 27, 1935, leaving behind a vast and influential body of work. His legacy extends far beyond his technical mastery; he played a crucial role in establishing American Impressionism as a distinct artistic movement. He demonstrated that American artists could not only adopt European techniques but also adapt them to create something uniquely their own. Hassam’s paintings continue to resonate with audiences today, offering glimpses into a bygone era and reminding us of the enduring power of art to capture the spirit of a time and place. His influence can be seen in the work of countless artists who followed him, solidifying his position as one of the most important figures in American art history. His dedication to capturing light, color, and the essence of modern life ensures that his paintings will continue to inspire and captivate generations to come.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Lilies

    topimpressionists.com/pt/art/download/frederick-childe-hassam-lilies-8DP6QW-en/

    Como citar esta obra

    MLA
    Hassam, Frederick Childe. Lilies. 1910, https://topimpressionists.com/pt/art/frederick-childe-hassam-lilies-8DP6QW-en/
    APA
    Hassam, Frederick Childe (1910). Lilies [Painting]. https://topimpressionists.com/pt/art/frederick-childe-hassam-lilies-8DP6QW-en/
    Chicago
    Frederick Childe Hassam. Lilies. 1910. https://topimpressionists.com/pt/art/frederick-childe-hassam-lilies-8DP6QW-en/
    Harvard
    Hassam, Frederick Childe (1910) Lilies. Available at: https://topimpressionists.com/pt/art/frederick-childe-hassam-lilies-8DP6QW-en/

    Observe de perto

    Lilies — Frederick Childe Hassam

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: garden scene, floral art, reflection pond. Concorda? O que acrescentaria ou removeria?
    4. Relembre Pôr do Sol no Mar (1911), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. American Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Quiz de arte

    Lilies — Frederick Childe Hassam

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. In what year was the painting 'Lilies' created?

      • A 1905
      • B 1910
      • C 1915
    2. 2. What is the primary subject of the painting besides the flowers?

      • A A man walking through a forest
      • B A woman sitting on a bench
      • C A group of children playing
    3. 3. Which artistic movement is Frederick Childe Hassam associated with?

      • A American Impressionism
      • B Cubism
      • C Surrealism
    4. 4. What type of setting is depicted in the artwork?

      • A A busy city street
      • B A mountain range
      • C A garden near a pond
    5. 5. Which flowers are specifically mentioned as being part of the scene?

      • A Roses and tulips
      • B Lilies and daisies
      • C Sunflowers and lavender

    Minha pontuação: ____ de 5

    Gabarito — para o professor

    Isto inicia uma nova página impressa, de modo que ela pode simplesmente ser omitida das cópias.

    1B · 2B · 3A · 4C · 5B

    Confira qualquer resposta comparando com o registro do catálogo desta pintura

    Perguntas e Respostas

    Posso usar realidade aumentada para ver "Lilies", de Frederick Childe Hassam no meu ambiente?

    Visualize "Lilies", de Frederick Childe Hassam na sua própria parede através da página de Prévia em RA da obra, utilizando realidade aumentada em um dispositivo compatível.

    Como é construída a composição cromática de "Lilies", de Frederick Childe Hassam?

    A composição cromática de "Lilies", de Frederick Childe Hassam combina um contraste Bold com uma harmonia Strong Color Unity.

    A que período pertence a obra "Lilies", de Frederick Childe Hassam?

    "Lilies" pertence ao período 19th Century.