Papel

Guia de Obras de Estudantes

Untitled (122)

Nome Turma Data

Guy Rose, Untitled (122). Domínio público.

Informações principais

Artista
Guy Rose topimpressionists.com/pt/artists/guy-rose/
Datas do artista
1867 – 1925

No contexto

Untitled (122) — Guy Rose

Quando poderá ter sido pintada esta obra?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920

Row above: the year. Row below: the artist's age in that year.

Sombreado: a trajetória de Guy Rose (1867–1925)

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/guy-rose-untitled-122-A25T69-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Plum #b4b7d1

    Paleta catalogada

    • #B4B7D1
    • #837880
    • #E2E2EA
    • #4C4235
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Plum
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Softly Mixed Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Where in the world is this painting looked at?

    • under 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% and over
    This painting alone has too few recorded visitors to map, so the plate reads every work by Guy Rose over the last twelve months — 6 countries in all.

    The ten leading countries

    1. 1 China 72,0%
    2. 2 Argélia 8,0%
    3. 3 Singapura 8,0%
    4. 4 Espanha 4,0%
    5. 5 Reino Unido 4,0%
    6. 6 Tunísia 4,0%

    Find the three darkest countries on the map. Is the museum that keeps this painting in any of them? Write down one reason people far away might look at it.

    The 19 most looked-at works by Guy Rose

    1. 1 The model, (1919) 11,5%
    2. 2 Portrait of an Algerian, (1900) 11,5%
    3. 3 Tamarisk Trees in Early Sunlight 7,7%
    4. 4 Giverny willows, (1891) 7,7%
    5. 5 Monterey cypress 7,7%
    6. 6 Low tide honfleur 3,8%
    7. 7 Carmel seascape 3,8%
    8. 8 Point lobos trees, (1919) 3,8%
    9. 9 Point lobos, oak tree 3,8%
    10. 10 Giverny hillside, (1891) 3,8%
    11. 11 The oak 3,8%
    12. 12 La jolla cove 3,8%
    13. 13 The cabbage patch, (1891) 3,8%
    14. 14 My sister maud 3,8%
    15. 15 17 mile drive, (1918) 3,8%
    16. 16 Carmel hills, (1920) 3,8%
    17. 17 The Blue Pool near Mt. Whitney 3,8%
    18. 18 The gondolier, venice, (1894) 3,8%
    19. 19 Untitled (122) this painting 3,8%

    Together these works take 99,3% of all the attention this artist's paintings received over the last twelve months. The catalogue holds 125 works by this artist, of which 19 were looked at at least once. This painting ranks 19 of them, with 3,8% of that attention.

    Bars measure attention, not quality. Pick the work at the top and this one: name one thing that might make a painting famous beyond how well it is painted.

    Artista e museu

    Artista

    Guy Rose

    Guy Orlando Rose: A Life in Impressionism

    Early Life and Education

    Birth & Family: Guy Orlando Rose was born on March 3, 1867, in San Gabriel, California, the seventh child of Leonard John Rose, a prominent California senator, and Amanda Jones Rose. The family resided on an expansive ranch and vineyard in the San Gabriel Valley – the town of Rosemead bears their name.

    Early Trauma & Artistic Beginnings: At age nine, Guy was accidentally shot in the face during a hunting trip. During his convalescence, he began to sketch with watercolors and oils, discovering an early passion for art.

    Formal Training: He graduated from Los Angeles High School in 1884 before moving to San Francisco to study at the California School of Design (San Francisco Art Association) from 1885-1888. His instructors included Virgil Williams, Warren E. Rollins, and Emil Carlsen. He received accolades for his work during this period, including the Avery Gold Medal in oil painting.

    Parisian Studies: In September 1888, Rose enrolled at the Académie Julian in Paris, studying under Benjamin-Constant, Jules Lefebvre, Lucien Doucet, and Jean-Paul Laurens. He also attended the Académie Delacluse on scholarship, exhibiting work at the Paris Salons in 1890, 1891, 1894, 1900, and 1909.

    Artistic Development & Influences

    Early Style: Rose’s early work demonstrated a strong foundation in academic painting techniques honed during his training.

    Impressionist Turn: His move to Giverny, France, in 1899 marked a turning point. Living near Claude Monet, he became deeply influenced by Impressionism, adopting its emphasis on light, color, and plein air painting.

    Monet’s Mentorship: Rose developed a close friendship with Monet, who served as a mentor, further solidifying his commitment to the Impressionist style. His works from this period clearly reflect Monet's influence in their luminous quality and focus on atmospheric effects.

    Other Influences: He also maintained lifelong friendships with fellow artists Frank Vincent DuMond and Frederick Melville, exchanging ideas and artistic approaches.

    Career & Major Achievements

    Early Career (1890s): Rose worked as an illustrator for publications like Harper's, Scribner’s, and Century in New York City.

    Giverny Period (1904-1912): This was a highly productive period, with Rose creating many of his most celebrated Impressionist landscapes.

    California Return & Teaching: Due to health issues (lead poisoning), Rose and his wife returned to Los Angeles in 1914. He became Director of the Stickney Memorial School of Art in Pasadena, sharing his knowledge with aspiring artists.

    Carmel-by-the-Sea (1918-1920): Rose was an active member of the Carmel art colony, exhibiting his work and contributing to the local artistic community.

    Notable Works: Some of his most recognized paintings include “Point Lobos,” “The Saine Valley, Giverny”, "Oak Grove, Carmel", and numerous landscapes capturing the beauty of California and France.

    Historical Significance & Legacy

    American Impressionism: Guy Rose is considered a significant figure in American Impressionism, bridging European techniques with Californian landscapes.

    California Art Scene: He played an important role in developing the California art scene, both as an artist and educator.

    Lasting Influence: His paintings continue to be admired for their delicate handling of light, vibrant colors, and evocative depictions of nature.

    Posthumous Recognition: A memorial exhibition was held at the Stendahl Gallery in 1926 following his death on November 17, 1925, in Pasadena, California.

    Saiba mais

    • O artista Guy Rose topimpressionists.com/pt/artists/guy-rose/
    • Obras semelhantes Mais obras para comparar topimpressionists.com/pt/art/similar/guy-rose-untitled-122-A25T69-en/

    Disponível online

    QR code que direciona para a página de download de Untitled (122)

    topimpressionists.com/pt/art/download/guy-rose-untitled-122-A25T69-en/

    Como citar esta obra

    MLA
    Rose, Guy. Untitled (122). n.d., https://topimpressionists.com/pt/art/guy-rose-untitled-122-A25T69-en/
    APA
    Rose, Guy (n.d.). Untitled (122) [Painting]. https://topimpressionists.com/pt/art/guy-rose-untitled-122-A25T69-en/
    Chicago
    Guy Rose. Untitled (122). n.d. https://topimpressionists.com/pt/art/guy-rose-untitled-122-A25T69-en/
    Harvard
    Rose, Guy (n.d.) Untitled (122). Available at: https://topimpressionists.com/pt/art/guy-rose-untitled-122-A25T69-en/

    Observe de perto

    Untitled (122) — Guy Rose

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Point lobos, oak tree, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Onde posso encontrar obras de arte semelhantes a "Untitled (122)" de Guy Rose?

    A página Semelhantes de "Untitled (122)" de Guy Rose apresenta obras relacionadas.

    "Untitled (122)" é mais claro ou mais escuro no geral?

    "Untitled (122)" possui brilliant de brilho geral, e sua luminância é Bright Balance.

    Qual cor predomina na composição de "Untitled (122)" de Guy Rose?

    Plum (#b4b7d1) é a cor predominante de "Untitled (122)" de Guy Rose.

    Onde posso comprar uma impressão de "Untitled (122)" de Guy Rose?

    "Untitled (122)" está disponível como uma impressão fine art em tela de algodão ou papel canvas de arquivo. Os pedidos podem ser feitos em esta página, no tamanho de sua escolha.

    Posso ver uma visão de raio-X de "Untitled (122)" de Guy Rose?

    A página Raio X de "Untitled (122)" de Guy Rose é um visualizador interativo que permite percorrer onze camadas ópticas da imagem da obra, incluindo uma visualização em estilo raio-X.

    Quem é o artista por trás de "Untitled (122)"?

    "Untitled (122)" é atribuída a Guy Rose.

    Onde posso comprar uma reprodução pintada à mão de "Untitled (122)" de Guy Rose?

    "Untitled (122)" está disponível como uma reprodução a óleo pintada à mão sobre tela de linho. O pedido pode ser feito em esta página, com uma escolha de tamanhos.