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Guia de Obras de Estudantes

Dancer Standing (study)

Nome Turma Data

Hilaire-Germain-Edgar Degas, Dancer Standing (study) (1872). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Hilaire-Germain-Edgar Degas topimpressionists.com/pt/artists/hilaire-germain-edgar-degas_pt/
Datas do artista
1834 – 1917
Pintura a óleo
1872
Movimento
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Artistic style
Innovative approach; Experimentation with mediums.
Influences
French Art
Notable elements or techniques
Feathery strokes; Capture of movement.
Subject or theme
Ballet dancer; Study of ballet.

No contexto

Dancer Standing (study) — Hilaire-Germain-Edgar Degas

Quando foi pintado?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 83 ao falecer.

Pintado quando o artista tinha 38. O artista viveu até aos 83. 157 das 684 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Hilaire-Germain-Edgar Degas (1834–1917) ▲ esta obra, 1872 cada pintura datada, década por década

Primeiras obras: até 1872 Principais anos de atividade: 1872–1890 Obras tardias: a partir de 1890

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/hilaire-germain-edgar-degas-dancer-standing-study-8EWF52-en/

Cores

Medido a partir da imagem

    Cor principal

    Khaki #eed69b

    Paleta catalogada

    • #EED69B
    • #AB8666
    • #DDBB78
    • #543932

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Pastels A família de cores predominante na imagem.
    Nome da cor principal
    Khaki
    Intensidade
    Vivid O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Clear Color Presence Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Hilaire-Germain-Edgar Degas nos últimos doze meses — 45 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 61,7%
    2. 2 Estados Unidos da América 9,2%
    3. 3 Singapura 8,9%
    4. 4 Hong Kong 8,5%
    5. 5 Roménia 1,7%
    6. 6 França 1,5%
    7. 7 Itália 1,0%
    8. 8 Brasil 0,8%
    9. 9 Reino Unido 0,6%
    10. 10 Argentina 0,6%
    11. · 35 outros países 5,5%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Hilaire-Germain-Edgar Degas

    1. 1 A Tub 1, 1886 1,1%
    2. 2 Dançarina com um ramo de flores (A Estrela do balé), 1878 1,1%
    3. 3 Dançarinas em Rosa, 1885 1,1%
    4. 4 Cavalos de Corrida em Longchamp, 1874 1,1%
    5. 5 A Aula de Dança, 1874 1,0%
    6. 6 Mulher lavando no banho, 1892 0,9%
    7. 7 Edgar Degas, 1888 0,8%
    8. 8 Autoportreto, 1863 0,7%
    9. 9 O Absinthe Drinker, 1876 0,7%
    10. 10 O Concerto no Café (A Canção do Cão), 1877 0,7%
    11. 11 Les repasseuses, Musee d'Orsay, Paris, 1884 0,6%
    12. 12 Madame Théodore Gobillard, née Yves Morisot, 1869 0,6%
    13. 13 Enfermeira, 1873 0,6%
    14. 14 Após o Banho, Mulher Secando Cabelos, 1895 0,5%
    15. 15 A Reпетиция Балета no Palco, 1874 0,5%
    16. 16 Interior (also known as The Rape), 1868 0,5%
    17. 17 Jinetes Aristocratas Antes da Prova, 1862 0,5%
    18. 18 Dois Bailarinos no Palco, 1877 0,5%
    19. 19 Mulher Pentando o Cabelo, 1894 0,5%
    20. 374 Dancer Standing (study), 1872 esta obra 0,1%

    Juntas, estas obras representam 14,1% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 959 obras deste artista, das quais 692 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 374 posição entre elas, com 0,1% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Dancer Standing (study) — Hilaire-Germain-Edgar Degas

    Dancer Standing (Study) by Edgar Degas

    The world of art is replete with masterpieces that continue to inspire and awe us. One such masterpiece is Dancer Standing (Study) by the renowned French Impressionist artist, Edgar Degas. Created in 1872 using pastel, this painting is a testament to Degas' skill in capturing the essence of ballet dancers.

    Artistic Style and Technique

    Degas was known for his innovative approach to art, often experimenting with different techniques and mediums. In Dancer Standing (Study), he employed pastel to create a soft, dreamy effect. The painting features a woman in a ballet dress standing on one leg with her hand on the wall, exuding elegance and poise. The use of pastel colors adds a sense of delicacy and fragility to the piece. Pastel was a medium that Degas favored, and he often used it to create intimate, informal studies of his subjects. This painting is a prime example of his mastery of the medium, with delicate, feathery strokes that capture the subtleties of light and texture. For more information on Degas' use of pastel, visit Dancer Standing (Study) on AllPaintingsStore.

    Context and Significance

    Dancer Standing (Study) is part of a larger body of work by Degas that explores the world of ballet. His fascination with dance and dancers led him to create numerous paintings, sculptures, and prints on the subject. This painting can be seen in the context of other works by Degas, such as The Rehearsal of the Ballet on Stage and The Green Dancer, which are also available on AllPaintingsStore.

    View The Rehearsal of the Ballet on Stage to see another example of Degas' work.

    Learn more about Edgar Degas and his artistic style on AllPaintingsStore.

    Discover the Baltimore Museum of Art, which features an extensive collection of Impressionist art, including works by Degas.

    For a deeper understanding of French art and its history, visit French Art on Wikipedia. The lives and works of other notable artists, such as Mary Cassatt and Édouard Manet, can also be explored on Wikipedia.

    A Closer Look

    The painting depicts a dancer poised in mid-movement, capturing the fleeting beauty of ballet practice. Degas’ meticulous attention to detail—the subtle folds of fabric, the delicate shading of skin—is characteristic of his Impressionist style. He sought to convey not just what he saw but also how he felt about it, imbuing the image with a sense of immediacy and emotion. The muted pastel palette contributes to this atmosphere, creating an ethereal quality that invites contemplation.

    Provenance & Inspiration

    Dancer Standing (Study) is a pivotal piece in Degas’ oeuvre, reflecting his lifelong fascination with ballet and his desire to portray dancers as living beings rather than idealized figures. It draws inspiration from observations of ballet rehearsals at the Paris Opera Garnier, where Degas spent countless hours documenting the movements and expressions of performers. This study exemplifies his commitment to capturing authentic moments and conveying a profound appreciation for the art form itself.

    In conclusion, Dancer Standing (Study) by Edgar Degas is a captivating painting that showcases the artist’s mastery of pastel and his fascination with the world of ballet. As part of AllPaintingsStore's collection of handmade oil paintings reproductions, this piece can be appreciated and enjoyed by art lovers around the world.

    Photo Description: The image is a painting of a woman in a ballet dress standing on one leg with her hand on the wall. She appears to be posing for a picture or practicing her dance moves. The painting is done in pastel colors and has an impressionistic style, giving it a soft and dreamy appearance. The woman's outfit consists of a long skirt and a fitted top, both in shades of pink. She also wears a necklace around her neck, adding to the elegance of her attire. The painting captures the graceful posture and poise of the dancer as she stands on one leg with her hand on the wall.

    Size: Unknown

    Date: 1872

    Artista e museu

    Artista

    Hilaire-Germain-Edgar Degas

    Nascido em Paris, França

    A Life Immersed in Movement

    Edgar Degas, born Hilaire-Germain-Edgar De Gas in Paris on July 19, 1834, stands as a captivating enigma within the annals of art history. Often categorized alongside the Impressionists—Monet, Renoir, and others who revolutionized painting in the late 19th century—Degas fiercely resisted this label, preferring to identify himself as a realist. This commitment stemmed from his unwavering dedication to meticulous observation of the world around him, translating it onto canvas with an honesty that was both startling and profoundly insightful. His early life unfolded within the comfortable confines of a bourgeois upbringing; his father, a banker, and his mother, hailing from a Creole family in New Orleans, afforded him access to education and artistic training—though he often felt constrained by the rigid expectations of academic tradition. Initially enrolled at the Lycée Louis-le-Grand, Degas’s true education began when he immersed himself in the Louvre, meticulously copying works by masters like Raphael and Michelangelo, honing his skills and igniting a lifelong passion for classical art. However, this early training wasn't simply about imitation; it was a springboard for constant questioning and reevaluation of artistic norms—a defining characteristic that would shape his entire career. He possessed an independent spirit, refusing to be confined by convention, and this rebellious streak fueled his unique artistic vision.

    Beyond Impressionism: A Distinct Artistic Voice

    While contemporaries like Monet chased the ephemeral beauty of light outdoors, capturing fleeting moments in plein air, Degas largely maintained a studio-based practice. His process involved constructing scenes from careful observation and memory, often working from sketches and studies made at a distance. This deliberate approach allowed him to analyze forms and compositions with an unparalleled level of detail. His subject matter deliberately shifted away from the historical or mythological themes favored by many academic painters, instead focusing on the vibrant, often gritty reality of Parisian life. He found inspiration in the everyday experiences of ordinary people: laundresses hauling their heavy loads, cabaret singers captivating audiences with their performances, milliners crafting elaborate hats, and, most famously, dancers—particularly those performing at the Paris Opera Ballet. Degas didn’t merely paint beautiful ballerinas; he sought to capture the grueling reality of their profession – the endless rehearsals, the physical strain, the fleeting moments of grace amidst a world of relentless labor. His compositions were frequently unconventional, cropping figures in unexpected ways and utilizing asymmetrical arrangements that created a sense of dynamism and immediacy. He was a master of capturing movement, not through blurred lines or hazy effects, but through precise observation and careful rendering of form. Works like Dancer, A Group of Dancers, Women Combing Their Hair, and The Dance Class exemplify this dedication to portraying the human figure in motion and revealing the complexities of modern life. He wasn’t interested in superficial beauty; he sought to expose the truth beneath the surface.

    Influences and Artistic Development

    Degas's artistic journey was a rich tapestry woven from diverse influences. His early training instilled in him a deep respect for classical principles, particularly the work of Jean-Auguste-Dominique Ingres, whose emphasis on draftsmanship and precise form profoundly impacted his style. However, he also drew inspiration from Realist painters like Gustave Courbet, who challenged academic conventions and championed the depiction of contemporary life with unflinching honesty. A pivotal moment in his development occurred through his association with Camille Pissarro, a leading Impressionist who encouraged him to experiment with new techniques and broadened his artistic horizons. Degas was particularly captivated by Japanese prints—Ukiyo-e—which exerted a significant influence on his compositions, inspiring him to embrace asymmetrical arrangements, flattened perspectives, and bold patterns. He also keenly observed photography, recognizing its potential as a tool for studying movement and capturing fleeting moments in time. This willingness to incorporate diverse influences into his work – from classical art to Japanese prints to the burgeoning field of photography – is what truly distinguishes Degas and contributes to the unique character of his art. He wasn’t afraid to borrow from different sources, synthesizing them into something entirely new.

    Major Achievements and Legacy

    Edgar Degas died in Paris on September 27, 1917, leaving behind a remarkably diverse body of work that continues to captivate and inspire audiences worldwide. His innovative approach to composition, his masterful draftsmanship, and his unflinching portrayal of modern life have had a profound impact on the course of art history. He wasn’t simply a painter of dancers or racehorses; he was a keen observer of human nature, a master of form and movement, and a true innovator who redefined the possibilities of art. His influence can be seen in the work of Pablo Picasso and Henri Matisse, among others, demonstrating his lasting legacy as a pivotal figure in the transition from realism to modernism. Museums across the globe—including the Musée d'Orsay and the Musée de l’Orangerie in Paris—house significant collections of his paintings, pastels, sculptures, and prints, ensuring that his artistic vision will continue to be appreciated for generations to come.

    A Master of Line: Degas's exceptional draftsmanship set him apart.

    Modern Life as Subject: He focused on contemporary Parisian scenes, breaking from tradition.

    Influence on Future Artists: His work profoundly impacted Picasso and Matisse.

    Key Works

    Among his most celebrated works are Dancer and Tambourine, a vibrant depiction of a ballerina in mid-performance; The Ballet Class, offering an intimate glimpse into the rigorous training of young dancers; Degas in a Green Jacket, capturing a candid moment of leisure; The Collector, showcasing a portrait of a wealthy art collector; and Women Combing Their Hair, a study of domestic life. These works, along with countless others, reveal Degas’s remarkable ability to capture the essence of his subjects – their beauty, their struggles, and their humanity.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Dancer Standing (study)

    topimpressionists.com/pt/art/download/hilaire-germain-edgar-degas-dancer-standing-study-8EWF52-en/

    Como citar esta obra

    MLA
    Degas, Hilaire-Germain-Edgar. Dancer Standing (study). 1872, https://topimpressionists.com/pt/art/hilaire-germain-edgar-degas-dancer-standing-study-8EWF52-en/
    APA
    Degas, Hilaire-Germain-Edgar (1872). Dancer Standing (study) [Painting]. https://topimpressionists.com/pt/art/hilaire-germain-edgar-degas-dancer-standing-study-8EWF52-en/
    Chicago
    Hilaire-Germain-Edgar Degas. Dancer Standing (study). 1872. https://topimpressionists.com/pt/art/hilaire-germain-edgar-degas-dancer-standing-study-8EWF52-en/
    Harvard
    Degas, Hilaire-Germain-Edgar (1872) Dancer Standing (study). Available at: https://topimpressionists.com/pt/art/hilaire-germain-edgar-degas-dancer-standing-study-8EWF52-en/

    Observe de perto

    Dancer Standing (study) — Hilaire-Germain-Edgar Degas

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: ballet, dance, pastel. Concorda? O que acrescentaria ou removeria?
    4. Relembre Dançarinas em Rosa (1885), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Quiz de arte

    Dancer Standing (study) — Hilaire-Germain-Edgar Degas

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. What artistic movement is Edgar Degas’s ‘Dancer Standing (Study)’ associated with?

      • A Cubism
      • B Renaissance
      • C Impressionism
    2. 2. In what medium was Edgar Degas primarily known for creating his artwork?

      • A Oil paint
      • B Sculpture
      • C Pastel
    3. 3. What is the primary subject matter of ‘Dancer Standing (Study)?

      • A Landscape scenery
      • B Portraiture
      • C Ballet dancer
    4. 4. The painting utilizes a technique that aims to capture the subtleties of light and texture. What is this technique called?

      • A Fresco
      • B Chiaroscuro
      • C Impasto
    5. 5. Which museum houses an extensive collection of Impressionist art, including works by Edgar Degas?

      • A Metropolitan Museum of Art
      • B Louvre Museum
      • C Baltimore Museum of Art

    Minha pontuação: ____ de 5

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    Perguntas e Respostas

    Onde se recomenda exibir o formato Portrait de "Dancer Standing (study)"?

    Com o seu formato Portrait, uma reprodução de "Dancer Standing (study)" é sugerida para um(a) Living Room.

    Hilaire-Germain-Edgar Degas, criador(a) de "Dancer Standing (study)", é conhecido(a) por outros nomes?

    Hilaire-Germain-Edgar Degas também é conhecido como Hilaire Germain Edgar de Gas, Edgar Germaine Hilaire de Gas.

    A que fase da trajetória de Hilaire-Germain-Edgar Degas "Dancer Standing (study)" pertence?

    "Dancer Standing (study)" representa o Mature Period de Hilaire-Germain-Edgar Degas.