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Nome Turma Data

Hilaire-Germain-Edgar Degas, Make an attempt, second version (1877). Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Hilaire-Germain-Edgar Degas topimpressionists.com/pt/artists/hilaire-germain-edgar-degas_pt/
Datas do artista
1834 – 1917
Pintura a óleo
1877
Movimento
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Artistic style
Realist with expressive qualities
Influences
Degas
Notable elements or techniques
Gestural charcoal drawing; Textured surface
Subject or theme
Women seated together

No contexto

Make an attempt, second version — Hilaire-Germain-Edgar Degas

Quando foi pintado?

  1. 1830
  2. 1840
  3. 1850
  4. 1860
  5. 1870
  6. 1880
  7. 1890
  8. 1900
  9. 1910
  10. 1920

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 83 ao falecer.

Pintado quando o artista tinha 43. O artista viveu até aos 83. 241 das 684 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Hilaire-Germain-Edgar Degas (1834–1917) ▲ esta obra, 1877 cada pintura datada, década por década

Primeiras obras: até 1872 Principais anos de atividade: 1872–1890 Obras tardias: a partir de 1890

Essas três faixas dividem as obras datadas neste catálogo em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a trajetória do artista neles traçada

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/hilaire-germain-edgar-degas-make-an-attempt-second-version-8XXTGL-en/

Cores

Medido a partir da imagem

    Cor principal

    Espresso #4f5a58

    Paleta catalogada

    • #4F5A58
    • #DEDFE2
    • #B0B3B4
    • #838985

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Espresso
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Discordant Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Hilaire-Germain-Edgar Degas nos últimos doze meses — 45 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 61,7%
    2. 2 Estados Unidos da América 9,2%
    3. 3 Singapura 8,9%
    4. 4 Hong Kong 8,5%
    5. 5 Roménia 1,7%
    6. 6 França 1,5%
    7. 7 Itália 1,0%
    8. 8 Brasil 0,8%
    9. 9 Reino Unido 0,6%
    10. 10 Argentina 0,6%
    11. · 35 outros países 5,5%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Hilaire-Germain-Edgar Degas

    1. 1 Dançarina com um ramo de flores (A Estrela do balé), 1878 1,2%
    2. 2 A Tub 1, 1886 1,1%
    3. 3 Dançarinas em Rosa, 1885 1,1%
    4. 4 A Aula de Dança, 1874 1,0%
    5. 5 Cavalos de Corrida em Longchamp, 1874 1,0%
    6. 6 Mulher lavando no banho, 1892 0,9%
    7. 7 Edgar Degas, 1888 0,7%
    8. 8 O Concerto no Café (A Canção do Cão), 1877 0,7%
    9. 9 Autoportreto, 1863 0,7%
    10. 10 O Absinthe Drinker, 1876 0,7%
    11. 11 Madame Théodore Gobillard, née Yves Morisot, 1869 0,7%
    12. 12 Les repasseuses, Musee d'Orsay, Paris, 1884 0,6%
    13. 13 Enfermeira, 1873 0,6%
    14. 14 A Reпетиция Балета no Palco, 1874 0,6%
    15. 15 Após o Banho, Mulher Secando Cabelos, 1895 0,5%
    16. 16 Interior (also known as The Rape), 1868 0,5%
    17. 17 Jinetes Aristocratas Antes da Prova, 1862 0,5%
    18. 18 Dois Bailarinos no Palco, 1877 0,5%
    19. 19 Mulher Pentando o Cabelo, 1894 0,5%
    20. 690 Make an attempt, second version, 1877 esta obra 0,0%

    Juntas, estas obras representam 14,1% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 959 obras deste artista, das quais 702 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 690 posição entre elas, com 0,0% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Make an attempt, second version — Hilaire-Germain-Edgar Degas

    A Moment Frozen in Charcoal: Exploring Degas’s “Make an Attempt, Second Version”

    The artwork "Make an attempt, second version," by Edgar Degas, stands as a testament to the artist's unwavering dedication to capturing fleeting moments of life with remarkable precision and emotional resonance. Executed in 1877, this charcoal drawing transcends mere representation; it invites contemplation on themes of companionship, vulnerability, and the subtle beauty found within everyday scenes—a characteristic hallmark of Degas’s artistic vision.

    Subject Matter and Composition

    At its core, the piece depicts four women seated together outdoors, bathed in diffused light that lends an air of quiet melancholy to the tableau. Degas eschewed grand narratives or dramatic gestures, opting instead for a carefully considered composition centered around these figures. The artist’s masterful use of perspective creates a shallow depth of field, directing the viewer's gaze squarely onto the women themselves—a deliberate tactic designed to heighten their presence and emphasize their individual expressions. Lines dominate the drawing, delineating the contours of bodies and clothing with meticulous detail, resulting in a textured surface that convincingly mimics the materiality of charcoal itself. The organic shapes of the figures blend seamlessly with geometric elements representing drapery, contributing to a harmonious visual balance.

    Technique: Charcoal Drawing – A Gesture of Observation

    Degas’s technique is fundamentally rooted in observation—a cornerstone of his artistic philosophy. He employed charcoal on paper, applying it with loose, gestural strokes that convey movement and emotion rather than striving for photographic accuracy. This approach aligns perfectly with the Impressionist spirit, prioritizing capturing the essence of a scene over reproducing its visual details. The roughness and unevenness inherent in charcoal drawing serve as an expressive element, mirroring the spontaneity of artistic creation and lending the artwork an immediacy that transcends time. It’s a technique that speaks to Degas's belief that art should strive to capture not just what is seen but also how it feels—a profound insight into the artist’s creative process.

    Historical Context and Artistic Influences

    “Make an attempt, second version” emerged during a pivotal period in artistic history – the Belle Époque (roughly 1870-1914). This era witnessed a flourishing of creativity across disciplines, fueled by advancements in science, technology, and social reform. Degas’s work reflects this intellectual ferment, aligning with broader trends toward realism and psychological exploration within painting. Notably, stylistic echoes can be discerned from the oeuvre of artists like Gustave Courbet and Jean-François Millet—artists who championed depictions of ordinary life and challenged academic conventions. The drawing's subdued palette and focus on human figures resonate deeply with the aesthetic sensibilities of Impressionism, cementing Degas’s place as a pivotal figure in shaping modern art.

    Symbolic Resonance: Companionship and Quiet Reflection

    Beyond its formal qualities, “Make an attempt, second version” carries symbolic weight. The gathering of women suggests themes of friendship, intimacy, and perhaps unspoken anxieties—a poignant reminder of the complexities inherent in human relationships. The muted tones contribute to a contemplative mood, inviting viewers to ponder on matters of emotion and introspection. Ultimately, Degas’s drawing transcends its subject matter, offering a glimpse into the artist's profound understanding of the human condition and demonstrating his ability to transform simple scenes into enduring expressions of artistic vision.

    Artista e museu

    Artista

    Hilaire-Germain-Edgar Degas

    Nascido em Paris, França

    A Life Immersed in Movement

    Edgar Degas, born Hilaire-Germain-Edgar De Gas in Paris on July 19, 1834, stands as a captivating enigma within the annals of art history. Often categorized alongside the Impressionists—Monet, Renoir, and others who revolutionized painting in the late 19th century—Degas fiercely resisted this label, preferring to identify himself as a realist. This commitment stemmed from his unwavering dedication to meticulous observation of the world around him, translating it onto canvas with an honesty that was both startling and profoundly insightful. His early life unfolded within the comfortable confines of a bourgeois upbringing; his father, a banker, and his mother, hailing from a Creole family in New Orleans, afforded him access to education and artistic training—though he often felt constrained by the rigid expectations of academic tradition. Initially enrolled at the Lycée Louis-le-Grand, Degas’s true education began when he immersed himself in the Louvre, meticulously copying works by masters like Raphael and Michelangelo, honing his skills and igniting a lifelong passion for classical art. However, this early training wasn't simply about imitation; it was a springboard for constant questioning and reevaluation of artistic norms—a defining characteristic that would shape his entire career. He possessed an independent spirit, refusing to be confined by convention, and this rebellious streak fueled his unique artistic vision.

    Beyond Impressionism: A Distinct Artistic Voice

    While contemporaries like Monet chased the ephemeral beauty of light outdoors, capturing fleeting moments in plein air, Degas largely maintained a studio-based practice. His process involved constructing scenes from careful observation and memory, often working from sketches and studies made at a distance. This deliberate approach allowed him to analyze forms and compositions with an unparalleled level of detail. His subject matter deliberately shifted away from the historical or mythological themes favored by many academic painters, instead focusing on the vibrant, often gritty reality of Parisian life. He found inspiration in the everyday experiences of ordinary people: laundresses hauling their heavy loads, cabaret singers captivating audiences with their performances, milliners crafting elaborate hats, and, most famously, dancers—particularly those performing at the Paris Opera Ballet. Degas didn’t merely paint beautiful ballerinas; he sought to capture the grueling reality of their profession – the endless rehearsals, the physical strain, the fleeting moments of grace amidst a world of relentless labor. His compositions were frequently unconventional, cropping figures in unexpected ways and utilizing asymmetrical arrangements that created a sense of dynamism and immediacy. He was a master of capturing movement, not through blurred lines or hazy effects, but through precise observation and careful rendering of form. Works like Dancer, A Group of Dancers, Women Combing Their Hair, and The Dance Class exemplify this dedication to portraying the human figure in motion and revealing the complexities of modern life. He wasn’t interested in superficial beauty; he sought to expose the truth beneath the surface.

    Influences and Artistic Development

    Degas's artistic journey was a rich tapestry woven from diverse influences. His early training instilled in him a deep respect for classical principles, particularly the work of Jean-Auguste-Dominique Ingres, whose emphasis on draftsmanship and precise form profoundly impacted his style. However, he also drew inspiration from Realist painters like Gustave Courbet, who challenged academic conventions and championed the depiction of contemporary life with unflinching honesty. A pivotal moment in his development occurred through his association with Camille Pissarro, a leading Impressionist who encouraged him to experiment with new techniques and broadened his artistic horizons. Degas was particularly captivated by Japanese prints—Ukiyo-e—which exerted a significant influence on his compositions, inspiring him to embrace asymmetrical arrangements, flattened perspectives, and bold patterns. He also keenly observed photography, recognizing its potential as a tool for studying movement and capturing fleeting moments in time. This willingness to incorporate diverse influences into his work – from classical art to Japanese prints to the burgeoning field of photography – is what truly distinguishes Degas and contributes to the unique character of his art. He wasn’t afraid to borrow from different sources, synthesizing them into something entirely new.

    Major Achievements and Legacy

    Edgar Degas died in Paris on September 27, 1917, leaving behind a remarkably diverse body of work that continues to captivate and inspire audiences worldwide. His innovative approach to composition, his masterful draftsmanship, and his unflinching portrayal of modern life have had a profound impact on the course of art history. He wasn’t simply a painter of dancers or racehorses; he was a keen observer of human nature, a master of form and movement, and a true innovator who redefined the possibilities of art. His influence can be seen in the work of Pablo Picasso and Henri Matisse, among others, demonstrating his lasting legacy as a pivotal figure in the transition from realism to modernism. Museums across the globe—including the Musée d'Orsay and the Musée de l’Orangerie in Paris—house significant collections of his paintings, pastels, sculptures, and prints, ensuring that his artistic vision will continue to be appreciated for generations to come.

    A Master of Line: Degas's exceptional draftsmanship set him apart.

    Modern Life as Subject: He focused on contemporary Parisian scenes, breaking from tradition.

    Influence on Future Artists: His work profoundly impacted Picasso and Matisse.

    Key Works

    Among his most celebrated works are Dancer and Tambourine, a vibrant depiction of a ballerina in mid-performance; The Ballet Class, offering an intimate glimpse into the rigorous training of young dancers; Degas in a Green Jacket, capturing a candid moment of leisure; The Collector, showcasing a portrait of a wealthy art collector; and Women Combing Their Hair, a study of domestic life. These works, along with countless others, reveal Degas’s remarkable ability to capture the essence of his subjects – their beauty, their struggles, and their humanity.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Make an attempt, second version

    topimpressionists.com/pt/art/download/hilaire-germain-edgar-degas-make-an-attempt-second-version-8XXTGL-en/

    Como citar esta obra

    MLA
    Degas, Hilaire-Germain-Edgar. Make an attempt, second version. 1877, https://topimpressionists.com/pt/art/hilaire-germain-edgar-degas-make-an-attempt-second-version-8XXTGL-en/
    APA
    Degas, Hilaire-Germain-Edgar (1877). Make an attempt, second version [Painting]. https://topimpressionists.com/pt/art/hilaire-germain-edgar-degas-make-an-attempt-second-version-8XXTGL-en/
    Chicago
    Hilaire-Germain-Edgar Degas. Make an attempt, second version. 1877. https://topimpressionists.com/pt/art/hilaire-germain-edgar-degas-make-an-attempt-second-version-8XXTGL-en/
    Harvard
    Degas, Hilaire-Germain-Edgar (1877) Make an attempt, second version. Available at: https://topimpressionists.com/pt/art/hilaire-germain-edgar-degas-make-an-attempt-second-version-8XXTGL-en/

    Observe de perto

    Make an attempt, second version — Hilaire-Germain-Edgar Degas

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Quantos rostos você consegue encontrar? ____ (o nosso catálogo conta 4 — você concorda?)
    4. O nosso catálogo classifica esta obra sob: charcoal drawing, women group, melancholy mood. Concorda? O que acrescentaria ou removeria?
    5. Relembre Dançarinas em Rosa (1885), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Quiz de arte

    Make an attempt, second version — Hilaire-Germain-Edgar Degas

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. What artistic movement is Edgar Degas primarily associated with?

      • A Impressionism
      • B Cubism
      • C Renaissance
    2. 2. The image description highlights a particular stylistic characteristic of Degas’s technique. What is it?

      • A Detailed realism with meticulous shading
      • B Bold brushstrokes and vibrant colors
      • C Loose application of charcoal emphasizing movement
    3. 3. The scene depicted in ‘Make an attempt, second version’ evokes themes related to what broader concept?

      • A Romantic idealism
      • B Social commentary
      • C Female companionship and introspection
    4. 4. Based on the description, which artist's style might have influenced Degas’s approach to this artwork?

      • A Vincent van Gogh
      • B Claude Monet
      • C Pablo Picasso
    5. 5. What material was primarily used in the creation of ‘Make an attempt, second version’?

      • A Oil paint
      • B Marble
      • C Charcoal

    Minha pontuação: ____ de 5

    Gabarito — para o professor

    Isto inicia uma nova página impressa, de modo que ela pode simplesmente ser omitida das cópias.

    1A · 2C · 3C · 4B · 5C

    Confira qualquer resposta comparando com o registro do catálogo desta pintura

    Perguntas e Respostas

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    A imagem de "Make an attempt, second version", de Hilaire-Germain-Edgar Degas pode ser baixada na página de download da obra: Download download de imagem digital em alta resolução.