Papel

Guia de Obras de Estudantes

Carting Sand

Nome Turma Data

James William Booth, Carting Sand, Salford Museum - Art Gallery. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
James William Booth topimpressionists.com/pt/artists/james-william-booth/
Datas do artista
1867 – 1953
Dimensões originais
36 x 46 cm
Movimento
Impressionism Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio.
Realizado em
Salford Museum - Art Gallery topimpressionists.com/pt/museums/salford-museum-art-gallery-greater-manchester_pt/

No contexto

Carting Sand — James William Booth

Qual é o tamanho?

As dimensões originais são 36 × 46 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando poderá ter sido pintada esta obra?

  1. 1860
  2. 1870
  3. 1880
  4. 1890
  5. 1900
  6. 1910
  7. 1920
  8. 1930
  9. 1940
  10. 1950

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 86 ao falecer.

Sombreado: a trajetória de James William Booth (1867–1953) cada pintura datada, década por década

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Comparar com

  • End O'Day, 1904 topimpressionists.com/pt/art/james-william-booth-end-o-day-AR26SE-en/
  • Homeward Bound, 1898 topimpressionists.com/pt/art/james-william-booth-homeward-bound-AR26SA-en/
  • Staithes, 1920 topimpressionists.com/pt/art/james-william-booth-staithes-AR26SL-en/

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/james-william-booth-carting-sand-AR26SQ-en/

Cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #a5a192

    Paleta catalogada

    • #A5A192
    • #524734
    • #806944
    • #616D76

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Rosy Brown
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Gentle O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de James William Booth nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 3 obras mais visualizadas de James William Booth

    1. 1 Homeward Bound, 1898 50,0%
    2. 2 Staithes, 1920 50,0%
    3. — Carting Sand esta obra 0,0%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 9 obras deste artista, das quais 2 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    James William Booth

    A Life Rooted in the English Countryside

    James William Booth (1867-1953) wasn’t a name that immediately resonates with the grand halls of art history, yet his canvases hold a quiet power—a profound connection to the rugged beauty of North Yorkshire. Born in Manchester, England, into a family steeped in theatrical tradition – his father and brothers were renowned actors – Booth's early life was far removed from the tranquil landscapes he would later immortalize on canvas. His upbringing amidst the bustling world of the stage instilled in him an appreciation for performance, observation, and a keen eye for detail, qualities that undoubtedly informed his artistic approach. The influence of his theatrical lineage is subtle but present; Booth’s paintings possess a certain dramatic quality, a sense of narrative captured within the frame, mirroring the storytelling inherent in theatre.

    His family moved to Scalby, Scarborough, Yorkshire, in 1893, establishing a home near the coast. This move proved pivotal, providing him with direct access to the very subjects that would become his lifelong obsession: the dramatic coastline, the rolling hills, and the humble rural life of North Yorkshire. Booth’s early years were marked by a deep immersion in the local environment, absorbing its rhythms, textures, and light – elements he would later translate onto his canvases with remarkable skill.

    The Staithes Group and Artistic Influences

    Booth's artistic journey truly took shape through his association with the Staithes Group, a collective of artists who gathered in the small fishing village of Staithes on the Yorkshire coast. This group, comprised primarily of Fred Jackson, Laura Knight, Harold Knight, and others, represented a significant shift away from the academic traditions of the time. The Staithes Group championed a more direct, expressive approach to painting – capturing the essence of their subjects rather than meticulously replicating them. Jackson’s influence was particularly strong; his emphasis on capturing fleeting moments of light and atmosphere profoundly impacted Booth's style.

    Booth’s artistic development was also shaped by the broader trends of British Impressionism and Realism. He admired the work of artists like Constable, whose atmospheric landscapes had a lasting impact, and the meticulous detail of artists such as George Washington Hunt. However, unlike many of his contemporaries, Booth avoided overly sentimental depictions, instead focusing on portraying the harsh realities and enduring beauty of the North Yorkshire countryside with unflinching honesty.

    A Palette of Light and Texture

    Booth’s technique is characterized by a remarkable sensitivity to light and texture. He employed loose, expressive brushstrokes – often applied in thick impasto – to capture the ruggedness of the landscape and the tactile qualities of its materials. His use of color was equally deliberate; he favored muted earth tones—ochres, browns, greens, and blues—to evoke the atmosphere of North Yorkshire. He wasn’t interested in creating photographic representations but rather in conveying a sense of mood and feeling through his paintings.

    His compositions are often dominated by expansive vistas, capturing the vastness of the moorland and the drama of the coastline. He frequently depicted scenes of rural life—farmers working their fields, horses grazing in open meadows, and fishermen returning from the sea—offering a poignant glimpse into the lives of ordinary people. Booth’s paintings are not merely landscapes; they are windows into a bygone era, imbued with a sense of nostalgia and quiet contemplation.

    Notable Works and Lasting Legacy

    Among Booth's most celebrated works are “Homeward Bound,” depicting a solitary figure returning from the sea, and "Carting Sand," which captures a dramatic coastal scene with loose brushstrokes and textured oil paint. These paintings exemplify his ability to convey both the beauty and the harshness of the North Yorkshire landscape. His work was exhibited at the Manchester Academy, the Royal Cambrian Academy, and the Walker Art Gallery in Liverpool, solidifying his reputation as a leading artist of his time.

    Booth’s legacy extends beyond his individual paintings. He played a crucial role in fostering a vibrant artistic community in North Yorkshire, inspiring generations of artists to explore the region's unique landscapes. His work continues to be appreciated for its honesty, sensitivity, and profound connection to the spirit of the English countryside. Today, his paintings can be found in public collections across England, offering viewers a timeless glimpse into the beauty and resilience of North Yorkshire.

    Museu

    Salford Museum - Art Gallery

    Em exibição em Greater Manchester, United Kingdom

    A Victorian Legacy Preserved: Exploring Salford Museum & Art Gallery

    Salford Museum & Art Gallery stands as a testament to both artistic heritage and local identity, nestled in the heart of Greater Manchester. Founded in 1850 as Britain’s first free public library—a bold vision for its time—the museum resides within Lark Hill House, a magnificent mansion constructed in 1790 that now serves as an evocative backdrop to its remarkable collections. More than just bricks and mortar, Lark Hill embodies the spirit of Victorian ambition and philanthropy, mirroring the values underpinning the institution’s enduring mission.

    Architectural Significance:

    The mansion's Georgian façade speaks volumes about the era’s aesthetic sensibilities—symmetry, grandeur, and meticulous craftsmanship are hallmarks of its design. Its interior spaces have been thoughtfully preserved, allowing visitors to step back in time and experience the atmosphere of Victorian society.

    A Journey Through Time:

    Lark Hill Place, a meticulously recreated Victorian streetscape, isn’t merely decorative; it's an immersive educational tool. Visitors can wander amongst period shops and residences, gaining firsthand insight into daily life during the 1890s—a fascinating contrast to the modern cityscape surrounding it.

    Celebrating Artistic Diversity: The Museum’s Collection Highlights

    Salford’s artistic treasures span centuries, reflecting influences from across Europe and beyond. The Paintings Gallery houses masterpieces by artists ranging from Romantic painters like John Constable to Impressionists experimenting with light and color. Examining these canvases reveals not only stylistic evolution but also the cultural preoccupations of their respective times—themes of landscape, portraiture, and mythology are recurring motifs.

    Ceramic Excellence:

    The Ceramics Collection showcases a stunning progression in pottery techniques and artistic expression. From Staffordshire porcelain to Wedgwood stoneware, each piece tells a story about industrial innovation and decorative artistry.

    Decorative Arts Showcase:

    Explore exquisitely crafted furniture pieces—Victorian sofas upholstered in velvet and mahogany tables adorned with inlaid marquetry—alongside textiles featuring intricate floral patterns and vibrant hues. These objects illuminate the tastes of Victorian elites and demonstrate the skill of artisans working at the forefront of their craft.

    More Than Just Exhibits: Engaging Experiences

    Salford Museum & Art Gallery distinguishes itself through its commitment to fostering connections between art and community. Regular events, including artist talks and workshops, provide opportunities for visitors to engage directly with artistic ideas and practices. Furthermore, the ‘Relax with Art’ sessions offer a tranquil space for contemplation and reflection—a welcome respite from the bustle of urban life.

    Accessibility & Community Focus:

    Admission is free, reflecting the museum's dedication to inclusivity and ensuring that art appreciation remains accessible to all.

    Supporting Local Talent:

    The Museum’s Shop offers a curated selection of gifts inspired by Salford’s artistic heritage—a tangible reminder of the museum’s mission to celebrate creativity.

    A Destination for Inspiration

    Whether you're an art historian researching Victorian aesthetics, an interior designer seeking inspiration for elegant spaces, or simply someone captivated by history and beauty, Salford Museum & Art Gallery promises a rewarding experience. Its unique blend of architectural grandeur, artistic diversity, and community engagement makes it a truly exceptional cultural institution.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Carting Sand

    topimpressionists.com/pt/art/download/james-william-booth-carting-sand-AR26SQ-en/

    Como citar esta obra

    MLA
    Booth, James William. Carting Sand. n.d., Salford Museum - Art Gallery. https://topimpressionists.com/pt/art/james-william-booth-carting-sand-AR26SQ-en/
    APA
    Booth, James William (n.d.). Carting Sand [Painting]. Salford Museum - Art Gallery. https://topimpressionists.com/pt/art/james-william-booth-carting-sand-AR26SQ-en/
    Chicago
    James William Booth. Carting Sand. n.d. Salford Museum - Art Gallery. https://topimpressionists.com/pt/art/james-william-booth-carting-sand-AR26SQ-en/
    Harvard
    Booth, James William (n.d.) Carting Sand. Salford Museum - Art Gallery. Available at: https://topimpressionists.com/pt/art/james-william-booth-carting-sand-AR26SQ-en/

    Observe de perto

    Carting Sand — James William Booth

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: coastal landscape, rural scene, solitary figure. Concorda? O que acrescentaria ou removeria?
    4. Relembre End O'Day (1904), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Impressionism: Painters working fast and outdoors to catch how light actually looked at one moment, rather than finishing smoothly in a studio. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual é a identidade cromática de "Carting Sand", de James William Booth?

    A identidade cromática de "Carting Sand", de James William Booth: uma paleta Earthy, dominada por Rosy Brown (#a5a192).

    Onde posso encontrar obras de arte semelhantes a "Carting Sand", de James William Booth?

    A página Obras semelhantes de "Carting Sand", de James William Booth apresenta obras relacionadas.

    Qual é a luminosidade percebida de "Carting Sand", de James William Booth?

    Em termos de luminosidade percebida, "Carting Sand", de James William Booth é balanced.