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Guia de Obras de Estudantes

After the Storm

Nome Turma Data

John H (Jock) Wilson, After the Storm (1800), Folkestone Library – History Resource Centre. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
John H (Jock) Wilson topimpressionists.com/pt/artists/john-h-jock-wilson/
Datas do artista
1774 – 1855
Pintura a óleo
1800
Dimensões originais
48 x 63 cm
Realizado em
Folkestone Library – History Resource Centre topimpressionists.com/pt/museums/folkestone-library-history-resource-centre-folkestone/

No contexto

After the Storm — John H (Jock) Wilson

Qual é o tamanho?

As dimensões originais são 48 × 63 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando foi pintado?

  1. 1770
  2. 1780
  3. 1790
  4. 1800
  5. 1810
  6. 1820
  7. 1830
  8. 1840
  9. 1850

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 81 ao falecer.

Pintado quando o artista tinha 26. O artista viveu até aos 81. 0 das 5 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de John H (Jock) Wilson (1774–1855) ▲ esta obra, 1800 cada pintura datada, década por década

Comparar com

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/john-h-jock-wilson-after-the-storm-AS7RVP-en/

Cores

Medido a partir da imagem

    Cor principal

    Espresso #33403f

    Paleta catalogada

    • #33403F
    • #5C6159
    • #C1B7A8
    • #8C8271

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Nome da cor principal
    Espresso
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Balanced O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Softly Mixed Palette A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de John H (Jock) Wilson nos últimos doze meses — 1 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 8 obras mais visualizadas de John H (Jock) Wilson

    1. 1 A Coastal Scene Between Nieuport and Ostend, 1816 14,3%
    2. 2 St Mary Redcliffe from the Floating Harbour 14,3%
    3. 3 Approaching Storm, Entrance to the Firth of Forth 14,3%
    4. 4 Port Scene, 1855 14,3%
    5. 5 Shipping off the Coast 14,3%
    6. 6 Coast Scene, Stormy Effect 14,3%
    7. 7 On the Scheldt 14,3%
    8. — After the Storm, 1800 esta obra 0,0%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 20 obras deste artista, das quais 7 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada neste período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    John H (Jock) Wilson

    Early Life and Artistic Beginnings

    John H. “Old Jock” Wilson, born in Ayr, Scotland, in 1774, emerged from a background steeped in the practicalities of maritime life—his father was a merchant sea captain. This early connection to the ocean would profoundly shape his artistic trajectory, imbuing his later works with an authenticity and emotional resonance rarely found in purely academic landscapes. Initially destined for a trade, Wilson’s path took an unexpected turn when he apprenticed as a house painter in Edinburgh at the young age of thirteen. However, it was under the tutelage of Alexander Nasmyth, a prominent Scottish landscape artist, that his true vocation began to blossom. For two years, Wilson honed his skills in Montrose, painting evocative scenes and sharing his burgeoning talent by teaching drawing—a testament to his natural inclination for both creation and instruction.

    London and the Rise to Prominence

    The allure of London beckoned in 1798, a city brimming with artistic opportunity. Wilson initially found work as a scenery painter for Astley’s Amphitheatre and other theatres, a demanding role that nevertheless sharpened his observational skills and mastery of atmospheric perspective. This period proved crucial in developing his ability to capture dramatic light and movement—qualities that would become hallmarks of his mature style. From 1807 onwards, Wilson consistently exhibited at the Royal Academy, showcasing seventy-six paintings over the course of four decades. He also maintained a prolific presence at the British Institution between 1813 and 1854 with an impressive one hundred and forty-four exhibits. His dedication to exhibiting established him within the London art world, garnering recognition for his increasingly sophisticated depictions of coastal scenes and landscapes.

    A Master of Marine Painting

    Wilson’s artistic focus centered on the raw beauty and untamed power of the sea. He wasn't merely documenting coastlines; he was capturing a feeling—the chill spray of waves, the brooding presence of storm clouds, the delicate interplay of light on water. His paintings often featured small ships battling choppy seas, evoking both the vulnerability and resilience of human endeavor against the forces of nature. This realism, combined with a romantic sensibility, resonated deeply with audiences. In 1825, he received a prestigious premium from the British Institution for The Battle of Trafalgar, a work that was subsequently acquired by Lord Northwick—a clear indication of his growing reputation and artistic merit. The painting’s eventual allocation to East Ayrshire Council in 2010 ensured its continued public accessibility, allowing future generations to appreciate Wilson's skill.

    Founding the Society of British Artists

    Wilson wasn’t content simply to exhibit within established institutions; he actively sought to create new avenues for artistic expression. He was a founding member of the Society of British Artists in 1823, an organization dedicated to promoting the work of British artists independent of the Royal Academy's often-conservative standards. His commitment to this society culminated in his presidency in 1827—a testament to his leadership and influence within the artistic community. Simultaneously, he was elected as an honorary member of the Scottish Academy, further solidifying his position as a respected figure on both sides of the border.

    A Legacy Continued Through Generations

    John Wilson’s impact extended beyond his own prolific output; he fostered a family tradition of artistic excellence. His son, John James Wilson (known as “Young Jock”), followed in his father's footsteps and became a painter himself. Even further down the line, his grandson, William John Wilson, continued the lineage as a theatre scene painter and manager—a direct continuation of the profession that had launched his grandfather’s career. This multi-generational dedication speaks volumes about Wilson’s enduring influence and the profound impact he had on those around him. His works continue to captivate viewers with their evocative power, offering a glimpse into the beauty and drama of 19th-century coastal life—a legacy that endures through time.

    Museu

    Folkestone Library – History Resource Centre

    Em exibição em Folkestone, United Kingdom

    A Coastal Tapestry of Time and Tide

    Nestled along the rugged Kentish coastline, where the English Channel meets the enduring cliffs, the Folkestone Library – History Resource Centre serves as much more than a mere repository of local lore; it is a profound portal into the very soul of a town shaped by the rhythmic pulse of the sea. To enter this space is to embark on a sensory journey through centuries of maritime adventure and Victorian refinement. The museum breathes with the echoes of seafaring legends, capturing the essence of Folkestone’s evolution from a modest settlement into a bustling, fashionable port. Here, the history of trade, migration, and even the shadows of invasion are woven into a narrative as complex and layered as the coastal landscape itself.

    The museum beautifully captures this maritime heritage, showcasing artifacts that speak to the town's role as a vital shipping hub. Visitors may find themselves captivated by meticulously crafted models of historic vessels, which stand as silent sentinels of an era when the harbour was a gateway between Britain and the continent. This duality—the pull of the sea and the grounding presence of the cliffs—is palpable throughout the collection, fostering a profound appreciation for the town's multifaceted heritage.

    Victorian Splendor and the Romantic Eye

    The architectural presence of the centre, characterized by its elegant

    Neo-Georgian

    symmetry, mirrors the grandeur of the nineteenth century when Folkestone blossomed into a premier seaside retreat. This period of prosperity is vividly reflected in the museum’s curated vistas, particularly through its celebrated collection of landscape paintings. These works, often featured in notable exhibitions such as

    “Kentish Landscapes,”

    offer a window into the Romantic sensibility that once captivated the English aristocracy. For the discerning collector or interior designer, these canvases provide more than just historical insight; they offer a breathtaking visual connection to the dramatic cliffs and turbulent waters of the Kent coast, where light and shadow dance across the painted shoreline.

    Beyond the canvas, the museum vividly recreates the golden age of the Victorian era, offering glimpses into the daily lives, customs, and aspirations of those who flocked to its shores. Imagine strolling through a space that evokes the atmosphere of elegant promenades and lavish social gatherings, where period furnishings and captivating narratives bring the past to life. It is a place where the history of a fashionable resort meets the intimate details of local life, creating an immersive experience that transcends simple observation.

    The Silent Witnesses of Prehistoric Worlds

    Beyond the human chronicles of maritime trade and social ascent lies a deeper, more ancient story etched into the very bedrock of the region. One of the most remarkable treasures housed within the centre is undoubtedly the

    Samuel Joseph Mackie Fossil Collection

    . This assembly of ammonites and belemnites serves as a magnificent window into a world lost to time, offering compelling evidence of the prehistoric life that once thrived in this region long before human presence. These specimens are not presented merely as isolated scientific curiosities; rather, they are contextualized within their environment, allowing visitors to appreciate the intricate web of life that existed in the deep geological past.

    This collection, a testament to Folkestone’s immense geological significance, sparks a sense of wonder and curiosity. By examining these ancient remains alongside detailed maps illustrating prehistoric shoreline positions, one gains a profound understanding of the deep time that underpins our modern world. The Folkestone Library – History Resource Centre stands as a living hub for discovery, where the echoes of the sea, the grandeur of Victorian art, and the whispers of prehistoric life converge to create an unforgettable cultural experience.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de After the Storm

    topimpressionists.com/pt/art/download/john-h-jock-wilson-after-the-storm-AS7RVP-en/

    Como citar esta obra

    MLA
    Wilson, John H (Jock). After the Storm. 1800, Folkestone Library – History Resource Centre. https://topimpressionists.com/pt/art/john-h-jock-wilson-after-the-storm-AS7RVP-en/
    APA
    Wilson, John H (Jock) (1800). After the Storm [Painting]. Folkestone Library – History Resource Centre. https://topimpressionists.com/pt/art/john-h-jock-wilson-after-the-storm-AS7RVP-en/
    Chicago
    John H (Jock) Wilson. After the Storm. 1800. Folkestone Library – History Resource Centre. https://topimpressionists.com/pt/art/john-h-jock-wilson-after-the-storm-AS7RVP-en/
    Harvard
    Wilson, John H (Jock) (1800) After the Storm. Folkestone Library – History Resource Centre. Available at: https://topimpressionists.com/pt/art/john-h-jock-wilson-after-the-storm-AS7RVP-en/

    Observe de perto

    After the Storm — John H (Jock) Wilson

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Fair on the Town Moor, Newcastle (1810), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. John H (Jock) Wilson tinha cerca de 26 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Posso ver "After the Storm", de John H (Jock) Wilson na minha própria parede antes de comprar?

    A página de Prévia em RA de "After the Storm", de John H (Jock) Wilson utiliza realidade aumentada para mostrar a obra em seu próprio espaço, através de um dispositivo compatível.

    As cores de "After the Storm", de John H (Jock) Wilson são saturadas ou suaves?

    "After the Storm", de John H (Jock) Wilson apresenta uma saturação de Muted.

    "After the Storm", de John H (Jock) Wilson, está em domínio público? E por quê?

    "After the Storm", de John H (Jock) Wilson, está em em domínio público — seus direitos autorais expiraram. Os termos de direitos autorais são calculados a partir do falecimento do artista, e John H (Jock) Wilson faleceu em 1855.