Papel

Guia de Obras de Estudantes

Drawing

Nome Turma Data

John Levee, Drawing (1955). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
John Levee topimpressionists.com/pt/artists/john-levee/
Datas do artista
1924 – 2017
Pintura
1955
Dimensões originais
75 x 53 cm
Movimento
Abstract Expressionism Large canvases where the act of painting itself — the drip, the sweep — is the subject.

No contexto

Drawing — John Levee

Qual é o tamanho?

As dimensões originais são 75 × 53 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000
  10. 2010

Sombreado: a trajetória de John Levee (1924–2017) ▲ esta obra, 1955

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/john-levee-drawing-ARA8X2-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Espresso #34322f

    Paleta catalogada

    • #34322F
    • #EFE5CD
    • #B7AF9B
    • #756F63
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Espresso
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    John Levee

    Nascido em Los Angeles, United States of America

    John Levee: A Life in Abstraction

    Early Life and Education

    Born: Los Angeles, United States of America (1924)

    Died: 2017

    John Levee’s journey to becoming an abstract expressionist painter was unique. He initially pursued a Master's degree in Philosophy from UCLA before serving as an aviator during World War II.

    Following the war, he dedicated himself to painting and moved to Montparnasse, Paris, in 1949 – a pivotal decision that shaped his artistic trajectory.

    He formally studied art at the Art Center School in Los Angeles and later at the prestigious Académie Julian in Paris from 1949 to 1951, honing his skills and developing his aesthetic vision.

    Artistic Influences and Development

    Early Inspiration: Levee’s early work was profoundly influenced by the burgeoning New York School of Abstract Expressionism. He drew inspiration from masters like Franz Kline, Robert Motherwell, Jackson Pollock, Mark Rothko, Ad Reinhardt, Willem de Kooning, and Philip Guston.

    Evolution of Style: His artistic path wasn’t linear. In the 1960s, he explored hard-edge painting based on geometric abstraction – a departure from his initial expressive style.

    Return to Abstraction: He eventually returned to a more spontaneous abstract expressionist approach, characterized by loose brushwork and the incorporation of collage elements. This shift marked a return to his roots while adding new layers of complexity and texture to his work – often described as lyrical abstraction.

    Key Characteristics of His Work

    Abstract Expressionism: Levee’s core style remained rooted in abstract expressionism, emphasizing spontaneous gesture, emotional intensity, and non-representational forms.

    Lyrical Abstraction: His work often evokes a sense of musicality and poetic feeling through its fluid lines, harmonious colors, and dynamic compositions.

    Collage Elements: The integration of collage adds another dimension to his paintings, introducing texture, visual interest, and layers of meaning.

    Historical Significance & Legacy

    John Levee represents a fascinating intersection of American artistic influences and European artistic traditions. His decision to work in Paris after the war placed him at the heart of a vibrant international art scene.

    Bridging Movements: His stylistic evolution – from abstract expressionism to geometric abstraction and back again – demonstrates his willingness to experiment and push boundaries, reflecting the broader trends in post-war art.

    A Unique Voice: While influenced by prominent figures, Levee developed a distinctive voice within abstract expressionism, characterized by its lyrical quality and innovative use of collage. His work continues to be appreciated for its expressive power and aesthetic beauty.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Drawing

    topimpressionists.com/pt/art/download/john-levee-drawing-ARA8X2-en/

    Como citar esta obra

    MLA
    Levee, John. Drawing. 1955, https://topimpressionists.com/pt/art/john-levee-drawing-ARA8X2-en/
    APA
    Levee, John (1955). Drawing [Painting]. https://topimpressionists.com/pt/art/john-levee-drawing-ARA8X2-en/
    Chicago
    John Levee. Drawing. 1955. https://topimpressionists.com/pt/art/john-levee-drawing-ARA8X2-en/
    Harvard
    Levee, John (1955) Drawing. Available at: https://topimpressionists.com/pt/art/john-levee-drawing-ARA8X2-en/

    Observe de perto

    Drawing — John Levee

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: abstract, lines, structure. Concorda? O que acrescentaria ou removeria?
    4. Relembre October 1, 1958 (1958), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. Abstract Expressionism: Large canvases where the act of painting itself — the drip, the sweep — is the subject. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize os factos das partes anteriores deste guia e as suas respostas acima.