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Guia de Obras de Estudantes

Corset

Nome Turma Data

Lee Alexander Mcqueen, Corset (1999), The Museum at FIT. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos.

Informações principais

Artista
Lee Alexander Mcqueen topimpressionists.com/pt/artists/lee-alexander-mcqueen_pt/
Datas do artista
1969 – 2010
Pintura
1999
Realizado em
The Museum at FIT topimpressionists.com/pt/museums/the-museum-at-fit-new-york/

No contexto

Corset — Lee Alexander Mcqueen

Ano de criação

  1. 1960
  2. 1970
  3. 1980
  4. 1990
  5. 2000
  6. 2010

Sombreado: a trajetória de Lee Alexander Mcqueen (1969–2010) ▲ esta obra, 1999

Obras comparáveis

  • Corset, 1999 topimpressionists.com/pt/art/lee-alexander-mcqueen-corset-D77V29-pt/
  • Evening dress, , 2007 topimpressionists.com/pt/art/lee-alexander-mcqueen-evening-dress-D4PMZR-en/
  • Evening dress, 2001 topimpressionists.com/pt/art/lee-alexander-mcqueen-evening-dress-D77V27-en/

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

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Paleta de cores

Medido a partir da imagem

    Cor principal

    Putty #d2d5d1

    Paleta catalogada

    • #D2D5D1
    • #896B58
    • #684632
    • #B2B1AB
    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Putty
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Artista e museu

    Artista

    Lee Alexander Mcqueen

    Nascido em Londres, Reino Unido

    A Rebel Tailor: The Life and Legacy of Lee Alexander McQueen

    Lee Alexander McQueen, a name synonymous with boundary-pushing fashion and dramatic artistry, emerged from a working-class upbringing in London’s East End to become one of the most influential designers of his generation. Born on March 17, 1969, young Lee displayed an early aptitude for creativity, crafting dresses for his sisters – a nascent expression of the vision that would later captivate and often shock the fashion world. This initial spark led him to leave school at sixteen and embark on an apprenticeship on Savile Row, the hallowed ground of British tailoring. It was here, amidst the precision and tradition of bespoke menswear, that McQueen honed his technical skills – a foundation upon which he would build his revolutionary aesthetic. His time with Anderson & Sheppard, crafting suits even for figures like Prince Charles, instilled in him an unparalleled understanding of cut, construction, and form. However, McQueen’s ambition extended beyond traditional tailoring; he sought to deconstruct and reimagine the very language of clothing. Subsequent roles with theatrical costumiers Angels and Bermans further fueled his imagination, exposing him to a world of fantasy, performance, and dramatic expression.

    Early Years: From East End Roots to Savile Row Apprenticeship

    Lee Alexander McQueen was born into a modest family residing in public housing in Lewisham district, London. His father, Ronald, worked as a taxi driver, providing for his six children—a testament to resilience and determination amidst challenging circumstances. Joyce McQueen, Lee’s mother, instilled in him a love of learning and nurtured his intellectual curiosity through her role as a social science teacher. From an early age, Lee demonstrated an innate fascination with fashion and design, experimenting with fabrics and silhouettes before he even began formal schooling. This passion would ultimately shape his entire career trajectory. At sixteen, McQueen abandoned the conventional path of higher education, opting instead for an apprenticeship at Savile Row—the epicenter of British menswear tailoring. This decision proved pivotal, immersing him in the meticulous craftmanship of bespoke suits and establishing a bedrock of technical expertise that would inform his groundbreaking designs. The influence of Savile Row’s traditions extended far beyond mere skill; it instilled in McQueen a profound appreciation for heritage and craftsmanship—values he consistently championed throughout his illustrious career.

    Finding His Niche: From Angels & Bermans to Milanese Inspiration

    McQueen’s pursuit of fashion excellence continued after Savile Row, propelling him into collaborations with theatrical costumiers Angels and Bermans. These experiences broadened his artistic horizons, exposing him to the expressive potential of performance art and fostering a fascination with storytelling through visual mediums. Recognizing his burgeoning talent, McQueen ventured abroad, accepting a position as a design assistant in Milan—a city renowned for its avant-garde fashion scene. This immersion in Italian aesthetics provided invaluable inspiration, shaping his stylistic sensibilities and introducing him to new techniques of draping and construction. He honed his skills further by studying at Central Saint Martins College of Art and Design, where he earned an MA in Fashion Design in 1992—a formative period that solidified his artistic vision and prepared him for the challenges ahead. His graduate collection, inspired by the chilling tales of Jack the Ripper, immediately garnered critical acclaim—a bold declaration of intent that foreshadowed his future explorations of history, psychology, and societal taboos. Crucially, Isabella Blow, a visionary fashion editor who recognized McQueen’s raw talent, championed his work and secured him a crucial financial backing.

    The Rise of McQueen: Savile Row to Givenchy

    McQueen’s career ascended rapidly after graduating from CSM, establishing himself as a formidable force in the menswear industry. His early collaborations with Anderson & Sheppard cemented his reputation for impeccable tailoring—a skill he would consistently prioritize throughout his illustrious career. He quickly gained recognition for his innovative designs and daring conceptual approaches, attracting attention from influential figures within the fashion world. In 1996, McQueen received the British Designer of the Year award—a momentous achievement that acknowledged his exceptional talent and solidified his position as one of Britain’s most promising designers. Shortly thereafter, he accepted the role of Chief Designer at Givenchy—the prestigious French couture house founded by Hubert de Givenchy in 1952—following Givenchy’s retirement. This appointment marked a significant turning point in McQueen’s career, propelling him to international prominence and affording him access to unparalleled creative freedom. Despite facing challenges during his tenure at Givenchy, he maintained unwavering dedication to his craft and consistently pushed the boundaries of fashion innovation.

    A Legacy of Innovation: Dark Romanticism and Beyond

    McQueen’s designs were characterized by a distinctive blend of subversive artistry and meticulous craftsmanship—a hallmark of his aesthetic that captivated audiences worldwide. He drew inspiration from diverse sources, seamlessly merging historical references with contemporary sensibilities—often exploring themes of darkness, romance, and mortality with unflinching honesty. His runway shows became legendary for their theatricality, incorporating elaborate sets, dramatic lighting, and performance art elements—demonstrating his belief in fashion as a form of storytelling and artistic expression. He championed the exploration of unconventional materials and techniques, challenging established conventions and redefining notions of beauty and elegance. McQueen’s influence extended far beyond the catwalk, inspiring designers and artists alike to embrace experimentation and push creative boundaries. His tragic death on February 11, 2010, marked the end of an extraordinary artistic journey—yet his legacy continues to endure, shaping the landscape of contemporary fashion and solidifying his place as a true visionary.

    Museu

    The Museum at FIT

    Em exibição em New York, United States of America

    A Sanctuary of Style: Delving into The Museum at FIT

    Nestled within the vibrant heart of New York City, a world away from the bustling streets yet inextricably linked to their energy, lies The Museum at FIT – Fashion Institute of Technology. More than simply a repository for exquisite garments and accessories, it’s an immersive journey through the evolution of fashion as a profound art form, a meticulously documented historical record, and a powerful mirror reflecting the shifting social landscapes that have shaped our world. Founded in 1969 from a collection initially lent by the Brooklyn Museum of Art, MFIT has blossomed into a globally recognized institution, proudly accredited by the American Alliance of Museums since 2012 – a testament to its unwavering commitment to scholarship, preservation, and innovative engagement with the sartorial arts.

    Walking through its thoughtfully designed galleries is akin to traversing a living timeline. From the delicate silhouettes of the 18th century, revealing the constraints and aspirations of aristocratic dress, to the daring innovations of contemporary designers pushing the boundaries of form and function, MFIT’s collection – exceeding 50,000 items – offers an unparalleled panorama of style. You'll encounter not just clothing, but statements; embodiments of artistic vision meticulously crafted by masters like Adrian, celebrated for his glamorous Hollywood designs, alongside the revolutionary creations of Balenciaga, Chanel, and Dior. A Dior gown isn’t merely fabric and embellishment; it’s a tangible representation of post-war optimism, a return to femininity after years of austerity – a potent symbol woven into the very fabric of cultural history. Similarly, a Balenciaga sculpture in fabric speaks volumes about form, structure, and the architectonics of dress, demonstrating how fashion can transcend mere adornment and become a sculptural experience.

    Spaces for Inspiration: Architecture & Exhibitions

    The Museum at FIT’s design is as integral to the visitor experience as its collection. Comprising three distinct exhibition spaces within the FIT campus – the Lower Level Gallery, the Main Floor Fashion and Textile History Gallery, and a smaller space dedicated to emerging talent – MFIT offers diverse pathways for engagement. The Lower Level frequently hosts temporary exhibitions that delve into specific themes or designers, providing focused explorations of particular facets of fashion history and textile techniques. Ascending to the Main Floor, visitors are greeted by the rotating selections from the permanent collection, creating a continuous dialogue between past and present; a carefully curated conversation across eras. The smaller upstairs space serves as a vital platform for showcasing the research and creative work of FIT’s graduate students – nurturing future generations of fashion scholars and designers, ensuring that the legacy of MFIT continues to evolve.

    Currently, “Cut & Miss: From Binary Draft to Woven Textile” offers a particularly compelling glimpse into the evolution of design. This exhibit meticulously traces the journey from foundational techniques—the precise drafting of patterns—to the digital applications shaping contemporary fashion. Scheduled weaving demonstrations provide an intimate understanding of the craft behind these intricate creations, highlighting the enduring connection between hand and machine in the world of textiles. The exhibition underscores MFIT’s commitment to celebrating both tradition and innovation, demonstrating how technology is reshaping the creative process while retaining a deep respect for its historical roots.

    A Unique Vision: Fashion as Art and Industry

    What truly distinguishes The Museum at FIT is its unique position at the intersection of art, industry, and education. Its close ties to the Fashion Institute of Technology create an environment where students, faculty, and visitors alike can engage with fashion on multiple levels – moving beyond simple admiration to a deeper understanding of the creative processes, historical contexts, and economic forces that shape our wardrobes. Under the direction of Valerie Steele and Curator Fred Dennis, MFIT consistently presents exhibitions that challenge conventional thinking and spark new dialogues, fostering critical engagement with the complexities of the fashion world.

    The museum’s commitment to showcasing contemporary avant-garde fashion alongside historical pieces offers a holistic view of fashion's evolution—a narrative that is both inspiring and intellectually stimulating. It’s not merely about appreciating beautiful clothes; it’s about recognizing them as expressions of artistic vision, social commentary, and technological advancement. MFIT actively champions designers who push boundaries and challenge conventions, ensuring that the museum remains at the forefront of fashion discourse.

    Echoes of Eras: Exploring the Collection

    The Museum at FIT boasts an extraordinary permanent collection exceeding 50,000 items, spanning from the elegant silhouettes of the 18th century to the daring innovations of contemporary designers. Each garment and accessory tells a story – revealing not only evolving tastes but also the constraints and freedoms experienced by those who wore them. Historical costumes offer glimpses into bygone eras, showcasing how dress has mirrored and influenced social change. You’ll find examples of courtly gowns reflecting the power dynamics of European aristocracy, revolutionary attire signaling shifts in political ideology, and everyday garments illustrating the practical needs and aspirations of ordinary people. The collection is a rich tapestry woven from threads of history, artistry, and human experience.

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    Disponível online

    QR code que direciona para a página de download de Corset

    topimpressionists.com/pt/art/download/lee-alexander-mcqueen-corset-D77ULC-en/

    Como citar esta obra

    MLA
    Mcqueen, Lee Alexander. Corset. 1999, The Museum at FIT. https://topimpressionists.com/pt/art/lee-alexander-mcqueen-corset-D77ULC-en/
    APA
    Mcqueen, Lee Alexander (1999). Corset [Painting]. The Museum at FIT. https://topimpressionists.com/pt/art/lee-alexander-mcqueen-corset-D77ULC-en/
    Chicago
    Lee Alexander Mcqueen. Corset. 1999. The Museum at FIT. https://topimpressionists.com/pt/art/lee-alexander-mcqueen-corset-D77ULC-en/
    Harvard
    Mcqueen, Lee Alexander (1999) Corset. The Museum at FIT. Available at: https://topimpressionists.com/pt/art/lee-alexander-mcqueen-corset-D77ULC-en/

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    Corset — Lee Alexander Mcqueen

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    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Corset (1999), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Lee Alexander Mcqueen tinha cerca de 30 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

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