Papel

Guia de Obras de Estudantes

Transfiguration

Nome Turma Data

Lorenzo Lotto, Transfiguration (1511), Pinacoteca Civica. Domínio público. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Lorenzo Lotto topimpressionists.com/pt/artists/lorenzo-lotto_pt/
Datas do artista
1480 – 1556
Pintura
1511
Técnica
Oil On Canvas
Dimensões originais
300 x 203 cm
Movimento
High Renaissance The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo.
Período
Renaissance
Realizado em
Pinacoteca Civica topimpressionists.com/pt/museums/pinacoteca-civica-recanati/
Artistic style
Renaissance/Mannerist
Notable elements or techniques
Figurative painting, Natural elements
Subject or theme
Religious scene (Transfiguration)

No contexto

Transfiguration — Lorenzo Lotto

Dimensões

As dimensões originais são 300 × 203 cm (altura × largura), representadas aqui ao lado de um adulto de altura média. É demasiado grande para ser representada à escala nesta página.

Ano de criação

  1. 1480
  2. 1490
  3. 1500
  4. 1510
  5. 1520
  6. 1530
  7. 1540
  8. 1550

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 76 ao falecer.

Pintado quando o artista tinha 31. O artista viveu até aos 76. 55 das 231 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Lorenzo Lotto (1480–1556) ▲ esta obra, 1511 cada pintura datada, década por década

Primeiras obras: até 1512 Principais anos de atividade: 1512–1530 Obras tardias: a partir de 1530

Essas três faixas dividem as obras que este catálogo data em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a vida do artista traçada neles

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/lorenzo-lotto-transfiguration-8XZQB7-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Phthalo Green #221514

    Paleta catalogada

    • #221514
    • #CABFA7
    • #5D3427
    • #978761

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Phthalo Green
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Softly Mixed Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Lorenzo Lotto nos últimos doze meses — 15 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 62,4%
    2. 2 Estados Unidos da América 10,0%
    3. 3 Hong Kong 7,1%
    4. 4 Singapura 7,1%
    5. 5 França 3,5%
    6. 6 Índia 1,8%
    7. 7 Itália 1,8%
    8. 8 Roménia 1,8%
    9. 9 Bielorrússia 1,2%
    10. 10 Canadá 0,6%
    11. · 5 outros países 2,7%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 20 obras mais visualizadas de Lorenzo Lotto

    1. 1 Retrato de uma Mulher Inspirado por Lucretia, 1530 3,1%
    2. 2 Anunciação (Detalhe), 1534 2,6%
    3. 3 Portrait of Giovanni della Volta with his Wife and Children, 1547 2,0%
    4. 4 Madonna and Child with Saints Catherine and Thomas (sacra conversazione), 1533 2,0%
    5. 5 Allegory of Chastity (''Maiden's Dream''), 1506 2,0%
    6. 6 Christ Taking Leave of his Mother, 1521 2,0%
    7. 7 Portrait of a Man with a Felt Hat, 1541 2,0%
    8. 8 Nativity, 1523 2,0%
    9. 9 Venus and Cupid, 1540 2,0%
    10. 10 Allegory of Chastity detail), 1506 2,0%
    11. 11 Portrait of a Young Man with an Oil-lamp (detail), 1506 2,0%
    12. 12 Giovanni Agostino della Torre and his Son, Niccolò, 1513 1,5%
    13. 13 Madonna and Child with Saints, 1506 1,5%
    14. 14 Andrea Odoni (1488-1545), 1527 1,5%
    15. 15 The Madonna of the Roses, 1526 1,5%
    16. 16 Holy Family with Angels, 1536 1,5%
    17. 17 The Mystic Marriage of St Catherine (detail), 1523 1,5%
    18. 18 The Nativity, 1527 1,5%
    19. 19 Madonna with the Child and Sts Rock and Sebastian, 1522 1,5%
    20. — Transfiguration, 1511 esta pintura 0,0%

    Juntas, estas obras representam 35,7% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 323 obras deste artista, das quais 111 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada nesse período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Transfiguration — Lorenzo Lotto

    The Divine Revelation: Exploring Lotto's Transfiguration

    To stand before Lorenzo Lotto’s Transfiguration is to step across a threshold into a moment of sublime, almost overwhelming spiritual clarity. This monumental canvas, dating from 1511, captures not merely an event, but the very essence of divine transformation. The composition immediately draws the eye to the central figures—Jesus Christ, radiating a palpable aura of divinity, surrounded by disciples caught in various states of awe and contemplation. Observe the man on the left, grounded by the weight of his book, representing scripture or established doctrine; contrast this with the figure at the center, whose arms are flung upward as if physically receiving heavenly grace. To the right, another kneels, a posture speaking volumes of humility and fervent prayer. These groupings are not static arrangements; they pulse with narrative tension, inviting the viewer to participate in the mystery unfolding before them.

    A Venetian Wanderer's Vision: Context and Technique

    Lorenzo Lotto himself was the embodiment of the itinerant artist—a true Venetian Wanderer. His career took him far from the familiar canals, absorbing influences that allowed him to forge a style uniquely his own. While one can sense the echoes of Giovanni Bellini’s mastery in the Venetian school, Lotto quickly moved beyond mere imitation. In this work, his technique shines through with an intimate psychological depth. The handling of paint suggests a masterful blend of High Renaissance structure overlaid with a nascent Mannerist sensibility—a touch of emotional exaggeration that prevents the scene from feeling purely academic. The scale of 300 x 203 cm demands attention, allowing Lotto to build complex narratives within the painted space, ensuring every fold of drapery and gesture carries narrative weight.

    Symbolism Woven into Sacred Space

    The symbolism in Transfiguration is rich and multi-layered. Beyond the central figures, the inclusion of peripheral elements elevates the painting from a simple depiction to a profound meditation on existence. Notice the subtle presence of nature—the bird visible in the upper reaches serves as a delicate counterpoint to the intense human drama, perhaps symbolizing the soul's ascent or the spirit’s connection to the natural order. The varied reactions of the surrounding figures—some gazing upward, some absorbed in thought, others kneeling—create a spectrum of human response to the miraculous. It is a visual treatise on faith itself: devotion, intellectual understanding, and sheer wonder.

    Bringing Sacred Drama Home

    For those who seek to infuse their sacred spaces or grand interiors with the gravitas and beauty of Renaissance mastery, this reproduction offers an unparalleled connection to art history. Owning a piece echoing Lotto’s vision means acquiring more than just decoration; it is commissioning a focal point for contemplation. The emotional impact of Transfiguration is one of profound uplift—it speaks to the enduring human yearning for transcendence. Whether viewed in the quiet solitude of a study or as a centerpiece in an atrium, its narrative power and exquisite craftsmanship ensure that the viewer feels drawn into Lotto’s timeless moment of divine revelation.

    Artista e museu

    Artista

    Lorenzo Lotto

    Nascido em Veneza, Itália

    A Venetian Wanderer: The Life and Art of Lorenzo Lotto

    Born in the vibrant heart of Venice around 1480, Lorenzo Lotto emerged as a distinctive voice within the Italian Renaissance, though his artistic journey would lead him far beyond the lagoon city’s celebrated studios. Unlike many of his contemporaries who firmly established themselves within specific schools or courts, Lotto embarked on a peripatetic career, traversing cities like Treviso, Rome, Bergamo, and Ancona before ultimately finding solace as a lay brother in Loreto. This itinerant existence profoundly shaped his artistic vision, exposing him to diverse influences while fostering an independent spirit that set him apart. While early training remains somewhat shrouded in mystery, it’s believed he absorbed the lessons of Giovanni Bellini, a leading figure of the Venetian school, yet Lotto quickly transcended simple imitation, forging a style uniquely his own—a blend of High Renaissance grace and nascent Mannerist sensibilities.

    Blending Traditions: Style and Influences

    Lotto’s artistic signature lies in his remarkable ability to synthesize diverse influences into a cohesive and deeply personal aesthetic. His early works reveal the impact of Giorgione's poetic naturalism, particularly evident in the subtle atmospheric effects and lyrical compositions. The shimmering light and hazy landscapes reminiscent of Giorgione can be seen in paintings like Susanna and the Elders, where Lotto masterfully captures the mood and atmosphere of a Venetian evening. However, a sojourn in Rome brought him into contact with the art of Raphael, imbuing his work with a newfound clarity of form and compositional balance. The influence of Raphael is noticeable in the more structured compositions and precise detailing found in some of his later works. Later, during his extended stay in Bergamo, he absorbed elements of Lombard realism, adding a grounded physicality to his figures. This eclectic approach is not merely additive; Lotto masterfully integrated these influences, creating paintings that are both technically refined and emotionally resonant. He wasn’t afraid to experiment with perspective, often employing unusual vantage points to heighten the sense of drama or intimacy. His palette, while rooted in Venetian colorism—the rich reds, blues, and golds characteristic of Venetian painting—evolved over time, becoming increasingly vibrant and expressive, reflecting his exposure to diverse artistic traditions.

    Portraits of the Soul: Lotto's Masterpieces

    While Lotto excelled in religious painting, it is perhaps through his portraits that he truly distinguished himself. He possessed an extraordinary gift for capturing not just the physical likeness but also the inner life of his sitters. His portraits are rarely idealized; instead, they present individuals with all their complexities and vulnerabilities. Man with a Golden Paw, painted in 1527, is a prime example—a captivating study of a gentleman holding a small golden statuette, its symbolism open to interpretation but undeniably intriguing. The sitter’s gaze is direct and engaging, conveying a sense of intelligence and quiet contemplation. Similarly, Portrait of a 37-year-old Man, showcases Lotto's ability to convey personality through subtle details—the man’s clothing, his posture, the expression in his eyes all contribute to a compelling psychological portrait. These are not merely representations of individuals; they are windows into their souls. His portraits demonstrate an unparalleled understanding of human psychology and emotion, making them enduringly captivating works of art.

    Religious Visions: Altarpieces and Devotion

    Lotto’s religious paintings are equally remarkable for their emotional intensity and dramatic power. He frequently depicted scenes from the lives of saints and biblical narratives, imbuing them with a profound sense of spirituality. His Annunciation, painted around 1527, is a particularly striking example—a chaotic yet harmonious composition filled with vibrant colors and dynamic movement. The figures are rendered with remarkable realism, but their expressions convey a deep sense of awe and reverence. His altarpieces, such as the Martyrdom of Saint Clare, demonstrate his ability to create complex narratives that engage both the eye and the imagination. He skillfully used light and shadow to heighten the drama and emotional impact of these scenes, creating works that are both visually stunning and spiritually moving.

    A Rediscovered Legacy: Historical Significance

    Despite achieving considerable recognition during his lifetime, Lotto's reputation waned after his death in 1556 or 1557. His works, often dispersed throughout provincial churches and private collections, were largely overlooked for centuries. It wasn’t until the late 19th century, with Bernard Berenson’s groundbreaking scholarship, that Lotto experienced a significant revival of interest. Today, he is recognized as one of the most original and compelling artists of the Italian Renaissance. His unique blend of stylistic influences, his psychological depth, and his technical mastery continue to captivate audiences and inspire art historians. He stands as a testament to the power of artistic independence—a wanderer who forged his own path and left an indelible mark on the world of art. The rediscovery of Lotto’s oeuvre has enriched our understanding of the Renaissance, revealing a complex and multifaceted artist whose work deserves continued exploration and appreciation.

    Museu

    Pinacoteca Civica

    Em exibição em Recanati, Italy

    A Renaissance Jewel in the Marche Region

    Nestled within the rolling hills of Italy’s Marche region, the town of Recanati holds a treasure for art enthusiasts – the

    Pinacoteca Civica

    . More than just a repository of works, it is an immersive journey through centuries of artistic expression, housed within the magnificent

    Villa Collorely Mels

    , a testament to 15th-century Italian elegance. The villa itself whispers stories of noble families and bygone eras, its very stones imbued with a sense of history that perfectly complements the masterpieces contained within. Stepping across its threshold is akin to entering a living Renaissance painting, where art, architecture, and heritage intertwine seamlessly.

    The architectural setting of the Pinacoteca Civica is as significant as the art it houses. Villa Colloredo Mels stands as a prime example of 15th-century Italian villa design, characterized by its harmonious proportions and refined details. Originally built for a prominent family, the villa has witnessed centuries of change, evolving from a private residence into a cultural hub that actively engages with the community through exhibitions, educational programs, and musical events. For collectors seeking inspiration or interior designers looking for historical context, the museum provides an unparalleled atmosphere where the elegant façade and frescoed interiors provide an inspiring backdrop for contemplating the eternal beauty of the masters.

    Masterpieces of Light and Devotion

    The collection is thoughtfully curated, with a particular emphasis on the profound beauty of Renaissance and Medieval artistry. It truly shines when showcasing works by

    Lorenzo Lotto

    , a painter whose presence is deeply felt throughout these halls. His

    Annunciation

    , a detail of which is particularly captivating, exemplifies his masterful use of light and shadow, creating an ethereal atmosphere that draws the viewer into the sacred scene. Lotto’s meticulous attention to detail—the delicate folds of drapery and the luminous skin tones—demonstrates the pinnacle of Renaissance technique.

    Equally compelling is the

    Recanati Polyptych: Pietà

    , a poignant depiction of grief and devotion. In this breathtaking oil painting from 1508, Lotto showcases his skill in portraying human emotion with remarkable sensitivity through a pyramidal arrangement that emphasizes Mary's sorrowful gaze. The composition is thought-provoking, with each figure conveying a sense of grief and reverence. Beyond the luminous canvases of the Renaissance, the Pinacoteca Civica offers a rich tapestry of historical layers:

    Religious Art:

    Sacred paintings and sculptures from the Medieval period that offer a glimpse into the spiritual life of past generations.

    Archaeological Treasures:

    Artifacts that reveal the region’s rich pre-Roman history, adding depth to the narrative of human continuity.

    Local Legacy:

    Frescoes originally commissioned for the church of San Domenico, ensuring that the artistic spirit of the 1500s remains vibrantly alive.

    Modern Perspectives:

    Intriguing modern artworks that create a complex dialogue with the ancient and sacred pieces.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Transfiguration

    topimpressionists.com/pt/art/download/lorenzo-lotto-transfiguration-8XZQB7-en/

    Como citar esta obra

    MLA
    Lotto, Lorenzo. Transfiguration. 1511, Pinacoteca Civica. https://topimpressionists.com/pt/art/lorenzo-lotto-transfiguration-8XZQB7-en/
    APA
    Lotto, Lorenzo (1511). Transfiguration [Painting]. Pinacoteca Civica. https://topimpressionists.com/pt/art/lorenzo-lotto-transfiguration-8XZQB7-en/
    Chicago
    Lorenzo Lotto. Transfiguration. 1511. Pinacoteca Civica. https://topimpressionists.com/pt/art/lorenzo-lotto-transfiguration-8XZQB7-en/
    Harvard
    Lotto, Lorenzo (1511) Transfiguration. Pinacoteca Civica. Available at: https://topimpressionists.com/pt/art/lorenzo-lotto-transfiguration-8XZQB7-en/

    Observe de perto

    Transfiguration — Lorenzo Lotto

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. O nosso catálogo classifica esta obra sob: religious scene, jesus christ, transfiguration. Concorda? O que acrescentaria ou removeria?
    4. Relembre Allegory of Virtue and Vice (1505), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    5. High Renaissance: The brief peak when balance, depth and anatomy came together — Leonardo, Raphael, Michelangelo. Onde você pode observar isso nesta obra?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Quiz de arte

    Transfiguration — Lorenzo Lotto

    O quanto você conhece esta obra de arte?

    Selecione uma resposta para cada uma das 5 perguntas abaixo. Cada uma possui exatamente uma resposta correta.

    1. 1. The painting 'Transfiguration' is associated with which Italian Renaissance artist?

      • A Giovanni Bellini
      • B Lorenzo Lotto
      • C Raphael
    2. 2. What period does the painting 'Transfiguration' date to?

      • A Early Renaissance
      • B High Renaissance
      • C Venetian Renaissance (c. 1511)
    3. 3. Which element suggests a natural or symbolic detail within the religious scene?

      • A The book held by the man on the left
      • B The bird visible in the upper part of the image
      • C The kneeling figure praying on the right
    4. 4. Lorenzo Lotto's biography describes him as an artist who was known for:

      • A Working exclusively in Rome
      • B His itinerant or wandering career across various Italian cities
      • C Strictly adhering to the Venetian School style
    5. 5. The scene depicted, 'Transfiguration,' is a religious subject featuring Jesus Christ surrounded by several figures. What general artistic movement does Lotto's style blend?

      • A Baroque drama and intense color
      • B High Renaissance grace with nascent Mannerist sensibility
      • C Early Gothic flatness and symbolism

    Minha pontuação: ____ de 5

    Gabarito — para o professor

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    1A · 2B · 3A · 4A · 5A

    Confira qualquer resposta comparando com o registro do catálogo desta pintura

    Perguntas e Respostas

    Qual técnica foi utilizada para "Transfiguration" e quando foi criada?

    "Transfiguration" foi realizada em 1511, em Oil On Canvas.

    Que tipo de obra é "Transfiguration"?

    "Transfiguration" é uma peça de WallArt.

    A imagem de "Transfiguration" de Lorenzo Lotto pode ser reproduzida livremente?

    A informação de direitos autorais para "Transfiguration" de Lorenzo Lotto: a obra está em em domínio público - seus direitos autorais expiraram. Isso determina se reproduções da imagem podem ser feitas livremente.