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Guia de Obras de Estudantes

Landscape

Nome Turma Data

Maud Ireland Button, Landscape (1921), Hillingdon Local Studies. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Maud Ireland Button topimpressionists.com/pt/artists/maud-ireland-button/
Datas do artista
1877 – 1965
Pintura
1921
Dimensões originais
27 x 35 cm
Realizado em
Hillingdon Local Studies topimpressionists.com/pt/museums/hillingdon-local-studies-london/

No contexto

Landscape — Maud Ireland Button

Dimensões

As dimensões originais são 27 × 35 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1870
  2. 1880
  3. 1890
  4. 1900
  5. 1910
  6. 1920
  7. 1930
  8. 1940
  9. 1950
  10. 1960

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 88 ao falecer.

Pintado quando o artista tinha 44. O artista viveu até aos 88. 2 das 24 obras datadas deste artista em nosso catálogo são anteriores.

Sombreado: a trajetória de Maud Ireland Button (1877–1965) ▲ esta obra, 1921 cada pintura datada, década por década

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/maud-ireland-button-landscape-AQV8EP-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #c2b99e

    Paleta catalogada

    • #C2B99E
    • #3A381D
    • #A39778
    • #695E32

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Neutrals A família de cores predominante na imagem.
    Nome da cor principal
    Rosy Brown
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Bold O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Unified Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Brilliant O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Maud Ireland Button nos últimos doze meses — 1 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 9 obras mais visualizadas de Maud Ireland Button

    1. 1 An Uxbridge Yard, 1921 20,0%
    2. 2 A Distant View of Harrow on the Hill, 1921 10,0%
    3. 3 Cottages by the River, 1914 10,0%
    4. 4 Townscape Dominated by a Church Tower, 1921 10,0%
    5. 5 Rustic Country Home, 1921 10,0%
    6. 6 Landscape, 1921 esta pintura 10,0%
    7. 7 Queen's Court, Windsor, 1921 10,0%
    8. 8 A Local Church, 1921 10,0%
    9. 9 Uxbridge High Street 10,0%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 27 obras deste artista, das quais 9 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 6 posição entre elas, com 10,0% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Maud Ireland Button

    Maud Ireland Button: A Quiet Observer of Rural Irish Life

    Maud Ireland Button (1877-1965) remains a quietly compelling figure in the history of British watercolor painting, largely due to her deeply personal and evocative depictions of rural Irish life. Born in Uxbridge, England, into a family with strong ties to the West Country, Button’s artistic journey was shaped by a profound connection to the land and its people – a connection that resonated powerfully through her delicate brushstrokes and serene color palettes.

    Her early life offered little indication of an artistic career. She was the daughter of Alfred Button, a solicitor, and Mary Jane Stransom, and possessed a twin sister, Anne Louisa. However, it’s believed she received informal training from her artist sister, Anne, who later became known as Maud Ireland Button. This familial influence undoubtedly provided a foundation for her own artistic explorations, though Button largely developed her distinctive style independently.

    The Development of a Distinctive Style

    Button's work is immediately recognizable by its intimate scale – often small, almost sketch-like paintings that capture fleeting moments and subtle details. She eschewed grand landscapes or dramatic scenes in favor of quiet domestic interiors, glimpses of farm life, and portraits of local villagers. Her subjects were not celebrated heroes but ordinary people engaged in everyday activities: a woman mending nets, children playing in the fields, a farmer tending his livestock – all rendered with remarkable sensitivity and empathy.

    Her technique is characterized by loose, expressive brushwork, often applied in thin washes of color. She employed a muted palette dominated by soft blues, greens, and browns, creating an atmosphere of tranquility and nostalgia. Influenced by the Impressionists and particularly by artists like Camille Pissarro, Button sought to capture not just the appearance of her subjects but also their essence – their mood, their character, and their connection to the surrounding environment.

    Key Works and Themes

    Several paintings stand out as exemplifying Button’s unique vision. “Boat on River” (1921), a delicate depiction of a small boat gliding along a tranquil waterway, is perhaps her most iconic work. It embodies her signature style – the subtle interplay of light and shadow, the intimate scale, and the sense of quiet contemplation. Similarly, "Bell Yard, Uxbridge" (1921) offers a charming snapshot of village life, capturing the warmth and simplicity of everyday routines.

    Throughout her career, Button consistently explored themes of rural identity, community, and the passage of time. Her paintings are not merely representations of landscapes or people; they are imbued with a deep sense of place and a profound understanding of human experience. She was particularly interested in capturing the changing seasons and the rhythms of agricultural life.

    A Life Dedicated to Art

    Button’s artistic career spanned several decades, during which she steadily developed her distinctive style and built a loyal following among collectors and art enthusiasts. Despite facing financial challenges and limited recognition during much of her career, she remained committed to her craft, producing a substantial body of work that continues to resonate with viewers today.

    She was largely self-taught, relying on observation and personal experience rather than formal training. Her artistic practice was deeply intertwined with her life in Uxbridge and the surrounding countryside, providing her with an endless source of inspiration. Her dedication to capturing the beauty and dignity of ordinary people cemented her place as a significant, if often overlooked, figure in British watercolor painting.

    Legacy and Significance

    Maud Ireland Button’s legacy lies not in grand exhibitions or critical acclaim but in the quiet power of her paintings. Her work offers a poignant glimpse into a disappearing world – a world of rural simplicity, close-knit communities, and enduring traditions. Her sensitive portrayals of Irish life have earned her a place among the most beloved watercolorists of the 20th century, and her paintings continue to evoke a sense of nostalgia and appreciation for the beauty of the natural world.

    Museu

    Hillingdon Local Studies

    Em exibição em London, United Kingdom

    A Window into London’s Soul: The Living Heritage of Hillingdon

    Nestled within the quiet, scholarly atmosphere of Uxbridge's Central Library, the Hillingdon Local Studies Museum serves as much more than a mere repository for the past; it is a vibrant portal through which one might glimpse the enduring spirit of London and its surrounding landscapes. To step inside is to embark on a journey that transcends time, moving seamlessly from the echoes of Roman Britain to the bustling, transformative energy of modern life. The museum functions as a custodian of local identity, where every artifact and canvas acts as a heartbeat of the community, preserving the delicate threads of history that weave together the tapestry of the London Borough of Hillingdon.

    The true soul of the institution resides in its profound dedication to personal narratives—the faces and stories that often remain hidden behind the grander movements of history. Through an exquisite collection of photographs, rare documents, and intimate recollections, visitors are invited to trace the evolution of a region shaped by industrial expansion and shifting artistic tides. For the discerning art lover or collector, the museum offers a unique intimacy, presenting a world where the monumental meets the mundane, and where the historical significance of a place is rendered palpable through the preserved memories of its people.

    The Art of the Everyday: Impressionism and Local Identity

    What distinguishes Hillingdon Local Studies as a destination for aesthetic contemplation is its remarkable Hillingdon Art Collection. This assembly of approximately one hundred oil paintings serves as a visual chronicle of Uxbridge and its environs, spanning from the mid-nineteenth century to the present day. The collection is particularly renowned for its early twentieth-century works, which capture the fleeting beauty of local scenes with an almost poetic sensitivity. One cannot help but be moved by the Impressionistic brushstrokes of Maud Ireland Button; her works, such as

    “Bell Yard, Uxbridge” (1921)

    , offer a captivating glimpse into the Edwardian era, rendering rural life and local mills with meticulous detail and tranquil, evocative hues.

    These landscapes do not merely depict geography; they capture an atmosphere. Whether it is the soft, light-drenched compositions of Button’s Irish waterways in

    “Boat on River”

    or the serene, pastoral stillness of her various river scenes, the art invites a sense of quiet contemplation. For interior designers seeking to infuse a space with a sense of heritage and tranquility, these works provide an unparalleled inspiration, demonstrating how light and color can evoke the essence of a bygone age. Alongside these landscapes, the collection features striking portraits that breathe life into local legends, such as Brying’s

    “George ('Nobby') Casey of Rockingham Street,”

    where the texture of a Victorian gentleman's clay pipe and the weight of his gaze transport the viewer directly into the social fabric of the nineteenth century.

    A Legacy of Community and Architectural Grace

    The museum’s physical presence is as much a part of its charm as the treasures it holds. The building itself reflects a traditional architectural style that integrates seamlessly with the historic character of Uxbridge, embodying a deep-seated respect for its surroundings. This sense of continuity extends to the museum's mission of community engagement. By collaborating closely with schools and local groups, the institution fosters a continuous dialogue between historical interpretation and modern understanding, ensuring that the heritage of Hillingdon remains a living, breathing entity rather than a static relic.

    Recent exhibitions have further enriched this cultural landscape, exploring themes as diverse as Victorian social structures and the profound impact of industrialization on local communities. These curated journeys allow visitors to connect with London's past in ways that are both intellectually stimulating and emotionally resonant. For those who find beauty in the quiet details of everyday life, Hillington Local Studies Museum offers a sanctuary of discovery—a place where art and history converge to illuminate our understanding of time, place, and the human experience.

    Saiba mais

    Disponível online

    QR code que direciona para a página de download de Landscape

    topimpressionists.com/pt/art/download/maud-ireland-button-landscape-AQV8EP-en/

    Como citar esta obra

    MLA
    Button, Maud Ireland. Landscape. 1921, Hillingdon Local Studies. https://topimpressionists.com/pt/art/maud-ireland-button-landscape-AQV8EP-en/
    APA
    Button, Maud Ireland (1921). Landscape [Painting]. Hillingdon Local Studies. https://topimpressionists.com/pt/art/maud-ireland-button-landscape-AQV8EP-en/
    Chicago
    Maud Ireland Button. Landscape. 1921. Hillingdon Local Studies. https://topimpressionists.com/pt/art/maud-ireland-button-landscape-AQV8EP-en/
    Harvard
    Button, Maud Ireland (1921) Landscape. Hillingdon Local Studies. Available at: https://topimpressionists.com/pt/art/maud-ireland-button-landscape-AQV8EP-en/

    Observe de perto

    Landscape — Maud Ireland Button

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre A Distant View of Harrow on the Hill (1921), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Maud Ireland Button tinha cerca de 44 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual é a cor predominante de "Landscape" de Maud Ireland Button?

    A cor dominante de "Landscape" de Maud Ireland Button é Rosy Brown (#c2b99e).

    Como posso obter um arquivo digital de "Landscape" de Maud Ireland Button?

    Uma imagem digital de "Landscape" de Maud Ireland Button pode ser adquirida em sua página de Imagem Digital: download de imagem digital em alta resolução.

    Existem obras semelhantes a "Landscape"?

    Obras de arte semelhantes a "Landscape" de Maud Ireland Button estão reunidas na página Semelhantes da obra.