Guia de Obras de Estudantes
Direitos de autor Esta obra está em domínio público. Michele Catti faleceu em 1914; os direitos autorais duram 70 anos após a morte do artista, portanto, expiraram em 1984.
No contexto
Last Leaves — Michele Catti
As dimensões originais são 100 × 201 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.
Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 59 ao falecer.
Pintado quando o artista tinha 51. O artista viveu até aos 59. 0 das 4 obras datadas deste artista em nosso catálogo são anteriores.
Sombreado: a trajetória de Michele Catti (1855–1914) ▲ esta obra, 1906 cada pintura datada, década por década
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Medido a partir da imagem
Cor principal
Phthalo Green #29261b
Paleta catalogada
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Sobre esta obra
Last Leaves — Michele Catti
In this artwork Catti shows one of Palermo’s main streets, Via Libertà, by providing a very personal, introspective view inspired by symbolist principles and with a melancholic mood. The painting enhances the skilful and strong expressive rendering of the humid environment and wet ground which reflects figures of people rushing about, in middle-class clothes, while they are strolling along the street, together with the different shades of colour of the green trees and of the dried-up ones as well.
Artista e museu
Nascido em Palermo, Italy
Born: Palermo, Italy (1855)
Died: 1914
Initially intended for a legal career but pursued art instead.
Studied under Francesco Lojacono, a prominent Sicilian landscape painter.
Lojacono's influence shaped Catti’s style, characterized by lyricism and capturing the play of light on the Sicilian landscape.
Exhibited in 1875 at the exhibition organized in Montevergini, showcasing his painting "Burrasca d'autunno."
Worked on ceiling decorations for the Teatro Massimo of Palermo (1893-1897).
Known for deep sense of color and ability to capture the mood of the Sicilian landscape.
Notable works include:
"La Collezione Bonello" – part of the collection at the National Museum of Fine Arts in Valletta, Malta.
"View of Acquasanta, Palermo."
Visited Rome in 1883 and was invited to work in Francesco Paolo Michetti's studio but declined.
Married Maria Anna Contarini in 1888; they had four children.
Influenced by Francesco Lojacono and Antonio Leto.
Part of the "canonical triad" of Sicilian landscape painters during the Belle Époque, alongside Lojacono and Leto.
Initially followed Lojacono's teachings but later moved towards a more impressionistic style around 1885.
Inspired by the works of Antonio Leto, characterized by a wide and sparse brushstroke.
Met Vincenzo Ragusa and considered opening a school together, influenced by Japanese artistic components.
Considered one of the most important Sicilian landscape painters of the Belle Époque.
His paintings are celebrated for their ability to capture the essence of Sicily’s landscapes and seascapes.
His work contributed significantly to the movement of Sicilian landscape painting during his time.
Paintings found in museums and private collections worldwide, including the Museum Gipsoteca Antonio Canova in Possagno, Italy.
Catti's paintings continue to inspire artists and art lovers.
His work remains a testament to the beauty and power of the Sicilian landscape.
His legacy is preserved through exhibitions and collections showcasing his artistic contributions.
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Observe de perto
Last Leaves — Michele Catti
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No geral, "Last Leaves" é registrado como shadow. A luminosidade percebida descreve o quão clara ou escura a obra parece ser.
"Last Leaves", de Michele Catti apresenta uma intensidade de cor Monochromatic.