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Guia de Obras de Estudantes

Going under Bye

Nome Turma Data

Norman Stansfield Cornish, Going under Bye. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Dados principais

Artista
Norman Stansfield Cornish topimpressionists.com/pt/artists/norman-stansfield-cornish/
Datas do artista
1919 – 2014
Dimensões originais
53 x 74 cm

No contexto

Going under Bye — Norman Stansfield Cornish

Qual é o tamanho?

As dimensões originais são 53 × 74 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Quando poderá ter sido pintada esta obra?

  1. 1910
  2. 1920
  3. 1930
  4. 1940
  5. 1950
  6. 1960
  7. 1970
  8. 1980
  9. 1990
  10. 2000
  11. 2010

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 95 ao falecer.

Sombreado: a trajetória de Norman Stansfield Cornish (1919–2014) cada pintura datada, década por década

Este disco não possui um ano exato registrado — considerando a trajetória do artista e o estilo da obra, de qual década você o estimaria?

Comparar com

  • Pit Gantry Steps topimpressionists.com/pt/art/norman-stansfield-cornish-pit-gantry-steps-AQSKZV-en/
  • Pit Road topimpressionists.com/pt/art/norman-stansfield-cornish-pit-road-AQSL2D-en/
  • Pit Road at Night (recto) topimpressionists.com/pt/art/norman-stansfield-cornish-pit-road-at-night-recto-AQSKZR-en/

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/norman-stansfield-cornish-going-under-bye-AQSKZX-en/

Cores

Medido a partir da imagem

    Cor principal

    Rosy Brown #9ba289

    Paleta catalogada

    • #9BA289
    • #242414
    • #7C7751
    • #52502E

    Estas cores integradas em toda a paleta do artista Encontre outras pinturas por cor

    Nome da cor principal
    Rosy Brown
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Balanced O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Strong Color Unity A harmonia entre as cores, desde o contraste marcante até a total unidade.
    Brilho
    Shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Subtle Color Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Norman Stansfield Cornish nos últimos doze meses — 2 países ao todo. Origem destes dados

    Os dez principais países

    1. 1 China 75,0%
    2. 2 Argentina 25,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 6 obras mais visualizadas de Norman Stansfield Cornish

    1. 1 Self Portrait, 1950 16,7%
    2. 2 Busy Bar 16,7%
    3. 3 Pit Gantry Steps 16,7%
    4. 4 A Tired Pit Pony 16,7%
    5. 5 Going under Bye esta obra 16,7%
    6. 6 Bar Scene, Spennymoor, County Durham 16,7%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 14 obras deste artista, das quais 6 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 5 posição entre elas, com 16,7% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Norman Stansfield Cornish

    Norman Cornish: A Chronicle of the Pit and the Palette

    Norman Stansfield Cornish (1919-2014) wasn’t merely an artist; he was a living embodiment of Northern England's industrial heartland, meticulously rendered onto canvas and paper. His life story is inextricably linked to the mines that shaped his identity and fueled his artistic vision – a poignant narrative of a miner who traded his pickaxe for brushes, capturing the dignity, hardship, and enduring spirit of his community with an unparalleled sensitivity. Born in Spennymoor, County Durham, a town synonymous with coal mining, Cornish’s early life was defined by the rhythms of the pit, a reality that would profoundly influence every aspect of his work.

    Cornish's journey into art began unexpectedly. Initially destined for a career within the mines, he found solace and inspiration in the Spennymoor Settlement, a unique recreational and artistic hub established to provide social and cultural opportunities for the local community. It was here, amidst workshops and gatherings, that Cornish discovered his talent for drawing and painting – a revelation sparked by the encouragement of Bill Farrell, the Settlement’s warden, who recognized the potential within the miner's eye. This formative experience marked a pivotal shift in Cornish’s life, transforming him from a dedicated worker into an artist deeply invested in documenting the lives of his fellow miners.

    The ‘Pitman Painter’ and His Subjects

    Cornish quickly established himself as the foremost “Pitman Painter,” a title earned through his unwavering dedication to portraying the everyday realities of mining life. Unlike many artists who sought grand, romanticized depictions of industry, Cornish focused on the intimate details – the weary faces of men returning from their shifts, the damp and claustrophobic tunnels, the communal spaces where miners found respite and camaraderie. His paintings aren’t dramatic landscapes; they are studies in human endurance, resilience, and community spirit.

    His subjects weren't merely miners; they were families, friends, and neighbors – rendered with a remarkable warmth and empathy. Cornish captured not just the physical labor but also the emotional landscape of these communities, portraying their joys, sorrows, and unwavering bonds. He frequently depicted scenes from Gala Days, village fetes, and moments of shared celebration, offering glimpses into the social fabric of mining towns. His work is deeply rooted in realism, yet infused with an expressive quality that transcends mere representation. Thick impasto, dramatic lighting, and a muted color palette contribute to a sense of isolation and beauty, reflecting both the harshness and the inherent dignity of the pit.

    Technique and Influences

    Cornish’s artistic style evolved over time, influenced by a diverse range of sources. Initially, his work bore a strong resemblance to L.S. Lowry, with whom he maintained a close friendship and mutual admiration. However, Cornish quickly developed his own distinctive voice, characterized by bold brushstrokes, expressive use of color, and an intimate understanding of human psychology. He employed a technique known as “expressionism,” prioritizing emotional impact over strict realism. His paintings are not photographic representations but rather subjective interpretations of the world around him.

    The influence of his mining background is undeniable. Cornish’s meticulous observation of detail, combined with his deep understanding of light and shadow, created a powerful sense of atmosphere. He skillfully used texture to convey the roughness of the coal dust, the dampness of the tunnels, and the weight of the men's burdens. His use of color – predominantly browns, grays, and blues – evoked the somber mood of the mines while also capturing the warmth and resilience of the human spirit.

    Legacy and Recognition

    Norman Cornish’s work gained increasing recognition throughout his career, culminating in numerous exhibitions across Britain. He was celebrated for his ability to capture the essence of Northern England's mining communities with honesty, compassion, and artistic skill. His paintings are now held in major collections, including the National Museum of Wales and the Laing Art Gallery in Newcastle upon Tyne. Cornish’s legacy extends beyond his artistic achievements; he remains a symbol of resilience, community spirit, and the enduring power of art to document and celebrate the lives of ordinary people.

    In 2019, a ‘Norman Cornish Trail’ was created in Spennymoor, allowing visitors to trace the locations depicted in his paintings – a testament to his profound connection with his hometown. His life story serves as an inspiration, demonstrating how personal experience can be transformed into powerful and enduring art.

    Onde ler mais

    Encontre online

    QR code que direciona para a página de download de Going under Bye

    topimpressionists.com/pt/art/download/norman-stansfield-cornish-going-under-bye-AQSKZX-en/

    Como citar esta obra

    MLA
    Cornish, Norman Stansfield. Going under Bye. n.d., https://topimpressionists.com/pt/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/
    APA
    Cornish, Norman Stansfield (n.d.). Going under Bye [Painting]. https://topimpressionists.com/pt/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/
    Chicago
    Norman Stansfield Cornish. Going under Bye. n.d. https://topimpressionists.com/pt/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/
    Harvard
    Cornish, Norman Stansfield (n.d.) Going under Bye. Available at: https://topimpressionists.com/pt/art/norman-stansfield-cornish-going-under-bye-AQSKZX-en/

    Observe de perto

    Going under Bye — Norman Stansfield Cornish

    Observe de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Pit Gantry Steps, visto anteriormente neste guia. Nomeie duas características que esta obra compartilha com a anterior e uma que seja diferente.
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    "Going under Bye" está disponível como uma impressão fine art?

    Para obter uma impressão de "Going under Bye", de Norman Stansfield Cornish, basta encomendá-la na sua página de Impressão Fine Art: uma impressão fine art em tela de algodão ou papel canvas de arquivo.

    Quão saturada é a paleta de "Going under Bye"?

    As cores de "Going under Bye", de Norman Stansfield Cornish possuem uma saturação Subtle Color. A saturação descreve o quão vívidas ou suaves são as cores.

    Quão clara é a obra "Going under Bye" no geral?

    No geral, "Going under Bye" é registrado como shadow. A luminosidade percebida descreve o quão clara ou escura a obra parece ser.