Guia de Obras de Estudantes
Copyright Esta obra está em domínio público. Robert Lewis Reid faleceu em 1929; os direitos autorais duram 70 anos após a morte do artista, portanto, expiraram em 1999.
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Spring — Robert Lewis Reid
Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 67 ao falecer.
Pintado quando o artista tinha 48. O artista viveu até aos 67. 13 das 25 obras datadas deste artista em nosso catálogo são anteriores.
Sombreado: a trajetória de Robert Lewis Reid (1862–1929) ▲ esta obra, 1910 cada pintura datada, década por década
Primeiras obras: até 1899 Principais anos de atividade: 1899–1911 Obras tardias: a partir de 1911
Essas três faixas dividem as obras que este catálogo data em um primeiro quarto, uma metade central e um último quarto. Elas não representam a produção completa do artista: um período de escassez pode ser uma lacuna no registro, em vez de um intervalo de baixa atividade. Os mesmos anos com a vida do artista traçada neles
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Medido a partir da imagem
Cor principal
Putty #cfdea2
Paleta catalogada
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Os dez principais países
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Juntas, estas obras representam 86,2% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 70 obras deste artista, das quais 28 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 5 posição entre elas, com 3,6% dessa atenção. Os mesmos números, mês a mês
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Sobre esta obra
Spring — Robert Lewis Reid
The painting Spring by Robert Lewis Reid is a beautiful representation of a serene and peaceful atmosphere. Created in 1910, this oil on canvas piece showcases the artist's skillful use of color and composition. The painting features a woman sitting on a chair outside in the sunlight, enjoying her time outdoors.
The woman is dressed in a beautiful dress, which adds to the overall ambiance of the scene. A bench can be seen near the left side of the image, and another chair is located on the right side. There is also a book placed on the ground close to the woman, suggesting that she might have been reading before or after her time outdoors. The use of natural light and color in the painting creates a sense of warmth and tranquility. The Museum Boston Guildhall in Boston, United States, is home to an extensive collection of artworks from various periods and styles, including Renaissance, Baroque, and Impressionist paintings. Similarly, the Pushkin State Museum in Moscow, Russia, houses a vast collection of art, including works by famous artists like Pierre-Auguste Renoir. Some notable paintings include Girls in Black by Pierre-Auguste Renoir, White Circle by Aleksandr Rodchenko, and Mountains at Collioure by André Derain.
Robert Lewis Reid's style is characterized by the use of oil on canvas, and his works often depict serene and peaceful scenes. The painting Spring is a beautiful example of his skillful use of color and composition. For more information on Robert Lewis Reid and other artists, visit https://AllPaintingsStore.com. You can also explore the works of other famous artists like Luis Berrueco and Franz Marc on our website.
View more paintings by Robert Lewis Reid on https://AllPaintingsStore.com
Learn about the Museum Boston Guildhall and its collection on /art/list/?Filter=A@D3BVDP-The-Museum-Boston-Guildhall-(Boston-United-States)
Discover more about Pierre-Auguste Renoir and his works on /art/list/?Filter=8XXE5A-Pierre-Auguste-Renoir-Girls-in-Black
Handmade oil painting reproductions of Spring by Robert Lewis Reid are available on https://AllPaintingsStore.com.
The painting Spring is a beautiful representation of a serene and peaceful atmosphere, and its beauty can be appreciated in person or through a handmade oil painting reproduction.
Artista e museu
Nascido em Stockbridge, Estados Unidos
Early Life and Education
European Influences and Artistic Formation
Return to New York and Portraiture
Murals and Decorative Art: The Ten Painters
Legacy and Enduring Impact
Robert Lewis Reid was born in Stockbridge, Massachusetts, on July 29, 1862, into a family of New England clergymen. His formative years were marked by a profound engagement with intellectual pursuits—he attended Phillips Academy from 1880 to 1884, where he honed foundational skills in draftsmanship and developed an appreciation for classical art. This early exposure would prove instrumental in shaping his artistic sensibilities throughout his life. Reid’s academic training extended beyond the academy walls; he pursued further studies at Boston’s Museum of Fine Arts under Otto Grundmann, immersing himself in Düsseldorf’s academic approach toward portraiture—a method that emphasized meticulous detail and idealized representation. Grundmann instilled in Reid a disciplined technique and a reverence for artistic tradition, shaping his understanding of the visual arts from its earliest stages.
Reid’s artistic journey gained momentum during his time abroad in Paris, France, where he studied at the Académie Julian under Gustave Boulanger and Jules Lefebvre. This period witnessed a transformative shift in his aesthetic sensibilities—he embraced Impressionism, captivated by its exploration of light and color as expressive elements. Inspired by James McNeill Whistler’s emphasis on harmonious color schemes, Reid sought to capture fleeting moments of atmosphere and emotion on canvas. His Parisian sojourn solidified his fascination with European art history and fueled his desire to experiment with innovative artistic techniques.
Upon returning to New York City in 1889, Reid established himself as a respected portraitist—a vocation that would define much of his professional life. He cultivated relationships with prominent figures of the era, capturing their likenesses with sensitivity and precision. Simultaneously, he continued teaching at the Art Students League and Cooper Union, nurturing the talents of aspiring artists and disseminating knowledge about Impressionistic principles.
Reid’s artistic ambitions extended beyond easel painting; he achieved considerable acclaim as a muralist—undertaking large-scale commissions for significant institutions. His monumental works graced the walls of buildings such as the Library of Congress in Washington D.C., the Appellate Court House in New York City, and the Massachusetts State House—testaments to his mastery of composition, color, and narrative storytelling. Reid’s participation in “The Ten American Painters,” a collective founded by artists who rejected the conventions of the Society of American Artists, represented a pivotal moment in the movement toward modern art in America. This group championed artistic freedom and challenged established aesthetic norms—Reid's inclusion within this influential ensemble solidified his position as a leading figure in shaping the visual culture of the early 20th century.
Robert Lewis Reid died in New York City on December 2, 1929, leaving behind a rich artistic heritage that continues to inspire and resonate with audiences today. His paintings—characterized by their luminous color palettes and evocative depictions of feminine beauty—remain treasured examples of Impressionistic art. As an educator, Reid profoundly impacted generations of artists—nurturing their creativity and encouraging them to explore new expressive avenues. Among his notable pupils was Nan Sheets, who carried forward Reid’s commitment to figurative painting and Impressionistic principles—a testament to the enduring influence of Reid's artistic vision.
topimpressionists.com/pt/art/download/robert-lewis-reid-spring-8YDVRF-en/
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Spring — Robert Lewis Reid
Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.
Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.
A tonalidade dominante de "Spring" de Robert Lewis Reid é Green to Violet Spectrum. A tonalidade é o tom subjacente da paleta.
A composição cromática de "Spring" de Robert Lewis Reid combina um contraste Serene com uma harmonia Unified Palette.
"Spring" foi criado por Robert Lewis Reid. As informações nesta página descrevem a obra original de Robert Lewis Reid.