Papel

Guia de Obras de Estudantes

System 3681012

Nome Turma Data

Ross Martin, System 3681012 (2007), University of Surrey. Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Ross Martin topimpressionists.com/pt/artists/ross-martin/
Datas do artista
1920 – 1981
Pintura
2007
Dimensões originais
143 x 191 cm
Realizado em
University of Surrey topimpressionists.com/pt/museums/university-of-surrey-guildford/

No contexto

System 3681012 — Ross Martin

Dimensões

As dimensões originais são 143 × 191 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1920
  2. 1930
  3. 1940
  4. 1950
  5. 1960
  6. 1970
  7. 1980
  8. 1990
  9. 2000

Linha acima: os anos. Linha abaixo: a idade do artista no início e no fim de cada período — 0 ao nascer, 61 ao falecer.

Pintado quando o artista tinha 87. O artista viveu até aos 61.

Sombreado: a trajetória de Ross Martin (1920–1981) ▲ esta obra, 2007 cada pintura datada, década por década

Obras comparáveis

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/ross-martin-system-3681012-AR2C2U-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Quinacridone Magenta #86544a

    Paleta catalogada

    • #86544A
    • #AB9489
    • #D0CACB
    • #452C31

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Nome da cor principal
    Quinacridone Magenta
    Intensidade
    Balanced O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Discordant Palette A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Balanced O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Balanced Soft Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Ross Martin nos últimos doze meses — 1 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 2 obras mais visualizadas de Ross Martin

    1. 1 Still Life, 1990 100,0%
    2. — System 3681012, 2007 esta pintura 0,0%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 3 obras deste artista, das quais 1 foram visualizadas pelo menos uma vez. Esta pintura ainda não foi visualizada nesse período — ela encerra a lista sem uma classificação. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Artista e museu

    Artista

    Ross Martin

    Nascido em Grodków, Poland

    A Life Bridging Worlds: The Art and Performance of Ross Martin

    Ross Martin, born Martin Rosenblatt on March 22, 1920, in the small Polish town of Gródek (now Horodok, Ukraine), embodied a fascinating duality. His journey from a childhood steeped in Eastern European heritage to becoming a celebrated American actor and artist speaks volumes about adaptability, intellectual curiosity, and a relentless pursuit of creative expression. Immigrating with his family to New York City as an infant, Martin absorbed the vibrant energy of his new home while retaining echoes of his ancestral roots – he would later be fluent in Polish, Yiddish, Russian, French, Spanish, and Italian. This linguistic dexterity foreshadowed his remarkable ability to inhabit diverse characters throughout a prolific career. Though academically gifted—earning degrees from City College of New York and the National University School of Law—Martin’s heart lay not in legal briefs but in performance. He initially partnered with Bernie West as a comedy duo, honing his comedic timing and stage presence before venturing into radio and live television, even portraying Wyatt Earp on “The Gabby Hayes Show” in 1952. His Broadway debut followed in 1953 with "Hazel Flagg," marking the beginning of a multifaceted career that would span decades.

    From Sci-Fi to Western Iconography

    Martin’s early film roles, though perhaps less widely known today, reveal a willingness to explore emerging genres and challenging parts. He appeared in George Pal's 1955 science fiction offering “Conquest of Space,” followed by the intriguing “The Colossus of New York” (1958), where he played a scientist grappling with technological anxieties. However, it was his collaboration with Blake Edwards that truly propelled him into prominence. Roles in episodes of "Peter Gunn" and “Mr. Lucky” showcased his versatility, culminating in a memorable performance as the villainous Baron Rolfe Von Stuppe in “The Great Race.” These roles weren’t merely stepping stones; they demonstrated Martin's capacity for nuanced character work, blending charm with an underlying sense of intelligence and complexity. This talent caught the eye of CBS executives, leading to his iconic portrayal of Artemus Gordon on "The Wild Wild West" (1965-1969). Gordon wasn’t simply a sidekick; he was a master of disguise, gadgetry, and improvisation—a role that allowed Martin to fully utilize his linguistic skills, inventive spirit, and theatrical flair. He famously designed many of his own disguises for the show, adding another layer of personal artistry to his performance.

    Beyond the Screen: A Passion for Still Life

    While widely recognized as a captivating actor, Ross Martin harbored a deep passion for painting, particularly still life. This artistic pursuit wasn’t a late-in-life hobby but rather a consistent thread throughout his career. His paintings, often featuring meticulously rendered arrangements of everyday objects—fruit, flowers, glassware—reveal a keen eye for detail and a subtle exploration of light and shadow. These works offer a glimpse into Martin's inner world, a quiet counterpoint to the dynamic energy of his on-screen persona. He approached painting with the same dedication and precision he brought to acting, studying composition and technique with evident care. Though not as publicly celebrated as his theatrical achievements, his paintings demonstrate a sophisticated understanding of artistic principles and a genuine love for visual expression. They represent a personal sanctuary, a space where he could explore form, color, and texture without the constraints of character or narrative.

    A Legacy of Versatility and Intellectual Depth

    Ross Martin’s career was marked by an impressive range—from radio dramas to Broadway stages, from science fiction thrillers to Western adventures. He wasn't confined by typecasting; instead, he embraced diverse roles with a commitment to authenticity and intellectual curiosity. His voice work on projects like “Sealab 2020” (1972) and “Butch Cassidy and the Sundance Kid” (1973), though often uncredited, further showcased his vocal talent and adaptability. Even after suffering a heart attack in the early 1970s, he continued to work steadily in television and film until his untimely death on July 3, 1981.

    His nomination for a Golden Globe Award for Best Supporting Actor in “Experiment in Terror” (1962) acknowledged his exceptional talent.

    The enduring popularity of "The Wild Wild West" cemented his status as a television icon.

    His paintings, though less known, reveal a sophisticated artistic sensibility and a lifelong passion for visual expression.

    Ross Martin’s legacy extends beyond the characters he portrayed; it lies in his unwavering dedication to his craft, his intellectual depth, and his ability to seamlessly bridge the worlds of performance and art. He remains a testament to the power of versatility and the enduring allure of a life lived with passion and purpose.

    Museu

    University of Surrey

    Em exibição em Guildford, United Kingdom

    A Tapestry of Time: Where Heritage Meets Modernity

    Nestled within the historic heart of Guildford, a town steeped in centuries of English heritage, lies a cultural treasure that transcends the boundaries of a traditional museum. The University of Surrey’s connection to the local landscape creates a profound dialogue between the ancient and the contemporary, offering a sanctuary where history is not merely observed but deeply felt. As one approaches the museum, the architecture itself begins to tell a story; housed within structures that echo the grandeur of the nearby Guildford Castle, the museum provides an immersive experience that transports visitors across eras. The setting is one of tranquil contemplation, where the picturesque castle grounds serve as a verdant backdrop to the scholarly and artistic discoveries waiting within these storied walls.

    The museum’s architectural legacy is a masterful blend of old-world charm and thoughtful contemporary design. Constructed in the late Victorian era, the building incorporates striking elements of Gothic Revival architecture—a deliberate and poetic homage to the nearby Guildford Castle. This stately setting provides a sense of permanence and weight, yet seamlessly integrated into these historic walls are modern exhibition spaces designed to maximize engagement and facilitate the rigorous research conducted by the University of

    Surrey

    . For the interior designer or art lover, this juxtaposition of heavy, historical masonry with light-filled, modern galleries offers a unique aesthetic inspiration, proving that the past can provide the most stable foundation for future expression.

    Masterpieces in Dialogue: From Prehistoric Flint to Picasso

    To walk through the halls of this institution is to embark on a journey through the very evolution of human creativity. The collection begins with the primal whispers of our ancestors, unveiling a remarkable array of prehistoric artifacts. Here, flint tools, ancient animal bones, and enigmatic carvings serve as tangible portals to a vanished world, prompting a deep reflection on the lives and beliefs of those who first inhabited the Surrey landscape. These relics trace a chronological path from modest Saxon settlements to the thriving medieval market town that Guildford has become, illuminated by meticulously researched documents and evocative photography that breathe life into the dust of antiquity.

    However, the museum’s true brilliance—and its most captivating draw for global collectors—shines through its extraordinary modern art holdings. Through a prestigious partnership with the University of Surrey, the museum offers rare opportunities to encounter masterpieces by

    Pablo Picasso

    and

    Marc Chagall

    . One might find themselves lost in the melancholic beauty of Picasso’s

    “Longrock Beach, Cornwall,”

    where the rugged coastline is rendered with a masterful technique that captures both light and solitude. In stark, vibrant contrast, the dreamlike imagery of Chagall invites a sense of whimsy and wonder; pieces such as

    “Boy Towing Dog on Skateboard”

    reflect a unique artistic heritage, utilizing luminous color palettes to transport the viewer into a realm of pure imagination. It is this rare coexistence of prehistoric grit and 20th-century brilliance that makes the collection an unparalleled destination for those seeking the full spectrum of human expression.

    A Beacon of Accessibility and Scholarly Inspiration

    What truly distinguishes this institution is its unwavering commitment to the democratization of culture. With admission being free, the museum remains a steadfastly inclusive space, inviting everyone from seasoned art historians to curious newcomers to engage in meaningful dialogue with Surrey’s cultural heritage. This spirit of accessibility is bolstered by the active involvement of the University of Surrey, where researchers and academics contribute to exhibition development. This ensures that every display, whether it concerns local archaeological finds or international modernism, is grounded in rigorous scholarship and intellectual depth.

    Ultimately, the museum serves as more than a repository; it is a living, breathing ecosystem of learning and inspiration. It stands as a testament to the transformative power of cultural institutions—places where knowledge blossoms and creativity flourishes. For the visitor seeking beauty, the collector searching for historical context, or the designer looking for aesthetic depth, this hidden gem in Guildford offers an invitation to wander through time and emerge with a renewed perspective on the enduring power of art.

    Saiba mais

    • O artista Ross Martin topimpressionists.com/pt/artists/ross-martin/
    • O museu University of Surrey topimpressionists.com/pt/museums/university-of-surrey-guildford/
    • Obras semelhantes Mais obras para comparar topimpressionists.com/pt/art/similar/ross-martin-system-3681012-AR2C2U-en/

    Disponível online

    QR code que direciona para a página de download de System 3681012

    topimpressionists.com/pt/art/download/ross-martin-system-3681012-AR2C2U-en/

    Como citar esta obra

    MLA
    Martin, Ross. System 3681012. 2007, University of Surrey. https://topimpressionists.com/pt/art/ross-martin-system-3681012-AR2C2U-en/
    APA
    Martin, Ross (2007). System 3681012 [Painting]. University of Surrey. https://topimpressionists.com/pt/art/ross-martin-system-3681012-AR2C2U-en/
    Chicago
    Ross Martin. System 3681012. 2007. University of Surrey. https://topimpressionists.com/pt/art/ross-martin-system-3681012-AR2C2U-en/
    Harvard
    Martin, Ross (2007) System 3681012. University of Surrey. Available at: https://topimpressionists.com/pt/art/ross-martin-system-3681012-AR2C2U-en/

    Observe de perto

    System 3681012 — Ross Martin

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Still Life (1990), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. O que o artista pode ter querido que você sentisse?
    5. Se você pudesse fazer uma pergunta ao artista sobre esta obra, qual seria?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Qual é o formato de "System 3681012"?

    "System 3681012" de Ross Martin é uma composição em Landscape. As proporções valem a pena ser conferidas antes de escolher o tamanho da impressão.

    A obra "System 3681012" de Ross Martin, pertencente ao acervo do University of Surrey, pode ser reproduzida legalmente?

    A obra original "System 3681012" encontra-se no University of Surrey, e a obra está em ainda protegido por direitos autorais.

    Quem vende cópias pintadas à mão de "System 3681012" de Ross Martin?

    "System 3681012" está disponível como uma reprodução a óleo pintada à mão sobre tela de linho. O pedido pode ser feito em sua página de Reprodução Pintada à Mão, com escolha de tamanhos.