Papel

Guia de Obras de Estudantes

Aoyama

Nome Turma Data

Trevor Sutton, Aoyama (1996). Reproduzido para fins de referência; todos os direitos reservados ao detentor dos direitos. Veja esta tela sob uma luz em movimento: o desenho, a cor real sob o verniz, o pigmento puro

Informações principais

Artista
Trevor Sutton topimpressionists.com/pt/artists/trevor-sutton/
Datas do artista
1948 –
Pintura
1996
Dimensões originais
94 x 94 cm

No contexto

Aoyama — Trevor Sutton

Dimensões

As dimensões originais são 94 × 94 cm (altura × largura), representadas aqui ao lado de um adulto de altura média.

Ano de criação

  1. 1940
  2. 1950
  3. 1960
  4. 1970
  5. 1980
  6. 1990

Linha superior: os anos. Linha inferior: a idade do artista no início e no fim de cada período, contando 0 a partir do nascimento.

Pintado quando o artista tinha 48. 7 das 9 obras datadas deste artista em nosso catálogo são anteriores.

▲ esta obra, 1996 cada pintura datada, década por década

Obras comparáveis

  • Suchness, 1993 topimpressionists.com/pt/art/trevor-sutton-suchness-AR2C7A-en/
  • Teigngrance II, 1992 topimpressionists.com/pt/art/trevor-sutton-teigngrance-ii-AR2C76-en/
  • Wisbech, 1995 topimpressionists.com/pt/art/trevor-sutton-wisbech-AR2C7E-en/

Escolha uma obra acima: mencione duas semelhanças entre ela e esta, e uma diferença.

Mais obras para acompanhar esta: topimpressionists.com/pt/art/similar/trevor-sutton-aoyama-AR2C7G-en/

Paleta de cores

Medido a partir da imagem

    Cor principal

    Black #1c100a

    Paleta catalogada

    • #1C100A
    • #B3BAB7
    • #757F78
    • #D0D3D5

    Estas cores dentro de toda a paleta do artista Encontre outras pinturas por cor

    Paleta
    Earthy A família de cores predominante na imagem.
    Nome da cor principal
    Black
    Intensidade
    Monochromatic O quão saturadas e variadas são as cores, desde um único tom suave até muitos tons vibrantes.
    Contraste
    Statement O grau de variação da luminosidade e saturação das cores ao longo da imagem.
    Harmonia
    Balanced Harmony A forma como as cores interagem entre si, desde o contraste marcante até a total harmonia.
    Brilho
    Deep_shadow O nível de luminosidade ou escuridão da imagem como um todo, desde as sombras profundas até os brilhos intensos.
    Saturação
    Muted Quão puras e intensas são as cores, do quase cinza ao totalmente vívido.

    Onde no mundo esta pintura é apreciada?

    • com menos de 1%
    • 1–3%
    • 3–8%
    • 8–20%
    • 20% ou mais
    Esta pintura sozinha possui poucos visitantes registrados para mapear, portanto, a placa apresenta todas as obras de Trevor Sutton nos últimos doze meses — 1 países ao todo. De onde vêm estes números

    Os dez principais países

    1. 1 China 100,0%

    Encontre os três países mais escuros no mapa. O museu que guarda esta pintura está em algum deles? Escreva um motivo pelo qual pessoas de longe poderiam visitá-la.

    As 2 obras mais visualizadas de Trevor Sutton

    1. 1 Suchness, 1993 50,0%
    2. 2 Aoyama, 1996 esta pintura 50,0%

    Juntas, estas obras representam 100,0% de toda a atenção que as pinturas deste artista receberam nos últimos doze meses. O catálogo contém 9 obras deste artista, das quais 2 foram visualizadas pelo menos uma vez. Esta pintura ocupa a 2 posição entre elas, com 50,0% dessa atenção. Os mesmos números, mês a mês

    As barras medem a atenção, não a qualidade. Escolha a obra no topo e esta aqui: mencione um fator que poderia tornar uma pintura famosa para além da sua técnica de execução.

    Sobre esta obra

    Aoyama — Trevor Sutton

    The painting Aoyama by Trevor Sutton is a remarkable piece of art that showcases the artist's unique style and contribution to the world of abstract art. Created in 1996, this oil on canvas painting measures 94 x 94 cm and features a large brown circle on a white background.

    Artist Background

    Trevor Sutton is a talented artist known for his bold and thought-provoking works of art. His use of color and composition creates a sense of depth and emotion, drawing the viewer into the world of the painting. Aoyama is a prime example of his skill and creativity as an artist.

    Style and Technique

    The style of Aoyama is reminiscent of other famous abstract artists, such as Kazimir Severinovich Malevich and Pieter Cornelis Mondriaan. The use of bold colors and geometric shapes creates a sense of balance and harmony in the painting. The large brown circle dominates the canvas, creating a sense of energy and movement.

    The Fundació Joan Miró museum in Barcelona, Spain, is home to many famous works of abstract art, including those by Joan Miró himself.

    Other notable artists, such as Pablo Picasso and Felix Vallotton, have also made significant contributions to the world of abstract art.

    Handmade oil painting reproductions of Aoyama can be found on https://AllPaintingsStore.com, allowing art lovers to own a piece of this beautiful painting. The website also features works by other famous artists, including Yoo Youngkuk and Kim Whanki.

    The Aoyama painting is a must-see for anyone interested in abstract art. Its unique style and technique make it a standout piece in the world of art. For more information on Trevor Sutton and his works, visit /en/art/show/art-ar2c7g-en/

    Artista e museu

    Artista

    Trevor Sutton

    Trevor Sutton: Architect of Quiet Intensity

    Trevor Sutton (born Romford, Essex, 1948) is a British painter and printmaker whose distinctive approach to abstraction—characterized by meticulous geometric forms and restrained color palettes—has garnered international acclaim. His work explores the relationship between perception and space, reflecting a profound engagement with architectural principles and a deep fascination for the subtle interplay of light and shadow. Sutton’s artistic journey began at Hornsey College of Art in 1967, where he honed his skills in drawing and painting before graduating from Birmingham Polytechnic in 1972. This formative period instilled in him a disciplined aesthetic sensibility that would permeate his subsequent explorations of visual language.

    Early Influences: Sutton’s artistic vision was shaped by encounters with Minimalism and Conceptual Art, movements that championed simplicity and intellectual rigor. Artists like Josef Albers and Agnes Martin served as crucial models for his stylistic development, encouraging him to prioritize form over ornamentation and to distill visual ideas into their purest expressions.

    The Grid System: Sutton’s unwavering commitment to geometric abstraction is embodied in his use of the grid—a technique he adopted early in his career and continues to employ throughout his oeuvre. He sees the grid not merely as a compositional device but as a conceptual framework that embodies fundamental principles of spatial organization. “It stops me having to think,” Sutton has explained, “I want to describe it as a safety net.”

    Exploring Spatial Dynamics: From Early Collages to Monumental Paintings

    Sutton’s artistic evolution can be traced through a series of meticulously crafted collages and paintings that delve into the complexities of visual perception. His initial explorations focused on exploring the interplay between color and texture, utilizing layered materials—often paper and pigment—to create surfaces that evoke atmospheric depth and subtle shifts in tonal hue. These early works established his signature style: a quiet confidence in form and color combined with an unwavering attention to detail. Notable pieces include “Not One Thing II” (1995), which captures the mood of a stormy seascape through expressive brushwork, and “Wisbech” (1995), a circular oil painting that embodies celestial duality—a testament to Sutton’s ability to transform observation into evocative visual narratives.

    Notable Exhibitions: Sutton's work has been showcased in prestigious galleries across Europe and North America, cementing his reputation as one of Britain’s leading contemporary artists. Solo exhibitions include Katsura Imperial Villa at AIS/Concept Space in Shibukawa, Japan; Blue Lightning at Cairn Gallery, Fife; Small World at Zuleika Gallery, Woodstock; and most recently, “Hidden Architecture” at Post Room gallery in London.

    Recognition: Sutton’s artistic achievements have been recognized by institutions such as Tate London, British Council, Arts Council England, Aberdeen Art Gallery, Sainsbury Centre UEA, Pallant House Chichester, Ballinglen Museum of Art Ireland, and Artothèque de Limousin France.

    The Influence of Architecture and Observation

    Sutton’s artistic practice is fundamentally rooted in his profound engagement with architectural spaces—both built environments and internal landscapes—and his meticulous observation of natural phenomena. He draws inspiration from the rhythms and patterns inherent in geological formations, urban vistas, and celestial skies, translating these sensory experiences into visual representations that prioritize clarity and understated beauty. His paintings are often described as “quiet,” reflecting Sutton’s belief that art should invite contemplation rather than demanding immediate attention. As he himself has stated, "I want to describe it as a safety net."

    Legacy and Continuing Exploration

    Trevor Sutton's enduring contribution to contemporary art lies in his unwavering commitment to geometric abstraction—a stylistic choice that transcends temporal trends while simultaneously conveying profound emotional resonance. His meticulous technique, combined with his sensitivity to spatial dynamics and color harmony, ensures that his work continues to captivate audiences worldwide. Currently residing in London, Sutton remains actively engaged in artistic creation, exploring new visual vocabularies and pushing the boundaries of abstraction—a testament to his lifelong pursuit of aesthetic excellence.

    Saiba mais

    • O artista Trevor Sutton topimpressionists.com/pt/artists/trevor-sutton/
    • Obras semelhantes Mais obras para comparar topimpressionists.com/pt/art/similar/trevor-sutton-aoyama-AR2C7G-en/

    Disponível online

    QR code que direciona para a página de download de Aoyama

    topimpressionists.com/pt/art/download/trevor-sutton-aoyama-AR2C7G-en/

    Como citar esta obra

    MLA
    Sutton, Trevor. Aoyama. 1996, https://topimpressionists.com/pt/art/trevor-sutton-aoyama-AR2C7G-en/
    APA
    Sutton, Trevor (1996). Aoyama [Painting]. https://topimpressionists.com/pt/art/trevor-sutton-aoyama-AR2C7G-en/
    Chicago
    Trevor Sutton. Aoyama. 1996. https://topimpressionists.com/pt/art/trevor-sutton-aoyama-AR2C7G-en/
    Harvard
    Sutton, Trevor (1996) Aoyama. Available at: https://topimpressionists.com/pt/art/trevor-sutton-aoyama-AR2C7G-en/

    Observe de perto

    Aoyama — Trevor Sutton

    Olhar de perto

    Responda com suas próprias palavras. Não existem respostas erradas aqui — apenas respostas que você possa explicar.

    1. O que chama a sua atenção primeiro e por quê?
    2. Quais cores ou formas criam a atmosfera — e que atmosfera é essa?
    3. Relembre Suchness (1993), apresentado anteriormente neste guia. Identifique dois elementos que esta obra compartilha com a anterior e um que seja diferente.
    4. Trevor Sutton tinha cerca de 48 anos quando esta obra foi feita. O que nela parece ser o trabalho de um artista nessa fase?
    5. O que o artista pode ter querido que você sentisse?

    Sua resposta

    Escreva um pequeno parágrafo sobre esta obra de arte. Utilize as informações das etapas anteriores deste guia e as suas respostas acima.

    Perguntas e Respostas

    Em que ano foi criado "Aoyama"?

    "Aoyama" data de 1996. A data situa a obra na carreira de Trevor Sutton e em sua época.

    Onde posso ver uma prévia de "Aoyama"?

    A página de Visualização de "Aoyama" permite que você visualize a obra de arte antes de fazer o pedido.

    Onde posso comprar uma reprodução pintada à mão de "Aoyama" de Trevor Sutton?

    Você pode encomendar uma reprodução pintada à mão de "Aoyama" de Trevor Sutton diretamente em sua página de Reprodução Pintada à Mão: uma reprodução a óleo pintada à mão sobre tela de linho, feita sob encomenda.