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      Bertall, 1820 – 1882

      Bertall: As 1 pinturas mais conhecidas

      De todas as pinturas de Bertall, Marie Pasteur and Camille Pasteur (1863) é a mais famosa; está exposta no Musée Pasteur, em Paris. Entre as 1 obras de Bertall em nosso catálogo, estas 1 são as mais celebradas, cada uma apresentada com a sua data, o seu museu e a sua história.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Bertall
      Bertall · 1820 – 1882
      Nascimento · falecimento
      1820 – 1882, Paris
      Obras em nosso catálogo
      1
      As mais famosas
      Marie Pasteur and Camille Pasteur (1863)
      Mais obras em
      Musée Pasteur

      As 10 pinturas mais celebradas de Bertall

      Marie Pasteur and Camille Pasteur (1863) de Bertall
      1

      Marie Pasteur and Camille Pasteur

      1863 · Musée Pasteur, Paris

      Louis Pasteur (1822–1895) married Marie Laurent (1826–1910) in 1849.They had 5 children: Jeanne (1850–1859), Jean-Baptiste (1851–1908), Cécile (1853–1866), Marie-Louise (1858–1934) and Camille (1863–1865).Jean-Baptiste Pasteur married Jeanne Boutroux (1854–1932) in 1874; they had no children.Marie-Louise Pasteur married René Vallery-Radot (1853–1933) in 1879; they had three children. Camille (1880–1927), Madeleine (1882–1882) and Louis (1886–1970). Camille Vallery-Radot did not marry and had no children.The decree of September 4, 1945 authorized Louis Vallery-Radot to…

      Reprodução em óleo pintada à mão de $203 26 × 39 cm

      Onde as telas de Bertall estão expostas

      O museu que detém a maioria das pinturas desta página.

      Museus Cidade Obras de Bertall Pinturas desta lista
      Musée Pasteur, ParisMusée Pasteur Paris 1 Marie Pasteur and Camille Pasteur

      Ano após ano: as telas mais celebradas de Bertall

      Um ano, 1863, reúne todas as telas datadas de Bertall nesta página: aqui estão elas, começando pelas mais famosas.

      1. 1863
        Marie Pasteur and Camille Pasteur (1863) de Bertall
        Tela 1 de 1

        Marie Pasteur and Camille Pasteur

        Idade: 43 · Musée Pasteur

        Louis Pasteur (1822–1895) married Marie Laurent (1826–1910) in 1849.They had 5 children: Jeanne (1850–1859), Jean-Baptiste (1851–1908), Cécile (1853–1866), Marie-Louise (1858–1934) and Camille (1863–1865).Jean-Baptiste Pasteur married Jeanne Boutroux (1854–1932)…

      As suas perguntas sobre as pinturas de Bertall, respondidas

      Qual é a pintura mais celebrada de Bertall?Leia a resposta

      Marie Pasteur and Camille Pasteur (1863)

      Qual era a idade de Bertall na época de Marie Pasteur and Camille Pasteur?Leia a resposta

      Bertall, nascido(a) em 1820, tinha 43 anos: Marie Pasteur and Camille Pasteur data de 1863.

      Quantas pinturas de Bertall são conhecidas?Leia a resposta

      1 obras de Bertall estão em nosso catálogo.

      Em quais museus se encontram as telas mais conhecidas de Bertall?Leia a resposta

      Principalmente em Musée Pasteur (Paris); a lista acima indica cada museu e as suas telas.

      Posso encomendar uma cópia pintada à mão de uma obra de Bertall?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Bertall: a história do pintor

      Charles Constant Albert d’Arnoux (Bertall): A Pioneer of Parisian Visual Culture

      Charles Constant Albert d’Arnoux, more widely known as Bertall, remains a captivating figure in 19th-century French art and culture. Born in Paris in 1820 into a family steeped in aristocratic lineage – the Vicomte d'Arnoux, Comte de Limoges-Saint-Saens – his life transcended simple nobility, evolving into a prolific illustrator, innovative photographer, and astute caricaturist who profoundly shaped the visual landscape of his era. Bertall’s journey wasn’t one of predetermined artistic destiny; it was a testament to adaptability, experimentation, and an unwavering pursuit of capturing the essence of Parisian life – from its grand salons to its bustling streets. His career spanned several distinct yet interconnected disciplines, solidifying his place as a pivotal figure in bridging the gap between traditional illustration and the nascent technologies of photography.

      Early Life and Artistic Beginnings: From Illustration to Photography

      Details surrounding Bertall’s early years remain somewhat elusive, shrouded in the typical opacity of 19th-century biographical accounts. However, it's established that he initially pursued a path laid out for him – an education at the prestigious École Polytechnique. Yet, his artistic inclinations quickly superseded academic expectations. He found himself apprenticed to Michel Martin Drolling, a respected painter known for his historical and genre scenes. This foundation provided a crucial understanding of composition, technique, and the nuances of depicting human form. Crucially, Bertall’s interest in visual representation wasn't confined to traditional painting; he was drawn to the burgeoning world of illustration, quickly gaining recognition for his work in various publications. A pivotal moment in Bertall’s career arrived with the advent of photography. Recognizing its potential as a means of capturing reality with unprecedented accuracy and immediacy, he embraced this new medium with remarkable enthusiasm. While not always widely documented, his photographic works from the 1850s and 60s offer a fascinating glimpse into his inventive spirit. He experimented with techniques, often combining photography with painting and drawing to create unique composite images – a practice that foreshadowed later developments in photomontage. His early photographs, frequently depicting scenes of Parisian life, are characterized by a keen observational eye and a subtle sense of humor.

      Illustrative Legacy: Newspapers, Magazines, and Caricature

      Bertall’s most enduring legacy lies in his prolific contributions to the visual culture of 19th-century France. He became a regular illustrator for numerous newspapers and magazines, adapting his style to suit diverse themes and audiences. His caricatures, particularly those published in *Le Journal pour rire* (The Laughing Newspaper), were renowned for their sharp wit, satirical commentary, and masterful use of visual exaggeration. These cartoons offered a biting critique of Parisian society, politics, and the personalities of the day – often targeting prominent figures with a deftness that bordered on audacious. Bertall’s ability to seamlessly transition between different artistic styles—from elegant illustrations to pointed caricatures—demonstrates his versatility and deep understanding of visual language.

      Museum Collections and Historical Significance

      Bertall's work is represented in several notable museums, offering tangible evidence of his impact on the art world. The Musée Maurice Denis in Paris houses a significant collection of French post-impressionist paintings, including works that showcase Bertall’s influence on later artists. Similarly, the Musées Royaux des Beaux-Arts in Brussels boast an extensive collection encompassing various artistic movements, with several examples illustrating Bertall's contributions to Parisian illustration. These collections serve as invaluable resources for researchers and art enthusiasts alike, allowing us to appreciate the breadth and depth of his creative output. Furthermore, his pioneering work in photography, often overlooked, deserves recognition as a crucial step in the development of this revolutionary medium.

      A Lasting Influence: Bertall’s Place in Visual History

      Charles Constant Albert d'Arnoux (Bertall) left an indelible mark on the art world, not merely through his prolific output but also through his willingness to embrace new technologies and challenge conventional artistic boundaries. His experimentation with photography, combined with his satirical illustrations, reflects a broader trend of innovation and social commentary that characterized 19th-century France. Bertall’s legacy extends beyond individual artworks; he represents a pivotal moment in the evolution of visual culture – a time when illustration, caricature, and photography were converging to create a vibrant and dynamic public sphere. His work continues to inspire artists today, reminding us of the power of art to entertain, provoke thought, and reflect the complexities of human experience.