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      Carleton Wiggins, 1848 – 1932

      As 27 pinturas mais famosas de Carleton Wiggins

      Winter Evening in France (1882) é a pintura pela qual Carleton Wiggins é mais lembrado; pertence ao Rhode Island School of Design Museum of Art, Providence. Landscape with Cattle (1882) e The Supper at Emmaus (1636) completam o trio das telas mais amadas. O nosso catálogo conta com 27 obras de Carleton Wiggins. Aqui estão as 27 mais famosas, com o ano, o museu e a história de cada tela.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Carleton Wiggins
      Carleton Wiggins · 1848 – 1932
      Nascimento · falecimento
      1848 – 1932, Orange County
      Obras em nosso catálogo
      27
      As mais famosas
      Winter Evening in France (1882)
      Mais obras em
      Temple Newsam House

      As dez pinturas mais amadas de Carleton Wiggins

      Winter Evening in France (1882) de Carleton Wiggins
      1

      Winter Evening in France

      1882 · Oil On Canvas · Rhode Island School of Design Museum of Art, Providence

      The landscape unfolds in a wide, snow-covered field that stretches toward a low horizon. A single figure drives a small wooden cart pulled by a donkey, moving slowly from the left toward the center-right. Faint tracks mark the white surface where the wheels and hooves have passed. To the left, a line of slender, leafless trees recedes into the distance, their vertical forms cutting through the soft haze. In the…

      Reprodução em óleo pintada à mão de $178 38 × 26 cm Mesmo tamanho da original $297 84 × 58 cm Encomendar no tamanho original →
      Landscape with Cattle (1882) de Carleton Wiggins
      2

      Landscape with Cattle

      1882 · Oil On Canvas · New York Historical Society, Nova York

      The air feels heavy and still, as if a soft, grey mist has just settled over the valley. In this 1882 landscape, the world breathes in slow, rhythmic pulses. A group of cattle grazes within a wide, open pasture, their forms grounded and heavy against the earth. The horizon sits near the center of the view, dividing a muted sky from the textured terrain below. There is a profound sense…

      Reprodução em óleo pintada à mão de $178 36 × 28 cm
      The Supper at Emmaus (1636) de Carleton Wiggins
      3

      The Supper at Emmaus

      1636 · Oil · Temple Newsam House, Leeds

      A quiet intimacy defines this scene of Jesus and his twelve apostles gathered around a dining table. The composition centers on the shared meal, set within a room furnished with chairs and a bench. In the periphery, life continues in small, domestic details: a dog rests near the bottom right corner, while a cat sits on the left side near a chair. The atmosphere is one of warmth and profound…

      Reprodução em óleo pintada à mão de $178 39 × 26 cm
      Moses (1636) de Carleton Wiggins
      4

      Moses

      1636 · Oil · Temple Newsam House, Leeds

      Moses stands as a pillar of stone and shadow. He holds the two tablets, the heavy weight of the Ten Commandments pressing against his palms. Around him, the air feels thick with the presence of others, figures caught in the periphery of his monumental task. The colors are muted, as if seen through a veil of dust or the haze of ancient history. He is a man defined by the…

      Reprodução em óleo pintada à mão de $178 16 × 64 cm
      Daniel (1636) de Carleton Wiggins
      5

      Daniel

      1636 · Oil · Temple Newsam House, Leeds

      The portrait of Daniel by Carleton Wiggins presents a man caught in a moment of quiet study. Dated about 1636, the work focuses on the face and hands of the subject, leaving the rest of his form to the shadows. He holds a book, a heavy presence in his grip that anchors the composition. A clock hangs in the background, its presence marking the steady passage of time against the…

      Reprodução em óleo pintada à mão de $178 16 × 63 cm
      Zephaniah (1636) de Carleton Wiggins
      6

      Zephaniah

      1636 · Oil · Temple Newsam House, Leeds

      We are looking at Zephaniah, a work by the American artist Carleton Wiggins. This piece belongs to a series of biblical interpretations that define much of his professional output. The painting is dated to about 1636.

      Reprodução em óleo pintada à mão de $178 17 × 60 cm
      Nahum (1636) de Carleton Wiggins
      7

      Nahum

      1636 · Oil · Temple Newsam House, Leeds

      The painting titled Nahum is a work by the American artist Carleton Wiggins. This piece, which dates to about 1636, captures a singular figure in a moment of stillness. The subject is rendered with a focus on the weight of his presence against a muted background.

      Reprodução em óleo pintada à mão de $178 16 × 63 cm
      Jeremiah (1636) de Carleton Wiggins
      8

      Jeremiah

      1636 · Oil · Temple Newsam House, Leeds

      The painting Jeremiah, dating to 1636, presents a detailed portrait of a man dressed in religious attire, reminiscent of a monk or a priest. The subject is depicted sitting upon a chair with his hands folded together in a gesture of repose or prayer. The composition is carefully balanced, with the central figure occupying a significant portion of the frame. In the background, the scene is enriched by the presence…

      Reprodução em óleo pintada à mão de $178 16 × 62 cm
      Ezekiel (1636) de Carleton Wiggins
      9

      Ezekiel

      1636 · Oil On Panel · Temple Newsam House, Leeds

      This work, titled Ezekiel, was executed by the American artist Carleton Wiggins. It is a vertical panel painting that captures a moment of profound significance. The piece dates to about 1636, presenting a subject matter that is deeply religious and symbolic in nature.

      Reprodução em óleo pintada à mão de $178 16 × 64 cm
      Jonah (1636) de Carleton Wiggins
      10

      Jonah

      1636 · Oil · Temple Newsam House, Leeds

      In this work, Carleton Wiggins captures the moment of divine intervention and peril. The painting depicts Jonah being swallowed by the whale. It is a scene of sudden, overwhelming scale. The figure of Jonah is caught in the transition between the world of men and the depths of the sea. He is a man in a suit with his arms outstretched, as if he's being lifted up into the air.…

      Reprodução em óleo pintada à mão de $178 16 × 61 cm

      Carleton Wiggins: telas de 11 a 27 do ranking

      Amos (1636) de Carleton Wiggins
      #12

      Amos

      1636 · Temple Newsam House

      The painting titled Amos is a work by the artist Carleton Wiggins. It presents a portrait of a man with a beard, captured in a moment of quiet…

      Encomende esta tela a partir de $178 →
      Samuel (1636) de Carleton Wiggins
      #13

      Samuel

      1636 · Temple Newsam House

      Carleton Wiggins renders a moment of spiritual weight through a layered assembly of figures. The central figure, Samuel, is depicted with a heavy, bearded presence, his robe providing…

      Encomende esta tela a partir de $178 →
      Micah (1636) de Carleton Wiggins
      #14

      Micah

      1636 · Temple Newsam House

      In this work, Micah by Carleton Wiggins, the central figure commands the space from a raised platform. He is an older man, his presence marked by a long…

      Encomende esta tela a partir de $178 →
      Zachariah (1636) de Carleton Wiggins
      #15

      Zachariah

      1636 · Temple Newsam House

      We find ourselves before Zachariah, a work by the American artist Carleton Wiggins. This piece captures a moment of quietude, presenting a figure engaged in deep contemplation. The…

      Leve esta luz para casa a partir de $178 →
      Joel (1636) de Carleton Wiggins
      #17

      Joel

      1636 · Temple Newsam House

      The painting titled Joel is a work by the American artist Carleton Wiggins. It is a large-scale composition, measuring 280 x 50 cm. The canvas stretches wide, capturing…

      Encomende esta tela a partir de $178 →
      Isaiah (1636) de Carleton Wiggins
      #18

      Isaiah

      1636 · Temple Newsam House

      Carleton Wiggins produced this antique work titled Isaiah. The painting features a religious figure, potentially representing Mary or Jesus, positioned before a wall. The composition includes two additional…

      Encomende esta tela a partir de $178 →
      Malachi (1636) de Carleton Wiggins
      #19

      Malachi

      1636 · Temple Newsam House

      A central figure in red clothing dominates the composition, holding a violin close to his face. The subject wears a crown, suggesting a royal or sacred status. He…

      Encomende esta tela a partir de $178 →
      Aaron (1636) de Carleton Wiggins
      #20

      Aaron

      1636 · Temple Newsam House

      In Aaron by Carleton Wiggins, a sense of quietude settles over the landscape. A massive tree dominates the left side of the frame, its lush foliage reaching upward…

      Leve esta luz para casa a partir de $178 →

      O que Carleton Wiggins mais pintou

      Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.

      Onde as telas de Carleton Wiggins estão expostas

      Os 5 museus que detêm a maioria das pinturas desta página.

      Museus Cidade Obras de Carleton Wiggins Pinturas desta lista
      Temple Newsam House, LeedsTemple Newsam House Leeds 18 The Supper at Emmaus, Moses, Daniel
      Smithsonian American Art Museum, Washington, D.C.Smithsonian American Art Museum Washington, D.C. 2 Evening after a Shower, The Pasture Lot
      Rhode Island School of Design Museum of Art, ProvidenceRhode Island School of Design Museum of Art Providence 1 Winter Evening in France
      New York Historical Society, Nova YorkNew York Historical Society Nova York 1 Landscape with Cattle
      Buffalo AKG Art Museum, BuffaloBuffalo AKG Art Museum Buffalo 1 Sand Dunes: Coney Island

      A tela mais famosa de Carleton Wiggins, década após década

      1. 1870s
      2. 1880s
        Winter Evening in France (1882) de Carleton Wiggins
        1 de 27

        Winter Evening in France

        Idade 32 – 41 · Rhode Island School of Design Museum of Art

        The landscape unfolds in a wide, snow-covered field that stretches toward a low horizon. A single figure drives a small wooden cart pulled by a donkey, moving slowly…

      3. 1890s
      4. 1900s

      As telas de Carleton Wiggins, pergunta por pergunta

      Por qual tela Carleton Wiggins é mais lembrado(a)?Leia a resposta

      Winter Evening in France (1882), Rhode Island School of Design Museum of Art, Providence. Seguidos por Landscape with Cattle (1882) e The Supper at Emmaus (1636).

      Winter Evening in France: que idade tinha Carleton Wiggins quando foi pintada?Leia a resposta

      Carleton Wiggins, nascido(a) em 1848, tinha 34 anos: Winter Evening in France data de 1882.

      Quais são as dez telas mais famosas de Carleton Wiggins?Leia a resposta

      Winter Evening in France, Landscape with Cattle, The Supper at Emmaus, Moses, Daniel, Zephaniah, Nahum, Jeremiah, Ezekiel e Jonah. Cada tela no ranking acima inclui o seu ano e o seu museu.

      Quantas pinturas Carleton Wiggins criou?Leia a resposta

      27 obras de Carleton Wiggins estão em nosso catálogo, datadas de 1873 a 1908.

      Onde estão expostas hoje as telas mais famosas de Carleton Wiggins?Leia a resposta

      Principalmente em Temple Newsam House (Leeds), Smithsonian American Art Museum (Washington, D.C.) e Rhode Island School of Design Museum of Art (Providence); a lista acima indica cada museu e as suas telas.

      Quando é que Carleton Wiggins pintou as suas telas mais famosas?Leia a resposta

      Em 1880s, que compreende 2 das 27 obras desta página, Winter Evening in France entre elas.

      Qual tela famosa de Carleton Wiggins veio primeiro e qual veio por último?Leia a resposta

      A tela mais antiga aqui é de Moonlight on the Long Island Sound (1873); a mais recente é de Sand Dunes: Coney Island (1908).

      Quais temas Carleton Wiggins mais pintou?Leia a resposta

      Man (12), People (6) e Clock (4), entre as 27 obras nesta página.

      Qual técnica é mais presente nas pinturas de Carleton Wiggins?Leia a resposta

      Oil, utilizado em 17 das 27 obras nesta página.

      Quais pinturas de Carleton Wiggins estão no Temple Newsam House?Leia a resposta

      O Temple Newsam House, Leeds detém 18 das obras desta página, entre elas The Supper at Emmaus, Moses e Daniel.

      Onde posso comprar uma reprodução de uma pintura de Carleton Wiggins?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Conheça o pintor: Carleton Wiggins

      John Carleton Wiggins (1848–1932): A Visionary Interpreter of Biblical Narrative

      John Carleton Wiggins was a prolific American artist whose distinctive style—characterized by meticulous detail and expressive tonal modulation—established him as one of the foremost interpreters of Old Testament themes in late nineteenth-century art. Born in Brooklyn, New York, in 1848, Wiggins’s artistic journey began modestly but swiftly ascended to prominence thanks to his unwavering dedication to capturing the spiritual essence of biblical stories through masterful technique and profound emotional resonance.
      • Early Life & Education: Wiggins pursued formal schooling primarily in Brooklyn, where he honed foundational skills in drawing and painting before embarking on a collegiate path at Bates College in Lewiston, Maine. His formative years instilled within him an appreciation for both realism and symbolic representation—influences that would permeate his artistic output throughout his career.
      • Career Highlights: Wiggins’s professional life unfolded across several disciplines, including law practice and coaching roles. However, it was his unwavering commitment to visual art that cemented his legacy. He gained considerable acclaim for his biblical paintings, notably ‘Ezekiel,’ ‘The Supper at Emmaus,’ and ‘Aaron,’ which garnered recognition from institutions like the Smithsonian American Art Museum.

      Stylistic Innovation & Artistic Technique

      Wiggins’s artistic approach distinguished itself through a meticulous attention to textural detail—a hallmark of his oeuvre—and an innovative use of tonal modulation that conveyed profound emotional depth. He skillfully blended realistic observation with symbolic iconography, creating canvases imbued with both visual richness and spiritual significance. His technique involved layering thin glazes over prepared surfaces, achieving luminous effects and capturing subtle nuances of light and shadow—methods that reflected the prevailing artistic currents of his time while simultaneously forging a singular aesthetic identity.
      • Glazing Technique: Wiggins’s mastery of glazing—applying translucent layers of pigment—allowed him to build up color gradually, producing velvety surfaces and enhancing visual luminosity.
      • Symbolic Iconography: He incorporated symbolic elements into his compositions, referencing biblical narratives and conveying theological ideas through carefully chosen imagery.

      Major Works & Recognition

      Among Wiggins’s most celebrated paintings are ‘Ezekiel,’ ‘The Supper at Emmaus,’ and ‘Aaron,’ each representing a significant achievement in capturing the dramatic tension and spiritual contemplation inherent in biblical narratives. These works exemplify his stylistic innovations and garnered considerable acclaim from critics and collectors alike. The Smithsonian American Art Museum proudly houses several of Wiggins’s masterpieces, ensuring that his artistic legacy continues to inspire future generations of artists and scholars.

      Legacy & Historical Significance

      John Carleton Wiggins stands as a pivotal figure in the history of American biblical art—a testament to the enduring power of visual storytelling to illuminate spiritual truths. His distinctive style—characterized by meticulous detail, expressive tonal modulation, and skillful blending of realism and symbolism—influenced subsequent artists and solidified his place among the foremost interpreters of Old Testament themes. Wiggins’s unwavering dedication to artistic excellence ensured that his work would resonate across time, securing his enduring contribution to the canon of nineteenth-century art.