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      Daniel Saint, 1778 – 1847

      As 6 pinturas mais famosas de Daniel Saint

      Portrait de Mme Savary, duchesse de Rovigo (1840) é a pintura pela qual Daniel Saint é mais lembrado(a). Portrait of Lodewijk Napoleon Bonaparte (1810) e Portrait of the duchess of berry completam o trio das telas mais amadas. O nosso catálogo conta com 7 obras de Daniel Saint. Aqui estão as 6 mais famosas, com o ano, o museu e a história de cada tela.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Daniel Saint
      Daniel Saint · 1778 – 1847
      Nascimento · falecimento
      1778 – 1847, Saint-Lô
      Obras em nosso catálogo
      7
      As mais famosas
      Portrait de Mme Savary, duchesse de Rovigo (1840)
      Mais obras em
      Nationalmuseum

      As dez pinturas mais amadas de Daniel Saint

      Portrait of Lodewijk Napoleon Bonaparte (1810) de Daniel Saint
      2

      Portrait of Lodewijk Napoleon Bonaparte

      1810 · Wallace Collection, Londres

      Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the likeness of the King of Holland, rendered with the precision required for such a small scale. The figure is presented with a sense of quiet dignity, emerging from a dark, atmospheric background that focuses all attention on the sitter. Every detail of…

      Reprodução em óleo pintada à mão de $178 32 × 32 cm
      Lady with a Greyhound (1842) de Daniel Saint
      6

      Lady with a Greyhound

      1842

      Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early works are soft and vaporous in style, the mature works are more precisely painted with a pure, vibrant palette.Saint’s

      Reprodução em óleo pintada à mão de $178 24 × 41 cm

      Onde as telas de Daniel Saint estão expostas

      Os 3 museus que detêm a maioria das pinturas desta página.

      Museus Cidade Obras de Daniel Saint Pinturas desta lista
      Nationalmuseum, EstocolmoNationalmuseum Estocolmo 2 Unknown Man, Charles X, King of France and Navarre
      Wallace Collection, LondresWallace Collection Londres 1 Portrait of Lodewijk Napoleon Bonaparte
      Château de Chambord, ChambordChâteau de Chambord Chambord 1 Portrait of the duchess of berry

      As telas mais famosas de Daniel Saint, uma após a outra

      33 anos de luz e cor de Daniel Saint, de 1810 a 1842: as telas mais famosas de cada ano, uma após a outra.

      1. 1810
        Portrait of Lodewijk Napoleon Bonaparte (1810) de Daniel Saint
        2 de 6

        Portrait of Lodewijk Napoleon Bonaparte

        Idade: 32 · Wallace Collection

        Portrait of Lodewijk Napoleon Bonaparte emerges from the shadows, a singular presence that commands the eye through the sheer intensity of its subject. This miniature portrait captures the…

      2. 1840
      3. 1842
        Lady with a Greyhound (1842) de Daniel Saint
        Tela 6 de 6

        Lady with a Greyhound

        Idade: 64

        Daniel Saint was a worthy successor to prominent portrait-miniaturist Jean-Baptiste-Jacques Augustin; Saint rose to prominence painting official portraits of Napoleon and members of his court. While his early…

      As telas de Daniel Saint, pergunta por pergunta

      Por qual tela Daniel Saint é mais lembrado(a)?Leia a resposta

      Portrait de Mme Savary, duchesse de Rovigo (1840), seguido por Portrait of Lodewijk Napoleon Bonaparte (1810) e Portrait of the duchess of berry.

      Portrait de Mme Savary, duchesse de Rovigo: que idade tinha Daniel Saint quando foi pintada?Leia a resposta

      Daniel Saint, nascido(a) em 1778, tinha 62 anos: Portrait de Mme Savary, duchesse de Rovigo data de 1840.

      Quantas pinturas Daniel Saint criou?Leia a resposta

      7 obras de Daniel Saint estão em nosso catálogo, datadas de 1810 a 1842.

      Onde estão expostas hoje as telas mais famosas de Daniel Saint?Leia a resposta

      Principalmente em Nationalmuseum (Estocolmo), Wallace Collection (Londres) e Château de Chambord (Chambord); a lista acima indica cada museu e as suas telas.

      Qual tela famosa de Daniel Saint veio primeiro e qual veio por último?Leia a resposta

      A tela mais antiga aqui é de Portrait of Lodewijk Napoleon Bonaparte (1810); a mais recente é de Lady with a Greyhound (1842).

      Quais pinturas de Daniel Saint estão no Nationalmuseum?Leia a resposta

      O Nationalmuseum, Estocolmo detém 2 das obras desta página, entre elas Unknown Man e Charles X, King of France and Navarre.

      Onde posso comprar uma reprodução de uma pintura de Daniel Saint?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Conheça o pintor: Daniel Saint

      The Delicate Touch of Parisian Miniature Painting

      Daniel Saint (French, b.1778, d.1847) stands as a pivotal figure in the history of French miniature painting during the Romantic era. Born in the quiet town of Saint Lô, Normandy, he emerged from humble beginnings to become one of the most celebrated portraitists of his time, lauded for his unparalleled ability to capture emotion and nuance within exquisitely detailed canvases often no larger than six inches square. His distinctive style—characterized by a soft, vaporous technique—established him as an innovator who subtly departed from established conventions, marking a significant shift toward Impressionistic sensibilities long before the movement officially took hold.

      Saint’s formative years were shaped by rigorous academic training under the esteemed Jean-Baptiste Regnault at the École Royale Supérieure des Beaux-Arts in Paris. Studying alongside talented contemporaries such as Augustine Aubry and François Auguste Clément, Saint absorbed the foundational principles of the School of David while simultaneously fostering a unique artistic imagination. This period of mentorship was crucial, as it provided him with the technical discipline required for precision, yet allowed him to explore the psychological depth that would become his hallmark. Interestingly, his early exposure to craftsmanship was likely influenced by his father, a printer, whose profession instilled in Saint a lifelong meticulous attention to detail and an appreciation for visual communication.

      A Revolution of Light and Texture

      What truly set Daniel Saint apart from the masters of his era was his pioneering approach to medium and method. While many of his contemporaries, such as Isabey, relied heavily on traditional glazing methods to achieve depth, Saint embraced a groundbreaking use of hatching. By drawing closely spaced parallel lines to create tonal shading, he achieved remarkable effects of light and shadow that conveyed texture with astonishing subtlety. This technique allowed him to move away from overly polished, porcelain-like surfaces in favor of a matte finish, lending his portraits an ethereal, atmospheric quality that mirrored the Romantic preoccupation with mood and psychological realism.

      As his career progressed, Saint’s work underwent a fascinating evolution. His early compositions were celebrated for their soft, vaporous, and almost dreamlike qualities, capturing the fleeting elegance of the era. However, as he matured, his palette became more pure and vibrant, and his brushwork grew increasingly precise. This transition allowed him to navigate the shifting political landscapes of France with ease, moving from the delicate aesthetics of the late 18th century into a more robust and commanding style that suited the grandeur of the Napoleonic age.

      Legacy and Imperial Recognition

      The historical significance of Daniel Saint is inextricably linked to the heights of French political power. He rose to prominence as a worthy successor to the great portrait-miniaturist Jean-Baptiste-Jacques Augustin, eventually earning the prestigious opportunity to paint official portraits of Napoleon Bonaparte and members of his imperial court. His ability to capture the likenesses of figures such as Empress Josephine and Queen Hortense ensured his place in the annals of French history, as his miniatures served not just as art, but as intimate, portable icons of power and familial connection.

      Beyond the imperial court, Saint's influence extended through his mastery of the miniature format, an art form that demanded extreme technical virtuosity. His works remain a testament to a period where the small-scale canvas could hold the weight of an entire era's emotions. Today, his legacy is preserved in collections worldwide, recognized for:

      • Technical Innovation: The pioneering use of hatching to create depth without traditional glazing.
      • Historical Connection: His role as a primary chronicler of the Bonaparte family and the Napoleonic court.
      • Stylistic Evolution: The transition from soft, vaporous Romanticism to a vibrant, precise maturity.
      • Artistic Mastery: An unparalleled ability to convey psychological depth within extremely small dimensions.
      Through his delicate touch, Daniel Saint transformed the miniature portrait from a mere keepsake into a profound medium of light, shadow, and human soul.