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The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot)
Reprodução em óleo pintada à mão de $178 26 × 39 cm
Daswanth, 1500 – 1584
As 4 pinturas mais famosas de Daswanth, classificadas
A pintura mais amada de Daswanth é The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560), que está exposta no Cleveland Museum of Art, Cleveland. The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) e The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) vêm a seguir entre as telas que os leitores mais conhecem. O nosso catálogo contém 4 obras de Daswanth: aqui estão as 4 mais famosas, cada uma com o seu ano, o seu museu e o que a torna memorável.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.
- Nascimento · falecimento
- 1500 – 1584
- Obras em nosso catálogo
- 4
- As mais famosas
- The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560)
- Mais obras em
- Cleveland Museum of Art
As 10 principais pinturas de Daswanth: as telas que todos conhecem
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The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night
Reprodução em óleo pintada à mão de $328 25 × 39 cm
3
The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night
Reprodução em óleo pintada à mão de $178 26 × 39 cm
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Umar Defeats a Dragon
Reprodução em óleo pintada à mão de $1453 28 × 36 cm
Mesmo tamanho da original $1540 55 × 70 cm Encomendar no tamanho original →
Onde as telas de Daswanth estão expostas
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Daswanth | Pinturas desta lista |
|---|---|---|---|
 Cleveland Museum of Art |
Cleveland | 3 | The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot), The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night, The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night |
 MAK – Museu de Artes Aplicadas |
Viena | 1 | Umar Defeats a Dragon |
As telas mais amadas de Daswanth, ano a ano
Daswanth ao cavalete ao longo de 18 anos, de 1560 a 1577: as telas mais amadas de cada ano, em ordem.
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1560
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1560
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1560
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1577
Tela 4 de 4
Umar Defeats a Dragon
Sobre as telas de Daswanth: suas perguntas respondidas
Qual é a pintura mais conhecida de Daswanth?Leia a resposta
The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560), Cleveland Museum of Art, Cleveland. Seguidos por The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560) e The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night (1560).
Qual era a idade de Daswanth quando The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) foi pintada?Leia a resposta
Daswanth, nascido(a) em 1500, tinha 60 anos: The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) data de 1560.
Quantas obras Daswanth pintou ao todo?Leia a resposta
4 obras de Daswanth estão em nosso catálogo, datadas de 1560 a 1577.
Onde posso ver as telas mais famosas de Daswanth?Leia a resposta
Principalmente em Cleveland Museum of Art (Cleveland) e MAK – Museu de Artes Aplicadas (Viena); a lista acima indica cada museu e as suas telas.
Quando é que Daswanth pintou as suas telas mais amadas?Leia a resposta
Em 1560, que compreende 3 das 4 obras desta página, The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) entre elas.
Quais são as primeiras e as últimas telas famosas de Daswanth?Leia a resposta
A tela mais antiga aqui é de The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot) (1560); a mais recente é de Umar Defeats a Dragon (1577).
Quais telas de Daswanth estão expostas no Cleveland Museum of Art?Leia a resposta
O Cleveland Museum of Art, Cleveland detém 3 das obras desta página, entre elas The Parrot Addresses Khujasta at the Beginning of the Sixth Night, from a Tuti-nama (Tales of a Parrot), The wounded monkey bites the hand of the prince, his chessmate, in the presence of guests, from a Tuti-nama (Tales of a Parrot): Fifth Night e The parrot mother cautions her young on the danger of playing with foxes, from a Tuti-nama (Tales of a Parrot): Fifth Night.
Posso comprar uma reprodução de uma tela de Daswanth?Leia a resposta
Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.
Daswanth: uma vida em pintura
The Creative Spirit of the Mughal Era
Daswanth was a Mughal-era painter serving under the emperor Akbar. Born the son of a palanquin-bearer, he was a Hindu who demonstrated a natural talent for painting and drawing on walls. This talent led him to be taught by the Persian master painter Khwāja 'Abd al-Samad. While 'Abd al-Samad's work was traditional and conservative, Daswanth's own works were noted for being imaginative and original. He was recognized in the Ain-i-Akbari as one of the three most important artists of his period, and the Akbarnama also credited him with great artistic talent.
His artistic style was characterized by a chaotic and creative energy that distinguished him from his contemporaries. His illustrations often appeared otherworldly, sometimes described as scary, with figures that were proportionally inconsistent and weightless. He possessed a unique technique involving the free application of wet pigment and a beautiful understanding of perspective through the use of character size, architectural details, and backgrounds. His work often focused on storytelling, depicting gods, demigods, courtly figures, and warriors, frequently portraying scenes of battle and gory violence.
Masterpieces and Contributions
Daswanth contributed significantly to several major works, including the Hamzanama and the Tarikh e Khandan e Timuriyah. He is also associated with the Razmnama, a Persian translation of the Hindu epic the Mahabharata, where he drew as many as 31 full-page miniatures. His work in this collection included diverse compositions, such as:
- Arjun hitting the target: A scene depicting a crowd of kings and the protagonist Arjuna near a cauldron of hot oil.
- Abhimanyu's Chakravyuha: A unique double-page composition featuring thousands of figures arranged in a maze formation.
His repertoire also included illustrations for the Tūtīnāma, such as The Wounded Monkey Bites the Hand of the Prince. His style occasionally incorporated elements from other traditions, such as Chinese-style clouds or Western techniques and idioms. His life ended in 1584 after he wounded himself with a dagger.