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      Eric Ravilious, 1903 – 1942

      Eric Ravilious: As 9 pinturas mais conhecidas

      De todas as pinturas de Eric Ravilious, Paddle steamer Britannie - Bristol Quay (1938) é a mais famosa. Logo atrás vêm De-Icing Aircraft (1942) e Coastal defences (1940). Entre as 9 obras de Eric Ravilious em nosso catálogo, estas 9 são as mais celebradas, cada uma apresentada com a sua data, o seu museu e a sua história.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Eric Ravilious
      Eric Ravilious · 1903 – 1942
      Nascimento · falecimento
      1903 – 1942, London
      Movimento
      Magic realism
      Obras em nosso catálogo
      9
      As mais famosas
      Paddle steamer Britannie - Bristol Quay (1938)
      Mais obras em
      Imperial War Museums

      As 10 pinturas mais celebradas de Eric Ravilious

      Paddle steamer Britannie - Bristol Quay (1938) de Eric Ravilious
      1

      Paddle steamer Britannie - Bristol Quay

      1938 · Watercolor

      In this watercolor, titled Paddle steamer Britannie - Bristol Quay, we encounter a quiet moment from 1938. The artist, Eric Ravilious, captures the paddle steamer 'Britannia' as it rests docked at Bristol Quay. It is a work that reflects the artist's specific way of seeing the English landscape and its industrial elements during the interwar period.

      Reprodução em óleo pintada à mão de $178 35 × 29 cm
      De-Icing Aircraft (1942) de Eric Ravilious
      2

      De-Icing Aircraft

      1942 · Acrylic On Canvas · Imperial War Museums, Londres

      De-icing Aircraft – A Study in Texture and Isolation Eric Ravilious’s “De-icing Aircraft” (1942) isn't merely a depiction of a snowy airfield; it’s a masterful distillation of the anxieties and aspirations inherent in wartime Britain. Painted during Ravilious’s stint at RAF Clifton near York – a location chosen partly for its stark, wintry landscapes – this watercolour transcends simple observation to become a poignant meditation on resilience and the precarious…

      Reprodução em óleo pintada à mão de $203 37 × 27 cm Mesmo tamanho da original $260 62 × 46 cm Encomendar no tamanho original →
      Coastal defences (1940) de Eric Ravilious
      3

      Coastal defences

      1940 · Watercolor · Te Papa, Wellington

      Eric Ravilious’s Coastal defences, painted in 1940, transports the viewer directly to a moment of profound national tension. This is not merely a depiction of stone and sea; it is an artifact imbued with the palpable anxiety and stoic resilience of Britain during the shadow of invasion. The scene centers on a hillside fortification, its geometry starkly contrasted against the organic sweep of the English landscape. Ravilious masterfully captures the…

      Reprodução em óleo pintada à mão de $178 36 × 28 cm
      RNAS Sick Bay, Dundee (1941) de Eric Ravilious
      8

      RNAS Sick Bay, Dundee

      1941 · Watercolor · Imperial War Museums, Londres

      A Moment Frozen in Time: Ravilious’s Reflection of Resilience Eric William Ravilious (1903-1942), a British painter whose distinctive style blended modernist principles with an unwavering fascination for English landscape and traditional art forms, captured the essence of wartime Britain in “RNAS Sick Bay, Dundee,” completed in 1941. This watercolor isn’t merely a depiction of a hospital room; it's a carefully orchestrated tableau that speaks volumes about hope amidst adversity—a testament…

      Reprodução em óleo pintada à mão de $178 33 × 30 cm Mesmo tamanho da original $227 54 × 48 cm Encomendar no tamanho original →

      Onde as telas de Eric Ravilious estão expostas

      Os 4 museus que detêm a maioria das pinturas desta página.

      Museus Cidade Obras de Eric Ravilious Pinturas desta lista
      Imperial War Museums, LondresImperial War Museums Londres 2 De-Icing Aircraft, RNAS Sick Bay, Dundee
      Te Papa, WellingtonTe Papa Wellington 1 Coastal defences
      Tate Britain, LondresTate Britain Londres 1 Submarines in Dry Dock
      Tate Modern, LondresTate Modern Londres 1 Tiger Moth

      Década a década: a tela mais celebrada de Eric Ravilious

      1. 1920s
      2. 1930s
        Paddle steamer Britannie - Bristol Quay (1938) de Eric Ravilious
        Classificado em 1 de 9

        Paddle steamer Britannie - Bristol Quay

        Idade 27 – 36

        In this watercolor, titled Paddle steamer Britannie - Bristol Quay, we encounter a quiet moment from 1938. The artist, Eric Ravilious, captures the paddle steamer 'Britannia' as it…

      3. 1940s
        De-Icing Aircraft (1942) de Eric Ravilious
        Tela 2 de 9

        De-Icing Aircraft

        Idade 37 – 39 · Imperial War Museums

        De-icing Aircraft – A Study in Texture and Isolation Eric Ravilious’s “De-icing Aircraft” (1942) isn't merely a depiction of a snowy airfield; it’s a masterful distillation of the…

      As suas perguntas sobre as pinturas de Eric Ravilious, respondidas

      Qual é a pintura mais celebrada de Eric Ravilious?Leia a resposta

      Paddle steamer Britannie - Bristol Quay (1938), seguido por De-Icing Aircraft (1942) e Coastal defences (1940).

      Qual era a idade de Eric Ravilious na época de Paddle steamer Britannie - Bristol Quay?Leia a resposta

      Eric Ravilious, nascido(a) em 1903, tinha 35 anos: Paddle steamer Britannie - Bristol Quay data de 1938.

      Quantas pinturas de Eric Ravilious são conhecidas?Leia a resposta

      9 obras de Eric Ravilious estão em nosso catálogo, datadas de 1925 a 1942.

      Em quais museus se encontram as telas mais conhecidas de Eric Ravilious?Leia a resposta

      Principalmente em Imperial War Museums (Londres), Te Papa (Wellington) e Tate Britain (Londres); a lista acima indica cada museu e as suas telas.

      Em que anos Eric Ravilious pintou as suas telas mais célebres?Leia a resposta

      Em 1940s, que compreende 7 das 9 obras desta página, De-Icing Aircraft entre elas.

      Quais são a primeira e a última das telas famosas de Eric Ravilious?Leia a resposta

      A tela mais antiga aqui é de May, woodcut of the Long Man of Wilmington (1925); a mais recente é de De-Icing Aircraft (1942).

      Com o que Eric Ravilious costumava pintar?Leia a resposta

      Watercolor, utilizado em 3 das 9 obras nesta página.

      A qual movimento artístico pertence Eric Ravilious?Leia a resposta

      Magic realism, como mostram as telas nesta página.

      O que posso ver de Eric Ravilious no Imperial War Museums?Leia a resposta

      O Imperial War Museums, Londres detém 2 das obras desta página, entre elas De-Icing Aircraft e RNAS Sick Bay, Dundee.

      Posso encomendar uma cópia pintada à mão de uma obra de Eric Ravilious?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Eric Ravilious: a história do pintor

      A Vision of England: The Life and Art of Eric Ravilious

      Eric Ravilious, born in 1903 in Eastbourne, Sussex, was an artist whose work became inextricably linked with a romanticized yet deeply felt vision of interwar Britain. His life, though tragically cut short, produced a body of paintings, watercolors, wood engravings and designs that continue to resonate today as powerful evocations of landscape, place, and the English temperament. Ravilious wasn’t a product of formal artistic lineage; his early training was at Eastbourne School of Art followed by the Royal College of Art in London, where he studied under Paul Nash and K.R. Henderson. This period proved pivotal, exposing him to both the modernist currents sweeping Europe and the enduring traditions of British landscape painting. However, Ravilious quickly forged his own path, rejecting outright abstraction for a style that was uniquely personal – a blend of meticulous observation, subtle color palettes, and a quiet, almost melancholic lyricism. He wasn’t interested in grand statements or dramatic compositions; instead, he found beauty in the everyday, the overlooked corners of the English countryside, the functional elegance of industrial architecture, and the intimate details of domestic life.

      From Modernism to National Identity

      Ravilious's early work demonstrated a clear engagement with modernist principles, particularly Cubism and Futurism. He experimented with fractured forms and dynamic perspectives, but these explorations were always tempered by his inherent love for representational imagery. A turning point came in the 1930s when he became associated with the Unit One group, alongside artists like Nash, Henry Moore, and Barbara Hepworth. This association further solidified his position within the avant-garde, yet it also prompted a shift towards more explicitly British subject matter. He began to travel extensively throughout England, documenting its landscapes, buildings, and people with an almost archaeological precision. His paintings of chalk hills, coastal towns, and rural interiors are not merely depictions; they are imbued with a sense of history, memory, and the weight of tradition. This period saw him develop his signature style – smooth, precise watercolor washes, often combined with delicate pen and ink detailing. He wasn’t simply painting what he *saw*, but rather what he *felt* about England, its past glories and present anxieties. The looming threat of war subtly permeated his work, adding a layer of poignancy to his idyllic scenes.

      War Artist and Lasting Legacy

      With the outbreak of World War II, Ravilious was commissioned as an official war artist in 1939. Unlike many artists who focused on dramatic battle scenes, Ravilious’s wartime work remained true to his artistic sensibilities. He documented naval operations, aircraft production, and life on military bases with a quiet dignity and understated realism. His paintings of submarines interiors, for example, are remarkable for their claustrophobic intensity and the meticulous rendering of machinery and equipment. However, it was while stationed in Iceland, documenting meteorological work, that tragedy struck. In September 1942, his plane crashed in the North Atlantic, and Ravilious perished at the age of only 39. His death cut short a career that had barely begun to reach its full potential. Despite his premature demise, Ravilious left behind a substantial body of work that has continued to grow in recognition and appreciation since his death.

      Influences and Artistic Techniques

      Ravilious’s artistic influences were diverse, ranging from the early watercolorists like J.M.W. Turner and Samuel Palmer to the modernist painters Paul Nash and Edward Bawde. He admired the precision of Pieter Bruegel the Elder and the Japanese woodblock prints he encountered at the British Museum. However, he synthesized these influences into a style that was uniquely his own. His technique involved a meticulous process of observation, sketching, and watercolor washes. He often worked *en plein air*, capturing the light and atmosphere of a scene before refining it in the studio.
      • Watercolor Mastery: Ravilious’s watercolors are characterized by their smooth, translucent washes and delicate color palettes. He built up layers of color gradually, creating a sense of depth and luminosity.
      • Pen and Ink Detailing: He often combined his watercolors with precise pen and ink detailing, adding texture and definition to his compositions.
      • Wood Engraving: Ravilious was also a skilled wood engraver, producing numerous prints that shared the same aesthetic qualities as his paintings – meticulous observation, subtle color palettes, and a quiet lyricism.
      • Design Work: Beyond painting, Ravilious worked extensively in design, creating ceramics for Wedgwood, wallpaper patterns, and book illustrations. This diverse output demonstrates his versatility and commitment to integrating art into everyday life.

      Historical Significance and Enduring Appeal

      Eric Ravilious’s work occupies a unique place in British art history. He captured the spirit of interwar England at a time of profound social and political change, offering a vision that was both romanticized and deeply realistic. His paintings are not simply nostalgic depictions of a bygone era; they are imbued with a sense of melancholy, anxiety, and the weight of tradition. His work speaks to a longing for stability and continuity in a world increasingly fractured by conflict and uncertainty. In recent years, there has been a renewed appreciation for Ravilious’s art, fueled by a growing interest in British landscape painting and the rediscovery of overlooked artists. His paintings are now widely exhibited and collected, and his designs continue to inspire contemporary artists and designers. He remains a powerful symbol of English identity, reminding us of the beauty and fragility of our cultural heritage. The enduring appeal of Ravilious’s work lies in its quiet intimacy, its meticulous observation, and its profound sense of place – qualities that resonate deeply with audiences today.