Along the River Front, New York (1912) é a pintura pela qual Everett Warner é mais lembrado; pertence ao Toledo Museum of Art, Toledo. O nosso catálogo conta com 5 obras de Everett Warner. Aqui estão as 2 mais famosas, com o ano, o museu e a história de cada tela.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026.
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Everett Warner | Pinturas desta lista |
|---|---|---|---|
| Toledo | 1 | Along the River Front, New York | |
| Nova York | 1 | "Manhattan Contrasts," New York City |
As telas datadas de Everett Warner nesta página abrangem de 1912 a 1917, apenas 6 anos: aqui estão elas, ano após ano.
Along the River Front, New York (1912)
Everett Warner, nascido(a) em 1877, tinha 35 anos: Along the River Front, New York data de 1912.
5 obras de Everett Warner estão em nosso catálogo, datadas de 1912 a 1917.
Principalmente em Toledo Museum of Art (Toledo) e New York Historical Society (Nova York); a lista acima indica cada museu e as suas telas.
A tela mais antiga aqui é de Along the River Front, New York (1912); a mais recente é de "Manhattan Contrasts," New York City (1917).
Born in Vinton, United States, Everett Warner was an American Impressionist painter and printmaker. His early education included studies at the Corcoran Museum and the Washington Art Students League, followed by training at the Art Students League in New York under George Bridgman and Walter Clark. Warner's work gained recognition through selection for prestigious competitions at the Art Institute of Chicago, the Pennsylvania Academy of the Fine Arts, and the National Academy of Design. He also served as an art critic for the Evening Star in Washington, D.C.
Warner's career was marked by significant contributions to maritime history. During World War I, he developed the Warner System, a ship camouflage method designed to break up a vessel's silhouette to make it difficult for enemies to obtain a range. He served as a lieutenant in the US Naval Reserves, managing a design-based subdivision in Washington, D.C. He later returned to serve as Chief Civilian Aid to Commander Charles Bittinger during World War II to assist in the design of ship camouflage.
Beyond his maritime work, Warner explored unique perspectives through aerial painting. Following the end of World War I, he utilized military seaplanes to observe New York City and the Eastern seaboard from above, becoming one of the first artists to sketch and paint from an aerial view. He even experimented with anamorphosis, displaying his large-scale paintings flat on the floor to be viewed from an oblique angle to enhance the sense of depth.
In his later professional life, Warner held a position as an associate professor of painting and design at the Carnegie Institute of Technology in Pittsburgh, Pennsylvania, for eighteen years. After retiring from teaching, he settled in Westmoreland, New Hampshire. He eventually transitioned from painting to writing articles for publication before his death in 1963.