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      Frederic Yates, 1854 – 1919

      As 16 pinturas mais famosas de Frederic Yates, classificadas

      A pintura mais amada de Frederic Yates é Charlotte Mason (1842–1923) (1902). Path on Nab Scar (1900) e At Dent, August 1904 (1904) vêm a seguir entre as telas que os leitores mais conhecem. O nosso catálogo contém 16 obras de Frederic Yates: aqui estão as 16 mais famosas, cada uma com o seu ano, o seu museu e o que a torna memorável.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Frederic Yates
      Frederic Yates · 1854 – 1919
      Nascimento · falecimento
      1854 – 1919, Southampton
      Obras em nosso catálogo
      16
      As mais famosas
      Charlotte Mason (1842–1923) (1902)
      Mais obras em
      Abbot Hall Art Gallery

      As 10 principais pinturas de Frederic Yates: as telas que todos conhecem

      Charlotte Mason (1842–1923) (1902) de Frederic Yates
      1

      Charlotte Mason (1842–1923)

      1902 · Oil On Canvas

      The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a gesture of deep reflection. She wears a dark, somber dress and a scarf that wraps around her neck, grounding her presence against the warmth of the red table before her. Nearby, a book rests, its presence suggesting the source of her meditation…

      Reprodução em óleo pintada à mão de $178 27 × 37 cm Mesmo tamanho da original $211 40 × 52 cm Encomendar no tamanho original →

      Mais telas de Frederic Yates, de 11 a 16

      Onde as telas de Frederic Yates estão expostas

      Os 5 museus que detêm a maioria das pinturas desta página.

      Museus Cidade Obras de Frederic Yates Pinturas desta lista
      Abbot Hall Art Gallery, KendalAbbot Hall Art Gallery Kendal 5 Path on Nab Scar, Rydal Valley, View near Rydal
      Kendal Town Hall, KendalKendal Town Hall Kendal 3 Frederick Punchard, John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905), William Dilworth Crewdson (c.1838–1908), High Sheriff of Westmorland (1888) and Chairman of Westmorland County Council (1906–1907)
      Cumbria Archive And Local Studies Centre, Barrow-in-FurnessCumbria Archive And Local Studies Centre Barrow-in-Furness 1 At Dent, August 1904
      University of Birmingham, BirminghamUniversity of Birmingham Birmingham 1 Ernest de Sélincourt (1870–1943), Professor of English
      Laing Art Gallery, Newcastle upon TyneLaing Art Gallery Newcastle upon Tyne 1 Japanese Shrine

      As telas mais amadas de Frederic Yates, ano a ano

      15 anos diante do cavalete, de 1900 a 1914: as telas mais amadas de Frederic Yates, ano após ano.

      1. 1900
      2. 1901
        Girl with a Pigeon (1901) de Frederic Yates
        16 de 16

        Girl with a Pigeon

        Idade: 47 · Abbot Hall Art Gallery

        The painting "Girl with a Pigeon" by Frederic Yates is a stunning example of early 20th-century art. Created in 1901, this oil on canvas piece measures 32 x…

      3. 1902
        Charlotte Mason (1842–1923) (1902) de Frederic Yates
        Tela 1 de 16

        Charlotte Mason (1842–1923)

        Idade: 48

        The room holds a stillness that feels heavy with thought. A woman sits, her gray hair catching the light, her hands pressed gently against her chin in a…

      4. 1904
      5. 1904
      6. 1907
      7. 1914

      Sobre as telas de Frederic Yates: suas perguntas respondidas

      Qual é a pintura mais conhecida de Frederic Yates?Leia a resposta

      Charlotte Mason (1842–1923) (1902), seguido por Path on Nab Scar (1900) e At Dent, August 1904 (1904).

      Qual era a idade de Frederic Yates quando Charlotte Mason (1842–1923) foi pintada?Leia a resposta

      Frederic Yates, nascido(a) em 1854, tinha 48 anos: Charlotte Mason (1842–1923) data de 1902.

      Quais são as 10 pinturas mais famosas de Frederic Yates?Leia a resposta

      Charlotte Mason (1842–1923), Path on Nab Scar, At Dent, August 1904, John Henry Bridges (1832–1906), Ernest de Sélincourt (1870–1943), Professor of English, Rydal Water, Rydal Valley, View near Rydal, Frederick Punchard e John Holme (1830–1905), Chairman of the Board of Guardians (1851–1905). Cada tela no ranking acima inclui o seu ano e o seu museu.

      Quantas obras Frederic Yates pintou ao todo?Leia a resposta

      16 obras de Frederic Yates estão em nosso catálogo, datadas de 1900 a 1914.

      Onde posso ver as telas mais famosas de Frederic Yates?Leia a resposta

      Principalmente em Abbot Hall Art Gallery (Kendal), Kendal Town Hall (Kendal) e Cumbria Archive And Local Studies Centre (Barrow-in-Furness); a lista acima indica cada museu e as suas telas.

      Quando é que Frederic Yates pintou as suas telas mais amadas?Leia a resposta

      Em 1904, que compreende 2 das 16 obras desta página, At Dent, August 1904 entre elas.

      Quais são as primeiras e as últimas telas famosas de Frederic Yates?Leia a resposta

      A tela mais antiga aqui é de Path on Nab Scar (1900); a mais recente é de Rydal Water (1914).

      Quais telas de Frederic Yates estão expostas no Abbot Hall Art Gallery?Leia a resposta

      O Abbot Hall Art Gallery, Kendal detém 5 das obras desta página, entre elas Path on Nab Scar, Rydal Valley e View near Rydal.

      Posso comprar uma reprodução de uma tela de Frederic Yates?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Frederic Yates: uma vida em pintura

      A Life Painted in Light: The Story of Frederic Yates

      Frederic Yates, born Frederick Keeping in 1854 and passing in 1919, remains a compelling figure within the landscape tradition of Victorian Britain. Though perhaps not a household name today, his evocative paintings – often signed simply as “F. Yates” – capture a particular mood of romantic contemplation that resonates deeply with viewers even now. His life story is one woven into the fabric of artistic shifts and societal changes, a journey from early promise to a dedicated practice focused on capturing the beauty of the English countryside and the dignity of portraiture. While biographical details are somewhat scarce, piecing together his exhibition history and stylistic development reveals an artist deeply attuned to both the technical demands of his craft and the emotional power of light and atmosphere.

      Early Years and Artistic Training

      The early life of Frederick Keeping is shrouded in some mystery. Records suggest a formal artistic education, though the specifics remain elusive. It’s believed he studied at the prestigious South Kensington Art Schools – later to become the Royal College of Art – during a period when academic realism was dominant. This foundation undoubtedly instilled in him a mastery of technique and an understanding of composition. However, Yates quickly moved beyond strict imitation, developing a style that embraced a more subjective interpretation of nature. The adoption of “Frederic Yates” as his professional name suggests a deliberate forging of a new artistic identity, perhaps distancing himself from the constraints of earlier training or seeking to establish a unique presence in the crowded art market. His early works demonstrate a clear influence of the Barbizon school and artists like John Constable, evident in their naturalistic depictions of rural scenes and subtle handling of light.

      The Alluring Landscapes: A Romantic Vision

      Yates’s most celebrated work centers around his landscapes. These are not merely topographical representations; they are imbued with a sense of quiet drama and emotional depth. He favored idyllic settings – rolling hills, tranquil woodlands, shimmering rivers – often bathed in the soft glow of dawn or dusk. His paintings evoke a feeling of nostalgia for a vanishing rural England, a sentiment that resonated strongly with Victorian audiences undergoing rapid industrialization. Yates’s technique is characterized by delicate brushwork and a masterful use of color to create atmospheric effects. He wasn't interested in grand, sweeping vistas but rather in intimate scenes that invited contemplation. The influence of the Pre-Raphaelites can be seen in his attention to detail and his desire to capture the beauty of the natural world with almost photographic accuracy, yet he infused these details with a romantic sensibility. He skillfully balanced realism with an emotional response to the landscape, creating works that are both visually stunning and deeply moving.

      Portraiture: Capturing Character and Dignity

      Alongside his landscapes, Yates also produced a significant body of portrait work. These portraits, often depicting members of the middle class, reveal a sensitivity to character and an ability to capture the inner life of his sitters. Unlike the flamboyant poses and elaborate costumes favored by some Victorian portraitists, Yates’s portraits are characterized by their simplicity and directness. He focused on conveying the personality and dignity of his subjects through subtle nuances of expression and gesture.
      • His use of light is particularly effective in portraiture,
      • softening features and creating a sense of intimacy.
      • He often employed a muted color palette,
      • allowing the sitter’s character to take center stage.

      Legacy and Historical Significance

      While Frederic Yates may not be as widely recognized as some of his contemporaries, his work offers a valuable insight into the artistic sensibilities of Victorian Britain. His landscapes represent a continuation of the romantic tradition, while his portraits reflect a growing interest in psychological realism. He successfully navigated the demands of the art market, producing works that were both commercially viable and artistically satisfying. Today, his paintings are increasingly sought after by collectors who appreciate their quiet beauty and emotional depth. Yates’s legacy lies not in groundbreaking innovation but in his ability to capture a particular moment in time – a fleeting glimpse of rural England and the enduring dignity of the human spirit. His work serves as a reminder of the power of art to evoke emotion, preserve memory, and connect us to the past.