A pintura mais amada de Gustaf Söderberg é The Grotto of Posillipo, Naples (1820), que está exposta no Metropolitan Museum of Art, Nova York. View over the Tiber to the Aventine, Rome (1820) e A Temple in Agrigento, Sicily vêm a seguir entre as telas que os leitores mais conhecem. O nosso catálogo contém 5 obras de Gustaf Söderberg: aqui estão as 5 mais famosas, cada uma com o seu ano, o seu museu e o que a torna memorável.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.
The Grotto of Posillipo, Naples is an oil study by the Swedish artist Gustaf Söderberg, executed in 1820. This work captures a specific geological and historical site located in southern Italy. The subject is a nearly half-mile-long tunnel carved through the rocky promontory that separates the city of Naples from the town of Posillipo. This passage dates back to the first century.
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Gustaf Söderberg | Pinturas desta lista |
|---|---|---|---|
 Nationalmuseum |
Estocolmo | 4 | View over the Tiber to the Aventine, Rome, A Temple in Agrigento, Sicily, Vesuvius Seen from St January Bridge, Naples |
 Metropolitan Museum of Art |
Nova York | 1 | The Grotto of Posillipo, Naples |
Cada tela datada de Gustaf Söderberg nesta página foi pintada em 1820; aqui estão elas, começando pelas mais famosas.
The Grotto of Posillipo, Naples is an oil study by the Swedish artist Gustaf Söderberg, executed in 1820. This work captures a specific geological and historical site located…
The Grotto of Posillipo, Naples (1820), Metropolitan Museum of Art, Nova York. Seguidos por View over the Tiber to the Aventine, Rome (1820) e A Temple in Agrigento, Sicily.
Gustaf Söderberg, nascido(a) em 1799, tinha 21 anos: The Grotto of Posillipo, Naples data de 1820.
5 obras de Gustaf Söderberg estão em nosso catálogo.
Principalmente em Nationalmuseum (Estocolmo) e Metropolitan Museum of Art (Nova York); a lista acima indica cada museu e as suas telas.
Em 1820, que compreende 2 das 5 obras desta página, The Grotto of Posillipo, Naples entre elas.
O Nationalmuseum, Estocolmo detém 4 das obras desta página, entre elas View over the Tiber to the Aventine, Rome, A Temple in Agrigento, Sicily e Vesuvius Seen from St January Bridge, Naples.
Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.
Gustaf Söderberg lived a life defined by the dualities of Swedish military discipline and the quiet observation of the natural world. Born in Norrköping, Östergötland, he was the son of a clothing manufacturer, Johan Söderberg, and Agnes Arosenius. While his career path led him through the ranks of the military, his eyes remained fixed on the landscapes of Europe. He trained as a military draftsman, a skill that provided a precise foundation for his later explorations in light and atmosphere.
His professional trajectory was marked by steady advancement. He served as an Adjutant at the Expeditionary General for the Army in Stockholm and eventually attained the rank of Colonel. In 1827, he held the position of ordination officer to the Crown Prince, and by 1833, he had become Adjutant to the Crown Prince himself. Even amidst these official duties, his artistic inclinations found expression through lithographic work, specifically in creating posters for Swedish and Norwegian military uniforms completed in 1828.
Söderberg holds a specific place in Swedish art history as the first painter from his nation to embrace plein-air painting. This shift toward painting outdoors was not an isolated impulse but a learned technique. He studied under the French landscapist Achille-Etna Michallon, whose influence helped him move beyond the rigid confines of studio work. His travels provided the necessary canvas for this new approach.
In 1819, he traveled to Italy, and by 1820, his sketches began to capture the specific geometries of foreign locales. During a journey through southern Italy and Sicily, he produced studies such as The Grotto of Posillipo, Naples. His time in Rome also yielded works like Houses, Rome, where he utilized an extraordinary disparity of scale to depict architectural fragments against the sky. These early excursions were followed by time spent in Paris in 1821 and a painting tour through Norway in 1824.
The later decades of Söderberg's life saw him moving through the various stages of European travel while maintaining his military obligations. He participated regularly in the Academy of Fine Arts exhibitions from 1822 onwards, bringing his observations to a wider audience. After retiring from military service in 1864, he spent his remaining years traveling across the continent.
He passed away in Stockholm in 1875. His legacy is found not in grand historical narratives, but in the meticulous oil studies on paper that remain in collections such as The Metropolitan Museum of Art. These works preserve a specific moment of transition in Swedish art, capturing the light of Naples and the structures of Rome through the lens of a man who understood both the precision of a soldier and the sensitivity of a draftsman.
