A pintura mais amada de Henrik Plötz é Charles Bonnet, Swizz Naturalist and Philosopher (1785), que está exposta no Nationalmuseum, Estocolmo. Portrait of Prince Willem George Frederik (1795) e Portrait of a woman (1800) vêm a seguir entre as telas que os leitores mais conhecem. O nosso catálogo contém 4 obras de Henrik Plötz: aqui estão as 4 mais famosas, cada uma com o seu ano, o seu museu e o que a torna memorável.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.
Os 2 museus que detêm a maioria das pinturas desta página.
| Museus | Cidade | Obras de Henrik Plötz | Pinturas desta lista |
|---|---|---|---|
| Estocolmo | 2 | Charles Bonnet, Swizz Naturalist and Philosopher, King Khristian VII of Denmark and Norway | |
| Amsterdã | 2 | Portrait of Prince Willem George Frederik, Portrait of a woman |
Charles Bonnet, Swizz Naturalist and Philosopher (1785), Nationalmuseum, Estocolmo. Seguidos por Portrait of Prince Willem George Frederik (1795) e Portrait of a woman (1800).
Henrik Plötz, nascido(a) em 1747, tinha 38 anos: Charles Bonnet, Swizz Naturalist and Philosopher data de 1785.
4 obras de Henrik Plötz estão em nosso catálogo, datadas de 1785 a 1800.
Principalmente em Nationalmuseum (Estocolmo) e Rijksmuseum (Amsterdã); a lista acima indica cada museu e as suas telas.
A tela mais antiga aqui é de Charles Bonnet, Swizz Naturalist and Philosopher (1785); a mais recente é de Portrait of a woman (1800).
O Nationalmuseum, Estocolmo detém 2 das obras desta página, entre elas Charles Bonnet, Swizz Naturalist and Philosopher e King Khristian VII of Denmark and Norway.
Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.
Henrik Plötz was a multifaceted German artist and inventor born in Pinneberg. His diverse talents spanned several disciplines, as he was a painter, flautist, and miniaturist. His early life was marked by significant transitions; after losing his parents at a young age, he was raised by the Danish General Caesar Lüttichau, who ensured he received flute lessons in Fredericia. By 1768, he secured a position in the Royal Chapel in Copenhagen. However, his musical career was altered after a journey to Switzerland, where an illness prevented him from playing the flute further.
Following this, Plötz turned his focus toward visual arts and mechanics. He studied under an enamel painter and later with the mechanician P. J. Droz. His intellectual pursuits led him to Genthod, where he worked with the naturalist Charles Bonnet, creating plates of insects and plants and assisting with botanical and mechanical experiments.
Plötz was a man of profound technical curiosity, known for inventing precision instruments. He developed a physionotrace and a pantograph to create profile portraits with mechanical accuracy. His inventive spirit continued in Naples and later in Berlin, where he shared an atelier with Christian Hornemann. In 1799, he moved to Copenhagen to serve as a court mechanician under Christian Günther von Bernstorff. During his time in Copenhagen, he invented various devices, including a stamping machine designed to produce non-copyable banknotes.
His artistic output was notable for its dedication to the European tradition of miniature painting. His legacy also extended through his family, as his son, Carl Ludwig, followed in his footsteps as a miniature painter.