Bush landscape with rocks (1952) é a pintura pela qual Jean Appleton é mais lembrado; pertence ao Art Gallery of New South Wales, Sydney. Landscape e Red house, Cowan (1945) completam o trio das telas mais amadas. O nosso catálogo conta com 7 obras de Jean Appleton. Aqui estão as 6 mais famosas, com o ano, o museu e a história de cada tela.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026.
O museu que detém a maioria das pinturas desta página.
| Museus | Cidade | Obras de Jean Appleton | Pinturas desta lista |
|---|---|---|---|
| Sydney | 6 | Bush landscape with rocks, Landscape, Red house, Cowan |
Cerca de uma década diante do cavalete, de 1945 a 1953: as telas datadas de Jean Appleton, ano após ano.
Bush landscape with rocks (1952), Art Gallery of New South Wales, Sydney. Seguidos por Landscape e Red house, Cowan (1945).
Jean Appleton, nascido(a) em 1911, tinha 41 anos: Bush landscape with rocks data de 1952.
7 obras de Jean Appleton estão em nosso catálogo, datadas de 1945 a 1953.
Principalmente em Art Gallery of New South Wales (Sydney); a lista acima indica cada museu e as suas telas.
A tela mais antiga aqui é de Red house, Cowan (1945); a mais recente é de Hillside (1953).
O Art Gallery of New South Wales, Sydney detém 6 das obras desta página, entre elas Bush landscape with rocks, Landscape e Red house, Cowan.
Born in the Sydney suburb of Ashfield, Jean Appleton was a painter, art teacher, and printmaker who demonstrated a lifelong passion for the arts. After earning an intermediate certificate in arts in 1928, she enrolled in a five-year diploma course in drawing and illustration at the East Sydney Technical College. Her formal education continued in England at the Westminster School of Art, where she studied under Bernard Meninsky and Mark Gertler. During her time in London, she produced Australia's two earliest cubist paintings, titled Still Life 1937 and Painting IX 1937.
Appleton's technical repertoire was diverse, as she worked with a variety of media including:
Throughout her career, Appleton's work evolved from the rounded geometric forms she learned in London toward an increasingly decorative and schematic cubist style characterized by a lighter colour scheme. She often found inspiration in subjects such as bottles, describing painting as a "love affair." Her professional achievements were marked by several prestigious accolades, including:
In addition to her painting, she became interested in printmaking, which she practiced until 1980. Her life and work were celebrated through various solo exhibitions and a retrospective held at the Campbelltown City Bicentennial Art Gallery.