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      John Boultbee, 1753 – 1812

      As 21 pinturas mais famosas de John Boultbee

      A Bay Horse in a Field (1778) é a pintura pela qual John Boultbee é mais lembrado; pertence ao Yale Center for British Art, New Haven. Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) e 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) completam o trio das telas mais amadas. O nosso catálogo conta com 24 obras de John Boultbee. Aqui estão as 21 mais famosas, com o ano, o museu e a história de cada tela.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de John Boultbee
      John Boultbee · 1753 – 1812
      Nascimento · falecimento
      1753 – 1812, Derby
      Obras em nosso catálogo
      24
      As mais famosas
      A Bay Horse in a Field (1778)
      Mais obras em
      National Trust

      As dez pinturas mais amadas de John Boultbee

      A Bay Horse in a Field (1778) de John Boultbee
      1

      A Bay Horse in a Field

      1778 · Oil On Canvas · Yale Center for British Art, New Haven

      A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held within the Paul Mellon Collection. The subject is a single bay horse situated within a pastoral landscape.

      Reprodução em óleo pintada à mão de $178 40 × 25 cm Mesmo tamanho da original $359 104 × 67 cm Encomendar no tamanho original →
      Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) de John Boultbee
      2

      Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons

      1780 · Oil On Canvas

      In this 1780 oil portrait, we find Thomas Boothby Parkyns, depicted during his tenure as a cornet in the 15th Regiment of (Light) Dragoons. He sits poised atop a sturdy brown horse, his figure draped in the distinctive red uniform of his regiment. There is a quiet authority in his posture, a sense of a man accustomed to the saddle and the responsibilities of his rank. He holds a sword,…

      Reprodução em óleo pintada à mão de $178 35 × 28 cm Mesmo tamanho da original $563 132 × 104 cm Encomendar no tamanho original →
      'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792) de John Boultbee
      3

      'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction

      1792 · Oil · Shugborough Hall, Stoke-on-Trent

      In "'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction" by John Boultbee, a single cow commands the center of a quiet pastoral landscape. The animal rests horizontally across the middle ground, its body turned toward the left as if pausing mid-stride. The composition focuses entirely on this central figure, using the animal's presence to anchor the surrounding scenery. Organic shapes define the scene, from…

      Reprodução em óleo pintada à mão de $178 36 × 28 cm Mesmo tamanho da original $352 93 × 72 cm Encomendar no tamanho original →
      A Grey Arab Stallion in a Desert Landscape (1790) de John Boultbee
      4

      A Grey Arab Stallion in a Desert Landscape

      1790 · Oil On Canvas · Yale Center for British Art, New Haven

      A Grey Arab Stallion in a Desert Landscape by John Boultbee presents a single white Arabian stallion moving through a desert terrain. The horse occupies the lower left to center foreground, its form set against a rugged, dark brown rocky outcrop that rises on the left side of the composition. Two slender palm trees provide verticality to the scene, breaking the horizontal expanse of the landscape. The background consists of…

      Reprodução em óleo pintada à mão de $178 36 × 28 cm Mesmo tamanho da original $336 90 × 69 cm Encomendar no tamanho original →
      Robert Bakewell (1791) de John Boultbee
      5

      Robert Bakewell

      1791 · Oil On Canvas · National Portrait Gallery, Londres

      In this oil painting on canvas, John Boultbee presents us with Robert Bakewell. Created about 1791, the work captures a quiet moment of authority within a pastoral setting. The subject is depicted seated atop a majestic brown horse, his presence commanding yet calm. He is dressed in a brown coat and a black hat, looking directly toward the viewer. This steady gaze establishes an immediate connection, inviting a sense of…

      Reprodução em óleo pintada à mão de $178 36 × 28 cm Mesmo tamanho da original $344 91 × 71 cm Encomendar no tamanho original →
      Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794 (1803) de John Boultbee
      6

      Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794

      1803 · Oil · Sherwood Rangers Yeomanry Museum, Nottingham

      A man in a red uniform sits atop a white horse in this 1803 oil painting. He holds the reins with one hand, maintaining a steady posture while mounted. The horse is positioned centrally, its white coat contrasting against the darker elements of the composition. To the left, a tree rises from the ground, its branches extending into the frame. Two birds are visible within the scene: one occupies the…

      Reprodução em óleo pintada à mão de $178 35 × 29 cm Mesmo tamanho da original $238 59 × 50 cm Encomendar no tamanho original →
      An Oak Tree struck by Lightning in Dunham Park (1808) de John Boultbee
      7

      An Oak Tree struck by Lightning in Dunham Park

      1808 · Oil On Canvas · Dunham Massey Hall

      In this work, An Oak Tree struck by Lightning in Dunham Park, John Boultbee captures a moment of profound natural disruption. Painted about 1808, the scene focuses on the aftermath of a violent atmospheric event within the confines of Dunham Park. The central subject is a singular oak tree, its trunk split and shattered by the force of a lightning strike. This sudden fracture creates a stark, pale focal point…

      Reprodução em óleo pintada à mão de $178 33 × 30 cm Mesmo tamanho da original $289 76 × 61 cm Encomendar no tamanho original →
      A Bay Hunter Named 'Sir Oliver' (1808) de John Boultbee
      8

      A Bay Hunter Named 'Sir Oliver'

      1808 · Oil On Canvas · National Trust, Altrincham

      A Bay Hunter Named 'Sir Oliver' is an equestrian study by the English painter John Boultbee. Created about 1808, the work belongs to a period when Boultbee was establishing his reputation for capturing the specific anatomy and movement of horses. The piece focuses on a single subject, prioritizing the physical presence of the animal within its natural environment.

      Reprodução em óleo pintada à mão de $178 34 × 30 cm Mesmo tamanho da original $533 126 × 101 cm Encomendar no tamanho original →
      An Oak Tree struck by Lightning in Dunham Park (1808) de John Boultbee
      9

      An Oak Tree struck by Lightning in Dunham Park

      1808 · Oil · National Trust, Altrincham

      A singular oak tree dominates the composition, its skeletal branches stripped of foliage by a sudden celestial strike. The wood appears charred and lifeless, a stark silhouette against the surrounding forest. Nearby, the sheer force of the lightning has toppled other trees, leaving them sprawled across a floor of dirt and grass. This scene captures a moment of profound disruption within the quietude of Dunham Park.

      Reprodução em óleo pintada à mão de $178 35 × 29 cm Mesmo tamanho da original $289 76 × 61 cm Encomendar no tamanho original →

      John Boultbee: telas de 11 a 21 do ranking

      As telas de John Boultbee, período por período

      O que John Boultbee mais pintou

      Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.

      Onde as telas de John Boultbee estão expostas

      Os 8 museus que detêm a maioria das pinturas desta página.

      Museus Cidade Obras de John Boultbee Pinturas desta lista
      National Trust, MilfordNational Trust Milford 4 'Garrick' A Bullock, 'Garrick's Sister' A Cow, 'Broken Horned Beauty' A Cow
      Yale Center for British Art, New HavenYale Center for British Art New Haven 2 A Bay Horse in a Field, A Grey Arab Stallion in a Desert Landscape
      Shugborough Hall, Stoke-on-TrentShugborough Hall Stoke-on-Trent 2 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, 'Garrick' A Bullock
      National Trust, AltrinchamNational Trust Altrincham 2 A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park
      National Trust, StockportNational Trust Stockport 2 A Chestnut Horse in a Stable, A Horse and Groom outside a Porch
      National Portrait Gallery, LondresNational Portrait Gallery Londres 1 Robert Bakewell
      Sherwood Rangers Yeomanry Museum, NottinghamSherwood Rangers Yeomanry Museum Nottingham 1 Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794
      Dunham Massey HallDunham Massey Hall 1 An Oak Tree struck by Lightning in Dunham Park

      A tela mais famosa de John Boultbee, década após década

      1. 1770s
        A Bay Horse in a Field (1778) de John Boultbee
        Tela 1 de 21

        A Bay Horse in a Field

        Idade 17 – 26 · Yale Center for British Art

        A Bay Horse in a Field is an oil on canvas painting by the artist John Boultbee. This work dates to about 1778. The piece is currently held…

      2. 1780s
      3. 1790s
      4. 1800s

      As telas de John Boultbee, pergunta por pergunta

      Por qual tela John Boultbee é mais lembrado(a)?Leia a resposta

      A Bay Horse in a Field (1778), Yale Center for British Art, New Haven. Seguidos por Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons (1780) e 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction (1792).

      A Bay Horse in a Field: que idade tinha John Boultbee quando foi pintada?Leia a resposta

      John Boultbee, nascido(a) em 1753, tinha 25 anos: A Bay Horse in a Field data de 1778.

      Quais são as dez telas mais famosas de John Boultbee?Leia a resposta

      A Bay Horse in a Field, Cornet Thomas Boothby Parkyns (1755–1800), 15th (or the King’s) Regiment of (Light) Dragoons, 'Brindled Beauty', Sire Shakespeare Dam Long-horned Beauty sold for 260 Guineas at public auction, A Grey Arab Stallion in a Desert Landscape, Robert Bakewell, Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794, An Oak Tree struck by Lightning in Dunham Park, A Bay Hunter Named 'Sir Oliver', An Oak Tree struck by Lightning in Dunham Park e 'Garrick' A Bullock. Cada tela no ranking acima inclui o seu ano e o seu museu.

      Quantas pinturas John Boultbee criou?Leia a resposta

      24 obras de John Boultbee estão em nosso catálogo, datadas de 1778 a 1808.

      Onde estão expostas hoje as telas mais famosas de John Boultbee?Leia a resposta

      Principalmente em National Trust (Milford), Yale Center for British Art (New Haven) e Shugborough Hall (Stoke-on-Trent); a lista acima indica cada museu e as suas telas.

      Quando é que John Boultbee pintou as suas telas mais famosas?Leia a resposta

      Em 1800s, que compreende 4 das 21 obras desta página, Captain Ichabod Wright of Mapperley (1767–1862), Formed the First Nottingham Troop in 1794 entre elas.

      Qual tela famosa de John Boultbee veio primeiro e qual veio por último?Leia a resposta

      A tela mais antiga aqui é de A Bay Horse in a Field (1778); a mais recente é de An Oak Tree struck by Lightning in Dunham Park (1808).

      Quais temas John Boultbee mais pintou?Leia a resposta

      Horse (4), Grass (4) e Sky (3), entre as 21 obras nesta página.

      Qual técnica é mais presente nas pinturas de John Boultbee?Leia a resposta

      Oil On Canvas, utilizado em 6 das 21 obras nesta página.

      Quais pinturas de John Boultbee estão no National Trust?Leia a resposta

      O National Trust, Milford detém 4 das obras desta página, entre elas 'Garrick' A Bullock, 'Garrick's Sister' A Cow e 'Broken Horned Beauty' A Cow.

      Onde posso comprar uma reprodução de uma pintura de John Boultbee?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Conheça o pintor: John Boultbee

      John Boultbee: A Painter of Horses and British Life

      John Boultbee (1753-1812) emerges from the annals of 18th and early 19th-century England as a remarkably versatile artist, primarily celebrated for his captivating equestrian paintings and evocative depictions of rural life. Born in Osgathorpe, Leicestershire, into a family with artistic leanings – his twin brother Thomas also pursued painting – Boultbee’s career unfolded against the backdrop of a rapidly changing Britain, marked by burgeoning commerce, evolving social structures, and a growing appreciation for landscape and sporting subjects. While often overshadowed by more prominent figures of the era, Boultbee's work offers a valuable window into the tastes, customs, and artistic sensibilities of his time.

      Early influences undoubtedly stemmed from Sir Joshua Reynolds, whose presidency at the Royal Academy Schools in 1775 provided Boultbee with crucial training. The Academy’s emphasis on classical principles and naturalism shaped his initial style, evident in his early landscape paintings exhibited in 1776. However, Boultbee quickly developed a distinctive approach, particularly when it came to portraying horses – an obsession that would define much of his oeuvre. His fascination with these magnificent animals wasn't merely aesthetic; it reflected the growing importance of equestrian pursuits within British society, from hunting and racing to military displays. The influence of George Stubbs, a pioneering animal painter known for his anatomical accuracy and dynamic compositions, is readily apparent in Boultbee’s later works.

      A Royal Patronage and Sporting Subjects

      Boultbee's fortunes shifted dramatically with the patronage of King George III. Recognizing the artist’s skill in capturing the grace and power of horses, the monarch commissioned a series of portraits, solidifying Boultbee’s position within the highest echelons of British society. This royal favor afforded him a residence in Windsor Great Park, providing invaluable access to royal stables and allowing him to observe and paint these magnificent animals firsthand. The resulting paintings – often lavishly detailed and imbued with a sense of grandeur – became symbols of royal power and prestige.

      Beyond the royal commissions, Boultbee’s artistic interests extended to depicting rural landscapes and sporting scenes. He frequently portrayed hunts, races, and other equestrian events, capturing the energy and excitement of these pursuits. His paintings offer a glimpse into the lives of the landed gentry, showcasing their leisure activities and reflecting the prevailing social values of the time. His depictions of cattle, particularly those commissioned for the Duke of Bedford, demonstrate an understanding of livestock breeds and agricultural practices – a testament to his keen observational skills.

      Technique and Style

      Boultbee’s artistic style is characterized by a remarkable blend of technical skill and expressive flair. He possessed a deep knowledge of equine anatomy, meticulously rendering the musculature and movement of horses with impressive accuracy. His compositions are often dynamic and engaging, utilizing light and shadow to create a sense of depth and drama. While influenced by classical principles, Boultbee’s work is not overly formal or rigid; rather, it possesses a certain spontaneity and vitality.

      His use of color is particularly noteworthy. He favored warm, earthy tones – browns, ochres, and greens – to evoke the natural beauty of the landscapes he depicted. He also employed subtle gradations of light and shadow to create a sense of atmosphere and mood. His later works often exhibit a delicate pinkish hue, possibly influenced by the prevailing fashion for pastel shades.

      Legacy and Significance

      Despite not achieving widespread fame during his lifetime, John Boultbee’s work has since been recognized as an important contribution to British art history. His equestrian paintings are particularly valued for their technical skill, expressive quality, and historical significance. They offer a unique perspective on the social and cultural landscape of 18th-century Britain, reflecting the importance of horses in both military and sporting contexts.

      Today, Boultbee’s paintings can be found in major museums and private collections throughout the United Kingdom. His legacy endures as a testament to his artistic talent and his ability to capture the spirit of his time. The Durham Ox, commissioned by John Day, remains an iconic image of British rural life, embodying the artist's skill and the enduring fascination with horses within British culture.