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      John Mare, 1739 – 1803

      As 3 pinturas mais famosas de John Mare

      Dr. Benjamin Youngs Prime (1733-1791) (1774) é a pintura pela qual John Mare é mais lembrado; pertence ao New York Historical Society, Nova York. John Keteltas (1739-1766) (1767) e Jeremiah Platt (1767) completam o trio das telas mais amadas. O nosso catálogo conta com 3 obras de John Mare. Aqui estão as 3 mais famosas, com o ano, o museu e a história de cada tela.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de John Mare
      John Mare · 1739 – 1803
      Nascimento · falecimento
      1739 – 1803, New York City
      Obras em nosso catálogo
      3
      As mais famosas
      Dr. Benjamin Youngs Prime (1733-1791) (1774)
      Mais obras em
      New York Historical Society

      As dez pinturas mais amadas de John Mare

      Dr. Benjamin Youngs Prime (1733-1791) (1774) de John Mare
      1

      Dr. Benjamin Youngs Prime (1733-1791)

      1774 · Oil · New York Historical Society, Nova York

      The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light, creating a sharp contrast against the deep, somber tones of his dark coat. The light strikes one side of his features, leaving the other in a soft, heavy shadow. This chiaroscuro technique carves his presence out of the void. He holds a…

      Reprodução em óleo pintada à mão de $178 27 × 37 cm
      John Keteltas (1739-1766) (1767) de John Mare
      2

      John Keteltas (1739-1766)

      1767 · Oil On Canvas · New York Historical Society, Nova York

      A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement that demands respect for his station. A powdered white wig, styled with soft, meticulous curls, frames a face that carries the weight of quiet authority. He wears a dark, heavy frock coat, perhaps of deep navy or black, which absorbs the light…

      Reprodução em óleo pintada à mão de $178 29 × 35 cm
      Jeremiah Platt (1767) de John Mare
      3

      Jeremiah Platt

      1767 · Metropolitan Museum of Art, Nova York

      Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known but highly skilled New York portraitist, painted an inventive and refined portrait of Platt, with as much attention paid to the Chippendale-style side chair as to the sitter.

      Reprodução em óleo pintada à mão de $178 28 × 36 cm Mesmo tamanho da original $513 98 × 123 cm Encomendar no tamanho original →

      O que John Mare mais pintou

      Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.

      Onde as telas de John Mare estão expostas

      Os 2 museus que detêm a maioria das pinturas desta página.

      Museus Cidade Obras de John Mare Pinturas desta lista
      New York Historical Society, Nova YorkNew York Historical Society Nova York 2 Dr. Benjamin Youngs Prime (1733-1791), John Keteltas (1739-1766)
      Metropolitan Museum of Art, Nova YorkMetropolitan Museum of Art Nova York 1 Jeremiah Platt

      As telas mais famosas de John Mare, uma após a outra

      Cerca de uma década diante do cavalete, de 1767 a 1774: as telas datadas de John Mare, ano após ano.

      1. 1767
        John Keteltas (1739-1766) (1767) de John Mare
        2 de 3

        John Keteltas (1739-1766)

        Idade: 28 · New York Historical Society

        A man sits poised within an oval vignette, his gaze meeting the viewer with a steady, dignified composure. He is captured in a half-length composition, a formal arrangement…

      2. 1767
        Jeremiah Platt (1767) de John Mare
        Tela 3 de 3

        Jeremiah Platt

        Idade: 28 · Metropolitan Museum of Art

        Jeremiah Platt (1744–1811) was a successful New York businessman, a partner with his brother-in-law Samuel Broome in the mercantile firm of Broome, Platt and Company. Mare, a little-known…

      3. 1774
        Dr. Benjamin Youngs Prime (1733-1791) (1774) de John Mare
        Tela 1 de 3

        Dr. Benjamin Youngs Prime (1733-1791)

        Idade: 35 · New York Historical Society

        The face of Dr. Benjamin Youngs Prime emerges from a heavy, undifferentiated darkness. It is a portrait of gravity and quietude. A powdered white wig catches the light,…

      As telas de John Mare, pergunta por pergunta

      Por qual tela John Mare é mais lembrado(a)?Leia a resposta

      Dr. Benjamin Youngs Prime (1733-1791) (1774), New York Historical Society, Nova York. Seguidos por John Keteltas (1739-1766) (1767) e Jeremiah Platt (1767).

      Dr. Benjamin Youngs Prime (1733-1791): que idade tinha John Mare quando foi pintada?Leia a resposta

      John Mare, nascido(a) em 1739, tinha 35 anos: Dr. Benjamin Youngs Prime (1733-1791) data de 1774.

      Quantas pinturas John Mare criou?Leia a resposta

      3 obras de John Mare estão em nosso catálogo, datadas de 1767 a 1774.

      Onde estão expostas hoje as telas mais famosas de John Mare?Leia a resposta

      Principalmente em New York Historical Society (Nova York) e Metropolitan Museum of Art (Nova York); a lista acima indica cada museu e as suas telas.

      Quando é que John Mare pintou as suas telas mais famosas?Leia a resposta

      Em 1767, que compreende 2 das 3 obras desta página, John Keteltas (1739-1766) entre elas.

      Qual tela famosa de John Mare veio primeiro e qual veio por último?Leia a resposta

      A tela mais antiga aqui é de John Keteltas (1739-1766) (1767); a mais recente é de Dr. Benjamin Youngs Prime (1733-1791) (1774).

      Quais temas John Mare mais pintou?Leia a resposta

      Man (2), Wig (2) e Cravat (2), entre as 3 obras nesta página.

      Quais pinturas de John Mare estão no New York Historical Society?Leia a resposta

      O New York Historical Society, Nova York detém 2 das obras desta página, entre elas Dr. Benjamin Youngs Prime (1733-1791) e John Keteltas (1739-1766).

      Onde posso comprar uma reprodução de uma pintura de John Mare?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Conheça o pintor: John Mare

      The Enigmatic Visions of John Mare

      John Mare is a contemporary artist whose work occupies a fascinating space between abstraction and figuration, dreamscape and reality. Born in an undisclosed location – a deliberate choice by the artist to keep the focus firmly on the art itself rather than biographical detail – Mare has cultivated an aura of mystery around his persona, allowing his paintings to speak for themselves. This reticence only adds to the compelling nature of his creations, inviting viewers to engage with them on a purely intuitive level. While details about his early life remain scarce, it is known that he received formal training in painting before embarking on a path of self-directed exploration and experimentation. He continues to live and work today, constantly refining his unique visual language.

      A Journey Through Form and Color

      Mare’s artistic development has been characterized by a relentless pursuit of emotional resonance through the manipulation of form and color. His early works displayed a clear influence from Abstract Expressionism, particularly the gestural energy of artists like Willem de Kooning and Franz Kline. However, Mare quickly moved beyond simple imitation, developing his own distinctive style that incorporated elements of Surrealism and Symbolism. Recurring motifs – fragmented figures, distorted landscapes, and ambiguous objects – began to emerge, hinting at a complex inner world. Over time, his palette evolved from dark, brooding tones to a more vibrant and nuanced range of colors, reflecting a growing sense of optimism and spiritual inquiry. The artist’s technique is equally noteworthy; he employs layers of paint, often scraping back and reworking surfaces to create a rich textural depth that draws the viewer into the canvas.

      Themes of Memory and Transformation

      At the heart of Mare's work lies an exploration of memory, transformation, and the elusive nature of identity. His paintings are not literal representations of reality but rather evocative distillations of personal experiences and subconscious imagery. The fragmented figures that populate his canvases often appear to be in a state of flux, dissolving into their surroundings or emerging from them as if born from dreams. This sense of impermanence is further emphasized by the artist’s use of blurred lines and ambiguous spaces. Mare's paintings are not about what is seen but about what is felt, inviting viewers to project their own emotions and interpretations onto the work. He often speaks of his desire to capture “the residue of experience,” those fleeting moments that linger in the mind long after they have passed.

      Influences and Artistic Dialogue

      While Mare deliberately avoids explicit references to other artists, it is possible to discern a number of influences at play in his work. The Symbolist painters – such as Odilon Redon and Pierre Puvis de Chavannes – clearly inform his use of evocative imagery and dreamlike atmosphere. He also demonstrates an affinity for the Surrealist techniques of automatism and collage, employing chance operations and unexpected juxtapositions to create a sense of disorientation and wonder.

      Historical Significance and Legacy

      Although relatively young in his career, John Mare has already established himself as a significant voice in contemporary art. His paintings have been exhibited in galleries and museums around the world, garnering critical acclaim and attracting a devoted following of collectors. Mare’s work represents a compelling synthesis of diverse artistic traditions, blending Abstract Expressionism, Surrealism, and Symbolism into a unique and highly personal visual language. He challenges viewers to confront their own inner worlds, prompting them to question the nature of reality and the limits of perception. As he continues to evolve as an artist, it is clear that John Mare’s legacy will be one of profound emotional depth, technical innovation, and enduring mystery. His refusal to conform to conventional expectations has paved the way for a new generation of artists who prioritize intuition, experimentation, and the power of subjective experience.