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      Max Liebermann, 1847 – 1935

      As 100 pinturas mais famosas de Max Liebermann, classificadas

      A pintura mais amada de Max Liebermann é Hora livre no orfanato de Amsterdã (1876). Self Portrait with Kitchen Still LIfe (1873) e Corner of a Dutch Village with Washing Hung up to Dry (1890) vêm a seguir entre as telas que os leitores mais conhecem. O nosso catálogo contém 280 obras de Max Liebermann: aqui estão as 100 mais famosas, cada uma com o seu ano, o seu museu e o que a torna memorável.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Max Liebermann
      Max Liebermann · 1847 – 1935
      Nascimento · falecimento
      1847 – 1935, Berlim
      Movimento
      Impressionist realism
      Obras em nosso catálogo
      280
      As mais famosas
      Hora livre no orfanato de Amsterdã (1876)
      Mais obras em
      Alte Nationalgalerie

      As 10 principais pinturas de Max Liebermann: as telas que todos conhecem

      Hora livre no orfanato de Amsterdã (1876) de Max Liebermann
      1

      Hora livre no orfanato de Amsterdã

      1876 · Óleo sobre tela

      "Hora livre no orfanato de Amsterdã", de Max Liebermann, é uma obra cativante que captura com beleza um momento da vida comunitária na Amsterdã do século XIX. Esta pintura convida os espectadores para um pátio ao ar livre onde mulheres e crianças se reúnem, criando uma cena rica em interação social e patrimônio cultural.

      Reprodução em óleo pintada à mão de $403 37 × 27 cm
      Self Portrait with Kitchen Still LIfe (1873) de Max Liebermann
      2

      Self Portrait with Kitchen Still LIfe

      1873 · Oil On Canvas · Stadtisches Museum, Gelsenkirchen

      To stand before Max Liebermann’s Self Portrait with Kitchen Still Life is not merely to observe a painting; it is to step directly into the vibrant, sun-drenched moments of late nineteenth-century Berlin. Created in 1873, this oil on canvas captures more than just a likeness; it encapsulates the artist's profound belief that true beauty resides within the quotidian—the humble objects and simple acts of daily life. Liebermann, a master whose…

      Reprodução em óleo pintada à mão de $178 41 × 24 cm
      Corner of a Dutch Village with Washing Hung up to Dry (1890) de Max Liebermann
      3

      Corner of a Dutch Village with Washing Hung up to Dry

      1890 · Oil On Panel · Harvard Art Museums, Cambridge

      The air feels heavy with the scent of damp fabric and the salt of a nearby coast. In this corner of a Dutch village, time seems to pause, caught in the soft, overcast light of 1890. A white building dominates the immediate view, its red door and blue shutters providing the only sharp interruptions to the muted, earthy tones of the village. Above the doorway, laundry hangs from a line,…

      Reprodução em óleo pintada à mão de $178 36 × 28 cm
      Portrait of Richard Strauss (1918) de Max Liebermann
      4

      Portrait of Richard Strauss

      1918 · Oil · Alte Nationalgalerie, Berlim

      This 1918 impressionist painting by Max Liebermann presents a black and white portrait of Richard Strauss. The subject is depicted sitting in a chair with his hands clasped together, wearing a suit and tie. He is shown with a mustache and appears to be looking directly at the viewer. To provide depth to the scene, the background features a curtain behind the seated man.

      Reprodução em óleo pintada à mão de $178 28 × 36 cm
      Restaurant De oude Vink (1905) de Max Liebermann
      5

      Restaurant De oude Vink

      1905 · Oil

      There is a certain quietude found in the middle of a crowd, a feeling captured here in 1905. In Restaurant De oude Vink, we find ourselves seated among patrons enjoying a meal under the dappled shade of trees. The scene is one of casual, unhurried leisure. Green chairs are scattered around tables, some occupied by figures lost in conversation, others left empty as if the guests have only just stepped…

      Reprodução em óleo pintada à mão de $178 36 × 28 cm
      Self-portrait (1916) de Max Liebermann
      6

      Self-portrait

      1916 · Oil On Canvas · Kunsthalle Bremen, Bremen

      An older man sits in a moment of quiet creation, his presence filling the space with a heavy, contemplative dignity. He faces the viewer directly, his gaze steady and unblinking, even as his hands remain occupied with the tools of his trade. In his right hand, he holds a palette, while his left hand brings a brush toward an easel, capturing a fragment of life in real-time. The light enters…

      Reprodução em óleo pintada à mão de $178 29 × 35 cm Mesmo tamanho da original $460 92 × 112 cm Encomendar no tamanho original →
      The Preserve Makers (1879) de Max Liebermann
      7

      The Preserve Makers

      1879 · Oil On Canvas · Museum der bildenden Künste, Leipzig

      The Preserve Makers is a somber and intimate realist painting that captures a group of women gathered within a dimly lit, rustic interior. The composition is dense and crowded, utilizing a shallow depth of field that brings the figures into the immediate foreground to create a sense of enclosure and shared labor. These women are engaged in the communal task of preparing vegetables, their presence evoking a sense of quiet…

      Reprodução em óleo pintada à mão de $353 37 × 27 cm Mesmo tamanho da original $420 65 × 49 cm Encomendar no tamanho original →
      Schreitender Bauer (1894) de Max Liebermann
      8

      Schreitender Bauer

      1894 · Oil On Canvas

      An elderly man traverses a grassy landscape, his form weighted by a large bag slung over his shoulder and a backpack. He moves with the measured pace of age, supported by a cane that meets the earth with steady intent. His attire, including a hat and practical clothing, suggests a life defined by outdoor toil. In the distance, two other figures punctuate the horizon, grounding the solitary traveler within a…

      Reprodução em óleo pintada à mão de $178 27 × 37 cm
      KIRCHGANG IN Laren de Max Liebermann
      9

      KIRCHGANG IN Laren

      Oil On Canvas

      In KIRCHGANG IN Laren, Max Liebermann captures a quiet moment of movement along a winding path. A group of figures, primarily women, stroll through a wooded area or park, their presence breathing life into the landscape. They wear traditional clothing that suggests a connection to a specific way of life, moving steadily through the greenery. The scene unfolds as a leisurely walk in nature, a simple slice of everyday existence…

      Reprodução em óleo pintada à mão de $303 37 × 27 cm
      Alfred von Berger (1905) de Max Liebermann
      10

      Alfred von Berger

      1905 · Oil On Board · Staatliche Kunstsammlungen Dresden, Dresden

      This portrait of Alfred von Berger was painted by Max Liebermann in 1905. It presents the subject as a middle-aged man, captured in a three-quarter length composition. The sitter is positioned centrally, offering a sense of quiet presence that invites a closer look at his character.

      Reprodução em óleo pintada à mão de $178 29 × 35 cm Mesmo tamanho da original $457 92 × 111 cm Encomendar no tamanho original →

      Mais telas de Max Liebermann, de 11 a 100

      The farrier (1874) de Max Liebermann
      #11

      The farrier

      1874 · Staatliche Kunsthalle Karlsruhe

      The farrier (Beim Hufschmied) is an oil on panel painting by Max Liebermann. Created about 1874, the work belongs to the genre art category. It captures a specific…

      Encomende esta tela a partir de $203 →
      The Siblings (1876) de Max Liebermann
      #16

      The Siblings

      1876 · Staatliche Kunstsammlungen

      In the quietude of Max Liebermann’s 1876 masterpiece, “The Siblings,” time seems to suspend its forward march, allowing a singular moment of human connection to breathe. This monochrome…

      Encomende esta tela a partir de $203 →
      Swimmers (1875) de Max Liebermann
      #17

      Swimmers

      1875 · Dallas Museum of Art

      We are looking at Swimmers, a work by Max Liebermann that captures a quiet, unposed moment of daily life. Also known by the title Swimming boys, this painting…

      Encomende esta tela a partir de $303 →

      As telas de Max Liebermann, período por período

      O que Max Liebermann mais pintou

      Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.

      Onde as telas de Max Liebermann estão expostas

      Os 8 museus que detêm a maioria das pinturas desta página.

      Museus Cidade Obras de Max Liebermann Pinturas desta lista
      Alte Nationalgalerie, BerlimAlte Nationalgalerie Berlim 17 Portrait of Richard Strauss, Portrait Study of Emil Rathenau, Portrait Dr. Wilhelm Bode
      Hamburger Kunsthalle, HamburgoHamburger Kunsthalle Hamburgo 8 The Net Menders, The Terrace at the Hotel Louis C. Jacob in Nienstedten on the Elbe, A Dutch lacemaker
      Wallraf-Richartz-Museum, ColôniaWallraf-Richartz-Museum Colônia 6 Two riders on the beach, Self-portrait, The artist's daughter riding
      Bavarian State Painting Collections, MuniqueBavarian State Painting Collections Munique 6 Self portrait in painting smock (Selbstbildnis im Malkittel), Children Bathing in the Sea, Still life of meat (Fleischstillleben)
      Staatliche Kunsthalle Karlsruhe, KarlsruheStaatliche Kunsthalle Karlsruhe Karlsruhe 5 The farrier, The Basketweavers (Die Korbflechter), Copy of the Bohémienne after Frans Hals (Young woman)
      Stadtisches Museum, GelsenkirchenStadtisches Museum Gelsenkirchen 3 Self Portrait with Kitchen Still LIfe, The Flower Terrace in the Wannsee Garden, Facing Northwest
      Kunsthalle Bremen, BremenKunsthalle Bremen Bremen 3 Self-portrait, Parrot Avenue
      Staatliche Kunstsammlungen Dresden, DresdenStaatliche Kunstsammlungen Dresden Dresden 3 Alfred von Berger, On the Alster in Hamburg

      A tela mais amada de cada década de Max Liebermann

      1. 1860s
        Portrait of Felix Liebermann (1865) de Max Liebermann
        85 de 100

        Portrait of Felix Liebermann

        Idade 13 – 22

        The Portrait of Felix Liebermann is an oil on canvas created by the German painter Max Liebermann. This work dates to about 1865. The subject of the portrait…

      2. 1870s
        Hora livre no orfanato de Amsterdã (1876) de Max Liebermann
        Tela 1 de 100

        Hora livre no orfanato de Amsterdã

        Idade 23 – 32

        "Hora livre no orfanato de Amsterdã", de Max Liebermann, é uma obra cativante que captura com beleza um momento da vida comunitária na Amsterdã do século XIX. Esta…

      3. 1880s
        Infant school in Amsterdam (1880) de Max Liebermann
        Tela 19 de 100

        Infant school in Amsterdam

        Idade 33 – 42 · Alte Nationalgalerie

        In this work, titled Infant school in Amsterdam, the artist Max Liebermann presents a quiet, intimate glimpse into a communal moment. Painted in 1880, the scene captures a…

      4. 1890s
      5. 1900s
        Restaurant De oude Vink (1905) de Max Liebermann
        Tela 5 de 100

        Restaurant De oude Vink

        Idade 53 – 62

        There is a certain quietude found in the middle of a crowd, a feeling captured here in 1905. In Restaurant De oude Vink, we find ourselves seated among…

      6. 1910s
        Portrait of Richard Strauss (1918) de Max Liebermann
        4 de 100

        Portrait of Richard Strauss

        Idade 63 – 72 · Alte Nationalgalerie

        This 1918 impressionist painting by Max Liebermann presents a black and white portrait of Richard Strauss. The subject is depicted sitting in a chair with his hands clasped…

      7. 1920s
        Albert Einstein (1879–1955) (1922) de Max Liebermann
        Tela 13 de 100

        Albert Einstein (1879–1955)

        Idade 73 – 82 · Royal Society

        Max Liebermann's 1922 portrait of Albert Einstein isn’t merely a likeness; it’s a carefully constructed distillation of intellect, contemplation, and the burgeoning promise of a revolutionary mind. Painted…

      8. 1930s
        The Surgeon Dr. Ferdinand Sauerbruch (1932) de Max Liebermann
        Tela 55 de 100

        The Surgeon Dr. Ferdinand Sauerbruch

        Idade 83 – 88 · Hamburger Kunsthalle

        The painting, titled The Surgeon Dr. Ferdinand Sauerbruch, is an oil on canvas created in 1932. The portrait depicts a man wearing glasses and a white coat, seated…

      Sobre as telas de Max Liebermann: suas perguntas respondidas

      Qual é a pintura mais conhecida de Max Liebermann?Leia a resposta

      Hora livre no orfanato de Amsterdã (1876), seguido por Self Portrait with Kitchen Still LIfe (1873) e Corner of a Dutch Village with Washing Hung up to Dry (1890).

      Qual era a idade de Max Liebermann quando Hora livre no orfanato de Amsterdã foi pintada?Leia a resposta

      Max Liebermann, nascido(a) em 1847, tinha 29 anos: Hora livre no orfanato de Amsterdã data de 1876.

      Quais são as 10 pinturas mais famosas de Max Liebermann?Leia a resposta

      Hora livre no orfanato de Amsterdã, Self Portrait with Kitchen Still LIfe, Corner of a Dutch Village with Washing Hung up to Dry, Portrait of Richard Strauss, Restaurant De oude Vink, Self-portrait, The Preserve Makers, Schreitender Bauer, KIRCHGANG IN Laren e Alfred von Berger. Cada tela no ranking acima inclui o seu ano e o seu museu.

      Quantas obras Max Liebermann pintou ao todo?Leia a resposta

      280 obras de Max Liebermann estão em nosso catálogo, datadas de 1865 a 1932.

      Onde posso ver as telas mais famosas de Max Liebermann?Leia a resposta

      Principalmente em Alte Nationalgalerie (Berlim), Hamburger Kunsthalle (Hamburgo) e Wallraf-Richartz-Museum (Colônia); a lista acima indica cada museu e as suas telas.

      Quando é que Max Liebermann pintou as suas telas mais amadas?Leia a resposta

      Em 1910s, que compreende 18 das 100 obras desta página, Portrait of Richard Strauss entre elas.

      Quais são as primeiras e as últimas telas famosas de Max Liebermann?Leia a resposta

      A tela mais antiga aqui é de Portrait of Felix Liebermann (1865); a mais recente é de The Surgeon Dr. Ferdinand Sauerbruch (1932).

      O que Max Liebermann mais pintou?Leia a resposta

      Man (29), People (22) e Woman (15), entre as 100 obras nesta página.

      Com qual técnica Max Liebermann pintou com mais frequência?Leia a resposta

      Oil On Canvas, utilizado em 52 das 100 obras nesta página.

      A que movimento pertence a pintura de Max Liebermann?Leia a resposta

      Impressionist realism, como mostram as telas nesta página.

      Quais telas de Max Liebermann estão expostas no Alte Nationalgalerie?Leia a resposta

      O Alte Nationalgalerie, Berlim detém 9 das obras desta página, entre elas Portrait of Richard Strauss, Portrait Study of Emil Rathenau e Portrait Dr. Wilhelm Bode.

      Posso comprar uma reprodução de uma tela de Max Liebermann?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Max Liebermann: uma vida em pintura

      A Life Immersed in Light: The World of Max Liebermann

      Born into a prosperous Jewish family in 1847 Berlin, Max Liebermann’s path to becoming one of Germany's foremost Impressionist painters wasn’t preordained. Initially steered towards the respectable professions of law and philosophy at the University of Berlin, his true calling resonated far more powerfully from the canvas than the courtroom. This early period of intellectual exploration, however, undoubtedly shaped his observant eye and thoughtful approach to depicting the world around him. It was a deliberate shift – studies in Weimar, Paris, and the Netherlands – that truly ignited his artistic passion, exposing him to diverse styles and laying the foundation for a career defined by capturing fleeting moments with an exquisite sensitivity to light and color. He wasn’t merely painting what he saw; he was translating the very essence of experience onto the canvas. Liebermann's early works often depicted scenes of everyday life, particularly those of the working class, rendered with a naturalism that challenged the prevailing romanticized aesthetic of the time. These paintings weren’t intended as social commentary, but rather as honest portrayals of human existence, imbued with dignity and respect.

      Embracing Impressionism in a German Context

      Liebermann's artistic development was profoundly influenced by his exposure to French Realism and, crucially, the burgeoning Impressionist movement. The spirit of Édouard Manet – his boldness, his rejection of academic convention, his focus on contemporary life – resonated deeply with Liebermann. However, he didn’t simply replicate what he saw in Paris; instead, he adapted these principles to a German sensibility, creating an Impressionism uniquely his own. His palette became brighter, his brushstrokes looser and more spontaneous, and his subjects shifted towards scenes of bourgeois leisure and the tranquil beauty of his garden near Lake Wannsee. This garden, in particular, became a recurring motif throughout his career, offering a sanctuary from the rapidly changing world outside and providing endless inspiration for his explorations of light and atmosphere. He wasn’t just painting flowers and foliage; he was capturing the very feeling of summer, the warmth of the sun, the gentle breeze rustling through the leaves. Liebermann's early works often featured vibrant colors and a focus on capturing the effects of light, reflecting the influence of artists like Claude Monet and Pierre-Auguste Renoir. He sought to translate the fleeting impressions of nature onto his canvases, prioritizing atmosphere and color over precise detail.

      A Champion of Artistic Freedom

      Liebermann wasn't content to simply paint; he actively championed artistic innovation and independence. Recognizing the stifling constraints imposed by the traditional art establishment, he became a driving force behind the Berlin Secession in 1898, leading this avant-garde group for over a decade. The Secession challenged conventional norms, providing a platform for artists working outside the confines of academic tradition. This commitment to artistic freedom extended beyond his own work; Liebermann believed passionately that artists should be free to explore their vision without interference from political or ideological pressures. His election to the Prussian Academy of Arts in 1909 and subsequent presidency in 1920 were testaments to his growing influence within the German art world, but these positions also brought him face-to-face with the rising tide of anti-Semitism and nationalism that would ultimately threaten his life’s work. The Secession fostered a spirit of experimentation and collaboration, encouraging artists to push boundaries and challenge established artistic conventions. Liebermann's leadership was instrumental in shaping the movement's identity and promoting its ideals.

      Shadows of a Changing World: Legacy and Resilience

      The rise of Nazism cast a dark shadow over Liebermann’s later years. His principled stance against discrimination led to his resignation from the Prussian Academy in 1933, a courageous act that signaled his refusal to compromise his values. Despite facing increasing persecution, he continued to paint, finding solace and purpose in his art. He passed away in Berlin in 1935, leaving behind a rich legacy of paintings, prints, and a profound commitment to artistic freedom. His wife, Martha, tragically took her own life in 1943 to avoid deportation, a heartbreaking testament to the horrors of the Holocaust. For years after the war, Liebermann’s work was somewhat overlooked, but in recent decades there has been a renewed appreciation for his contributions to German Impressionism and modern art history. Today, he is remembered not only as a brilliant painter but also as a courageous advocate for artistic expression and a symbol of resistance against tyranny. His paintings continue to captivate viewers with their luminous beauty, insightful observations, and enduring humanity.

      Key Achievements & Lasting Influence

      • “The Twelve-Year-Old Jesus in the Temple”: This early work sparked considerable debate due to its unconventional depiction of a Semitic-looking Jesus, challenging traditional religious iconography.
      • Leadership of the Berlin Secession: His pivotal role in leading this avant-garde movement challenged artistic norms and paved the way for modern art in Germany.
      • Presidency of the Prussian Academy of Arts: A significant recognition of his artistic merit, though ultimately compromised by the rise of Nazism.
      • Masterful Portraiture: His ability to capture the essence of his subjects in over 200 commissioned portraits cemented his reputation as a leading portrait painter.
      • Influence on German Impressionism: Liebermann successfully translated the principles of Impressionism into a uniquely German context, inspiring generations of artists.