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      Robert Burrows, 1810 – 1883

      Robert Burrows: As 18 pinturas mais conhecidas

      De todas as pinturas de Robert Burrows, Evening é a mais famosa; está exposta no Darlington Library, em Darlington. Logo atrás vêm Bridge, West of Stoke Bridge, Suffolk (1847) e Gainsborough's Lane (1868). Entre as 21 obras de Robert Burrows em nosso catálogo, estas 18 são as mais celebradas, cada uma apresentada com a sua data, o seu museu e a sua história.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Robert Burrows
      Robert Burrows · 1810 – 1883
      Nascimento · falecimento
      1810 – 1883
      Obras em nosso catálogo
      21
      As mais famosas
      Evening
      Mais obras em
      Darlington Library

      As 10 pinturas mais celebradas de Robert Burrows

      Pinturas de Robert Burrows classificadas de 11 a 18

      O que Robert Burrows mais pintou

      Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.

      Onde as telas de Robert Burrows estão expostas

      Os 4 museus que detêm a maioria das pinturas desta página.

      Museus Cidade Obras de Robert Burrows Pinturas desta lista
      Darlington Library, DarlingtonDarlington Library Darlington 4 Evening, Gainsborough's Lane, Cattle on Road
      Christchurch Mansion, IpswichChristchurch Mansion Ipswich 2 Gipping near Oil Mills, Suffolk, Landscape in Christchurch Park, Suffolk
      Sunderland Museum - Winter Gardens, SunderlandSunderland Museum - Winter Gardens Sunderland 1 Gainsborough's Lane
      Sudbury Town Hall, SudburySudbury Town Hall Sudbury 1 Cattle Watering

      Década a década: a tela mais celebrada de Robert Burrows

      1. 1840s
      2. 1860s
      3. 1880s

      As suas perguntas sobre as pinturas de Robert Burrows, respondidas

      Qual é a pintura mais celebrada de Robert Burrows?Leia a resposta

      Evening, Darlington Library, Darlington. Seguidos por Bridge, West of Stoke Bridge, Suffolk (1847) e Gainsborough's Lane (1868).

      Quais são as dez pinturas mais famosas de Robert Burrows?Leia a resposta

      Evening, Bridge, West of Stoke Bridge, Suffolk, Gainsborough's Lane, Foxhall Road, Ipswich, Cattle Watering, River Scene, River Orwell from Gainsborough Lane, Suffolk, Orwell from Bridleway, Ipswich, Old Gippeswyck Hall, Suffolk e Back of Cauldwell Hall, Suffolk. Cada tela no ranking acima inclui o seu ano e o seu museu.

      Quantas pinturas de Robert Burrows são conhecidas?Leia a resposta

      21 obras de Robert Burrows estão em nosso catálogo, datadas de 1847 a 1883.

      Em quais museus se encontram as telas mais conhecidas de Robert Burrows?Leia a resposta

      Principalmente em Darlington Library (Darlington), Christchurch Mansion (Ipswich) e Sunderland Museum - Winter Gardens (Sunderland); a lista acima indica cada museu e as suas telas.

      Em que anos Robert Burrows pintou as suas telas mais célebres?Leia a resposta

      Em 1880s, que compreende 8 das 18 obras desta página, River Scene entre elas.

      Quais são a primeira e a última das telas famosas de Robert Burrows?Leia a resposta

      A tela mais antiga aqui é de Bridge, West of Stoke Bridge, Suffolk (1847); a mais recente é de River Scene (1883).

      Quais temas aparecem com mais frequência nas pinturas de Robert Burrows?Leia a resposta

      Rural landscape (2) e Pastoral scene (2), entre as 18 obras nesta página.

      O que posso ver de Robert Burrows no Darlington Library?Leia a resposta

      O Darlington Library, Darlington detém 4 das obras desta página, entre elas Evening, Gainsborough's Lane e Cattle on Road.

      Posso encomendar uma cópia pintada à mão de uma obra de Robert Burrows?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Robert Burrows: a história do pintor

      Early Life, Family and Artistic Training

      Robert Burrows was born in Ipswich, Suffolk, in 1810. He was the eldest son of a silversmith, Robert Burrows, and Elizabeth Cordy. Growing up in a household shaped by the precise work of a silversmith, he eventually moved toward the study of fine art. He traveled to London to receive his training at the Royal Academy, where he learned the formal foundations of his craft.

      His connection to the local art community in Ipswich remained strong throughout his life. Shortly after Henry Davy established the Ipswich Society of Professional & Amateur Artists in 1832, Robert Burrows joined the group. He became deeply involved in the organization's inner workings, eventually taking on the role of secretary. This involvement placed him at the center of the local creative circle during a period of significant change in how people captured the world around them.

      The Landscapes of Ipswich and Suffolk

      Burrows found his subject matter in the quiet corners of the Suffolk countryside. Much of his work focuses on the immediate surroundings of Ipswich, capturing the specific light and textures of the local terrain. He spent much of his time observing the way the landscape settled around the river valleys and the small lanes that connected the rural settlements.

      In 1866, he painted Gainsborough’s Lane, a scene that looks closely at a typical Victorian village street. The work focuses on the cottages and the cobblestones under the afternoon light. His interest in the water is evident in his 1883 depictions, such as the Orwell River from Gainsborough Lane, Suffolk, and his views of Old Cauldwell. These paintings look at the Orwell River valley, focusing on the stillness of the water and the way the light sits upon the landscape. He also turned his attention to the architecture of the region, as seen in his 1883 painting of Old Gippeswyck Hall, Suffolk.

      Technique and Artistic Style

      Burrows worked primarily with oil paints on canvas, applying pigment in thin layers to build a sense of light. His approach relied on meticulous observation and a steady hand. He favored controlled, deliberate brushstrokes that allowed him to capture the specific textures of the natural world. In his depictions of the Suffolk countryside, he focused on the way light interacts with different surfaces, particularly the movement of water and the density of foliage.

      There is a quiet precision in how he handled tonal harmony. He did not rely on sudden shifts in color but instead worked through subtle gradations to create depth. This method is evident in his treatment of landscape elements, where he sought to replicate the actual appearance of the terrain through careful layering. His work often centers on the interplay between light and shadow in rural settings, such as the following pieces:

      His method required a patient, close-up study of his subjects. By prioritizing the physical reality of textures, he achieved a sense of atmospheric depth without losing the specific details of the landscape. This focus on the tangible qualities of nature—the roughness of a path or the stillness of a river—defines his visual language.

      Legacy and Where to See the Works

      Burrows represents a specific chapter in the history of Suffolk art and photography. His landscapes offer a way to see how Victorian life was perceived in the rural countryside. By using early photographic techniques, he showed an interest in capturing reality through these new mediums. His work remains a record of the changing landscape and the way light fell across the fields and river valleys of his home.

      Several collections hold his paintings. The Darlington Library contains five of his works. In Ipswich, Christchurch Mansion holds two pieces. Other works can be found in the Sudbury Town Hall and the Sunderland Museum - Winter Gardens.