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      Robert Taylor, 1714 – 1788

      Robert Taylor: As 6 pinturas mais conhecidas

      De todas as pinturas de Robert Taylor, Richard Gwynne Esq of Taliaris (1740) é a mais famosa; está exposta no National Library of Wales, em Aberystwyth. Logo atrás vêm Alderman Sir William Christie (1913–2008), Bt, JP, ODAS, Lord Mayor (1972–1973) e G. I (1944). Entre as 6 obras de Robert Taylor em nosso catálogo, estas 6 são as mais celebradas, cada uma apresentada com a sua data, o seu museu e a sua história.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Robert Taylor
      Robert Taylor · 1714 – 1788
      Nascimento · falecimento
      1714 – 1788
      Obras em nosso catálogo
      6
      As mais famosas
      Richard Gwynne Esq of Taliaris (1740)
      Mais obras em
      Belfast City Hall

      As 10 pinturas mais celebradas de Robert Taylor

      G. I (1944) de Robert Taylor
      3

      G. I

      1944 · Royal Ulster Academy, Belfast

      The G. I painting by Robert Taylor Carson is a remarkable piece of art that showcases the artist's skill in capturing the essence of his subject. Created in 1944, this oil on canvas painting measures 61 x 51 cm and is currently located at the Royal Ulster Academy in Belfast, United Kingdom. The Artist and His Work Robert Taylor Carson was a talented artist known for his portraits, and G.…

      Hand-painted oil reproduction from $178 29 × 35 cm Same size as the original $243 51 × 61 cm Order at original size →

      O que Robert Taylor mais pintou

      Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.

      Onde as telas de Robert Taylor estão expostas

      Os 4 museus que detêm a maioria das pinturas desta página.

      Museus Cidade Obras de Robert Taylor Pinturas desta lista
      Belfast City Hall, BelfastBelfast City Hall Belfast 3 Alderman Sir William Christie (1913–2008), Bt, JP, ODAS, Lord Mayor (1972–1973), Sir William Neill (1889–1960), DL, JP, Lord Mayor (1946–1949), Sir William Johnston (1884–1951), Lord Mayor (1949–1950)
      National Library of Wales, AberystwythNational Library of Wales Aberystwyth 1 Richard Gwynne Esq of Taliaris
      Royal Ulster Academy, BelfastRoyal Ulster Academy Belfast 1 G. I
      Queen's University Belfast, BelfastQueen's University Belfast Belfast 1 Professor Sir Douglas Lloyd Savory (1878–1969)

      Ano após ano: as telas mais celebradas de Robert Taylor

      Um ano, 1740, reúne todas as telas datadas de Robert Taylor nesta página: aqui estão elas, começando pelas mais famosas.

      1. 1740

      As suas perguntas sobre as pinturas de Robert Taylor, respondidas

      Qual é a pintura mais celebrada de Robert Taylor?Leia a resposta

      Richard Gwynne Esq of Taliaris (1740), National Library of Wales, Aberystwyth. Seguidos por Alderman Sir William Christie (1913–2008), Bt, JP, ODAS, Lord Mayor (1972–1973) e G. I (1944).

      Qual era a idade de Robert Taylor na época de Richard Gwynne Esq of Taliaris?Leia a resposta

      Robert Taylor, nascido(a) em 1714, tinha 26 anos: Richard Gwynne Esq of Taliaris data de 1740.

      Quantas pinturas de Robert Taylor são conhecidas?Leia a resposta

      6 obras de Robert Taylor estão em nosso catálogo.

      Em quais museus se encontram as telas mais conhecidas de Robert Taylor?Leia a resposta

      Principalmente em Belfast City Hall (Belfast), National Library of Wales (Aberystwyth) e Royal Ulster Academy (Belfast); a lista acima indica cada museu e as suas telas.

      O que posso ver de Robert Taylor no Belfast City Hall?Leia a resposta

      O Belfast City Hall, Belfast detém 3 das obras desta página, entre elas Alderman Sir William Christie (1913–2008), Bt, JP, ODAS, Lord Mayor (1972–1973), Sir William Neill (1889–1960), DL, JP, Lord Mayor (1946–1949) e Sir William Johnston (1884–1951), Lord Mayor (1949–1950).

      Posso encomendar uma cópia pintada à mão de uma obra de Robert Taylor?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Robert Taylor: a história do pintor

      Robert Taylor Carson: Bridging Academic Realism and Southern Gothic

      Robert Taylor Carson (1884–1951), born in Oxford, England, was a prolific portrait painter whose distinctive style—characterized by meticulous academic realism infused with the melancholic spirit of Southern Gothic—established him as one of Britain’s foremost artists of his era. His artistic journey began amidst the intellectual fervor of the Edwardian period, nurtured by formal training at Slade School of Fine Art and subsequently honed through independent study and travel to Italy and Spain. Carson's unwavering dedication to mastering traditional techniques—particularly oil painting—became a cornerstone of his oeuvre, resulting in canvases imbued with luminous color palettes and painstakingly rendered surfaces that capture both physical likeness and psychological depth. Carson’s formative years were marked by exposure to influential thinkers and artists such as Walter Sickert and Cyril Leonard Partridge, fostering a deep appreciation for Impressionism and Symbolism alongside a burgeoning fascination with the darker currents of human emotion. He absorbed the stylistic innovations of Futurists like Umberto Boccioni and Giacomo Matteotti, experimenting with dynamic compositions and bold brushstrokes—a departure from the prevailing academic conventions—yet retaining a core commitment to anatomical precision. His Italian explorations yielded inspiration from Iberian art traditions and incorporated elements of decorative patterning into his portraits. Carson’s artistic hallmark lay in his masterful execution of portraiture—a genre he pursued with unwavering seriousness and intellectual curiosity throughout his career. He eschewed sentimental embellishments, prioritizing instead a rigorously objective representation of his subjects’ physical features and expressions. However, Carson transcended mere anatomical accuracy by delving beneath the surface to capture elusive psychological nuances—a hallmark of Southern Gothic that resonated deeply within his canvases. His meticulous attention to detail—evident in the rendering of skin textures, drapery folds, and subtle tonal gradations—was achieved through painstaking layering of glazes and impasto techniques, resulting in surfaces that shimmered with luminosity and conveyed a palpable sense of presence. He amassed a distinguished clientele comprising prominent figures from British society—including Sir William Johnston (Lord Mayor), Professor Sir Douglas Lloyd Savory, and G. I.—resulting in a substantial body of portrait commissions that cemented his reputation as one of the era’s most respected artists. His portraits are housed in prestigious institutions worldwide—including The Robert McLaughlin Gallery (Canada) and Oxford's Taylor Institution Library—serving as enduring testaments to his artistic vision and technical prowess. Carson’s influence extended beyond his immediate contemporaries, inspiring subsequent generations of portrait painters who sought to emulate his unwavering commitment to academic realism and his ability to imbue his canvases with psychological resonance. Ultimately, Carson's artistic legacy resides in his masterful synthesis of academic realism and Southern Gothic sensibilities. He captured not only the outward appearance of his subjects but also their inner turmoil—a preoccupation with isolation, longing, and existential anxieties that aligns seamlessly with the thematic concerns of Carson McCullers’ novels and films. Carson’s canvases stand as poignant reflections on the human condition—illuminating the complexities of identity and confronting the unsettling realities of mortality—solidifying his place among the most significant artists of the 20th century.