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      Ruknuddin, 1666 – 1697

      Ruknuddin: As 6 pinturas mais conhecidas

      De todas as pinturas de Ruknuddin, Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes) (1692) é a mais famosa; está exposta no Metropolitan Museum of Art, em Nova York. Logo atrás vêm Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier (1690) e Krishna and the Gopis, folio from a dispersed manuscript of the Rasikapriya of Keshavadas (1690). Entre as 6 obras de Ruknuddin em nosso catálogo, estas 6 são as mais celebradas, cada uma apresentada com a sua data, o seu museu e a sua história.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Ruknuddin
      Ruknuddin · 1666 – 1697
      Nascimento · falecimento
      1666 – 1697, Bikaner
      Obras em nosso catálogo
      6
      As mais famosas
      Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes) (1692)
      Mais obras em
      Cleveland Museum of Art

      As 10 pinturas mais celebradas de Ruknuddin

      Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes) (1692) de Ruknuddin
      1

      Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes)

      1692 · Watercolor · Metropolitan Museum of Art, Nova York

      A tranquil nocturnal scene unfolds under a thin crescent moon and scattered white stars. A large, lush green tree dominates the vertical axis, its foliage rendered with fine, precise lines characteristic of the Bikaner school. Beneath this canopy, two figures occupy a grassy landscape, seated upon patterned mats. On the left, a dark-skinned male figure sits in profile, his expression contemplative as he holds a stringed instrument. To the right,…

      Reprodução em óleo pintada à mão de $203 27 × 37 cm
      Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier (1690) de Ruknuddin
      2

      Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier

      1690 · Watercolor · Cleveland Museum of Art, Cleveland

      In this delicate miniature, we find ourselves within the quiet, structured atmosphere of a seventeenth-century court. The scene captures Maharaja Anup Singh of Bikaner in a moment of formal reception, seated with a composed dignity that defines his station. Before him stands a courtier, a figure of respect whose presence completes the ritual of the encounter. The composition is balanced and intentional, utilizing a centered arrangement that directs the eye…

      Reprodução em óleo pintada à mão de $203 27 × 37 cm
      Krishna and the Gopis, folio from a dispersed manuscript of the Rasikapriya of Keshavadas (1690) de Ruknuddin
      3

      Krishna and the Gopis, folio from a dispersed manuscript of the Rasikapriya of Keshavadas

      1690 · Watercolor · Harvard Art Museums, Cambridge

      The air in the grove feels heavy and still, as if the sky itself has held its breath. Under a pale, overcast canopy of grey and blue, Krishna emerges with skin the color of a deep twilight. He wears a yellow dhoti that catches the soft, diffused light, and his crown rests upon his head with a quiet weight. Before him stands a Gopi, her patterned sari a sharp contrast…

      Reprodução em óleo pintada à mão de $278 27 × 37 cm
      Ladies of the Zenana (Womens’ Quarters) on a Terrace at Night (1666) de Ruknuddin
      4

      Ladies of the Zenana (Womens’ Quarters) on a Terrace at Night

      1666 · Cleveland Museum of Art, Cleveland

      About the Artist RuknuddinActive at the court in Bikaner ca. 1650-97. especially under the patronage of Anup Singh Bikaner, a desert town in Rajasthan, is known for a hybrid style that incorporates influences from both the Mughal workshops and the remote Deccan. Relatively little is known about the early phase of this type of painting. Two clans produced the majority of Bikaner’s painters. Ruknuddin, who had an impressively long career,…

      Reprodução em óleo pintada à mão de $178 26 × 39 cm
      Asavari Ragini: Folio from a Ragamala Series (1694) de Ruknuddin
      5

      Asavari Ragini: Folio from a Ragamala Series

      1694

      About the Artist RuknuddinActive at the court in Bikaner ca. 1650-97. especially under the patronage of Anup Singh Bikaner, a desert town in Rajasthan, is known for a hybrid style that incorporates influences from both the Mughal workshops and the remote Deccan. Relatively little is known about the early phase of this type of painting. Two clans produced the majority of Bikaner’s painters. Ruknuddin, who had an impressively long career,…

      Reprodução em óleo pintada à mão de $178 27 × 37 cm
      Ladies of the Zenana on a Roof Terrace (1666) de Ruknuddin
      6

      Ladies of the Zenana on a Roof Terrace

      1666

      In this scene of harem women amusing themselves on a roof terrace, the artist evoked a comfortable and hedonistic world. The influence of Mughal painting is indisputable, in both the subject matter and the style in which it is rendered. Ruknuddin probably was trained by the Delhi painter ‘Ali Raza; he later replaced him as chief painter in Bikaner. Ruknuddin also spent some time in the Deccan, as inscriptions on…

      Reprodução em óleo pintada à mão de $178 27 × 38 cm

      O que Ruknuddin mais pintou

      Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.

      Onde as telas de Ruknuddin estão expostas

      Os 3 museus que detêm a maioria das pinturas desta página.

      Museus Cidade Obras de Ruknuddin Pinturas desta lista
      Cleveland Museum of Art, ClevelandCleveland Museum of Art Cleveland 2 Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier, Ladies of the Zenana (Womens’ Quarters) on a Terrace at Night
      Metropolitan Museum of Art, Nova YorkMetropolitan Museum of Art Nova York 1 Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes)
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 1 Krishna and the Gopis, folio from a dispersed manuscript of the Rasikapriya of Keshavadas

      Ano após ano: as telas mais celebradas de Ruknuddin

      De 1690 a 1694, um total de 5 anos, as telas datadas de Ruknuddin contam uma breve história: aqui está, ano a ano.

      1. 1690
      2. 1690
      3. 1692
      4. 1694
        Asavari Ragini: Folio from a Ragamala Series (1694) de Ruknuddin
        Tela 5 de 6

        Asavari Ragini: Folio from a Ragamala Series

        Idade: 28

        About the Artist RuknuddinActive at the court in Bikaner ca. 1650-97. especially under the patronage of Anup Singh Bikaner, a desert town in Rajasthan, is known for a…

      As suas perguntas sobre as pinturas de Ruknuddin, respondidas

      Qual é a pintura mais celebrada de Ruknuddin?Leia a resposta

      Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes) (1692), Metropolitan Museum of Art, Nova York. Seguidos por Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier (1690) e Krishna and the Gopis, folio from a dispersed manuscript of the Rasikapriya of Keshavadas (1690).

      Qual era a idade de Ruknuddin na época de Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes)?Leia a resposta

      Ruknuddin, nascido(a) em 1666, tinha 26 anos: Kedar Ragini: Folio from a ragamala series (Garland of Musical Modes) data de 1692.

      Quantas pinturas de Ruknuddin são conhecidas?Leia a resposta

      6 obras de Ruknuddin estão em nosso catálogo, datadas de 1690 a 1694.

      Em quais museus se encontram as telas mais conhecidas de Ruknuddin?Leia a resposta

      Principalmente em Cleveland Museum of Art (Cleveland), Metropolitan Museum of Art (Nova York) e Harvard Art Museums (Cambridge); a lista acima indica cada museu e as suas telas.

      Em que anos Ruknuddin pintou as suas telas mais célebres?Leia a resposta

      Em 1690, que compreende 2 das 6 obras desta página, Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier entre elas.

      Quais são a primeira e a última das telas famosas de Ruknuddin?Leia a resposta

      A tela mais antiga aqui é de Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier (1690); a mais recente é de Asavari Ragini: Folio from a Ragamala Series (1694).

      Com o que Ruknuddin costumava pintar?Leia a resposta

      Watercolor, utilizado em 3 das 6 obras nesta página.

      O que posso ver de Ruknuddin no Cleveland Museum of Art?Leia a resposta

      O Cleveland Museum of Art, Cleveland detém 2 das obras desta página, entre elas Maharaja Anup Singh of Bikaner (reigned 1669–98) Receives a Courtier e Ladies of the Zenana (Womens’ Quarters) on a Terrace at Night.

      Posso encomendar uma cópia pintada à mão de uma obra de Ruknuddin?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Ruknuddin: a história do pintor

      early life and career

      ruknuddin, a celebrated artist of the bikaner painting atelier, was born in 1666 in india. he is known for his exquisite mastery of brushwork and portraiture, which defined the bikaner school in the second half of the seventeenth century.

      artistic style and influences

      ruknuddin's work is characterized by a unique blend of mughal and deccan influences, reflecting the hybrid style of the bikaner atelier. his long and established career was marked by his rise to the position of workshop director under the ruler anup singh (r. 1669–98). this close contact with the mughal shaili infused his personal style with a romantic and delicate quality.

      notable works

      * ruknuddin's asavari ragini: folio from a ragamala series (1694) is a notable example of his work, showcasing his mastery of watercolor. this painting can be found in the collection at TopImpressionists's ruknuddin gallery. * another significant piece, kedar ragini, demonstrates ruknuddin's skill in capturing the essence of bikaner's unique style.

      legacy and significance

      ruknuddin's contributions to the bikaner school have been instrumental in shaping the region's artistic identity. his influence can be seen in various aspects of indian art, from the use of watercolor to the emphasis on portraiture. experience the beauty of ruknuddin's bikaner paintings with TopImpressionists's expertly crafted reproductions.