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      Sofie Fohn, 1899 – 1990

      As 17 pinturas mais famosas de Sofie Fohn, classificadas

      A pintura mais amada de Sofie Fohn é Seated Polish Woman in Costume (painted in Paris 1932) (1933), que está exposta no Bavarian State Painting Collections, Munique. Market in Olevano Romano (1944) e Motif in Villa Adriana, Tivoli (1942) vêm a seguir entre as telas que os leitores mais conhecem. O nosso catálogo contém 21 obras de Sofie Fohn: aqui estão as 17 mais famosas, cada uma com o seu ano, o seu museu e o que a torna memorável.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Novembro 2026.

      Retrato de Sofie Fohn
      Sofie Fohn · 1899 – 1990
      Nascimento · falecimento
      1899 – 1990, Munich
      Obras em nosso catálogo
      21
      As mais famosas
      Seated Polish Woman in Costume (painted in Paris 1932) (1933)
      Mais obras em
      Bavarian State Painting Collections

      As 10 principais pinturas de Sofie Fohn: as telas que todos conhecem

      Mais telas de Sofie Fohn, de 11 a 17

      Oil Trees de Sofie Fohn
      #15

      Oil Trees

      Bavarian State Painting Collections

      Onde as telas de Sofie Fohn estão expostas

      O museu que detém a maioria das pinturas desta página.

      Museus Cidade Obras de Sofie Fohn Pinturas desta lista
      Bavarian State Painting Collections, MuniqueBavarian State Painting Collections Munique 17 Seated Polish Woman in Costume (painted in Paris 1932), Market in Olevano Romano, Motif in Villa Adriana, Tivoli

      A tela mais amada de cada década de Sofie Fohn

      1. 1930s
      2. 1940s
      3. 1950s
      4. 1960s

      Sobre as telas de Sofie Fohn: suas perguntas respondidas

      Qual é a pintura mais conhecida de Sofie Fohn?Leia a resposta

      Seated Polish Woman in Costume (painted in Paris 1932) (1933), Bavarian State Painting Collections, Munique. Seguidos por Market in Olevano Romano (1944) e Motif in Villa Adriana, Tivoli (1942).

      Qual era a idade de Sofie Fohn quando Seated Polish Woman in Costume (painted in Paris 1932) foi pintada?Leia a resposta

      Sofie Fohn, nascido(a) em 1899, tinha 34 anos: Seated Polish Woman in Costume (painted in Paris 1932) data de 1933.

      Quais são as 10 pinturas mais famosas de Sofie Fohn?Leia a resposta

      Seated Polish Woman in Costume (painted in Paris 1932), Market in Olevano Romano, Motif in Villa Adriana, Tivoli, In the Villa Adriana, In the Villa Adriana near Tivoli, Motif in Olevano Romano at the Fountain, Self-Portrait with Fever at the Easel in Kastelruth, Mushroom Still Life on Blue Paper, Garden Flowers in the Enamel Jug e Peach Still Life. Cada tela no ranking acima inclui o seu ano e o seu museu.

      Quantas obras Sofie Fohn pintou ao todo?Leia a resposta

      21 obras de Sofie Fohn estão em nosso catálogo, datadas de 1933 a 1965.

      Onde posso ver as telas mais famosas de Sofie Fohn?Leia a resposta

      Principalmente em Bavarian State Painting Collections (Munique); a lista acima indica cada museu e as suas telas.

      Quando é que Sofie Fohn pintou as suas telas mais amadas?Leia a resposta

      Em 1940s, que compreende 10 das 17 obras desta página, Market in Olevano Romano entre elas.

      Quais são as primeiras e as últimas telas famosas de Sofie Fohn?Leia a resposta

      A tela mais antiga aqui é de Seated Polish Woman in Costume (painted in Paris 1932) (1933); a mais recente é de Flowers in Blue Glass Vase (1965).

      Quais telas de Sofie Fohn estão expostas no Bavarian State Painting Collections?Leia a resposta

      O Bavarian State Painting Collections, Munique detém 17 das obras desta página, entre elas Seated Polish Woman in Costume (painted in Paris 1932), Market in Olevano Romano e Motif in Villa Adriana, Tivoli.

      Sofie Fohn: uma vida em pintura

      A Life in Munich

      Born in Munich, Germany, in 1899, Sofie Fohn lived through a century of profound transformation. While many remember the era for its political upheaval, her life was deeply intertwined with the quiet, persistent act of preserving culture. She was a painter, but her legacy is also defined by her role as an art collector alongside Emanuel Fohn. Together, they navigated a period where art was often caught in the crosshairs of ideology, working to protect works that were at risk of being lost to history.

      Her connection to the city of Munich remained a constant thread throughout her life. It was a place of deep artistic tradition, and she moved through its spaces as both a creator and a guardian of the visual arts. By the time she passed away in 1990, she had seen the world change many times over, yet her commitment to the survival of art remained steady.

      The Act of Preservation

      The work of Sofie Fohn extended beyond the canvas. During a time when many modern works were being seized or sold off under political pressure, she and Emanuel Fohn made a deliberate choice to intervene. They sought out pieces that were being marginalized, using their resources to ensure these works remained in safe hands. This was not merely a hobby; it was a response to the instability of the era.

      Their efforts resulted in a significant collection that eventually found its way into public hands. This collection included a variety of media and formats, such as:

      • Oil paintings
      • Gouaches and watercolors
      • Drawings
      • Prints
      • Textile works

      In 1964, a portion of this collection was donated to the Bavarian State Painting Collections. This gift ensured that the works they had rescued would be available for others to see, moving from private protection into the public light.

      A Lasting Legacy

      The significance of Sofie Fohn lies in the intersection of her own creative life and her dedication to the survival of art. By collecting works that were threatened by totalitarianism, she helped maintain a link to the modern movements that might otherwise have been erased. Her life reflects a quiet resistance, found in the simple, necessary act of keeping art alive for the next generation.