De todas as pinturas de Anton Raphael Mengs, Johann Joachim Winckelmann (1717–1768) (1777) é a mais famosa; está exposta no Metropolitan Museum of Art, em Nova York. Logo atrás vêm Perseus and Andromeda (1774) e Parnassus (study) (1760). Entre as 128 obras de Anton Raphael Mengs em nosso catálogo, estas 100 são as mais celebradas, cada uma apresentada com a sua data, o seu museu e a sua história.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.
O retrato de 1777 de Johann Joachim Winckelmann, obra de Anton Raphael Mengs, é muito mais do que uma simples semelhança; é a personificação visual do movimento neoclássico em ascensão e um vislumbre pungente do fervor intelectual da Roma do século XVIII. Esta íntima pintura de meio corpo captura Winckelmann, o pai da história da arte, em uma pose que diz muito sobre sua profunda influência no pensamento artístico ocidental.…
Anton Raphael Mengs’ “Perseus and Andromeda” stands as a cornerstone of Neoclassicism, capturing the spirit of Enlightenment ideals within a breathtaking depiction of Greek mythology. Painted in 1774, this monumental oil on canvas transcends mere representation; it embodies a profound philosophical statement about beauty, morality, and triumph over adversity—themes central to the artistic sensibilities of its time.
Anton Raphael Mengs' "Parnassus (Study)," painted in 1760, isn’t merely a depiction of a classical scene; it’s a carefully constructed meditation on knowledge, aspiration, and the burgeoning spirit of Neoclassicism. This intimate study, far removed from the grand scale of his later frescoes, offers an unparalleled intimacy with Mengs' artistic process – a rare opportunity to witness the genesis of a masterpiece. The painting captures a gathering around a statue…
A Portrait Steeped in Classical Grace: Exploring Anton Raphael Mengs’ Maria Luisa of Parma Anton Raphael Mengs' "Maria Luisa of Parma" stands as a testament to the burgeoning neoclassical movement that captivated Europe during the mid-18th century. More than just a depiction of royalty, this painting embodies the philosophical ideals of the Enlightenment – reason, order, and an unwavering admiration for antiquity – reflecting Mengs’ own formative years spent absorbing…
Anton Raphael Mengs' "Self Portrait," painted in 1774, isn’t merely a likeness; it’s a carefully constructed tableau of intellectual ambition and introspective melancholy. Captured with the precision characteristic of the Neoclassical movement, this painting offers a rare glimpse into the mind of an artist grappling with his burgeoning fame and the weighty expectations placed upon him. The image immediately draws the eye to the subject's face – a man in…
In the quietude of Anton Raphael Mengs’ “The Holy Family,” one finds more than just a religious tableau; one encounters a profound manifesto of the Neoclassical spirit. Created around 1760, this masterpiece serves as a deliberate and masterful departure from the swirling, ornamental excesses of the Rococo era. Instead of theatrical drama or gilded frivolity, Mengs invites the viewer into a realm of noble simplicity and rational grace. The painting…
Anton Raphael Mengs’ “The Penitent Magdalene,” painted in 1752, is not merely a depiction of a biblical figure; it's an immersive experience of sorrow, introspection, and the enduring power of repentance. The painting immediately draws the viewer into a scene of quietude – a woman, draped in simple robes, rests propped against what appears to be a natural embankment, her hand gently supporting her head. This isn’t a dramatic portrayal…
The air within the frame feels heavy with the weight of silk and ceremony. A young boy, Archduke Ferdinand, stands in the foreground, his presence anchored by a bright yellow coat that catches the light. He holds a medal, its golden surface glinting with the insignia of the Golden Fleece, a quiet declaration of his noble lineage. Behind him, the scene unfolds with a theatrical grace; an infant sits within…
The young Infante Francisco Javier sits with a heavy, quiet dignity that belies his years. He is wrapped in the weight of his station, dressed in a waistcoat of deep golden-orange, its surface crowded with intricate embroidery that catches the light. A bright orange sash cuts across his chest, a sharp line of ceremonial color against the dark, atmospheric background. To his side, a heavy curtain of emerald green falls…
Anton Raphael Mengs’ “Charles IV as Prince” is more than just a portrait; it's a meticulously crafted window into the heart of 18th-century Spanish courtly life. Completed in 1765, this oil on canvas painting residing within the Museo del Prado in Madrid stands as a testament to Mengs’ mastery of Neoclassical style and his profound understanding of capturing both likeness and character. The work immediately draws the eye with its…
A single sunflower rests in the palm of a woman. She is seen in profile, her gaze fixed upon the yellow petals with a quiet, heavy stillness. The…
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In this three-quarter length portrait, we encounter the young Antonio Pascual de Borbón y Sajonia, an Infante of Spain, captured with a quiet, poised intensity. The subject faces…
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In this 1775 portrait, we encounter Pope Clement XIII not merely as a religious figure, but as a man of profound institutional weight. The composition is a half-length…
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The Queen sits in a three-quarter length pose, her presence anchored by the weight of heavy silk brocade. Her gown, a pale pink, catches the light in a…
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The face of George, third Earl Cowper, emerges from a dark, umber void. He is caught in a moment of quietude, his gaze directed slightly away from the…
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The young Infanta Maria Theresa stands before us, a small figure enveloped in the heavy splendor of an eighteenth-century court. She is caught in a moment of quiet…
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The light enters from the upper left, a steady beam that catches the luminous, silvery-white of a silk gown. Maria Carolina of Austria sits in a three-quarter length…
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In this portrait, we find Maria Luisa of Spain seated with a poised, quiet dignity. The composition is a three-quarter length view, placing her centrally within an ornate…
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Alberico Archinto sits in a three-quarter pose, his presence defined by the weight of his office and the quiet gravity of his station. Seated in an ornate gilded…
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In this portrait from 1773, we encounter Saint Peter not as a distant figure of myth, but with a heavy, sculptural presence that commands the space. The composition…
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The painting Noli me tangere by Anton Raphael Mengs captures a profound moment of recognition within a garden setting. It depicts Christ appearing to Mary in the Garden…
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In this 1761 portrait, we encounter Maria Amalia of Saxony presented with a quiet, commanding presence. She is seated centrally, her gaze meeting ours with a directness that…
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The Portrait of William Burton Conyngham is a work by the artist Anton Raphael Mengs. The subject of the portrait is William Burton Conyngham, an Irish aristocrat. This…
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A Portrait Steeped in Classical Grace: Anton Raphael Mengs' Maria Luisa of Parma The painting “Maria Luisa of Parma” by Anton Raphael Mengs stands as a testament to…
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This bust-length portrait presents a man positioned slightly off-center, facing the viewer with a direct and steady gaze. The subject is rendered with high technical precision, emphasizing the…
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The air within the frame feels heavy with a quiet, holy peace. The Virgin Mary sits at the center of this intimate gathering, her presence anchoring the composition…
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In this 1776 work, titled Self-portrait, the artist Anton Raphael Mengs presents us with a quiet, introspective study of his own likeness. Executed in Madrid, the painting captures…
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In this 1767 portrait, we encounter Maria Josefa de Lorena, Archduchess of Austria, captured in a moment of quiet, regal composure. The composition is a three-quarter length study,…
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Light descends through the architecture of the Chiesa di Sant'Eusebio in Rome. In this celestial space, the ceiling opens to a golden glow. The central figure of St…
A Moment of Imperial Grace The Archduchess Maria Teresa of Austria stands before us in a moment of quiet, formal dignity. She occupies the space with a poised,…
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This oil on canvas work, titled Portrait of a Boy, was executed by the artist Anton Raphael Mengs in 1753. Known in its original German context as Bildnis…
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Anton Raphael Mengs executed this oil on canvas portrait of an unidentified woman. Dating to the 18th century, the work belongs to the genre of portraiture. The sitter…
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The portrait presents Ismael Mengs in a close-up bust composition, positioned slightly off-center against an indistinct, dark background. Light enters from the upper left, carving the facial structure…
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In this 1758 portrait, we are invited into the private, contemplative space of Father Francesco Pepe. The subject is presented in a three-quarter view, his presence defined by…
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The painting depicts a serene and spiritually evocative scene of divine revelation. The composition is centered on two primary figures: an older, weary man, identified as St. Joseph,…
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A profound stillness settles over the scene as the earthly and celestial spheres collide. In the lower half of the composition, the Virgin Mary and the Archangel Gabriel…
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The oil on canvas titled Head of an Apostle is a work by the artist Anton Raphael Mengs. Created in 1764, this piece emerges from the German School.…
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In this 1774 oil painting, we find St. John the Baptist caught in a profound moment of spiritual supplication. The figure is positioned vertically, his arms raised toward…
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This oil on canvas portrait depicts Prince James Francis Edward Stuart. The work is attributed to the artist Anton Raphael Mengs. It dates to 1740. The subject of…
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The portrait depicts Pope Clement XIII in a three-quarter length seated position. He is positioned slightly off-center against a muted, architectural background of warm ochre and shadows. The…
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The Portrait of State Minister Baron Wilhelm von Edelsheim emerges from the canvas as a quiet encounter with a man of significant influence. Painted by Anton Raphael Mengs,…
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In Cupid by Anton Raphael Mengs, the composition centers on a close-up view of a cherubic child. The figure is positioned intimately, pulling the viewer into a private…
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Step closer to observe the young Archduke Francis of Austria. In this 1770 portrait, we encounter a child who already carries the weight of his lineage with a…
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The portrait presents Francesco Saverio de Zelada in a three-quarter view, positioned against a dark, atmospheric background. The subject is an elderly man, depicted from the upper torso…
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In this three-quarter length portrait, a young woman is positioned slightly off-center, her body angled toward the left while her gaze meets the viewer directly. She is depicted…
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The portrait presents a three-quarter length view of a young man, positioned slightly off-center against a dark, muted olive-green background. The subject is depicted with a calm and…
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The subject emerges from a pale, luminous haze, an allegorical figure of Pleasure captured in an oval frame. She is a vision of Rococo grace, her form rendered…
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The portrait of Maria Luisa of Parma by Anton Raphael Mengs captures a moment of quiet aristocratic poise. Painted in 1765, the work presents the young Maria Luisa…
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A single light source carves a path through the darkness, illuminating a face turned toward a wooden cross. The woman’s skin is smooth, a pale contrast to the…
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In this somber and dignified monochrome portrait, Anton Raphael Mengs presents us with an elderly man, likely a Capuchin monk, in a moment of quiet reflection. The composition…
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Anton Raphael Mengs' "Portrait of the Singer Domenico Annibaldi," painted in 1750, is more than just a likeness; it’s a meticulously crafted tableau of Baroque elegance and aristocratic…
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A young man gazes outward from a three-quarter view, his expression calm and introspective. The portrait is rendered in grayscale, utilizing a chiaroscuro effect to define the contours…
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In this formal portrait, we encounter the Portrait of King Charles III of Spain, a work executed by the artist Anton Raphael Mengs. The painting captures the monarch,…
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In this Neoclassical oil painting, we find ourselves looking upward, drawn into a moment of profound spiritual ascension. The composition is centered on the Virgin Mary, a single…
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A three-quarter length portrait depicts Gabriel de Borbón y Sajonia, Infante of Spain, positioned slightly off-center against a background containing a classical stone pillar. The subject wears a…
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In the quiet, shadowed depths of a wooden stable, a singular, celestial light breaks through the gloom, illuminating a moment of profound spiritual intimacy. Anton Raphael Mengs’ “The…
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The painting presents a vertical arrangement that connects a terrestrial foreground with a celestial upper zone. In the lower portion of the canvas, the Virgin Mary and the…
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This captivating self-portrait by Anton Raphael Mengs transports us directly into the intellectual atmosphere of the mid-eighteenth century. The subject, portrayed with an arresting directness, meets the viewer's…
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In this portrait, we encounter Maria Carolina of Habsburg-Lorraine, Queen of Naples, presented with a quiet, commanding presence. The sitter is captured in a three-quarter length pose, her…
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To gaze upon this depiction of The Holy Family is to step directly into the refined, intellectual atmosphere of late 18th-century European art. Painted in 1769, this work…
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In the profound stillness of the natural world, Anton Raphael Mengs captures a moment of spiritual transcendence in his masterpiece, St. John the Baptist Preaching in the Wilderness.…
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A Window Into Enlightenment Thought: Mengs' Portrait of Winckelmann Anton Raphael Mengs’ 1761 portrait of Johann Joachim Winckelmann stands as a testament to the burgeoning artistic and intellectual…
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In the delicate transition between the exuberant flourishes of the Rococo and the disciplined clarity of Neoclassicism, Anton Raphael Mengs’s 1757 masterpiece, “William Fermor,” emerges as a profound…
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Portrait of doña Isabel Parreño Arce Ruiz de Alarcón, marquise de Llano. Standing up on a balcony. In the right hand a mask, on the left side of…
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In this intimate oil portrait, we find ourselves face to face with a young man captured in a moment of quiet contemplation. The composition is tight, a three-quarter…
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In the quiet, shadowed depths of a wooden stable, a singular, celestial light breaks through the gloom, illuminating a moment of profound spiritual intimacy. Anton Raphael Mengs’ The…
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The painting's creation coincided with a transformative period in European art history. Following the exuberant excesses of Rococo, neoclassicism emerged as a reaction against ornamentation and sentimentality, drawing…
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The scene unfolds within the oil on canvas work titled Architect and His Muse. Portrait of James Caulfield, Lord Charlemont. Created by the artist Anton Raphael Mengs, this…
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Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.
Os 8 museus que detêm a maioria das pinturas desta página.
| Museu | Cidade | Obras de Anton Raphael Mengs | Pinturas desta lista |
|---|---|---|---|
 Museu do Prado |
Madrid | 25 | Maria Luisa of Parma, Archduke Ferdinand and Archduchess Maria Anna of Austria, Infante Francisco Javier of Spain (1757-1771) |
 Kunsthistorisches Museum |
Viena | 6 | Infanta Maria Theresa of Naples (1772-1807), Peter the Apostle, Madonna with Child and Two Angels |
 Statens Museum For Kunst |
Copenhague | 5 | Clytia, Cupid, Portrait of King Charles III of Spain |
 Museu Hermitage |
São Petersburgo | 7 | Perseus and Andromeda, Parnassus (study), The Annunciation |
 Staatliche Kunsthalle Karlsruhe |
Karlsruhe | 4 | Portrait of a Boy, Portrait of State Minister Baron Wilhelm von Edelsheim, Epictetus |
 Metropolitan Museum of Art |
Nova York | 5 | Johann Joachim Winckelmann (1717–1768), Pleasure, Portrait of Johann Joachim Winckelman |
 Staatliche Kunstsammlungen Dresden |
Dresden | 3 | Ismael Mengs, the father of the artist, The Singer Caterina Regina Mingotti (1722-1807), Self-portrait in a blue mantle |
 Szépművészeti Múzeum |
Budapeste | 2 | The Holy Family, The Holy Family |
The portrait presents Ismael Mengs in a close-up bust composition, positioned slightly off-center against an indistinct, dark background. Light enters from the upper left, carving the facial structure…
Anton Raphael Mengs’ “The Penitent Magdalene,” painted in 1752, is not merely a depiction of a biblical figure; it's an immersive experience of sorrow, introspection, and the enduring…
Anton Raphael Mengs' "Parnassus (Study)," painted in 1760, isn’t merely a depiction of a classical scene; it’s a carefully constructed meditation on knowledge, aspiration, and the burgeoning spirit…
O retrato de 1777 de Johann Joachim Winckelmann, obra de Anton Raphael Mengs, é muito mais do que uma simples semelhança; é a personificação visual do movimento neoclássico…
Johann Joachim Winckelmann (1717–1768) (1777), Metropolitan Museum of Art, Nova York. Seguidos por Perseus and Andromeda (1774) e Parnassus (study) (1760).
Anton Raphael Mengs, nascido(a) em 1728, tinha 49 anos: Johann Joachim Winckelmann (1717–1768) data de 1777.
Johann Joachim Winckelmann (1717–1768), Perseus and Andromeda, Parnassus (study), Maria Luisa of Parma, Self Portrait, The Holy Family, The Penitent Magdalene, Archduke Ferdinand and Archduchess Maria Anna of Austria, Infante Francisco Javier of Spain (1757-1771) e Charles IV as Prince. Cada tela no ranking acima inclui o seu ano e o seu museu.
128 obras de Anton Raphael Mengs estão em nosso catálogo, datadas de 1740 a 1779.
Principalmente em Museu do Prado (Madrid), Kunsthistorisches Museum (Viena) e Statens Museum For Kunst (Copenhague); a lista acima indica cada museu e as suas telas.
Em 1760s, que compreende 36 das 100 obras desta página, Parnassus (study) entre elas.
A tela mais antiga aqui é de Prince James Francis Edward Stuart (1740); a mais recente é de Maria Antonia Walpurgis, Hereditary Electress of Saxony, 1724-1780 (1779).
Man (23), Woman (17) e Lace (16), entre as 100 obras nesta página.
Oil On Canvas, utilizado em 44 das 100 obras nesta página.
Neoclassicismo, como mostram as telas nesta página.
O Museu do Prado, Madrid detém 22 das obras desta página, entre elas Maria Luisa of Parma, Archduke Ferdinand and Archduchess Maria Anna of Austria e Infante Francisco Javier of Spain (1757-1771).
Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.
