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      Aubrey Beardsley, 1872 – 1898

      As 100 pinturas mais famosas de Aubrey Beardsley, classificadas

      A pintura mais amada de Aubrey Beardsley é Frontispiece for 'The Yellow Book: An Illustrated Quarterly' (1894), que está exposta no Yale Center for British Art, New Haven. La Beale Isoud at Joyous Gard (1894) e The Climax vêm a seguir entre as telas que os leitores mais conhecem. O nosso catálogo contém 242 obras de Aubrey Beardsley: aqui estão as 100 mais famosas, cada uma com o seu ano, o seu museu e o que a torna memorável.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Aubrey Beardsley
      Aubrey Beardsley · 1872 – 1898
      Nascimento · falecimento
      1872 – 1898, Brighton
      Movimento
      Art nouveau
      Obras em nosso catálogo
      242
      As mais famosas
      Frontispiece for 'The Yellow Book: An Illustrated Quarterly' (1894)
      Mais obras em
      Biblioteca Britânica

      As 10 principais pinturas de Aubrey Beardsley: as telas que todos conhecem

      Frontispiece for 'The Yellow Book: An Illustrated Quarterly' (1894) de Aubrey Beardsley
      1

      Frontispiece for 'The Yellow Book: An Illustrated Quarterly'

      1894 · Ink · Yale Center for British Art, New Haven

      In the twilight of the Victorian era, a singular voice emerged from the shadows of Brighton to redefine the boundaries of graphic art. Aubrey Vincent Beardsley’s 'Frontispiece for The Yellow Book' is not merely an illustration; it is a profound manifesto of the Decadent movement, captured in a breathtaking dance of ink and void. Created in 1894, this work serves as a gateway into a world where elegance meets the…

      Hand-painted oil reproduction from $203 29 × 34 cm
      La Beale Isoud at Joyous Gard (1894) de Aubrey Beardsley
      2

      La Beale Isoud at Joyous Gard

      1894 · Engraving

      La Beale Isoud at Joyous Gard is an illustration created by the artist Aubrey Beardsley in 1894. This work originated from a commission to illuminate a new edition of Le Morte d’Arthur by Thomas Malory. The edition was released by the publisher J.M. Dent. The piece functions as a visual accompaniment to the medieval narrative, specifically focusing on the character of La Beale Isoud. She is identified in the text…

      Hand-painted oil reproduction from $178 27 × 36 cm
      The Climax de Aubrey Beardsley
      3

      The Climax

      Ink On Paper

      The Climax emerges from the ink of Aubrey Beardsley, a figure who arrived in the artistic landscape with a sudden, sharp intensity. Born on August 21, 1872, in Brighton, United Kingdom, Beardsley carries the weight of a life cut short; he dies at the age of 25 from tuberculosis. This specific illustration, created in 1893, exists as one of sixteen pieces commissioned for the publication of the play Salome. It…

      Hand-painted oil reproduction from $178 27 × 37 cm
      The Scarlet Pastorale de Aubrey Beardsley
      4

      The Scarlet Pastorale

      Ink On Paper

      In this monochrome illustration, we find ourselves drawn into a staged moment of high drama. The scene is set upon a darkened stage, where a central figure—a man dressed in a diamond-patterned costume—appears caught in a mid-performance gesture. He is a harlequinned pierrot, a figure of both comedy and melancholy, surrounded by other masked characters who linger in the shadows of the background. The composition is vertically oriented, pulling the…

      Hand-painted oil reproduction from $278 27 × 37 cm
      The cover of The Yellow Book (1894) de Aubrey Beardsley
      5

      The cover of The Yellow Book

      1894 · Ink

      The Aubrey Vincent Beardsley painting, The cover of The Yellow Book, is a quintessential representation of the Art Nouveau style. Created in 1894, this iconic piece showcases Beardsley's unique ability to blend elegance and simplicity. As a prominent figure in the Art Nouveau movement, Beardsley's work continues to inspire artists and art enthusiasts alike. Background and Inspiration Beardsley's The cover of The Yellow Book was designed for the first issue…

      Hand-painted oil reproduction from $178 29 × 35 cm
      The Black Cape (1894) de Aubrey Beardsley
      6

      The Black Cape

      1894 · Ink On Paper

      In the evocative realm of 1894, Aubrey Vincent Beardsley captured a moment of profound theatricality with his ink drawing, The Black Cape. This masterpiece of the Art Nouveau movement presents a captivating study of a woman caught in a dynamic, almost breathless pose. As she lifts her skirt, there is an undeniable sense of movement and mystery, as if the viewer has stumbled upon a private, fleeting instant of revelation.…

      Hand-painted oil reproduction from $178 27 × 37 cm
      Ali Baba in the Woods (1897) de Aubrey Beardsley
      9

      Ali Baba in the Woods

      1897 · Lithography

      In this lithograph from 1897, we find ourselves drawn into a theatrical, almost unsettling moment from the tale of Ali Baba. The scene is stripped of color, relying entirely on a monochrome palette of black, white, and grey to establish its mood. A central figure dominates the left side of the composition, his body elongated and his arms outstretched in a gesture that feels both summoning and desperate. His expression…

      Hand-painted oil reproduction from $178 26 × 38 cm

      Mais telas de Aubrey Beardsley, de 11 a 100

      Salomé, Plate 3 (1906) de Aubrey Beardsley
      #52

      Salomé, Plate 3

      1906 · Biblioteca Britânica

      Salomé, Plate 3 is a lithography print created by Aubrey Beardsley. Published by John Lane, this work functions as a cover design from a portfolio of drawings by…

      Chopin de Aubrey Beardsley
      #64

      Chopin

      In this lithograph, we find ourselves drawn into a quiet, monochromatic world where the boundaries between reality and a storybook dream begin to blur. A woman, draped in…

      Encomende esta tela from $178 →

      As telas de Aubrey Beardsley, período por período

      O que Aubrey Beardsley mais pintou

      Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.

      Onde as telas de Aubrey Beardsley estão expostas

      Os 3 museus que detêm a maioria das pinturas desta página.

      Museus Cidade Obras de Aubrey Beardsley Pinturas desta lista
      Biblioteca Britânica, LondonBiblioteca Britânica London 2 Salomé, Plate 9, Salomé, Plate 3
      Yale Center for British Art, New HavenYale Center for British Art New Haven 1 Frontispiece for 'The Yellow Book: An Illustrated Quarterly'
      Bratislava City Gallery, BratislavaBratislava City Gallery Bratislava 1 Cover 1894

      As telas mais amadas de Aubrey Beardsley, ano a ano

      As telas datadas de Aubrey Beardsley nesta página abrangem apenas 6 anos, de 1893 a 1898: acompanhe-as ano a ano, sob a sua própria luz.

      1. 1893
        Waiting (1893) de Aubrey Beardsley
        Classificado em 17 de 100

        Waiting

        Idade: 21
      2. 1893
      3. 1893
      4. 1893
      5. 1893
      6. 1894
      7. 1894
        La Beale Isoud at Joyous Gard (1894) de Aubrey Beardsley
        2 de 100

        La Beale Isoud at Joyous Gard

        Idade: 22

        La Beale Isoud at Joyous Gard is an illustration created by the artist Aubrey Beardsley in 1894. This work originated from a commission to illuminate a new edition…

      8. 1894
        The cover of The Yellow Book (1894) de Aubrey Beardsley
        Tela 5 de 100

        The cover of The Yellow Book

        Idade: 22

        The Aubrey Vincent Beardsley painting, The cover of The Yellow Book, is a quintessential representation of the Art Nouveau style. Created in 1894, this iconic piece showcases Beardsley's…

      9. 1894
        The Black Cape (1894) de Aubrey Beardsley
        6 de 100

        The Black Cape

        Idade: 22

        In the evocative realm of 1894, Aubrey Vincent Beardsley captured a moment of profound theatricality with his ink drawing, The Black Cape. This masterpiece of the Art Nouveau…

      10. 1894
      11. 1894
      12. 1895
      13. 1895
      14. 1895
      15. 1896
      16. 1896
      17. 1896
      18. 1896
      19. 1896
      20. 1897
        Ali Baba in the Woods (1897) de Aubrey Beardsley
        Tela 9 de 100

        Ali Baba in the Woods

        Idade: 25

        In this lithograph from 1897, we find ourselves drawn into a theatrical, almost unsettling moment from the tale of Ali Baba. The scene is stripped of color, relying…

      21. 1897
        Adulterer (1897) de Aubrey Beardsley
        Classificado em 11 de 100

        Adulterer

        Idade: 25
      22. 1897
      23. 1897
      24. 1897
      25. 1898

      Sobre as telas de Aubrey Beardsley: suas perguntas respondidas

      Qual é a pintura mais conhecida de Aubrey Beardsley?Leia a resposta

      Frontispiece for 'The Yellow Book: An Illustrated Quarterly' (1894), Yale Center for British Art, New Haven. Seguidos por La Beale Isoud at Joyous Gard (1894) e The Climax.

      Qual era a idade de Aubrey Beardsley quando Frontispiece for 'The Yellow Book: An Illustrated Quarterly' foi pintada?Leia a resposta

      Aubrey Beardsley, nascido(a) em 1872, tinha 22 anos: Frontispiece for 'The Yellow Book: An Illustrated Quarterly' data de 1894.

      Quais são as 10 pinturas mais famosas de Aubrey Beardsley?Leia a resposta

      Frontispiece for 'The Yellow Book: An Illustrated Quarterly', La Beale Isoud at Joyous Gard, The Climax, The Scarlet Pastorale, The cover of The Yellow Book, The Black Cape, The Yellow Book, Sir Launcelot and the Witch Hellawes, Ali Baba in the Woods e Caprice. Verso: Masked Woman with a White Mouse. Cada tela no ranking acima inclui o seu ano e o seu museu.

      Quantas obras Aubrey Beardsley pintou ao todo?Leia a resposta

      242 obras de Aubrey Beardsley estão em nosso catálogo, datadas de 1893 a 1898.

      Onde posso ver as telas mais famosas de Aubrey Beardsley?Leia a resposta

      Principalmente em Biblioteca Britânica (London), Yale Center for British Art (New Haven) e Bratislava City Gallery (Bratislava); a lista acima indica cada museu e as suas telas.

      Quando é que Aubrey Beardsley pintou as suas telas mais amadas?Leia a resposta

      Em 1894, que compreende 21 das 100 obras desta página, Frontispiece for 'The Yellow Book: An Illustrated Quarterly' entre elas.

      Quais são as primeiras e as últimas telas famosas de Aubrey Beardsley?Leia a resposta

      A tela mais antiga aqui é de Waiting (1893); a mais recente é de Initial Letter 'V' to Volpone (1898).

      O que Aubrey Beardsley mais pintou?Leia a resposta

      Characters (29), Women (13) e Men (11), entre as 100 obras nesta página.

      Com qual técnica Aubrey Beardsley pintou com mais frequência?Leia a resposta

      Ink On Paper, utilizado em 4 das 100 obras nesta página.

      A que movimento pertence a pintura de Aubrey Beardsley?Leia a resposta

      Art nouveau, como mostram as telas nesta página.

      Quais telas de Aubrey Beardsley estão expostas no Biblioteca Britânica?Leia a resposta

      O Biblioteca Britânica, London detém 2 das obras desta página, entre elas Salomé, Plate 9 e Salomé, Plate 3.

      Posso comprar uma reprodução de uma tela de Aubrey Beardsley?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Aubrey Beardsley: uma vida em pintura

      Early Life and Career

      Aubrey Vincent Beardsley (August 21, 1872 – March 16, 1898) was a prodigious English illustrator and writer whose life unfolded amidst considerable social turbulence and profound emotional depth. Born in Brighton, Sussex, England, he faced recurring bouts of tuberculosis throughout his formative years—a condition that would tragically curtail his artistic endeavors. Despite the debilitating illness, Beardsley’s mother nurtured his innate talent for art, fostering a passion for music and literature that would shape his intellectual pursuits. His early artistic inclinations were evident in his meticulous drawings and sketches, demonstrating an exceptional sensitivity to detail and form.

      Artistic Style and Influences

      Beardsley's distinctive visual language was profoundly impacted by Japanese woodcuts—a stylistic convergence that championed grotesque imagery, decadent themes, and erotic explorations. This influence permeated his oeuvre, resulting in compositions characterized by intricate layering, refined lines, and a deliberate disregard for conventional aesthetic standards. He skillfully blended symbolism with realism, creating unsettling yet captivating scenes that interrogated societal anxieties and psychological complexities. Notably, Beardsley’s contribution to the burgeoning Art Nouveau movement was substantial, establishing him as a pivotal figure within this avant-garde artistic milieu.

      Notable Works and Collaborations

      Beardsley achieved widespread recognition through his collaborations on seminal projects such as Oscar Wilde's play *Salome*, where he delivered breathtaking illustrations that captured the drama’s unsettling atmosphere and perverse eroticism. Furthermore, he served as a co-founder of *The Yellow Book*, a magazine dedicated to disseminating Art Nouveau aesthetics—a platform that showcased Beardsley’s artistic prowess and solidified his position at the forefront of stylistic innovation. His prolific output encompassed numerous books and drawings, presenting a comprehensive panorama of his artistic vision. Among his most celebrated works are *Tannhauser* and *Billet doux*, demonstrating his mastery of technique and thematic exploration.

      Legacy and Impact

      Aubrey Beardsley’s artistic legacy extends far beyond the confines of Victorian England, resonating powerfully within subsequent generations of artists. His influence can be discerned in the stylistic choices of French Symbolists and later Art Nouveau practitioners—a testament to his enduring impact on visual culture. He challenged prevailing notions of beauty and morality, advocating for an uncompromising embrace of darkness and transgression as conduits for artistic expression. Beardsley’s unflinching gaze into the human psyche continues to inspire artists today, cementing his place as a visionary whose work transcends temporal boundaries.

      Key Artworks and Museums Featuring Beardsley's Work

      Beardsley’s oeuvre encompasses several iconic pieces that exemplify his singular artistic style—most notably *The Climax*, which captures the essence of Art Nouveau’s grandeur and unsettling beauty. Another noteworthy contribution is *Isolde*, a haunting depiction imbued with symbolic resonance and psychological depth. These artworks are housed in prominent museums across Europe, offering visitors an opportunity to immerse themselves in Beardsley's artistic universe and contemplate his enduring significance as a pioneer of modern illustration.