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      George Henry, 1828 – 1895

      As 55 pinturas mais famosas de George Henry, classificadas

      A pintura mais amada de George Henry é Japanese Lady with a Fan (1894). A Galloway Landscape (1889) e The Druids Bringing in the Mistletoe (1890) vêm a seguir entre as telas que os leitores mais conhecem. O nosso catálogo contém 55 obras de George Henry: aqui estão as 55 mais famosas, cada uma com o seu ano, o seu museu e o que a torna memorável.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de George Henry
      George Henry · 1828 – 1895
      Nascimento · falecimento
      1828 – 1895
      Movimento
      Impressionism
      Obras em nosso catálogo
      55
      Mais famosas
      Japanese Lady with a Fan (1894)
      Mais obras em
      Scottish National Gallery

      As 10 principais pinturas de George Henry: as telas que todos conhecem

      Japanese Lady with a Fan (1894) de George Henry
      1

      Japanese Lady with a Fan

      1894 · Oil On Canvas

      The oil painting presents a close-up portrait of a woman dressed in traditional Japanese attire. The subject is positioned vertically, with the focus centered on her headwear, face, and upper body. She holds a fan, which is integrated into the arrangement of her robes and posture. The color palette relies on warm browns, ochres, and muted purples, accented by touches of red and gold. A sense of depth is achieved…

      Mais telas de George Henry, de 11 a 55

      Gloamin' (1889) de George Henry
      #55

      Gloamin'

      1889

      The Gloamin' painting by George Henry is a remarkable piece of art that showcases the artist's unique style and technique. Created in 1889, this oil on panel painting…

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      As telas de George Henry, período por período

      Late Medieval

      1889 – 1894 · 3 obras nesta lista

      O que George Henry mais pintou

      Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.

      Onde as telas de George Henry estão expostas

      Os 7 museus que detêm a maioria das pinturas desta página.

      Museu Cidade Obras de George Henry Pinturas desta lista
      Scottish National Gallery, EdimburgoScottish National Gallery Edimburgo 2 Geisha Girl, East and West
      Sheffield City Art Galleries, SheffieldSheffield City Art Galleries Sheffield 1 Hikers at Goodwood Downs, West Sussex
      Mcmanus: Dundee's Art Galleries And Museums, DundeeMcmanus: Dundee's Art Galleries And Museums Dundee 1 The Feather Boa
      The Royal Conservatoire of Scotland, EdinburghThe Royal Conservatoire of Scotland Edinburgh 1 The Grey Hat
      Laing Art Gallery, New South WalesLaing Art Gallery New South Wales 1 Lady Margaret Sackville
      Atkinson Art Gallery Collection, SouthportAtkinson Art Gallery Collection Southport 1 The Lark
      Manchester Art Gallery, ManchesterManchester Art Gallery Manchester 1 Landscape with Rainbow

      As telas mais amadas de George Henry, ano a ano

      14 anos diante do cavalete, de 1882 a 1895: as telas mais amadas de George Henry, ano após ano.

      1. 1882
      2. 1882
      3. 1883
      4. 1883
      5. 1886
      6. 1886
      7. 1889
      8. 1889
        Gloamin' (1889) de George Henry
        55 de 55

        Gloamin'

        Idade 61

        The Gloamin' painting by George Henry is a remarkable piece of art that showcases the artist's unique style and technique. Created in 1889, this oil on panel painting…

      9. 1890
      10. 1890
      11. 1892
        The Feather Boa (1892) de George Henry
        Classificado em 13 de 55

        The Feather Boa

        Idade 64 · Mcmanus: Dundee's Art Galleries And Museums
      12. 1894
        Japanese Lady with a Fan (1894) de George Henry
        1 de 55

        Japanese Lady with a Fan

        Idade 66

        The oil painting presents a close-up portrait of a woman dressed in traditional Japanese attire. The subject is positioned vertically, with the focus centered on her headwear, face,…

      13. 1894
      14. 1894
      15. 1894
      16. 1894
      17. 1894
      18. 1894
        Geisha Girl (1894) de George Henry
        Tela 23 de 55

        Geisha Girl

        Idade 66 · Scottish National Gallery
      19. 1895

      Sobre as telas de George Henry: suas perguntas respondidas

      Qual é a pintura mais conhecida de George Henry?Leia a resposta

      Japanese Lady with a Fan (1894), seguido por A Galloway Landscape (1889) e The Druids Bringing in the Mistletoe (1890).

      Qual era a idade de George Henry quando Japanese Lady with a Fan foi pintada?Leia a resposta

      George Henry, nascido(a) em 1828, tinha 66 anos: Japanese Lady with a Fan data de 1894.

      Quais são as 10 pinturas mais famosas de George Henry?Leia a resposta

      Japanese Lady with a Fan, A Galloway Landscape, The Druids Bringing in the Mistletoe, The Hedgecutter, Marion N. Parker, Lieutenant Colonel Sir Cecil Bingham Levita, Hikers at Goodwood Downs, West Sussex, The Geisha Girl, Head of the Holy Loch e Eyemouth. Cada tela no ranking acima inclui o seu ano e o seu museu.

      Quantas obras George Henry pintou ao todo?Leia a resposta

      55 obras de George Henry estão em nosso catálogo, datadas de 1882 a 1895.

      Onde posso ver as telas mais famosas de George Henry?Leia a resposta

      Principalmente em Scottish National Gallery (Edimburgo), Sheffield City Art Galleries (Sheffield) e Mcmanus: Dundee's Art Galleries And Museums (Dundee); a lista acima indica cada museu e as suas telas.

      Quando é que George Henry pintou as suas telas mais amadas?Leia a resposta

      Em 1894, que compreende 7 das 55 obras desta página, Japanese Lady with a Fan entre elas.

      Quais são as primeiras e as últimas telas famosas de George Henry?Leia a resposta

      A tela mais antiga aqui é de Head of the Holy Loch (1882); a mais recente é de In a Tokyo Garden (1895).

      O que George Henry mais pintou?Leia a resposta

      Elegant woman (4), Portraiture (2) e 19th century art (2), entre as 55 obras nesta página.

      A que movimento pertence a pintura de George Henry?Leia a resposta

      Impressionism e Post-impressionism, como mostram as telas nesta página.

      Quais telas de George Henry estão expostas no Scottish National Gallery?Leia a resposta

      O Scottish National Gallery, Edimburgo detém 2 das obras desta página, entre elas Geisha Girl e East and West.

      Posso comprar uma reprodução de uma tela de George Henry?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      George Henry: uma vida em pintura

      The Visionary of the Glasgow Style

      George Henry stands as a luminous figure in the annals of British art, a painter whose brush captured the shifting light and soulful atmosphere of the late nineteenth century. Born in Irvine, Scotland, in 1858, Henry became a cornerstone of the influential Glasgow Boys movement, a group of rebellious young artists who sought to break free from the stifling constraints of academic realism. His journey was one of profound transformation, moving away from traditionalist rigidity toward a more emotive, sensory experience of the world. Through his work, the rugged beauty of the Ayrshire landscape and the quiet dignity of his subjects were elevated into something much more poetic and enduring.

      The foundations of Henry’s aesthetic were laid during his formative years at the Glasgow School of Art. It was here that he forged deep connections with contemporaries such as John Singer Sargent, creating a shared intellectual space where new ideas could flourish. His training was not merely technical but deeply philosophical, as he began to absorb the revolutionary currents of Impressionism and the delicate, flattened perspectives of Japonisme. This fascination with Japanese art prints introduced a decorative elegance to his compositions, allowing him to balance the raw energy of light with a structured, almost rhythmic sense of design.

      A Symphony of Light and Color

      Henry’s mastery lay in his ability to translate the ephemeral qualities of nature into permanent pigment. His landscapes are far more than mere topographical records; they are psychological evocations of place. He utilized loose, expressive brushstrokes and a vibrant palette to capture the fleeting moments of the day, from the golden warmth of afternoon sun to the melancholic descent of dusk. One of his most evocative triumphs, "Gloamin'" (1889), serves as a masterclass in atmosphere, where the artist uses color and texture to invite the viewer into a state of quiet contemplation and intimacy.

      Beyond the sweeping vistas of the Scottish countryside, Henry’s portraiture revealed a different facet of his genius. In his depictions of individuals, he moved beyond simple likeness to capture an inner essence. His portraits are characterized by:

      • A sensitive approach to light that softens the features and emphasizes mood.
      • An empathetic gaze that honors the psychological depth of his subjects.
      • A seamless integration of subject and setting, often using decorative elements to frame the sitter.
      This duality—the ability to be both a bold experimentalist and a meticulous observer—is what defines his unique contribution to the Glasgow Style.

      Legacy and Historical Significance

      While George Henry may have experienced periods of relative obscurity during his lifetime, the historical significance of his work has undergone a profound resurgence. He is now recognized not just as a regional painter, but as a pioneer who helped bridge the gap between traditional Scottish painting and the modern European avant-garde. His ability to fuse the ruggedness of his native landscape with the sophisticated decorative motifs of international trends created a visual language that was entirely his own.

      Today, the legacy of George Henry lives on through the enduring charm of his canvases, which continue to resonate with modern audiences seeking beauty, emotion, and a connection to the natural world. His life’s work remains a testament to the power of artistic rebellion—a reminder that by challenging the conventions of the past, one can illuminate the path toward a new and breathtaking way of seeing.

      Todas as 55 obras de George Henry →