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      Gilbert Stuart, 1755 – 1828

      As 100 pinturas mais famosas de Gilbert Stuart, classificadas

      A pintura mais amada de Gilbert Stuart é George Washington (The Athenaeum Portrait) (1796), que está exposta no National Portrait Gallery, Londres. George Washington (8) (1820) e George Washington (The Landsdowne Portrait) (1796) vêm a seguir entre as telas que os leitores mais conhecem. O nosso catálogo contém 349 obras de Gilbert Stuart: aqui estão as 100 mais famosas, cada uma com o seu ano, o seu museu e o que a torna memorável.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Gilbert Stuart
      Gilbert Stuart · 1755 – 1828
      Nascimento · falecimento
      1755 – 1828, North Kingstown
      Movimento
      Neoclassical style
      Obras em nosso catálogo
      349
      Mais famosas
      George Washington (The Athenaeum Portrait) (1796)
      Mais obras em
      Harvard Art Museums

      As 10 principais pinturas de Gilbert Stuart: as telas que todos conhecem

      George Washington (The Athenaeum Portrait) (1796) de Gilbert Stuart
      1

      George Washington (The Athenaeum Portrait)

      1796 · Painting · National Portrait Gallery, Londres

      To gaze upon Gilbert Stuart's depiction of George Washington is not merely to observe a likeness; it is to encounter the very spirit of an era, the embodiment of nascent American ideals. This portrait, painted in 1796, transcends simple portraiture, becoming instead a monumental testament to leadership and enduring vision. Stuart captured the first President of the United States at a pivotal moment—a man whose quiet dignity belied the immense…

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      George Washington (8) (1820) de Gilbert Stuart
      2

      George Washington (8)

      1820 · Oil On Panel · National Gallery of Art, Washington

      In the hallowed halls of the Rhode Island School of Design Museum of Art, there resides a window into the very soul of early American identity. George Washington (8), an exquisite oil on panel painted by the master Gilbert Stuart in 1820, serves as more than just a likeness; it is a profound encounter with the weight of history. Through Stuart’s masterful hand, we are not merely looking at the…

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      George Washington (The Landsdowne Portrait) (1796) de Gilbert Stuart
      3

      George Washington (The Landsdowne Portrait)

      1796 · Oil On Canvas

      The Majesty of a Republic: Encountering the Lansdowne Portrait To stand before Gilbert Stuart’s George Washington (The Lansdowne Portrait) is to encounter the very soul of early American identity. Painted in 1796, this masterpiece transcends mere portraiture, serving as a profound visual manifesto of a nascent nation. Stuart, a master of the Neoclassical style, does not merely capture a likeness; he constructs an icon. The composition presents Washington in a…

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      George Washington (1732-1799), LL.D. 1781 (1800) de Gilbert Stuart
      4

      George Washington (1732-1799), LL.D. 1781

      1800 · Oil On Canvas · Yale University Art Gallery, New Haven

      A formal Neoclassical portrait captures George Washington in a three-quarter view bust composition. He faces the viewer's left, though his gaze remains directed forward. The palette relies on restrained, somber tones: deep blacks in the clothing and neutral dark browns in the background. This darkness provides a sharp contrast to the bright white of the powdered wig and the cravat. Directional lighting from the upper left creates subtle highlights on…

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      George Washington (1798) de Gilbert Stuart
      5

      George Washington

      1798 · Oil On Canvas · Metropolitan Museum of Art, Nova York

      To stand before this portrait is to encounter the quiet gravity of a man who carried the weight of a new nation upon his shoulders. The composition focuses on a bust-length view of George Washington, positioned slightly off-center as he faces toward the right, though his gaze remains fixed forward. There is a certain stoicism in his expression, a sense of authority that does not need to shout to be…

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      Admiral Sir Charles Morice Pole (1757–1830), Bt (1786) de Gilbert Stuart
      6

      Admiral Sir Charles Morice Pole (1757–1830), Bt

      1786 · Oil On Canvas · National Trust, Plymouth

      To stand before this portrait is to step directly into the refined drawing rooms and grand halls of late eighteenth-century England. Gilbert Stuart, the master chronicler of American and British elite life, has captured not merely a likeness, but an entire persona—that of Admiral Sir Charles Morice Pole. The subject commands attention with a natural bearing, his posture radiating the quiet authority expected of a man of naval distinction and…

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      Thomas Robinson (1738–1786), 2nd Baron Grantham (1785) de Gilbert Stuart
      7

      Thomas Robinson (1738–1786), 2nd Baron Grantham

      1785 · Oil On Canvas · National Trust, Plymouth

      To stand before this portrait of Thomas Robinson, the 2nd Baron Grantham, is to step directly into the refined drawing rooms of late eighteenth-century England. Painted in 1785 by the masterful hand of Gilbert Stuart, the work transcends a mere likeness; it is a carefully constructed monument to status, intellect, and enduring masculine dignity. The subject gazes out with an unwavering directness that seems to challenge the viewer, inviting an…

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      Mrs. Aaron Lopez and Her Son Jushua (1773) de Gilbert Stuart
      8

      Mrs. Aaron Lopez and Her Son Jushua

      1773 · Oil On Canvas · Detroit Institute of Arts, Detroit

      This captivating portrait, dating from 1773, offers an intimate window into the social graces and evolving portraiture tastes of late eighteenth-century America. Gilbert Stuart, a master chronicler of his time, has captured not merely two figures—Mrs. Aaron Lopez and her young son Jushua—but a moment suspended in time. The composition immediately draws the viewer into its warmth, presenting a scene steeped in quiet dignity. Notice the careful arrangement: the mother…

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      George Washington (1795) de Gilbert Stuart
      9

      George Washington

      1795 · Oil · Metropolitan Museum of Art, Nova York

      A Vision of Command: The Portrait of George Washington George Washington stands before us not merely as a historical figure, but as an enduring symbol of dignity and resolute leadership. In this striking portrait, the first president of the United States is captured with a profound sense of presence that transcends the canvas. Clad in a formal suit featuring a crisp white collar and tie, his countenance is framed by…

      Leve esta luz para casa Observe de perto
      George Washington (1796) de Gilbert Stuart
      10

      George Washington

      1796 · Oil On Canvas · Sterling and Francine Clark Art Institute, Williamsburg

      To stand before a portrait of George Washington is not merely to observe a likeness; it is to encounter the very embodiment of a nascent nation's spirit. Gilbert Stuart, the master chronicler of America's founding fathers, captured more than just the features of the first President; he immortalized an epoch. This painting, dating from 1796, presents Washington with a dignity that transcends the passing years. The subject is rendered in…

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      Mais telas de Gilbert Stuart, de 11 a 100

      Henry Rice (1815) de Gilbert Stuart
      #11

      Henry Rice

      1815 · Metropolitan Museum of Art

      In the quiet, commanding presence of Gilbert Stuart’s 1815 portrait, Henry Rice, one finds much more than a mere historical record; it is an intimate window into the…

      Encomende esta tela →
      George Washington (1795) de Gilbert Stuart
      #15

      George Washington

      1795 · Metropolitan Museum of Art

      Gilbert Stuart's “George Washington” is more than just a portrait; it’s an embodiment of the nascent American republic, a carefully constructed symbol of leadership and the promise of…

      Encomende esta tela →
      Louis-Marie, Vicomte de Noailles (1798) de Gilbert Stuart
      #16

      Louis-Marie, Vicomte de Noailles

      1798 · Metropolitan Museum of Art

      A Portrait of Power: Gilbert Stuart’s Louis-Marie Vicomte de Noailles The canvas holds an arresting image – Louis-Marie Vicomte de Noailles, a figure embodying military prestige and aristocratic…

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      George Washington (1796) de Gilbert Stuart
      #17

      George Washington

      1796 · Museu de Belas Artes de Boston

      Gilbert Stuart's "George Washington," painted in 1796, isn’t merely a likeness; it’s an embodiment of nascent American leadership and the very spirit of a nation forging its identity.…

      Leve esta luz para casa →
      Josiah Quincy (1824) de Gilbert Stuart
      #20

      Josiah Quincy

      1824 · Museu de Belas Artes de Boston

      Gilbert Stuart's portrait of Josiah Quincy, completed in 1824, is more than just a likeness; it’s a carefully constructed embodiment of the burgeoning intellectual and political landscape of…

      Leve esta luz para casa →
      John Adams (1800) de Gilbert Stuart
      #23

      John Adams

      1800 · National Gallery of Art

      Gilbert Stuart’s 1800 portrait of John Adams, currently residing in the National Gallery of Art in Washington D.C., is more than just a likeness; it's a carefully constructed…

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      George Washington (1796) de Gilbert Stuart
      #24

      George Washington

      1796 · The Frick Collection

      Gilbert Stuart's "George Washington," painted in 1796, isn’t merely a portrait; it’s a carefully constructed embodiment of the nascent American republic. This remarkable work, now housed within the…

      Encomende esta tela →
      Fisher Ames (1758-1808) (1810) de Gilbert Stuart
      #27

      Fisher Ames (1758-1808)

      1810 · Harvard Art Museums

      The man sits in a three-quarter view, his gaze fixed forward with a steady, somber composure. He is a figure of quiet weight, anchored by the dark folds…

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      Sir John Dick (1783) de Gilbert Stuart
      #31

      Sir John Dick

      1783 · National Gallery of Art

      A single man occupies the center of this 1783 oil on canvas, his body angled toward the viewer while his gaze drifts to the left. He wears the…

      Leve esta luz para casa →
      Fisher Ames (1807) de Gilbert Stuart
      #35

      Fisher Ames

      1807 · National Portrait Gallery

      Fisher Ames sits in a three-quarter view, his gaze meeting the viewer with a steady, somber composure. The portrait, executed around 1807, captures the subject in a moment…

      Leve esta luz para casa →
      John Jay (1784) de Gilbert Stuart
      #43

      John Jay

      1784 · National Portrait Gallery

      In this oil on canvas, Gilbert Stuart captures the likeness of John Jay, a prominent American statesman. The subject sits with a quiet, heavy presence, his form anchored…

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      Captain John MacBride (1788) de Gilbert Stuart
      #46

      Captain John MacBride

      1788 · Yale Center for British Art

      In this portrait of Captain John MacBride by Gilbert Stuart, the subject is presented from the chest up within a formal oval vignette format. He is positioned at…

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      Portrait of Yevgenya Dashkova (1812) de Gilbert Stuart
      #48

      Portrait of Yevgenya Dashkova

      1812 · Museu Hermitage

      This Neoclassical portrait, executed in 1812, presents a three-quarter view of a woman positioned slightly off-center. The subject faces toward the viewer's left, while her gaze is directed…

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      Mrs. John Ashley (1798) de Gilbert Stuart
      #50

      Mrs. John Ashley

      1798 · Dallas Museum of Art

      Mrs. John Ashley is a portrait painted by the artist Gilbert Stuart. This work, executed on canvas, depicts a woman who was the wife of a wealthy merchant.…

      Leve esta luz para casa →
      William Hale (1794-1821) (1820) de Gilbert Stuart
      #51

      William Hale (1794-1821)

      1820 · Harvard Art Museums

      This formal oil portrait, executed in 1820, presents a bust-length depiction of a young man named William Hale. The subject is positioned slightly off-center, facing toward the viewer's…

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      Edward Everett (1794-1865) (1820) de Gilbert Stuart
      #53

      Edward Everett (1794-1865)

      1820 · Harvard Art Museums

      A young man is positioned in a three-quarter view, his body angled slightly away from the viewer while his gaze remains directed forward. He holds a book against…

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      Samuel Smith (1800) de Gilbert Stuart
      #54

      Samuel Smith

      1800 · National Portrait Gallery

      This oil on canvas portrait, titled Samuel Smith, was executed by the artist Gilbert Stuart around 1800. The subject of the painting is Samuel Smith, a man who…

      Encomende uma pintura feita à mão →
      Reverend William Ellery Channing (1815) de Gilbert Stuart
      #56

      Reverend William Ellery Channing

      1815 · Fine Arts Museums of San Francisco

      Reverend William Ellery Channing is a portrait by Gilbert Stuart, executed in the United States. The work dates to circa 1815. Stuart, a prominent figure in American Neoclassicism,…

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      John Adams (1826) de Gilbert Stuart
      #58

      John Adams

      1826 · Smithsonian American Art Museum

      The gaze of the second US President meets the viewer through this 1826 oil on canvas by Gilbert Stuart. In this portrait of John Adams, the subject appears…

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      John Quincy Adams (1767-1848) (1827) de Gilbert Stuart
      #59

      John Quincy Adams (1767-1848)

      1827 · Harvard Art Museums

      To stand before this full-length portrait of John Quincy Adams is to encounter the very essence of early American authority. Painted around 1825–30, the work captures the sixth…

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      John Ashley, Esq. (1798) de Gilbert Stuart
      #60

      John Ashley, Esq.

      1798 · Dallas Museum of Art

      The oil on canvas titled John Ashley, Esq. was painted by the American artist Gilbert Stuart. Created about 1798, the portrait captures the likeness of the gentleman John…

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      Henry Nicols (1810) de Gilbert Stuart
      #62

      Henry Nicols

      1810 · Carnegie Museum of Art

      This portrait depicts Henry Nicols, a single male figure presented in a bust-length composition. Created by the American artist Gilbert Stuart, the work is dated about 1810. The…

      Encomende uma pintura feita à mão →
      Washington Allston (1818) de Gilbert Stuart
      #63

      Washington Allston

      1818 · Metropolitan Museum of Art

      Gilbert Stuart’s Reverent Portrait of Washington Allston Gilbert Stuart, arguably America's foremost portrait painter during the early 19th century, achieved unparalleled renown for his ability to capture not…

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      Portrait of Rufus King (1819) de Gilbert Stuart
      #64

      Portrait of Rufus King

      1819 · National Portrait Gallery

      The Portrait of Rufus King is an oil on panel painted by Gilbert Stuart. Created between 1819 and 1820, the work captures the likeness of Rufus King. The…

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      Portrait of a Gentleman (1810) de Gilbert Stuart
      #78

      Portrait of a Gentleman

      1810 · Saint Louis Art Museum

      This oil on canvas work is titled Portrait of a Gentleman and was executed by the American artist Gilbert Stuart. Created in the United States, the painting is…

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      Dr. William Aspinwall (1815) de Gilbert Stuart
      #94

      Dr. William Aspinwall

      1815 · Nelson-Atkins Museum of Art

      Gilbert Stuart painted Dr. William Aspinwall around 1815. The subject, William Aspinwall, is presented in a formal bust-length composition. He is identified by his professional occupation as a…

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      As telas de Gilbert Stuart, período por período

      Early Period

      1780 – 1785 · 3 obras nesta lista
      Sir John Dick (1783), Gilbert Stuart #31 Sir John Dick 1783 · National Gallery of Art Portrait of Henry Lambert (1738-1813) (1780), Gilbert Stuart #42 Portrait of Henry Lambert (1738-1813) 1780 · Minneapolis Institute of Art John Parker, Viscount Boringdon, 1st Earl of Morley (1772-1840), as a boy (1785), Gilbert Stuart #49 John Parker, Viscount Boringdon, 1st Earl of Morley (1772-1840), as a boy 1785 · Saltram House

      Mature Period

      1773 – 1827 · 64 obras nesta lista
      George Washington (The Athenaeum Portrait) (1796), Gilbert Stuart #1 George Washington (The Athenaeum Portrait) 1796 · National Portrait Gallery George Washington (8) (1820), Gilbert Stuart #2 George Washington (8) 1820 · National Gallery of Art George Washington (The Landsdowne Portrait) (1796), Gilbert Stuart #3 George Washington (The Landsdowne Portrait) 1796 George Washington (1732-1799), LL.D. 1781 (1800), Gilbert Stuart #4 George Washington (1732-1799), LL.D. 1781 1800 · Yale University Art Gallery George Washington (1798), Gilbert Stuart #5 George Washington 1798 · Metropolitan Museum of Art

      Late Period

      1817 – 1826 · 3 obras nesta lista
      Col. Israel Thorndike (1755-1832) (1817), Gilbert Stuart #37 Col. Israel Thorndike (1755-1832) 1817 · Harvard Art Museums John Adams (1826), Gilbert Stuart #58 John Adams 1826 · Smithsonian American Art Museum Portrait of Rufus King (1819), Gilbert Stuart #64 Portrait of Rufus King 1819 · National Portrait Gallery

      O que Gilbert Stuart mais pintou

      Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.

      Man 34 obras

      George Washington (The Landsdowne Portrait) (1796), Gilbert Stuart #3 George Washington (The Landsdowne Portrait) 1796 George Washington (1732-1799), LL.D. 1781 (1800), Gilbert Stuart #4 George Washington (1732-1799), LL.D. 1781 1800 · Yale University Art Gallery George Washington (1798), Gilbert Stuart #5 George Washington 1798 · Metropolitan Museum of Art William Porter Jr. (1788-1818) (1807), Gilbert Stuart #25 William Porter Jr. (1788-1818) 1807 · Harvard Art Museums

      White cravat 22 obras

      Portrait of Judge Daniel Cony of Maine (1752-1842) (1815), Gilbert Stuart #26 Portrait of Judge Daniel Cony of Maine (1752-1842) 1815 · Minneapolis Institute of Art Fisher Ames (1758-1808) (1810), Gilbert Stuart #27 Fisher Ames (1758-1808) 1810 · Harvard Art Museums The Hon. Frederick Robinson (1746-1792) (1785), Gilbert Stuart #29 The Hon. Frederick Robinson (1746-1792) 1785 · Saltram House Thomas Pelham, 2nd Earl of Chichester (1756-1826) (1785), Gilbert Stuart #30 Thomas Pelham, 2nd Earl of Chichester (1756-1826) 1785 · Saltram House

      Portrait 21 obras

      George Washington (8) (1820), Gilbert Stuart #2 George Washington (8) 1820 · National Gallery of Art George Washington (The Landsdowne Portrait) (1796), Gilbert Stuart #14 George Washington (The Landsdowne Portrait) 1796 George Washington (1795), Gilbert Stuart #15 George Washington 1795 · Metropolitan Museum of Art Louis-Marie, Vicomte de Noailles (1798), Gilbert Stuart #16 Louis-Marie, Vicomte de Noailles 1798 · Metropolitan Museum of Art

      Dark background 20 obras

      Joseph Coolidge (1747-1820) (1813), Gilbert Stuart #32 Joseph Coolidge (1747-1820) 1813 · Harvard Art Museums Fisher Ames (1807), Gilbert Stuart #35 Fisher Ames 1807 · National Portrait Gallery Susannah Powell Mason (Mrs. Jonathan Mason) (1803), Gilbert Stuart #36 Susannah Powell Mason (Mrs. Jonathan Mason) 1803 · Harvard Art Museums Col. Israel Thorndike (1755-1832) (1817), Gilbert Stuart #37 Col. Israel Thorndike (1755-1832) 1817 · Harvard Art Museums

      Onde as telas de Gilbert Stuart estão expostas

      Os 8 museus que detêm a maioria das pinturas desta página.

      Museu Cidade Obras de Gilbert Stuart Pinturas desta lista
      Harvard Art Museums, CambridgeHarvard Art Museums Cambridge 15 William Porter Jr. (1788-1818), Fisher Ames (1758-1808), Joseph Coolidge (1747-1820)
      Metropolitan Museum of Art, Nova YorkMetropolitan Museum of Art Nova York 26 George Washington, George Washington, Henry Rice
      Pennsylvania Academy of Fine Arts, FiladélfiaPennsylvania Academy of Fine Arts Filadélfia 11 Portrait of "Philadelphia Hannah", Dr. John Fothergill, James Greenleaf
      National Gallery of Art, WashingtonNational Gallery of Art Washington 33 George Washington (8), George Washington (The Vaughan Portrait), John Adams
      National Portrait Gallery, LondresNational Portrait Gallery Londres 12 George Washington (The Athenaeum Portrait), Martha Dandridge Custis Washington, George Washington (Lansdowne Portrait)
      National Portrait Gallery, Washington, D.C.National Portrait Gallery Washington, D.C. 7 Fisher Ames, John Jay, Margaret Spear Smith
      National Trust, PlymouthNational Trust Plymouth 6 Admiral Sir Charles Morice Pole (1757–1830), Bt, Thomas Robinson (1738–1786), 2nd Baron Grantham, Admiral the Honourable Samuel Barrington (1729–1800)
      Museu de Belas Artes de Boston, BostonMuseu de Belas Artes de Boston Boston 47 George Washington, Josiah Quincy, John Park

      A tela mais amada de cada década de Gilbert Stuart

      1. 1770s
        Mrs. Aaron Lopez and Her Son Jushua (1773) de Gilbert Stuart
        8 de 100

        Mrs. Aaron Lopez and Her Son Jushua

        Idade 15 – 24 · Detroit Institute of Arts

        This captivating portrait, dating from 1773, offers an intimate window into the social graces and evolving portraiture tastes of late eighteenth-century America. Gilbert Stuart, a master chronicler of…

      2. 1780s
        Admiral Sir Charles Morice Pole (1757–1830), Bt (1786) de Gilbert Stuart
        Classificado em 6 de 100

        Admiral Sir Charles Morice Pole (1757–1830), Bt

        Idade 25 – 34 · National Trust

        To stand before this portrait is to step directly into the refined drawing rooms and grand halls of late eighteenth-century England. Gilbert Stuart, the master chronicler of American…

      3. 1790s
        George Washington (The Athenaeum Portrait) (1796) de Gilbert Stuart
        1 de 100

        George Washington (The Athenaeum Portrait)

        Idade 35 – 44 · National Portrait Gallery

        To gaze upon Gilbert Stuart's depiction of George Washington is not merely to observe a likeness; it is to encounter the very spirit of an era, the embodiment…

      4. 1800s
        George Washington (1732-1799), LL.D. 1781 (1800) de Gilbert Stuart
        Classificado em 4 de 100

        George Washington (1732-1799), LL.D. 1781

        Idade 45 – 54 · Yale University Art Gallery

        A formal Neoclassical portrait captures George Washington in a three-quarter view bust composition. He faces the viewer's left, though his gaze remains directed forward. The palette relies on…

      5. 1810s
        Henry Rice (1815) de Gilbert Stuart
        11 de 100

        Henry Rice

        Idade 55 – 64 · Metropolitan Museum of Art

        In the quiet, commanding presence of Gilbert Stuart’s 1815 portrait, Henry Rice, one finds much more than a mere historical record; it is an intimate window into the…

      6. 1820s
        George Washington (8) (1820) de Gilbert Stuart
        2 de 100

        George Washington (8)

        Idade 65 – 73 · National Gallery of Art

        In the hallowed halls of the Rhode Island School of Design Museum of Art, there resides a window into the very soul of early American identity. George Washington…

      Sobre as telas de Gilbert Stuart: suas perguntas respondidas

      Qual é a pintura mais conhecida de Gilbert Stuart?Leia a resposta

      George Washington (The Athenaeum Portrait) (1796), National Portrait Gallery, Londres. Seguidos por George Washington (8) (1820) e George Washington (The Landsdowne Portrait) (1796).

      Qual era a idade de Gilbert Stuart quando George Washington (The Athenaeum Portrait) foi pintada?Leia a resposta

      Gilbert Stuart, nascido(a) em 1755, tinha 41 anos: George Washington (The Athenaeum Portrait) data de 1796.

      Quais são as 10 pinturas mais famosas de Gilbert Stuart?Leia a resposta

      George Washington (The Athenaeum Portrait), George Washington (8), George Washington (The Landsdowne Portrait), George Washington (1732-1799), LL.D. 1781, George Washington, Admiral Sir Charles Morice Pole (1757–1830), Bt, Thomas Robinson (1738–1786), 2nd Baron Grantham, Mrs. Aaron Lopez and Her Son Jushua, George Washington e George Washington. Cada tela no ranking acima inclui o seu ano e o seu museu.

      Quantas obras Gilbert Stuart pintou ao todo?Leia a resposta

      349 obras de Gilbert Stuart estão em nosso catálogo, datadas de 1773 a 1827.

      Onde posso ver as telas mais famosas de Gilbert Stuart?Leia a resposta

      Principalmente em Harvard Art Museums (Cambridge), Metropolitan Museum of Art (Nova York) e Pennsylvania Academy of Fine Arts (Filadélfia); a lista acima indica cada museu e as suas telas.

      Quando é que Gilbert Stuart pintou as suas telas mais amadas?Leia a resposta

      Em 1790s, que compreende 35 das 100 obras desta página, George Washington (The Athenaeum Portrait) entre elas.

      Quais são as primeiras e as últimas telas famosas de Gilbert Stuart?Leia a resposta

      A tela mais antiga aqui é de Mrs. Aaron Lopez and Her Son Jushua (1773); a mais recente é de John Quincy Adams (1767-1848) (1827).

      O que Gilbert Stuart mais pintou?Leia a resposta

      Man (34), White cravat (22) e Portrait (21), entre as 100 obras nesta página.

      Com qual técnica Gilbert Stuart pintou com mais frequência?Leia a resposta

      Oil On Canvas, utilizado em 47 das 100 obras nesta página.

      A que movimento pertence a pintura de Gilbert Stuart?Leia a resposta

      Neoclassical style, como mostram as telas nesta página.

      Quais telas de Gilbert Stuart estão expostas no Harvard Art Museums?Leia a resposta

      O Harvard Art Museums, Cambridge detém 10 das obras desta página, entre elas William Porter Jr. (1788-1818), Fisher Ames (1758-1808) e Joseph Coolidge (1747-1820).

      Posso comprar uma reprodução de uma tela de Gilbert Stuart?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Gilbert Stuart: uma vida em pintura

      Gilbert Stuart: Uma Vida na Retratística

      • Nascimento: 3 de dezembro de 1755, Saunderstown, Rhode Island
      • Falecimento: 9 de julho de 1828, Boston, Massachusetts
      • Nacionalidade: Americano
      • Movimento: Neoclassicismo
      • Conhecido por: Retratística, particularmente retratos de figuras proeminentes da história inicial da América.

      Primeira Infância e Formação

      • Gilbert Stuart nasceu em uma família com raíções escocesas; seu pai, também chamado Gilbert, era um inventor que estabeleceu o primeiro moinho de tabaco em Rhode Island.
      • Seu talento artístico emergiu ainda muito jovem, demonstrando habilidade desde a infância.
      • Aos 14 anos, ele pintou "Os Spaniels do Dr. Hunter", revelando uma promessa precoce.
      • Ele viajou para a Escócia por volta de 1771 para estudar com Cosmo Alexander, mas retornou após a morte de Alexander em 1775.
      • Um treinamento mais profundo ocorreu em Londres com Benjamin West, um proeminente pintor americano que residia na Inglaterra, de 1775 a 1780. Este período foi crucial para o desenvolvimento de seu estilo artístico e para ganhar reconhecimento dentro da Royal Academy.

      Carreira Artística e Grandes Obras

      • A carreira de Stuart enfrentou desafios durante a Revolução Americana, o que o levou a se mudar para a Inglaterra em 1775.
      • Ele alcançou o sucesso inicial com "O Patinador" (1782), um retrato que estabeleceu sua reputação.
      • Sua obra mais famosa é o retrato inacabado de George Washington, conhecido como o Retrato Athenaeum (iniciado em 1796). Esta imagem tornou-se icônica, aparecendo na moeda dos EUA e em selos postais. Stuart produziu inúmeras cópias deste retrato para patronos em toda a América e Europa.
      • Ele pintou retratos de várias outras figuras proeminentes, incluindo John Adams, Thomas Jefferson, James Madison e muitos membros da elite Federalista.
      • O estilo de Stuart era caracterizado por uma abordagem Neoclássica, enfatizando o realismo e capturando a semelhança e o caráter de seus modelos. Ele frequentemente empregava um uso dramático de luz e sombra para aumentar o impacto dos retratos.

      Influências e Desenvolvimento

      • Cosmo Alexander proporcionou o treinamento inicial em técnica e composição.
      • A influência de Benjamin West foi significativa, moldando a compreensão de Stuart sobre a retratística e os princípios artísticos.
      • O movimento Neoclássico, com sua ênfase em formas e ideais clássicos, influenciou fortemente seu estilo.
      • As próprias observações e interações de Stuart com seus modelos contribuíram para a profundidade psicológica e o realismo em seus retratos. Ele buscava capturar não apenas uma semelhança física, mas também o caráter e a personalidade daqueles que pintava.

      Significância Histórica e Legado

      • Gilbert Stuart é considerado um dos mais importantes retratistas da América, desempenhando um papel vital na documentação dos primeiros anos dos Estados Unidos.
      • O Retrato Athenaeum de George Washington tornou-se um símbolo duradouro da identidade e liderança americana.
      • Seus retratos oferecem valiosas percepções históricas sobre a vida e a aparência de figuras proeminentes do final do século XVIII e início do século XIX.
      • A obra de Stuart está representada em grandes museus nos Estados Unidos e na Europa, garantindo que seu legado continue sendo apreciado por gerações.
      • Ele estabeleceu um estilo americano distinto de retratística, que fundiu técnicas europeias com sensibilidades unicamente americanas.

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