De todas as pinturas de Honoré Daumier, Nós queremos Barabbas (1852) é a mais famosa; está exposta no Museum Folkwang, em Essen. Logo atrás vêm The Third-class Carriage (1860) e Unknown, maybe Hippolyte Lucien-Joseph Lucas (1807-1878), a Journalist, maybe P.Mendez de Vigo (1790-1860) a Spanish General, but Most Probably the Count Pelet de la Lozere (1785-1871), a Politician (1833). Entre as 355 obras de Honoré Daumier em nosso catálogo, estas 100 são as mais celebradas, cada uma apresentada com a sua data, o seu museu e a sua história.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.
Uma Representação Poderosa do Sofrimento Humano e da Justiça Social Esta obra de arte envolvente captura uma cena bíblica pungente que ressoa profundamente com temas de compaixão, injustiça e crítica social. Renderizada em um estilo cru e expressivo, a cena convida os espectadores a um momento de emoção coletiva e reflexão moral. As figuras, retratadas com uma imediatez gestual, evocam um senso de urgência e vulnerabilidade humana, tornando-se um manifesto…
In the crowded, dimly lit confines of a mid-19th-century railway carriage, Honoré Daumier captures more than just a moment in transit; he captures the very essence of human endurance. The Third-class Carriage serves as a profound window into the burgeoning urban reality of France during the Second Empire. As the industrial revolution reshaped the landscape of Europe, Daumier turned his gaze away from the gilded salons of the aristocracy and…
This evocative portrait captures more than just the likeness of an elderly gentleman; it arrests a moment in time, freezing the very essence of 19th-century Parisian intellectual life. The subject, whose identity is suggested by the possibilities of a journalist or politician, possesses a gaze that seems to look past the viewer, into some distant, weighty contemplation. Rendered with the unmistakable hand of Honoré Daumier, the piece transcends mere portraiture;…
Honoré Daumier's "Ratapoil (front view)," created around 1850, is more than just a bronze sculpture; it’s a potent distillation of 19th-century French social commentary and political critique. This arresting figure, rendered with remarkable dynamism and a touch of unsettling realism, offers a captivating window into the turbulent world of post-Revolutionary France – a world grappling with nascent democracy, imperial ambitions, and the pervasive inequalities of its society. The sculpture’s enduring…
Honoré Daumier's “Intermission at the Comédie Française,” painted in 1858, isn’t merely a depiction of an elderly gathering; it’s a meticulously crafted observation of a specific moment frozen in time – and brimming with unspoken commentary. The artwork immediately draws the viewer into a densely packed scene: rows upon rows of men, their faces etched with age and lined with contemplation, are absorbed in reading newspapers or pamphlets within the…
The photograph captures a pivotal moment – a frozen dance of energy and emotion rendered in the enduring medium of bronze. This exquisite reproduction offers an intimate encounter with "Ratapoil," a sculpture by the visionary artist Honoré Daumier, born in Marseille in 1808 and tragically lost in 1879. More than just a depiction of a figure, it’s a window into the social anxieties and artistic fervor that defined mid-19th century…
Honoré Daumier's "Scene from a Comedy," painted in 1858, isn’t merely a depiction of two figures; it’s a meticulously crafted snapshot of Parisian society and the biting social commentary that defined the artist’s career. Housed within the walls of the Musée d’Orsay, this oil on canvas offers a rare glimpse into Daumier's world – a world brimming with observation, critique, and an undeniable sense of humor laced with profound sadness.…
Honoré Daumier's "Ratapoil," created in 1850, isn’t merely a sculpture; it’s a distilled embodiment of the anxieties and frustrations simmering beneath the surface of mid-19th century France. This arresting figure, rendered in cast iron with a deliberate roughness that mirrors its subject matter, captures a moment of profound disillusionment – a silent indictment of societal hypocrisy and the precariousness of human existence. The sculpture’s power lies not just in its…
In the heart of Honoré Daumier’s 1854 masterpiece, Family on the Barricades in 1848, we find a moment suspended in the amber of history. This is not merely a painting of a political uprising; it is a profound psychological study of human resilience. As the Second French Revolution tore through the streets of Paris, Daumier captured the very essence of the era's turbulent spirit. The scene presents a family huddled…
Honoré Daumier, em "O Colecionador de Impressões" (1865), nos apresenta uma cena que transcende a mera representação de um ambiente; é um retrato da introspecção, da solidão e…
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Honoré Daumier’s “The Republic” (1848) isn't merely a painting; it’s a potent distillation of the anxieties and aspirations swirling within post-revolutionary France. Captured with his signature blend of…
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Honoré Daumier's 1862 painting, "Comedy Scene (Scene from Molière)," isn’t merely a depiction of a theatrical moment; it’s a vibrant snapshot of Parisian society grappling with wit, social…
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The scene captures a moment of silent intimacy under the artificial glow of lamplight. Two figures move across a bridge, their forms defined by expressive, simplified outlines that…
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In this 1845 lithograph, we find ourselves drawn into a quiet, intense moment of human interaction. A group of men, clad in the formal attire of the mid-19th…
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In the quiet, somber depths of Honoré Daumier’s 1850 masterpiece, "Burden," we are invited into a moment of profound human endurance that transcends the boundaries of time. The…
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This expressive oil painting presents a somber scene, capturing two figures within an intimate, dimly lit environment. The composition utilizes a tight crop on the subjects, fostering a…
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In this 1832 terracotta bust, we encounter Count Antoine-Maurice-Apollinaire d'Argout, a man whose political stature in France was matched only by the artist's desire to deconstruct it. The…
In this intimate oil on canvas, a man leans toward a seated woman within a dimly lit interior. The composition is tightly cropped, creating a sense of enclosure…
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Honoré Daumier’s 1833 sculpture of Jean-Marie Fruchard, a deputy of the French parliament, functions as a sharp political indictment. Rather than an idealized likeness, the bust utilizes deliberate…
In this 1853 lithograph, a woman moves through a Parisian street, her form defined by the heavy burden she carries. A large basket, filled to the brim with…
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The sculpture presents the head and shoulders of Clément-François-Victor-Gabriel Prunelle, a physician and political figure. The work is rendered in modeling clay, a material that retains the physical…
The canvas presents a dense, crowded arrangement of figures in a state of physical unrest. The scene is characterized by a lack of clear spatial definition, with bodies…
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This small-scale oil painting presents two men in profile, positioned side-by-side while facing one another. The subjects are captured from the upper torso upward, creating a close-up view…
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This painting, titled Outside the Print–Seller's Shop, was created by the French artist Honoré Daumier. It offers a quiet glimpse into the social fabric of 19th-century France, capturing…
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The work titled Exit from the Theater is an oil on panel. It is attributed to the artist Honoré Daumier. The painting captures a street scene of theater-goers…
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The portrait of Felix Barthe by Honoré Daumier depicts a man rendered in a sculpted bust format. The subject, Felix Barthe, was a prominent French lawyer and politician…
For Duncan Phillips, the jewel of his unit of works by Honoré Daumier was The Uprising. When this long forgotten painting appeared on the market, Phillips seized the…
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In this intimate oil on panel, we find ourselves in the quiet, shadowed space of a man’s private world. The subject, a solitary figure positioned slightly off-center, gazes…
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In the quiet, somber depths of Honoré Daumier’s "The Defender," created around 1865, we are not merely spectators to a courtroom scene, but witnesses to a profound human…
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The Good Samaritan is an oil on canvas painting by Honoré Daumier. Created about 1855, the work captures a specific moment of human connection. The artist, Honoré Daumier,…
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The composition of The Loge (In the Theatre Boxes) focuses on a group of figures seated within the confined space of a theater box. The perspective is positioned…
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A central female figure is caught in a claustrophobic embrace of shadow and light. The composition is tight, pressing the viewer into the immediate space shared by the…
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Penelopa's Dream is a lithograph created by the artist Honoré Daumier. The work was produced in 1842. This specific piece belongs to the Ancient History series, a collection…
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Honoré Daumier's "Jean-Auguste Chevandier de Valdrome, Parliamentarian (The Fool)" is not merely a sculpture; it’s a profound distillation of human sorrow and the weight of political disillusionment. Completed…
Honoré Daumier’s “The Washerwoman,” painted in 1863, is more than just a depiction of a woman laboring by the Seine; it's a poignant meditation on poverty, resilience, and…
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Honoré Daumier's 1832 sculpture, “Count Auguste-Hilarion de Kératry,” is a profoundly unsettling work that transcends mere portraiture. It’s a carefully constructed visual statement—a biting commentary on the social…
Honoré Daumier’s lithograph, "The Beautiful Narcissus," transcends mere depiction; it embodies the spirit of Realism—a courageous confrontation with societal realities tempered by profound artistic sensitivity. Created in 1842…
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Honoré Daumier's 1833 sculpture of François-Pierre-Guillaume Guizot is more than just a portrait; it’s a carefully constructed meditation on aging, intellect, and the enduring complexities of French politics.…
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In this oil painting, we find ourselves drawn into a quiet, private moment between two figures. A man and a woman are positioned closely together, their upper bodies…
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To stand before this study in clay is to confront not merely a likeness, but an interrogation of character itself. This piece, evocative of the biting social commentary…
The work before us is titled Don Quixote and the Windmills, a piece painted by Honoré Daumier. This specific composition is dated about 1850, a period during which…
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The Serenade is a painting by Honoré Daumier, created about 1858. In this work, the artist captures a strolling player singing within the setting of a garden restaurant.…
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The Print Amateur is an oil on panel by Honoré Daumier. Created in France, this work captures a specific moment of observation. The pigment rests upon the hard,…
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A obra “Jacques Lefévre (1777-1856), Banker and Deputy” de Honoré Daumier, criada em 1833, transcende a mera representação de um retrato. É uma pincelada audaciosa da sociedade francesa…
is an oil on canvas work by Honoré Daumier, dated 1865. The painting belongs to the Realism and Satirical realism movements of the 19th Century. It captures the…
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The scene unfolds in Don Quixote and the Dead Mule, a work by the French artist Honoré Daumier. Created after 1864, this oil on wood painting captures a…
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The painting depicts a man performing in a circus or sideshow setting. This central figure, a strongman, is positioned amidst a crowd of onlookers and performers. He is…
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Honoré Daumier’s “Head of Pasquin,” painted in 1863, is far more than a simple portrait; it's a potent distillation of social commentary and a masterful demonstration of the…
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This arresting portrait captures Baron Joseph de Podenas in 1833, offering us an intimate window into the world of the burgeoning bourgeoisie and political figures of early Victorian…
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Honoré Daumier's sculpture depicting Charles Philipon stands as a testament to the artist’s unwavering commitment to social commentary and his masterful manipulation of artistic technique. Created around 1833,…
Honoré Daumier's "Rue Transnonain, April 15, 1834" isn’t merely a depiction of an event; it’s a visceral scream frozen in lithograph ink. Published six months after the brutal…
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Theater Audience is an oil painting by the French artist Honoré Daumier. The work was created about 1856-60. Daumier was a male artist born in 1808 and he…
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In this oil on canvas, Honoré Daumier presents us with a quiet, intense moment of absorption. The work, titled Don Quixote Reading, captures the titular character lost within…
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In the evocative monochrome world of Honoré Daumier, moments of profound human interaction are stripped of all artifice, leaving only the raw essence of character and social truth.…
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In the shadowy, monochromatic depths of Honoré Daumier’s 1834 masterpiece, Le Ventre Legislatif (The Legislative Belly), we are invited into a space that feels less like a formal…
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Honoré Daumier’s “Avant l’audience” (Before the Hearing), painted in 1865, is a deceptively simple yet profoundly resonant work that captures a pivotal moment of restrained tension and intellectual…
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Two figures occupy a cramped, shadowed space, their bodies pressed together in a quiet, intense communion. This oil painting captures a private instance of shared drinking, stripped of…
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The painting Une cause célèbre, crayon et aquarelle A famous cause, pencil and watercolour by Honoré Daumier is a captivating work that showcases the artist's skill in capturing…
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The composition centers on the physical and psychological distance between two travelers moving through a rugged, mountainous landscape. In the foreground, Sancho Panza is seen from behind, riding…
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Don Quixote and Sancho Panza is an oil painting by the artist Honoré Daumier. Dated 1866, this work is categorized within the movements of Realism, Satire, and Narrative.…
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The quiet intensity of The Reader meets the viewer through the focused gaze of its subject. Painted by Honoré Daumier, this work captures a moment of profound stillness.…
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The shadows of a mid-19th-century urban environment emerge through Street Scene, a work by the French painter Honoré Daumier. Created about 1864, this piece captures a fleeting moment…
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A Portrait of Republican Idealism: Daumier’s Gallois Honoré Daumier's "Charles-Léonard Gallois (1774-1851), Publicist and Historian, Republican," created around 1833, is more than just a portrait; it’s a potent…
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In this 1870 oil on panel, we find ourselves drawn into a claustrophobic, dimly lit room where the air feels heavy with both physical malaise and psychological tension.…
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In the evocative monochrome of Honoré Daumier’s To the Street, we are transported back to the mid-19th century, a period defined by the rapid pulse of urban transformation.…
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In the evocative monochrome of Honoré Daumier’s "Three Lawyers," we are invited into a world where the gravity of the law meets the biting wit of social critique.…
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We are looking at Honoré Daumier Le Martyre de saint Sébastien, esquisse, huile sur panneau The Martyrdom of Sebastien saint, draft, oil on panel. This specific work, an…
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Executed in 1855, Mother by Honoré Daumier presents a portrait of disquiet. This work functions as a genre painting, utilizing a depiction of a mother and child to…
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Os 8 museus que detêm a maioria das pinturas desta página.
| Museu | Cidade | Obras de Honoré Daumier | Pinturas desta lista |
|---|---|---|---|
 Musée d'Orsay |
Paris | 33 | Unknown, maybe Hippolyte Lucien-Joseph Lucas (1807-1878), a Journalist, maybe P.Mendez de Vigo (1790-1860) a Spanish General, but Most Probably the Count Pelet de la Lozere (1785-1871), a Politician, Ratapoil (front view), Ratapoil (rear view) |
 Burrell Collection |
Glasgow | 9 | The Good Samaritan, Susannah and the Elders, The Miller, His Son and the Donkey |
 The Phillips Collection |
Washington, D.C. | 8 | On a Bridge at Night, The Uprising (L, The Strong Man |
 Art Institute of Chicago |
Chicago | 4 | O Colecionador de Gravuras, Street Musicians, Two Lawyers |
 National Museum Cardiff |
Cardiff | 8 | Head of a Man, A Third Class Carriage, Don Quixote Reading |
 Rhode Island School of Design Museum of Art |
Providence | 4 | Second-Class Carriage, Mme Pipelet, the Concierge, Au Palais de Justice (At the Law Courts) |
 Biblioteca Nacional da França |
Paris | 3 | Penelopa's Dream, The Beautiful Narcissus, Rue Transnonain, April 15, 1834 |
 Harvard Art Museums |
Cambridge | 3 | Scapin, Two Singers, The Print Amateur |
This evocative portrait captures more than just the likeness of an elderly gentleman; it arrests a moment in time, freezing the very essence of 19th-century Parisian intellectual life.…
Honoré Daumier’s “The Republic” (1848) isn't merely a painting; it’s a potent distillation of the anxieties and aspirations swirling within post-revolutionary France. Captured with his signature blend of…
Uma Representação Poderosa do Sofrimento Humano e da Justiça Social Esta obra de arte envolvente captura uma cena bíblica pungente que ressoa profundamente com temas de compaixão, injustiça…
In the crowded, dimly lit confines of a mid-19th-century railway carriage, Honoré Daumier captures more than just a moment in transit; he captures the very essence of human…
In this intimate oil on canvas, a man leans toward a seated woman within a dimly lit interior. The composition is tightly cropped, creating a sense of enclosure…
Nós queremos Barabbas (1852), Museum Folkwang, Essen. Seguidos por The Third-class Carriage (1860) e Unknown, maybe Hippolyte Lucien-Joseph Lucas (1807-1878), a Journalist, maybe P.Mendez de Vigo (1790-1860) a Spanish General, but Most Probably the Count Pelet de la Lozere (1785-1871), a Politician (1833).
Honoré Daumier, nascido(a) em 1808, tinha 44 anos: Nós queremos Barabbas data de 1852.
Nós queremos Barabbas, The Third-class Carriage, Unknown, maybe Hippolyte Lucien-Joseph Lucas (1807-1878), a Journalist, maybe P.Mendez de Vigo (1790-1860) a Spanish General, but Most Probably the Count Pelet de la Lozere (1785-1871), a Politician, Ratapoil (front view), Intermission at the Comédie Française, Ratapoil, Ratapoil (rear view), Scene from a Comedy, Ratapoil e Family on the Barricades in 1848. Cada tela no ranking acima inclui o seu ano e o seu museu.
355 obras de Honoré Daumier estão em nosso catálogo, datadas de 1832 a 1870.
Principalmente em Musée d'Orsay (Paris), Burrell Collection (Glasgow) e The Phillips Collection (Washington, D.C.); a lista acima indica cada museu e as suas telas.
Em 1850s, que compreende 34 das 100 obras desta página, Nós queremos Barabbas entre elas.
A tela mais antiga aqui é de Count Antoine-Maurice-Apollinaire d'Argout (1782-1858), Minister and Peer of France (1832); a mais recente é de The Studio (1870).
People (18), Satire (15) e Man (14), entre as 100 obras nesta página.
Oil On Canvas, utilizado em 14 das 100 obras nesta página.
Realism, como mostram as telas nesta página.
O Musée d'Orsay, Paris detém 19 das obras desta página, entre elas Unknown, maybe Hippolyte Lucien-Joseph Lucas (1807-1878), a Journalist, maybe P.Mendez de Vigo (1790-1860) a Spanish General, but Most Probably the Count Pelet de la Lozere (1785-1871), a Politician, Ratapoil (front view) e Ratapoil (rear view).
Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.
