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      Jan Asselijn, 1610 – 1652

      As 76 pinturas mais famosas de Jan Asselijn, classificadas

      A pintura mais amada de Jan Asselijn é The Threatened Swan (1652), que está exposta no Rijksmuseum, Amsterdã. King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) e Landscape with a Bridge in the Italian Countryside (1652) vêm a seguir entre as telas que os leitores mais conhecem. O nosso catálogo contém 84 obras de Jan Asselijn: aqui estão as 76 mais famosas, cada uma com o seu ano, o seu museu e o que a torna memorável.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Jan Asselijn
      Jan Asselijn · 1610 – 1652
      Nascimento · falecimento
      1610 – 1652, Dieppe
      Movimento
      Dutch golden age
      Obras em nosso catálogo
      84
      As mais famosas
      The Threatened Swan (1652)
      Mais obras em
      Rijksmuseum

      As 10 principais pinturas de Jan Asselijn: as telas que todos conhecem

      The Threatened Swan (1652) de Jan Asselijn
      1

      The Threatened Swan

      1652 · Rijksmuseum, Amsterdã

      Jan Asselijn’s “The Threatened Swan,” completed around 1650, stands as a testament to the artistic fervor of the Dutch Golden Age and embodies a profound symbolic message rooted in political turmoil. More than just a depiction of avian behavior, this monumental oil painting on canvas is an intricate allegory reflecting the anxieties surrounding Johan de Witt’s leadership during a period marked by internal dissent and external threats.

      Hand-painted oil reproduction from $178 35 × 29 cm Same size as the original $889 171 × 144 cm Order at original size →
      King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) de Jan Asselijn
      2

      King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632

      1634 · Oil On Canvas · Statens Museum For Kunst, Copenhague

      Jan Asselijn's “King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632” isn’t merely a painting; it’s a visceral plunge into the heart of a pivotal moment in European history. Completed in 1634, this monumental work captures the chaotic fury and strategic brilliance of the Battle of Lutzen, fought on August 17th of that year, a clash that cemented Gustav Adolf II's reputation as a military genius and…

      Hand-painted oil reproduction from $178 36 × 28 cm
      Landscape with a Bridge in the Italian Countryside (1652) de Jan Asselijn
      3

      Landscape with a Bridge in the Italian Countryside

      1652 · Oil On Canvas · Cannon Hall Museum, Barnsley

      A stone bridge with arched spans anchors this serene landscape, crossing a calm body of water that reflects the soft, overcast sky. To the left, a solitary figure sits upon a barrel, watching the quiet movement of the scene. On the right, the composition gathers around a horse and carriage; a person guides the animal toward the water's edge while another observer stands nearby. A dog occupies the foreground, grounding…

      Hand-painted oil reproduction from $178 34 × 30 cm
      King Gustav Adolf II in the Battle of Lutzen on November 6,1632 (1632) de Jan Asselijn
      4

      King Gustav Adolf II in the Battle of Lutzen on November 6,1632

      The air is thick with the scent of wet earth and sulfur. In the center of the chaos, King Gustav Adolf II of Sweden rides a horse through the fray, his sword a flash of cold light against the darkening sky. The Battle of Lutzen is not a quiet affair; it is a collision of muscle and metal. Soldiers on foot and mounted on horseback press against one another in…

      Hand-painted oil reproduction from $178 38 × 26 cm
      Four Figures (1615) de Jan Asselijn
      5

      Four Figures

      1615 · Oil · Groeningemuseum, Brugge

      In Four Figures, Jan Asselijn organizes a group of men in period attire within a dimly lit, atmospheric setting. The composition centers on this cluster of figures, who are arranged in a loose, triangular formation. This structural choice draws the viewer's eye toward the middle of the group, where the subjects interact in a moment of quietude. One man is captured drinking from a vessel, while another stands holding a…

      Hand-painted oil reproduction from $228 32 × 31 cm
      King Gustav Adolf II of Sweden, Battle near Lutzen 1632 (1635) de Jan Asselijn
      6

      King Gustav Adolf II of Sweden, Battle near Lutzen 1632

      1635 · Oil On Panel · Gemäldegalerie, Berlim

      The artwork titled King Gustav Adolf II of Sweden, Battle near Lutzen 1632 is a work by the artist Jan Asselijn. Dated about 1635, this oil on panel painting belongs to the genre of military history. The subject matter focuses on the Battle of Lützen, a significant conflict from the Thirty Years' War. The scene captures the king amidst the movement of a large-scale military engagement.

      Hand-painted oil reproduction from $228 38 × 26 cm
      The Tiber River with the Ponte Molle at Sunset (1650) de Jan Asselijn
      7

      The Tiber River with the Ponte Molle at Sunset

      1650 · Oil · National Gallery of Art, Washington

      The sun hangs low over the horizon, casting a sharp, golden light through the four massive stone arches of the Ponte Molle. This light slices through the atmosphere, painting the sky in a gradient that shifts from a warm, glowing amber on the right to a pale, tranquil aquamarine as the eye moves toward the left. The river below remains placid, reflecting the changing colors of the sky, while the…

      Hand-painted oil reproduction from $178 36 × 27 cm Same size as the original $215 54 × 41 cm Order at original size →

      Mais telas de Jan Asselijn, de 11 a 76

      Hangout in Italy (1620) de Jan Asselijn
      #58

      Hangout in Italy

      1620 · Rijksmuseum

      Jan Asselijn's "Hangout in Italy," painted around 1620, isn’t merely a depiction of a picturesque scene; it’s an invitation. An invitation to step into a moment of quiet…

      Encomende esta tela from $178 →
      Italian Coast Scene de Jan Asselijn
      #73

      Italian Coast Scene

      Museu Fitzwilliam

      Jan Asselijn's "Italian Coast Scene," painted circa 1640-1652, isn’t merely a depiction of a coastal landscape; it’s an invitation to step into a moment of serene contemplation. This…

      Encomende esta tela from $178 →
      Italian Landscape de Jan Asselijn
      #74

      Italian Landscape

      Museu Fitzwilliam

      Jan Asselijn's "Italian Landscape," painted circa 1625-1652, isn’t merely a depiction of a picturesque vista; it’s an invitation to step into a carefully constructed world of serene beauty…

      Encomende esta tela from $178 →

      As telas de Jan Asselijn, período por período

      O que Jan Asselijn mais pintou

      Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.

      Onde as telas de Jan Asselijn estão expostas

      Os 8 museus que detêm a maioria das pinturas desta página.

      Museus Cidade Obras de Jan Asselijn Pinturas desta lista
      Rijksmuseum, AmsterdãRijksmuseum Amsterdã 9 The Threatened Swan, Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652, Muleteers beside an Italian Ruin
      Statens Museum For Kunst, CopenhagueStatens Museum For Kunst Copenhague 5 King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Italian Landscape, Fight against Robbers
      Academia de Belas Artes de Viena, VienaAcademia de Belas Artes de Viena Viena 5 Landscape with Ruins and Hunting Party, River Bank with Herdsmen, Coastal Scene with Resting Riders (detail)
      Gemäldegalerie, BerlimGemäldegalerie Berlim 3 King Gustav Adolf II of Sweden, Battle near Lutzen 1632, The restoration of the Diemerdijk or Muiderdijk near Amsterdam in 1651, Breach of a Dyke by Storm Surge on March 5 1651
      Museu do Louvre, ParisMuseu do Louvre Paris 3 PAYSAGE AVEC UN TROUPEAU TRAVERSANT UNE RIVIERE, PAYSAGE AVEC UNE TOUR, RUINE ET CABANE DE BERGERS
      Cannon Hall Museum, BarnsleyCannon Hall Museum Barnsley 2 Landscape with a Bridge in the Italian Countryside, Landscape with a Bridge in the Italian Countryside
      Yale University Art Gallery, New HavenYale University Art Gallery New Haven 2 Peasants by a River Bank, River Landscape with the Fort Saint-Jean and the Chateau Pierre-Scize in Lyon
      Museu Hermitage, São PetersburgoMuseu Hermitage São Petersburgo 2 Riders Gallopping towards the Gates of the Fortress, Winter Landscape

      A tela mais amada de cada década de Jan Asselijn

      1. 1620s
        Hangout in Italy (1620) de Jan Asselijn
        58 de 76

        Hangout in Italy

        Idade 10 – 19 · Rijksmuseum

        Jan Asselijn's "Hangout in Italy," painted around 1620, isn’t merely a depiction of a picturesque scene; it’s an invitation. An invitation to step into a moment of quiet…

      2. 1630s
      3. 1640s
      4. 1650s
        The Threatened Swan (1652) de Jan Asselijn
        Classificado em 1 de 76

        The Threatened Swan

        Idade 40 – 42 · Rijksmuseum

        Jan Asselijn’s “The Threatened Swan,” completed around 1650, stands as a testament to the artistic fervor of the Dutch Golden Age and embodies a profound symbolic message rooted…

      Sobre as telas de Jan Asselijn: suas perguntas respondidas

      Qual é a pintura mais conhecida de Jan Asselijn?Leia a resposta

      The Threatened Swan (1652), Rijksmuseum, Amsterdã. Seguidos por King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632 (1634) e Landscape with a Bridge in the Italian Countryside (1652).

      Qual era a idade de Jan Asselijn quando The Threatened Swan foi pintada?Leia a resposta

      Jan Asselijn, nascido(a) em 1610, tinha 42 anos: The Threatened Swan data de 1652.

      Quais são as 10 pinturas mais famosas de Jan Asselijn?Leia a resposta

      The Threatened Swan, King Gustav Adolf II of Sweden in the Battle of Lutzen, 1632, Landscape with a Bridge in the Italian Countryside, King Gustav Adolf II in the Battle of Lutzen on November 6,1632, Four Figures, King Gustav Adolf II of Sweden, Battle near Lutzen 1632, The Tiber River with the Ponte Molle at Sunset, Ruined Building with Shepherd and Sheep, Italian Landscape e Fight against Robbers. Cada tela no ranking acima inclui o seu ano e o seu museu.

      Quantas obras Jan Asselijn pintou ao todo?Leia a resposta

      84 obras de Jan Asselijn estão em nosso catálogo, datadas de 1620 a 1652.

      Onde posso ver as telas mais famosas de Jan Asselijn?Leia a resposta

      Principalmente em Rijksmuseum (Amsterdã), Statens Museum For Kunst (Copenhague) e Academia de Belas Artes de Viena (Viena); a lista acima indica cada museu e as suas telas.

      Quando é que Jan Asselijn pintou as suas telas mais amadas?Leia a resposta

      Em 1650s, que compreende 24 das 76 obras desta página, The Threatened Swan entre elas.

      Quais são as primeiras e as últimas telas famosas de Jan Asselijn?Leia a resposta

      A tela mais antiga aqui é de Hangout in Italy (1620); a mais recente é de The Threatened Swan (1652).

      O que Jan Asselijn mais pintou?Leia a resposta

      Landscape (25), Figures (5) e Italy (5), entre as 76 obras nesta página.

      Com qual técnica Jan Asselijn pintou com mais frequência?Leia a resposta

      Oil On Canvas, utilizado em 9 das 76 obras nesta página.

      A que movimento pertence a pintura de Jan Asselijn?Leia a resposta

      Dutch golden age e Baroque, como mostram as telas nesta página.

      Quais telas de Jan Asselijn estão expostas no Rijksmuseum?Leia a resposta

      O Rijksmuseum, Amsterdã detém 9 das obras desta página, entre elas The Threatened Swan, Drovers with Cattle under an Arch of the Colosseum in Rome, Jan Asselijn, 1640 - 1652 e Muleteers beside an Italian Ruin.

      Posso comprar uma reprodução de uma tela de Jan Asselijn?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Jan Asselijn: uma vida em pintura

      A Life Forged in Landscape: The World of Jan Asselijn

      Born Jean Asselin in the French port city of Dieppe around 1610, Jan Asselijn’s journey was one shaped by religious upheaval and artistic exploration. His family, Huguenots fleeing persecution, relocated to Amsterdam in 1621, a vibrant hub of commerce and burgeoning artistic talent during the Dutch Golden Age. This relocation proved pivotal, immersing young Jean into a world where landscape painting was rapidly evolving beyond traditional depictions toward more atmospheric and emotionally resonant scenes. He initially trained with Jan Martszen the Younger, honing his skills in battle pieces before discovering his true calling – capturing the beauty and drama of both natural landscapes and animal life. Asselijn’s early exposure to the Dutch light and expansive skies would become a defining characteristic of his work, though it was a sojourn to Italy that truly solidified his artistic vision.

      The Italianate Embrace & The Bentvueghels

      Like many ambitious Northern European painters of the era, Asselijn sought refinement in Italy, likely arriving sometime after 1635. It was there he fully embraced the *Italianate* style – a genre characterized by sun-drenched vistas, classical ruins, and pastoral scenes imbued with a sense of romanticism. He joined the ranks of the *Bentvueghels*, a colorful society of Dutch and Flemish artists working in Rome. These “Birds of a Feather” were known for their unconventional behavior, satirical nicknames, and dedication to painting directly from life – rejecting the constraints of studio work. Within this boisterous community, Asselijn earned the moniker "Krabbetje" (little crab) due to a physical disability affecting his hand, yet he thrived creatively. He absorbed the influence of artists like Pieter van Laer (Bamboccio), whose depictions of Roman peasant life and landscapes resonated deeply with Asselijn’s own developing style. This period was crucial in shaping his ability to convey atmosphere, light, and a sense of narrative within his compositions. The Bentvueghels fostered an environment of experimentation and debate, pushing artists to challenge conventions and explore new expressive possibilities.

      Mastering Light & Symbolism: Key Works

      Asselijn returned to Amsterdam with a refined technique and a distinctive voice. His paintings are characterized by a clarity of execution and a masterful handling of light – qualities that quickly gained him recognition. While he produced historical and battle scenes, it was his landscapes and animal paintings that truly set him apart. The Threatened Swan, painted in the 1640s, remains his most celebrated work. More than just a depiction of avian defense, this painting became a powerful symbol of Dutch national resistance against external threats. The fiercely protective swan, aggressively warding off intruders near its nest, resonated with contemporary anxieties and was even interpreted as an allegory for Johan de Witt, a prominent Dutch statesman. Intriguingly, later owners added symbolic inscriptions to the canvas – “Holland” on one of the eggs and “Enemy of the state” beside the menacing dog – further cementing its political undertones. Other notable works include Cavalry Attack at Sunset, showcasing his earlier training in battle scenes with dramatic flair, and depictions of rural life like Drovers with Cattle under an Arch of the Colosseum in Rome, which beautifully blend Italianate landscapes with animal studies. He skillfully utilized *chiaroscuro*, a technique pioneered by Rembrandt, to create depth and emotion within his canvases—a testament to his mastery of light and shadow.

      Influence & Legacy: A Lasting Impression

      Jan Asselijn's impact extended beyond his own prolific output. He was admired by contemporaries like Rembrandt, who even created etchings of the artist at work – though notably, these etchings obscure Asselijn’s hands, perhaps a sensitive acknowledgement of his physical challenge. He also served as a mentor to Frederik de Moucheron, another prominent Dutch landscape painter who further popularized the Italianate style. Asselijn's innovative approach to light and atmosphere influenced a generation of artists, paving the way for greater naturalism and emotional depth in landscape painting. His works are now held in prestigious collections such as the Rijksmuseum in Amsterdam, ensuring his legacy endures as a significant figure within the Dutch Golden Age. He died relatively young, in 1652, but left behind a body of work that continues to captivate viewers with its beauty, drama, and subtle layers of meaning—a testament to his enduring contribution to art history.