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      Johan Barthold Jongkind, 1819 – 1891

      Johan Barthold Jongkind: As 100 pinturas mais conhecidas

      De todas as pinturas de Johan Barthold Jongkind, Windmill near Delft (1857) é a mais famosa; está exposta no Museu Thyssen-Bornemisza, em Madrid. Logo atrás vêm Moonlight e Moonlight on the Canal. Entre as 337 obras de Johan Barthold Jongkind em nosso catálogo, estas 100 são as mais celebradas, cada uma apresentada com a sua data, o seu museu e a sua história.

      Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.

      Retrato de Johan Barthold Jongkind
      Johan Barthold Jongkind · 1819 – 1891
      Nascimento · falecimento
      1819 – 1891, Lattrop
      Movimento
      Impressionism
      Obras em nosso catálogo
      337
      Mais famosas
      Windmill near Delft (1857)
      Mais obras em
      Rijksmuseum

      As 10 pinturas mais celebradas de Johan Barthold Jongkind

      Windmill near Delft (1857) de Johan Barthold Jongkind
      1

      Windmill near Delft

      1857 · Oil On Canvas · Museu Thyssen-Bornemisza, Madrid

      In the quiet, sun-drenched landscapes of the Netherlands, certain moments possess a timeless quality that transcends the mere passage of years. Johan Barthold Jongkind’s 1857 masterpiece, Windmill near Delft, captures such a moment with unparalleled grace. This is not simply a landscape painting; it is a profound meditation on the ephemeral nature of light and the enduring spirit of the Dutch countryside. As the eye wanders across the canvas, one…

      Moonlight de Johan Barthold Jongkind
      2

      Moonlight

      Oil On Canvas · Dordrechts Museum, Dordrecht

      Moonlight by Johan Jongkind captures a single, quiet moment on a river under the night sky. This oil on canvas depicts the silver glow of the moon as it touches the water's surface. The scene focuses on the nocturnal atmosphere of the river, where light and shadow meet in the dark. It is a study of a fleeting, lunar presence over the moving current.

      Moonlight on the Canal de Johan Barthold Jongkind
      3

      Moonlight on the Canal

      Oil On Canvas · Baltimore Museum of Art, Baltimore

      In the quietude of Moonlight on the Canal, we are invited into a world where the boundaries between reality and dream begin to dissolve. This evocative masterpiece by Johan Barthold Jongkind captures a nocturnal scene of a canal bathed in the ethereal glow of a luminous moon. The composition is a masterclass in atmospheric tension, dominated by a profound interplay of light and shadow that creates a hazy, almost mystical…

      The Beach at Sainte-Adresse de Johan Barthold Jongkind
      5

      The Beach at Sainte-Adresse

      Oil On Canvas

      The Beach at Sainte-Adresse is an oil painting by the Dutch artist Johan Jongkind. Created about 1862, this work depicts a coastal landscape situated at Sainte-Adresse, France. The scene captures a wide expanse of shoreline where the land meets the sea under a sky filled with clouds.

      The Seine at Bas-Meudon de Johan Barthold Jongkind
      6

      The Seine at Bas-Meudon

      Oil On Canvas

      The Seine at Bas-Meudon emerges from the canvas as a quiet moment captured in 1865. Johan Jongkind, a Dutch painter who lived from 1819 to 1891, renders this river scene with a focus on the shifting atmosphere of the French landscape. The work exists as an oil on fabric, a medium that allows for the quick, visible brushstrokes characteristic of the Impressionist style. Through these marks, the artist seeks to…

      Pinturas de Johan Barthold Jongkind classificadas de 11 a 100

      A street in Landerneau (1851) de Johan Barthold Jongkind
      #15

      A street in Landerneau

      1851 · Kunstmuseum

      A Street in Landerneau: Capturing Impressionistic Light Johan Barthold Jongkind stands as a pivotal figure in the burgeoning movement of Impressionism, albeit often overshadowed by his more celebrated…

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      Canal in the Moonlight (1868) de Johan Barthold Jongkind
      #20

      Canal in the Moonlight

      1868

      Canal in the Moonlight is an artwork by Johan Jongkind. This painting presents a nocturnal scene centered on a canal. The composition focuses on the way moonlight reflects…

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      O que Johan Barthold Jongkind mais pintou

      Os quatro temas que mais aparecem nestas telas, cada um com o seu exemplo mais amado.

      Onde as telas de Johan Barthold Jongkind estão expostas

      Os 8 museus que detêm a maioria das pinturas desta página.

      Museu Cidade Obras de Johan Barthold Jongkind Pinturas desta lista
      Rijksmuseum, AmsterdãRijksmuseum Amsterdã 7 Rotterdam in the Moonlight, River View in France, possibly near Pontoise, Johan Barthold Jongkind, 1855, Windmills near Rotterdam
      Petit Palais, ParisPetit Palais Paris 6 Moonlight at Overschie (outskirts of Rotterdam), Notre-Dame Seen from Quai de la Tournelle, Boat Under Construction by Canal Side, Dutch Landscape
      Museum Boijmans Van Beuningen, RoterdãMuseum Boijmans Van Beuningen Roterdã 4 View on Monmartre, Sunset near Overschie, La Ciotat
      Museu Thyssen-Bornemisza, MadridMuseu Thyssen-Bornemisza Madrid 3 Windmill near Delft, A View of the Harbour, Rotterdam, The Towpath
      Groninger Museum, GroningenGroninger Museum Groningen 3 River Landscape at Evening, View of Rotterdam from Overschie, Rider and Figure in a Landscape
      National Gallery, LondresNational Gallery Londres 3 River Scene, The Boulevard de Port-Royal, Paris, Skating in Holland
      Musée d'Orsay, ParisMusée d'Orsay Paris 5 Portrait of the Artist by Himself, The Port of Rotterdam
      Dordrechts Museum, DordrechtDordrechts Museum Dordrecht 3 Moonlight, Sailing Ships near Dordrecht

      Década a década: a tela mais celebrada de Johan Barthold Jongkind

      1. 1840s
      2. 1850s
        Windmill near Delft (1857) de Johan Barthold Jongkind
        Classificado em 1 de 100

        Windmill near Delft

        Idade 31 – 40 · Museu Thyssen-Bornemisza

        In the quiet, sun-drenched landscapes of the Netherlands, certain moments possess a timeless quality that transcends the mere passage of years. Johan Barthold Jongkind’s 1857 masterpiece, Windmill near…

      3. 1860s
      4. 1870s
        Winter Scene (1871) de Johan Barthold Jongkind
        Tela 4 de 100

        Winter Scene

        Idade 51 – 60

        The oil on canvas work titled Winter Scene was executed by the Dutch artist Johan Jongkind. This specific painting dates to 1871. The artist applied his signature and…

      5. 1880s
        Rotterdam in the Moonlight (1881) de Johan Barthold Jongkind
        Classificado em 17 de 100

        Rotterdam in the Moonlight

        Idade 61 – 70 · Rijksmuseum

        Rotterdam in the Moonlight is an oil on canvas painting by the Dutch artist Johan Jongkind. Created in 1881, this work depicts a view of a canal in…

      As suas perguntas sobre as pinturas de Johan Barthold Jongkind, respondidas

      Qual é a pintura mais celebrada de Johan Barthold Jongkind?Leia a resposta

      Windmill near Delft (1857), Museu Thyssen-Bornemisza, Madrid. Seguidos por Moonlight e Moonlight on the Canal.

      Qual era a idade de Johan Barthold Jongkind na época de Windmill near Delft?Leia a resposta

      Johan Barthold Jongkind, nascido(a) em 1819, tinha 38 anos: Windmill near Delft data de 1857.

      Quais são as dez pinturas mais famosas de Johan Barthold Jongkind?Leia a resposta

      Windmill near Delft, Moonlight, Moonlight on the Canal, Winter Scene, The Beach at Sainte-Adresse, The Seine at Bas-Meudon, On the riverbank, The Cathedral of Notre-Dame de Paris, Seen from the Pont de l’Archevêché, The Canal of Saint-Martin at Sunset, Paris e Rouen at Sunset. Cada tela no ranking acima inclui o seu ano e o seu museu.

      Quantas pinturas de Johan Barthold Jongkind são conhecidas?Leia a resposta

      337 obras de Johan Barthold Jongkind estão em nosso catálogo, datadas de 1844 a 1889.

      Em quais museus se encontram as telas mais conhecidas de Johan Barthold Jongkind?Leia a resposta

      Principalmente em Rijksmuseum (Amsterdã), Petit Palais (Paris) e Museum Boijmans Van Beuningen (Roterdã); a lista acima indica cada museu e as suas telas.

      Em que anos Johan Barthold Jongkind pintou as suas telas mais célebres?Leia a resposta

      Em 1860s, que compreende 36 das 100 obras desta página, Entrance to the Harbour of Honfleur entre elas.

      Quais são a primeira e a última das telas famosas de Johan Barthold Jongkind?Leia a resposta

      A tela mais antiga aqui é de View of Delft (1844); a mais recente é de Hitch of Bulls on the Road (1889).

      Quais temas aparecem com mais frequência nas pinturas de Johan Barthold Jongkind?Leia a resposta

      Water (5), Night sky (4) e Sky (4), entre as 100 obras nesta página.

      Com o que Johan Barthold Jongkind costumava pintar?Leia a resposta

      Oil On Canvas, utilizado em 7 das 100 obras nesta página.

      A qual movimento artístico pertence Johan Barthold Jongkind?Leia a resposta

      Impressionism, como mostram as telas nesta página.

      O que posso ver de Johan Barthold Jongkind no Rijksmuseum?Leia a resposta

      O Rijksmuseum, Amsterdã detém 5 das obras desta página, entre elas Rotterdam in the Moonlight, River View in France, possibly near Pontoise, Johan Barthold Jongkind, 1855 e Windmills near Rotterdam.

      Posso encomendar uma cópia pintada à mão de uma obra de Johan Barthold Jongkind?Leia a resposta

      Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.

      Johan Barthold Jongkind: a história do pintor

      A Forerunner of Light: The Life and Art of Johan Barthold Jongkind

      Johan Barthold Jongkind, a name perhaps less immediately recognizable than those of Monet or Renoir, occupies a pivotal position in the story of Impressionism. Born on June 3, 1819, in Lattrop, a small town in the Netherlands, Jongkind’s artistic journey was one marked by both profound talent and personal struggle. His early life unfolded amidst the tranquil landscapes of Overijssel province, a region that would deeply inform his lifelong fascination with water, light, and atmosphere. Though initially employed as a clerk, his inherent artistic inclinations led him to The Hague in 1837, where he began formal training under Andreas Schelfhout, a respected landscape painter steeped in the Dutch tradition. This foundation proved crucial, instilling in Jongkind a meticulous observation of nature and a mastery of technique that would later be infused with a distinctly modern sensibility. It was a period of learning the fundamentals, but also one of burgeoning ambition, prompting him to seek further artistic development in the vibrant heart of Paris.

      Parisian Encounters and Artistic Development

      The move to Paris in 1846 proved transformative. Jongkind entered the studios of Eugène Isabey and François-Édouard Picot, immersing himself in the French art scene. He quickly gained recognition, exhibiting at the Salon as early as 1848, earning praise from influential critics like Charles Baudelaire and Émile Zola. These were years of promise, yet shadowed by a growing internal turmoil. Jongkind battled with bouts of depression and alcoholism, challenges that would intermittently disrupt his career and personal life. Despite these struggles, he continued to paint prolifically, focusing on scenes of the Seine River, the bustling Parisian streets, and the atmospheric nuances of the surrounding countryside. His work during this period reveals a unique blend of Dutch realism and emerging French Romanticism, characterized by vigorous brushwork and a keen sensitivity to light effects. He wasn’t merely depicting landscapes; he was capturing their fleeting moods, their ephemeral beauty. This ability to convey atmosphere would become his signature style and a key influence on the artists who followed. The Parisian environment, with its contrasts of light and shadow, bustling activity, and diverse subjects, ignited a new creative fire within him.

      A Mentor to Monet: The Seeds of Impressionism

      Jongkind’s return to the Netherlands in 1855 was temporary. He eventually settled back in Paris in 1861, where his artistic path intersected with that of a young Claude Monet. This encounter proved profoundly significant for both artists. Jongkind became a mentor to Monet, sharing his knowledge of *plein air* painting – working outdoors directly from nature – and encouraging him to embrace a more spontaneous and expressive approach. Monet himself credited Jongkind with providing the “definitive education” of his eye, recognizing in the older artist’s work a freedom and sensitivity that resonated deeply with his own artistic aspirations. Jongkind's influence can be seen in Monet’s early landscapes, particularly those depicting scenes along the Seine, where the emphasis on light, atmosphere, and fleeting impressions is strikingly similar. He wasn’t simply teaching technique; he was imparting a philosophy of seeing, a way of capturing the essence of a moment in time. The shared experience of observing nature together fostered a deep respect for each other's artistic vision, laying the groundwork for Monet’s revolutionary approach to painting.

      The Subject Matter and Style of Jongkind

      Jongkind’s paintings are instantly recognizable by their evocative atmosphere and masterful use of light. He primarily focused on maritime scenes – the turbulent waters of the North Sea, the serene canals of Holland, and the dramatic coastlines of Normandy – but also frequently depicted urban landscapes, capturing the energy and character of Parisian streets. His style was characterized by loose brushwork, often applied in short, broken strokes, which created a shimmering effect that brilliantly conveyed the movement of water and air. Jongkind’s compositions typically featured low horizons, allowing the sky to dominate the canvas and emphasizing the vastness of nature. He skillfully employed color to create mood and atmosphere, using subtle gradations of light and shadow to evoke feelings of tranquility, drama, or melancholy. His paintings are not photographic representations of reality but rather subjective interpretations of the world as he perceived it – a blend of observation, emotion, and artistic skill.

      Legacy and Lasting Influence

      Though Jongkind never fully achieved the widespread fame enjoyed by some of his contemporaries, his contribution to the development of Impressionism is undeniable. His paintings, often characterized by their loose brushwork, dramatic skies, and evocative use of color, paved the way for a new approach to landscape painting. He demonstrated that capturing the subjective experience of light and atmosphere was as important as accurately representing physical reality. His work can be found in prominent museums such as the Van Gogh Museum in Amsterdam and the Musée d'Orsay in Paris, testaments to his enduring artistic merit.
      • Notable Works: *Moonlight on the Canal*, numerous paintings of the Seine near Notre-Dame Cathedral.
      • Influence: A key influence on Claude Monet and a forerunner of Impressionism.
      • Final Years: Jongkind passed away on February 9, 1891, in Saint-Égrève, France, leaving behind a legacy that continues to inspire artists and art enthusiasts today.
      His story is a poignant reminder that artistic innovation often arises from unexpected sources. He was not a revolutionary in the same way as Monet or Renoir, but his quiet dedication to capturing the beauty of the natural world, combined with his willingness to experiment with new techniques, secured his place as a vital figure in 19th-century art history. His paintings remain powerful evocations of time and place, inviting viewers to experience the world through the eyes of an artist who truly understood the transformative power of light.

      Todas as 337 obras de Johan Barthold Jongkind →