De todas as pinturas de Mark Gertler, The apple woman and her husband (1912) é a mais famosa; está exposta no National Gallery of Victoria, em Melbourne. Logo atrás vêm Valentine Dobrée (1919) e Near Swanage, Dorset. Entre as 131 obras de Mark Gertler em nosso catálogo, estas 100 são as mais celebradas, cada uma apresentada com a sua data, o seu museu e a sua história.
Classificado de acordo com o nosso índice de popularidade, que combina buscas, visitas e pedidos de cada obra. Atualizado em Outubro 2026. Cada pintura nesta página pode ser encomendada como uma reprodução a óleo pintada à mão sobre tela de linho, ou como uma impressão fine art, feita no tamanho que escolher.
In 1914, Mark Gertler painted Rabbi and Rabbitzin. This oil on canvas captures a quiet stillness through its 48 x 37 cm frame. The work emerged from a…
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Os 8 museus que detêm a maioria das pinturas desta página.
| Museu | Cidade | Obras de Mark Gertler | Pinturas desta lista |
|---|---|---|---|
| Londres | 2 | Natalie Bevan, Née Ackenhausen, Later Denny, Sir George Howard Darwin | |
| Melbourne | 1 | The apple woman and her husband | |
| Auckland | 1 | Valentine Dobrée | |
| 1 | Sea-shells | ||
| Londres | 1 | Rabbi and Rabbitzin | |
| Sydney | 1 | Golden pheasant | |
| Kendall | 1 | Portrait of Marjorie Gertler | |
| Varsóvia | 1 | Nude Study |
The apple woman and her husband (1912), National Gallery of Victoria, Melbourne. Seguidos por Valentine Dobrée (1919) e Near Swanage, Dorset.
Mark Gertler, nascido(a) em 1891, tinha 21 anos: The apple woman and her husband data de 1912.
The apple woman and her husband, Valentine Dobrée, Near Swanage, Dorset, Musical Bather, The Yew At Garsington, Sea-shells, Standing Female Nude, The Servant Girl, Gilbert Cannan And His Mill e Mandolinist. Cada tela no ranking acima inclui o seu ano e o seu museu.
131 obras de Mark Gertler estão em nosso catálogo, datadas de 1907 a 1932.
Principalmente em National Portrait Gallery (Londres), National Gallery of Victoria (Melbourne) e Auckland Art Gallery Toi o Tāmaki (Auckland); a lista acima indica cada museu e as suas telas.
Em 1910s, que compreende 3 das 100 obras desta página, The apple woman and her husband entre elas.
A tela mais antiga aqui é de Sea-shells (1907); a mais recente é de Golden pheasant (1932).
Portraits (11), Life (8) e Nudes (7), entre as 100 obras nesta página.
Oil, utilizado em 2 das 100 obras nesta página.
Post-impressionism, como mostram as telas nesta página.
O National Portrait Gallery, Londres detém 2 das obras desta página, entre elas Natalie Bevan, Née Ackenhausen, Later Denny e Sir George Howard Darwin.
Sim. Todas as pinturas desta página podem ser encomendadas a partir de sua própria página como uma reprodução a óleo pintada à mão, ou como uma impressão fine art, no tamanho de sua escolha.
Mark Gertler, born Marks Gertler on December 9, 1891, in Spitalfields, London, was a British painter whose distinctive style—characterized by expressive figure studies, poignant portraits, and still lifes—captured the spirit of his time. His formative years were deeply intertwined with the relationship he shared with Dora Carrington, an artist who profoundly influenced his artistic vision.
Gertler’s forename was Anglicised to “Mark” in 1896 when his family relocated to London, joining his father. From a young age, he demonstrated exceptional talent for drawing, enrolling in art classes at Regent Street Polytechnic in 1906 despite facing considerable financial hardship. This early education proved crucial in shaping his artistic sensibilities.
Despite the challenges of poverty, Gertler persevered and secured an apprenticeship at Clayton & Bell, a renowned stained glass company, simultaneously pursuing evening studies at the Polytechnic. This dual commitment underscored his dedication to honing his craft and expanding his knowledge of artistic techniques.
Gertler’s career gained momentum in 1908 when he achieved third place in a national art competition—a significant accomplishment that propelled him into the spotlight. He continued his artistic journey at Slade School of Art, where he befriended fellow artists such as Paul Nash, Edward Wadsworth, and Sir Stanley Spencer, immersing himself in the vibrant intellectual milieu of Camden Town.
Lady Ottoline Morrell played a pivotal role in introducing Gertler to Walter Sickert, the influential leader of the Camden Town Group. This connection fostered collaboration and solidified Gertler’s position within a movement that championed bold experimentation and emotional expression. However, his artistic career was hampered by temperament and an unwavering commitment to pursuing his vision independently—factors that contributed to personal difficulties and financial instability.
Gertler's oeuvre includes iconic pieces like “Still Life with Self Portrait,” which exemplifies his unique style—a masterful blend of Impressionistic influences and a deeply personal aesthetic. Other notable works encompass “Basket of Fruit,” “Peaches and Green Bottle,” and “Violin Case and Flowers,” each reflecting the artist’s meticulous attention to detail and evocative use of color.
Mark Gertler's life was marked by poignant contrasts—the brilliance of his artistic talent juxtaposed with the hardships of poverty and unfulfilled romantic aspirations. He passed away on June 23, 1939, leaving behind a legacy as one of Britain’s most distinctive painters.
Gertler found his final resting place at Willesden Jewish Cemetery, alongside numerous other prominent figures from London's cultural landscape—a testament to his enduring influence and contribution to the artistic heritage of the city.